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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 118 191 it is the complementary color RGB 221 137 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 118 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 118 191 shade: RGB 39 118 186, RGB 56 136 205, RGB 73 154 224, RGB 90 172 243 and RGB 107 190 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 118 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 118 191 shade: RGB 34 118 191, RGB 17 100 172, RGB 0 82 153, RGB 0 64 134 and RGB 0 46 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 118 191 shade: RGB 33 117 190, RGB 33 75 190, RGB 34 33 190, RGB 76 33 190 and RGB 119 33 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 118 191 shade: RGB 33 117 190, RGB 33 75 190 and RGB 33 33 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 118 191 shade matches the following richer shades: RGB 33 117 190 and RGB 15 118 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 118 191 shade: RGB 33 117 190, RGB 51 116 172, RGB 69 115 154, RGB 88 113 136 and RGB 106 112 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 118 191 shade: RGB 33 190 177, RGB 33 161 190, RGB 33 120 190, RGB 33 78 190 and RGB 33 36 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 118 191 shade: RGB 21 74 120, RGB 27 96 155, RGB 33 117 190, RGB 47 138 218 and RGB 82 158 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 118 191 shade: RGB 34 118 191, RGB 135 33 190 and RGB 182 190 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 118 191 shade: RGB 34 118 191, RGB 190 33 120 and RGB 120 190 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 118 191 shade: RGB 34 118 191, RGB 135 33 190, RGB 190 104 33 and RGB 88 190 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 118 191 shade: RGB 34 118 191, RGB 182 33 190, RGB 190 104 33 and RGB 41 190 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 38 / 0 / 25

HEX #2276BF

RGB 34 118 191

HSL 207.9, 0.7%, 0.44%

LAB 48.33, 1.86, -45.12

 

Complementary color

CMYK 0 / 38 / 71 / 13

HEX #DD8940

RGB 221 137 64

HSL 27.9, 0.7%, 0.56%

LAB 64.67, 26, 51.17

 

CMYK 79 / 37 / 0 / 27

HEX #2776BA

RGB 39 118 186

HSL 207.76, 0.65%, 0.44%

LAB 48.18, 0.48, -42.48

 

CMYK 73 / 34 / 0 / 20

HEX #3888CD

RGB 56 136 205

HSL 207.79, 0.6%, 0.51%

LAB 54.92, -1.27, -42.63

 

CMYK 67 / 31 / 0 / 12

HEX #499AE0

RGB 73 154 224

HSL 207.81, 0.71%, 0.58%

LAB 61.58, -2.65, -42.75

 

CMYK 63 / 29 / 0 / 5

HEX #5AACF3

RGB 90 172 243

HSL 207.84, 0.86%, 0.65%

LAB 68.13, -3.75, -42.86

 

CMYK 58 / 25 / 0 / 0

HEX #6BBEFF

RGB 107 190 255

HSL 206.35, 1%, 0.71%

LAB 74.3, -6.8, -39.67

 

CMYK 82 / 38 / 0 / 25

HEX #2276BF

RGB 34 118 191

HSL 207.9, 0.7%, 0.44%

LAB 48.33, 1.86, -45.12

 

CMYK 90 / 42 / 0 / 33

HEX #1164AC

RGB 17 100 172

HSL 207.87, 0.82%, 0.37%

LAB 41.55, 4.39, -44.89

 

CMYK 100 / 46 / 0 / 40

HEX #005299

RGB 0 82 153

HSL 207.84, 1%, 0.3%

LAB 34.67, 7.51, -44.61

 

CMYK 100 / 52 / 0 / 47

HEX #004086

RGB 0 64 134

HSL 211.34, 1%, 0.26%

LAB 27.81, 11.74, -44.04

 

CMYK 100 / 60 / 0 / 55

HEX #002E73

RGB 0 46 115

HSL 216, 1%, 0.23%

LAB 20.8, 16.34, -43.45

 

