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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 85 238 it is the complementary color RGB 221 170 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 85 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 85 238 shade: RGB 39 85 233, RGB 56 103 252, RGB 73 121 255, RGB 90 139 255 and RGB 107 157 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 85 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 85 238 shade: RGB 34 85 238, RGB 17 67 219, RGB 0 49 200, RGB 0 31 181 and RGB 0 13 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 85 238 shade: RGB 32 83 238, RGB 36 32 238, RGB 91 32 238, RGB 147 32 238 and RGB 202 32 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 85 238 shade: RGB 32 83 238 and RGB 32 32 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 85 238 shade matches the following richer shades: RGB 32 83 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 85 238 shade: RGB 32 83 238, RGB 51 93 218, RGB 70 103 199, RGB 90 112 180 and RGB 109 122 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 85 238 shade: RGB 32 193 238, RGB 32 138 238, RGB 32 83 238, RGB 35 32 238 and RGB 90 32 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 85 238 shade: RGB 13 53 174, RGB 16 65 213, RGB 32 83 238, RGB 70 113 241 and RGB 108 142 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 85 238 shade: RGB 34 85 238, RGB 227 32 238 and RGB 166 238 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 85 238 shade: RGB 34 85 238, RGB 238 32 83 and RGB 83 238 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 85 238 shade: RGB 34 85 238, RGB 227 32 238, RGB 238 186 32 and RGB 42 238 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 85 238 shade: RGB 34 85 238, RGB 238 32 186, RGB 238 186 32 and RGB 32 238 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 64 / 0 / 7

HEX #2255EE

RGB 34 85 238

HSL 225, 0.86%, 0.53%

LAB 42.78, 40.74, -80.9

 

Complementary color

CMYK 0 / 23 / 92 / 13

HEX #DDAA11

RGB 221 170 17

HSL 45, 0.86%, 0.47%

LAB 72.34, 6.89, 73.27

 

CMYK 83 / 64 / 0 / 9

HEX #2755E9

RGB 39 85 233

HSL 225.77, 0.82%, 0.53%

LAB 42.48, 39.23, -78.57

 

CMYK 78 / 59 / 0 / 1

HEX #3867FC

RGB 56 103 252

HSL 225.61, 0.97%, 0.6%

LAB 48.97, 36.21, -78.57

 

CMYK 71 / 53 / 0 / 0

HEX #4979FF

RGB 73 121 255

HSL 224.18, 1%, 0.64%

LAB 54.36, 27.98, -71.44

 

CMYK 65 / 45 / 0 / 0

HEX #5A8BFF

RGB 90 139 255

HSL 222.18, 1%, 0.68%

LAB 59.76, 19.45, -62.69

 

CMYK 58 / 38 / 0 / 0

HEX #6B9DFF

RGB 107 157 255

HSL 219.73, 1%, 0.71%

LAB 65.33, 11.79, -53.77

 

CMYK 86 / 64 / 0 / 7

HEX #2255EE

RGB 34 85 238

HSL 225, 0.86%, 0.53%

LAB 42.78, 40.74, -80.9

 

CMYK 92 / 69 / 0 / 14

HEX #1143DB

RGB 17 67 219

HSL 225.15, 0.86%, 0.46%

LAB 36.46, 44.24, -80.52

 

CMYK 100 / 76 / 0 / 22

HEX #0031C8

RGB 0 49 200

HSL 225.3, 1%, 0.39%

LAB 30.32, 47.82, -79.68

 

CMYK 100 / 83 / 0 / 29

HEX #001FB5

RGB 0 31 181

HSL 229.72, 1%, 0.35%

LAB 24.69, 51.07, -77.8

 

CMYK 100 / 92 / 0 / 36

HEX #000DA2

RGB 0 13 162

HSL 235.19, 1%, 0.32%

LAB 19.62, 52.64, -74.78

 

CMYK 87 / 65 / 0 / 7

HEX #2053EE

RGB 32 83 238

HSL 225.15, 0.86%, 0.53%

LAB 42.26, 41.87, -81.76

 

CMYK 85 / 87 / 0 / 7

HEX #2420EE

RGB 36 32 238

HSL 241.17, 0.86%, 0.53%

LAB 33.09, 68.3, -96.93

 

CMYK 62 / 87 / 0 / 7

HEX #5B20EE

RGB 91 32 238

HSL 257.18, 0.86%, 0.53%

LAB 36.8, 71.11, -90.66

 

CMYK 38 / 87 / 0 / 7

HEX #9320EE

RGB 147 32 238

HSL 273.5, 0.86%, 0.53%

LAB 43.37, 76.7, -79.6

 

CMYK 15 / 87 / 0 / 7

HEX #CA20EE

RGB 202 32 238

HSL 289.51, 0.86%, 0.53%

LAB 51.57, 84.41, -65.89

 

CMYK 87 / 65 / 0 / 7

HEX #2053EE

RGB 32 83 238

HSL 225.15, 0.86%, 0.53%

LAB 42.26, 41.87, -81.76

 

CMYK 87 / 87 / 0 / 7

HEX #2020EE

RGB 32 32 238

HSL 240, 0.86%, 0.53%

LAB 32.95, 68.19, -97.17

 

CMYK 87 / 65 / 0 / 7

HEX #2053EE

RGB 32 83 238

HSL 225.15, 0.86%, 0.53%

LAB 42.26, 41.87, -81.76

 

CMYK 87 / 65 / 0 / 7

HEX #2053EE

RGB 32 83 238

HSL 225.15, 0.86%, 0.53%

LAB 42.26, 41.87, -81.76

 

