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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 103 25 it is the complementary color RGB 221 152 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 103 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 103 25 shade: RGB 39 103 20, RGB 56 121 39, RGB 73 139 58, RGB 90 157 77 and RGB 107 175 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 103 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 103 25 shade: RGB 34 103 25, RGB 17 85 6, RGB 0 67 0, RGB 0 49 0 and RGB 0 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 103 25 shade: RGB 33 102 24, RGB 54 102 24, RGB 75 102 24, RGB 96 102 24 and RGB 102 87 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 103 25 shade: RGB 33 102 24, RGB 24 102 36, RGB 24 102 57, RGB 24 102 78 and RGB 24 102 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 103 25 shade matches the following richer shades: RGB 33 102 24, RGB 25 112 14 and RGB 17 123 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 103 25 shade: RGB 33 102 24, RGB 41 92 35, RGB 49 82 45, RGB 57 71 55 and RGB 65 61 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 103 25 shade: RGB 75 102 24, RGB 54 102 24, RGB 33 102 24, RGB 24 102 36 and RGB 24 102 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 103 25 shade: RGB 11 36 8, RGB 22 69 16, RGB 33 102 24, RGB 44 135 32 and RGB 55 169 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 103 25 shade: RGB 34 103 25, RGB 24 96 102 and RGB 102 24 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 103 25 shade: RGB 34 103 25, RGB 24 33 102 and RGB 102 24 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 103 25 shade: RGB 34 103 25, RGB 24 96 102, RGB 93 24 102 and RGB 102 31 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 103 25 shade: RGB 34 103 25, RGB 24 72 102, RGB 93 24 102 and RGB 102 54 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 76 / 60

HEX #226719

RGB 34 103 25

HSL 113.08, 0.61%, 0.25%

LAB 38.04, -37.39, 35.79

 

Complementary color

CMYK 4 / 34 / 0 / 10

HEX #DD98E6

RGB 221 152 230

HSL 293.08, 0.61%, 0.75%

LAB 71.92, 38.52, -29.15

 

CMYK 62 / 0 / 81 / 60

HEX #276714

RGB 39 103 20

HSL 106.27, 0.67%, 0.24%

LAB 38.17, -36.48, 37.94

 

CMYK 54 / 0 / 68 / 53

HEX #387927

RGB 56 121 39

HSL 107.56, 0.51%, 0.31%

LAB 45.17, -37.16, 37.44

 

CMYK 47 / 0 / 58 / 45

HEX #498B3A

RGB 73 139 58

HSL 108.89, 0.41%, 0.39%

LAB 52.05, -37.4, 36.34

 

CMYK 43 / 0 / 51 / 38

HEX #5A9D4D

RGB 90 157 77

HSL 110.25, 0.34%, 0.46%

LAB 58.81, -37.4, 35.08

 

CMYK 39 / 0 / 45 / 31

HEX #6BAF60

RGB 107 175 96

HSL 111.65, 0.33%, 0.53%

LAB 65.46, -37.28, 33.79

 

CMYK 67 / 0 / 76 / 60

HEX #226719

RGB 34 103 25

HSL 113.08, 0.61%, 0.25%

LAB 38.04, -37.39, 35.79

 

CMYK 80 / 0 / 93 / 67

HEX #115506

RGB 17 85 6

HSL 111.65, 0.87%, 0.18%

LAB 30.95, -35.82, 35.63

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 68 / 0 / 76 / 60

HEX #216618

RGB 33 102 24

HSL 113.08, 0.62%, 0.25%

LAB 37.65, -37.34, 35.79

 

CMYK 47 / 0 / 76 / 60

HEX #366618

RGB 54 102 24

HSL 96.92, 0.62%, 0.25%

LAB 38.47, -30.97, 36.89

 

CMYK 26 / 0 / 76 / 60

HEX #4B6618

RGB 75 102 24

HSL 80.77, 0.62%, 0.25%

LAB 39.69, -22.59, 38.51

 