CMYK 83 / 38 / 0 / 25

HEX #2175BE

RGB 33 117 190

HSL 207.9, 0.7%, 0.44%

LAB 47.96, 2, -45.14

 

CMYK 83 / 61 / 0 / 25

HEX #214BBE

RGB 33 75 190

HSL 223.95, 0.7%, 0.44%

LAB 36.12, 29.17, -64.24

 

CMYK 82 / 83 / 0 / 25

HEX #2221BE

RGB 34 33 190

HSL 240.38, 0.7%, 0.44%

LAB 27.15, 53.92, -79.04

 

CMYK 60 / 83 / 0 / 25

HEX #4C21BE

RGB 76 33 190

HSL 256.43, 0.7%, 0.44%

LAB 30.26, 57.02, -73.78

 

CMYK 37 / 83 / 0 / 25

HEX #7721BE

RGB 119 33 190

HSL 272.87, 0.7%, 0.44%

LAB 35.45, 62.37, -65.05

 

CMYK 83 / 38 / 0 / 25

HEX #2175BE

RGB 33 117 190

HSL 207.9, 0.7%, 0.44%

LAB 47.96, 2, -45.14

 

CMYK 83 / 61 / 0 / 25

HEX #214BBE

RGB 33 75 190

HSL 223.95, 0.7%, 0.44%

LAB 36.12, 29.17, -64.24

 

CMYK 83 / 83 / 0 / 25

HEX #2121BE

RGB 33 33 190

HSL 240, 0.7%, 0.44%

LAB 27.1, 53.88, -79.12

 

CMYK 83 / 38 / 0 / 25

HEX #2175BE

RGB 33 117 190

HSL 207.9, 0.7%, 0.44%

LAB 47.96, 2, -45.14

 

CMYK 93 / 43 / 0 / 18

HEX #0F76D0

RGB 15 118 208

HSL 207.98, 0.87%, 0.44%

LAB 49.02, 7.18, -53.77

 

CMYK 83 / 38 / 0 / 25

HEX #2175BE

RGB 33 117 190

HSL 207.9, 0.7%, 0.44%

LAB 47.96, 2, -45.14

 

CMYK 70 / 33 / 0 / 33

HEX #3374AC

RGB 51 116 172

HSL 207.77, 0.54%, 0.44%

LAB 47.2, -1.87, -35.88

 

CMYK 55 / 25 / 0 / 40

HEX #45739A

RGB 69 115 154

HSL 207.53, 0.38%, 0.44%

LAB 46.79, -3.99, -25.91

 

CMYK 35 / 17 / 0 / 47

HEX #587188

RGB 88 113 136

HSL 208.75, 0.21%, 0.44%

LAB 46.53, -3.13, -15.56

 

CMYK 10 / 5 / 0 / 54

HEX #6A7076

RGB 106 112 118

HSL 210, 0.05%, 0.44%

LAB 46.92, -0.97, -4.11

 

CMYK 83 / 0 / 7 / 25

HEX #21BEB1

RGB 33 190 177

HSL 175.03, 0.7%, 0.44%

LAB 69.7, -40.81, -4.41

 

CMYK 83 / 15 / 0 / 25

HEX #21A1BE

RGB 33 161 190

HSL 191.08, 0.7%, 0.44%

LAB 61.25, -22.9, -24.36

 

CMYK 83 / 37 / 0 / 25

HEX #2178BE

RGB 33 120 190

HSL 206.75, 0.7%, 0.44%

LAB 48.85, 0.17, -43.72

 

CMYK 83 / 59 / 0 / 25

HEX #214EBE

RGB 33 78 190

HSL 222.8, 0.7%, 0.44%

LAB 36.91, 27.19, -62.95

 

CMYK 83 / 81 / 0 / 25

HEX #2124BE

RGB 33 36 190

HSL 238.85, 0.7%, 0.44%

LAB 27.58, 52.46, -78.32

 