CMYK 77 / 57 / 0 / 15

HEX #335DDA

RGB 51 93 218

HSL 224.91, 0.69%, 0.53%

LAB 43.65, 29.69, -68.12

 

CMYK 65 / 48 / 0 / 22

HEX #4667C7

RGB 70 103 199

HSL 224.65, 0.54%, 0.53%

LAB 45.81, 19.04, -53.7

 

CMYK 50 / 38 / 0 / 29

HEX #5A70B4

RGB 90 112 180

HSL 225.33, 0.38%, 0.53%

LAB 48.33, 11.16, -38.62

 

CMYK 32 / 24 / 0 / 37

HEX #6D7AA0

RGB 109 122 160

HSL 224.71, 0.21%, 0.53%

LAB 51.51, 4.48, -21.94

 

CMYK 87 / 19 / 0 / 7

HEX #20C1EE

RGB 32 193 238

HSL 193.11, 0.86%, 0.53%

LAB 72.64, -23.36, -33.22

 

CMYK 87 / 42 / 0 / 7

HEX #208AEE

RGB 32 138 238

HSL 209.13, 0.86%, 0.53%

LAB 56.74, 7.32, -58.25

 

CMYK 87 / 65 / 0 / 7

HEX #2053EE

RGB 32 83 238

HSL 225.15, 0.86%, 0.53%

LAB 42.26, 41.87, -81.76

 

CMYK 85 / 87 / 0 / 7

HEX #2320EE

RGB 35 32 238

HSL 240.87, 0.86%, 0.53%

LAB 33.06, 68.27, -96.99

 

CMYK 62 / 87 / 0 / 7

HEX #5A20EE

RGB 90 32 238

HSL 256.89, 0.86%, 0.53%

LAB 36.71, 71.04, -90.82

 

CMYK 93 / 70 / 0 / 32

HEX #0D35AE

RGB 13 53 174

HSL 225.09, 0.86%, 0.37%

LAB 28.61, 36.27, -67.11

 

CMYK 92 / 69 / 0 / 16

HEX #1041D5

RGB 16 65 213

HSL 225.08, 0.86%, 0.45%

LAB 35.39, 43.27, -78.83

 

CMYK 87 / 65 / 0 / 7

HEX #2053EE

RGB 32 83 238

HSL 225.15, 0.86%, 0.53%

LAB 42.26, 41.87, -81.76

 

CMYK 71 / 53 / 0 / 5

HEX #4671F1

RGB 70 113 241

HSL 224.91, 0.86%, 0.61%

LAB 51.22, 27.61, -68.75

 

CMYK 56 / 42 / 0 / 5

HEX #6C8EF3

RGB 108 142 243

HSL 224.89, 0.85%, 0.69%

LAB 60.79, 16.99, -54.4

 

CMYK 86 / 64 / 0 / 7

HEX #2255EE

RGB 34 85 238

HSL 225, 0.86%, 0.53%

LAB 42.78, 40.74, -80.9

 

CMYK 5 / 87 / 0 / 7

HEX #E320EE

RGB 227 32 238

HSL 296.8, 0.86%, 0.53%

LAB 55.62, 88.43, -59.16

 

CMYK 30 / 0 / 87 / 7

HEX #A6EE20

RGB 166 238 32

HSL 80.97, 0.86%, 0.53%

LAB 86.68, -48.44, 80.36

 

CMYK 86 / 64 / 0 / 7

HEX #2255EE

RGB 34 85 238

HSL 225, 0.86%, 0.53%

LAB 42.78, 40.74, -80.9

 

CMYK 0 / 87 / 65 / 7

HEX #EE2053

RGB 238 32 83

HSL 345.15, 0.86%, 0.53%

LAB 51.65, 74.6, 26.27

 

CMYK 65 / 0 / 87 / 7

HEX #53EE20

RGB 83 238 32

HSL 105.15, 0.86%, 0.53%

LAB 83.49, -72.51, 76.37

 

CMYK 86 / 64 / 0 / 7

HEX #2255EE

RGB 34 85 238

HSL 225, 0.86%, 0.53%

LAB 42.78, 40.74, -80.9

 

CMYK 5 / 87 / 0 / 7

HEX #E320EE

RGB 227 32 238

HSL 296.8, 0.86%, 0.53%

LAB 55.62, 88.43, -59.16

 

CMYK 0 / 22 / 87 / 7

HEX #EEBA20

RGB 238 186 32

HSL 44.85, 0.86%, 0.53%

LAB 78.11, 6.1, 75.54

 

CMYK 82 / 0 / 87 / 7

HEX #2AEE20

RGB 42 238 32

HSL 117.09, 0.86%, 0.53%

LAB 82.78, -78.69, 75.47

 

CMYK 86 / 64 / 0 / 7

HEX #2255EE

RGB 34 85 238

HSL 225, 0.86%, 0.53%

LAB 42.78, 40.74, -80.9

 

CMYK 0 / 87 / 22 / 7

HEX #EE20BA

RGB 238 32 186

HSL 315.15, 0.86%, 0.53%

LAB 54.82, 83.4, -30.63

 

CMYK 0 / 22 / 87 / 7

HEX #EEBA20

RGB 238 186 32

HSL 44.85, 0.86%, 0.53%

LAB 78.11, 6.1, 75.54

 

CMYK 87 / 0 / 65 / 7

HEX #20EE53

RGB 32 238 83

HSL 134.85, 0.86%, 0.53%

LAB 82.96, -76.07, 59.96

 

Description

Color code: RGB 34 85 238 | qconv.com Color code: RGB 34 85 238 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 85 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 85 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 64 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 64% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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