CMYK 6 / 0 / 76 / 60

HEX #606618

RGB 96 102 24

HSL 64.62, 0.62%, 0.25%

LAB 41.3, -13.02, 40.64

 

CMYK 0 / 15 / 76 / 60

HEX #665718

RGB 102 87 24

HSL 48.46, 0.62%, 0.25%

LAB 37.31, -1.45, 36.95

 

CMYK 68 / 0 / 76 / 60

HEX #216618

RGB 33 102 24

HSL 113.08, 0.62%, 0.25%

LAB 37.65, -37.34, 35.79

 

CMYK 76 / 0 / 65 / 60

HEX #186624

RGB 24 102 36

HSL 129.23, 0.62%, 0.25%

LAB 37.53, -37.95, 30.07

 

CMYK 76 / 0 / 44 / 60

HEX #186639

RGB 24 102 57

HSL 145.38, 0.62%, 0.25%

LAB 37.83, -34.42, 18.92

 

CMYK 76 / 0 / 24 / 60

HEX #18664E

RGB 24 102 78

HSL 161.54, 0.62%, 0.25%

LAB 38.28, -29.47, 6.98

 

CMYK 76 / 0 / 3 / 60

HEX #186663

RGB 24 102 99

HSL 177.69, 0.62%, 0.25%

LAB 38.89, -23.3, -4.99

 

CMYK 68 / 0 / 76 / 60

HEX #216618

RGB 33 102 24

HSL 113.08, 0.62%, 0.25%

LAB 37.65, -37.34, 35.79

 

CMYK 78 / 0 / 88 / 56

HEX #19700E

RGB 25 112 14

HSL 113.27, 0.78%, 0.25%

LAB 40.94, -43.35, 42.35

 

CMYK 86 / 0 / 97 / 52

HEX #117B04

RGB 17 123 4

HSL 113.45, 0.94%, 0.25%

LAB 44.65, -48.54, 47.82

 

CMYK 68 / 0 / 76 / 60

HEX #216618

RGB 33 102 24

HSL 113.08, 0.62%, 0.25%

LAB 37.65, -37.34, 35.79

 

CMYK 55 / 0 / 62 / 64

HEX #295C23

RGB 41 92 35

HSL 113.68, 0.45%, 0.25%

LAB 34.49, -29.73, 27.22

 

CMYK 40 / 0 / 45 / 68

HEX #31522D

RGB 49 82 45

HSL 113.51, 0.29%, 0.25%

LAB 31.53, -20.58, 17.99

 

CMYK 20 / 0 / 23 / 72

HEX #394737

RGB 57 71 55

HSL 112.5, 0.13%, 0.25%

LAB 28.52, -9.28, 7.8

 

CMYK 2 / 8 / 0 / 74

HEX #413D42

RGB 65 61 66

HSL 288, 0.04%, 0.25%

LAB 26.32, 2.83, -2.45

 

CMYK 26 / 0 / 76 / 60

HEX #4B6618

RGB 75 102 24

HSL 80.77, 0.62%, 0.25%

LAB 39.69, -22.59, 38.51

 

CMYK 47 / 0 / 76 / 60

HEX #366618

RGB 54 102 24

HSL 96.92, 0.62%, 0.25%

LAB 38.47, -30.97, 36.89

 

CMYK 68 / 0 / 76 / 60

HEX #216618

RGB 33 102 24

HSL 113.08, 0.62%, 0.25%

LAB 37.65, -37.34, 35.79

 

CMYK 76 / 0 / 65 / 60

HEX #186624

RGB 24 102 36

HSL 129.23, 0.62%, 0.25%

LAB 37.53, -37.95, 30.07

 

CMYK 76 / 0 / 44 / 60

HEX #186639

RGB 24 102 57

HSL 145.38, 0.62%, 0.25%

LAB 37.83, -34.42, 18.92

 