CMYK 83 / 38 / 0 / 53

HEX #154A78

RGB 21 74 120

HSL 207.88, 0.7%, 0.28%

LAB 30.43, 0.58, -31.08

 

CMYK 83 / 38 / 0 / 39

HEX #1B609B

RGB 27 96 155

HSL 207.66, 0.7%, 0.36%

LAB 39.52, 0.98, -38.03

 

CMYK 83 / 38 / 0 / 25

HEX #2175BE

RGB 33 117 190

HSL 207.9, 0.7%, 0.44%

LAB 47.96, 2, -45.14

 

CMYK 78 / 37 / 0 / 15

HEX #2F8ADA

RGB 47 138 218

HSL 208.07, 0.7%, 0.52%

LAB 55.93, 1.15, -48.37

 

CMYK 63 / 29 / 0 / 12

HEX #529EE0

RGB 82 158 224

HSL 207.89, 0.7%, 0.6%

LAB 63.04, -3.44, -40.43

 

CMYK 82 / 38 / 0 / 25

HEX #2276BF

RGB 34 118 191

HSL 207.9, 0.7%, 0.44%

LAB 48.33, 1.86, -45.12

 

CMYK 29 / 83 / 0 / 25

HEX #8721BE

RGB 135 33 190

HSL 278.98, 0.7%, 0.44%

LAB 37.76, 64.81, -61.18

 

CMYK 4 / 0 / 83 / 25

HEX #B6BE21

RGB 182 190 33

HSL 63.06, 0.7%, 0.44%

LAB 74.11, -20.15, 69.94

 

CMYK 82 / 38 / 0 / 25

HEX #2276BF

RGB 34 118 191

HSL 207.9, 0.7%, 0.44%

LAB 48.33, 1.86, -45.12

 

CMYK 0 / 83 / 37 / 25

HEX #BE2178

RGB 190 33 120

HSL 326.75, 0.7%, 0.44%

LAB 43.35, 65.28, -9.49

 

CMYK 37 / 0 / 83 / 25

HEX #78BE21

RGB 120 190 33

HSL 86.75, 0.7%, 0.44%

LAB 70.13, -44.87, 64.92

 

CMYK 82 / 38 / 0 / 25

HEX #2276BF

RGB 34 118 191

HSL 207.9, 0.7%, 0.44%

LAB 48.33, 1.86, -45.12

 

CMYK 29 / 83 / 0 / 25

HEX #8721BE

RGB 135 33 190

HSL 278.98, 0.7%, 0.44%

LAB 37.76, 64.81, -61.18

 

CMYK 0 / 45 / 83 / 25

HEX #BE6821

RGB 190 104 33

HSL 27.13, 0.7%, 0.44%

LAB 52.9, 29.48, 51.82

 

CMYK 54 / 0 / 83 / 25

HEX #58BE21

RGB 88 190 33

HSL 98.98, 0.7%, 0.44%

LAB 68.76, -55.07, 63.17

 

CMYK 82 / 38 / 0 / 25

HEX #2276BF

RGB 34 118 191

HSL 207.9, 0.7%, 0.44%

LAB 48.33, 1.86, -45.12

 

CMYK 4 / 83 / 0 / 25

HEX #B621BE

RGB 182 33 190

HSL 296.94, 0.7%, 0.44%

LAB 45.29, 72.92, -48.65

 

CMYK 0 / 45 / 83 / 25

HEX #BE6821

RGB 190 104 33

HSL 27.13, 0.7%, 0.44%

LAB 52.9, 29.48, 51.82

 

CMYK 78 / 0 / 83 / 25

HEX #29BE21

RGB 41 190 33

HSL 116.94, 0.7%, 0.44%

LAB 67.58, -64.86, 61.67

 

Description

Color code: RGB 34 118 191 | qconv.com Color code: RGB 34 118 191 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 118 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 118 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 38 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 38% 0% 25% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Apex Finance Ltd | B...
Link: http://apexfinance.danielrbyrne.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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