CMYK 69 / 0 / 78 / 86

HEX #0B2408

RGB 11 36 8

HSL 113.57, 0.64%, 0.09%

LAB 11.62, -16.81, 13.64

 

CMYK 68 / 0 / 77 / 73

HEX #164510

RGB 22 69 16

HSL 113.21, 0.62%, 0.17%

LAB 25.15, -27.64, 26.23

 

CMYK 68 / 0 / 76 / 60

HEX #216618

RGB 33 102 24

HSL 113.08, 0.62%, 0.25%

LAB 37.65, -37.34, 35.79

 

CMYK 67 / 0 / 76 / 47

HEX #2C8720

RGB 44 135 32

HSL 113.01, 0.62%, 0.33%

LAB 49.46, -46.39, 44.7

 

CMYK 67 / 0 / 76 / 34

HEX #37A928

RGB 55 169 40

HSL 113.02, 0.62%, 0.41%

LAB 61.08, -55.33, 53.47

 

CMYK 67 / 0 / 76 / 60

HEX #226719

RGB 34 103 25

HSL 113.08, 0.61%, 0.25%

LAB 38.04, -37.39, 35.79

 

CMYK 76 / 6 / 0 / 60

HEX #186066

RGB 24 96 102

HSL 184.62, 0.62%, 0.25%

LAB 36.97, -19.14, -9.72

 

CMYK 0 / 76 / 36 / 60

HEX #661841

RGB 102 24 65

HSL 328.46, 0.62%, 0.25%

LAB 23.2, 38.19, -5.84

 

CMYK 67 / 0 / 76 / 60

HEX #226719

RGB 34 103 25

HSL 113.08, 0.61%, 0.25%

LAB 38.04, -37.39, 35.79

 

CMYK 76 / 68 / 0 / 60

HEX #182166

RGB 24 33 102

HSL 233.08, 0.62%, 0.25%

LAB 16.71, 22.45, -41.66

 

CMYK 0 / 76 / 68 / 60

HEX #661821

RGB 102 24 33

HSL 353.08, 0.62%, 0.25%

LAB 22.26, 35.06, 14.91

 

CMYK 67 / 0 / 76 / 60

HEX #226719

RGB 34 103 25

HSL 113.08, 0.61%, 0.25%

LAB 38.04, -37.39, 35.79

 

CMYK 76 / 6 / 0 / 60

HEX #186066

RGB 24 96 102

HSL 184.62, 0.62%, 0.25%

LAB 36.97, -19.14, -9.72

 

CMYK 9 / 76 / 0 / 60

HEX #5D1866

RGB 93 24 102

HSL 293.08, 0.62%, 0.25%

LAB 23.47, 41.81, -30.3

 

CMYK 0 / 70 / 76 / 60

HEX #661F18

RGB 102 31 24

HSL 5.38, 0.62%, 0.25%

LAB 23.24, 31.43, 22.08

 

CMYK 67 / 0 / 76 / 60

HEX #226719

RGB 34 103 25

HSL 113.08, 0.61%, 0.25%

LAB 38.04, -37.39, 35.79

 

CMYK 76 / 29 / 0 / 60

HEX #184866

RGB 24 72 102

HSL 203.08, 0.62%, 0.25%

LAB 28.87, -4.92, -22.16

 

CMYK 9 / 76 / 0 / 60

HEX #5D1866

RGB 93 24 102

HSL 293.08, 0.62%, 0.25%

LAB 23.47, 41.81, -30.3

 

CMYK 0 / 47 / 76 / 60

HEX #663618

RGB 102 54 24

HSL 23.08, 0.62%, 0.25%

LAB 28.19, 18.74, 27.57

 

Description

Color code: RGB 34 103 25 | qconv.com Color code: RGB 34 103 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 103 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 103 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 76 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 76% 60% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Herzlich Willkommen!
Link: http://www.gardinen-studio.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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