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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 206 165 it is the complementary color RGB 218 49 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 206 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 206 165 shade: RGB 42 206 160, RGB 59 224 179, RGB 76 242 198, RGB 93 255 217 and RGB 110 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 206 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 206 165 shade: RGB 37 206 165, RGB 20 188 146, RGB 3 170 127, RGB 0 152 108 and RGB 0 134 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 206 165 shade: RGB 36 208 166, RGB 36 208 120, RGB 36 208 74, RGB 45 208 36 and RGB 91 208 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 206 165 shade: RGB 36 208 166, RGB 36 203 208, RGB 36 157 208, RGB 36 111 208 and RGB 36 64 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 206 165 shade matches the following richer shades: RGB 36 208 166 and RGB 16 227 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 206 165 shade: RGB 36 208 166, RGB 56 188 156, RGB 76 168 146, RGB 96 148 135 and RGB 115 128 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 206 165 shade: RGB 36 208 73, RGB 36 208 119, RGB 36 208 165, RGB 36 205 208 and RGB 36 159 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 206 165 shade: RGB 24 137 110, RGB 30 173 138, RGB 36 208 166, RGB 64 221 183 and RGB 99 227 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 206 165 shade: RGB 37 206 165, RGB 36 45 208 and RGB 208 96 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 206 165 shade: RGB 37 206 165, RGB 165 36 208 and RGB 208 165 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 206 165 shade: RGB 37 206 165, RGB 36 45 208, RGB 208 36 79 and RGB 208 199 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 206 165 shade: RGB 37 206 165, RGB 79 36 208, RGB 208 36 79 and RGB 165 208 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 20 / 19

HEX #25CEA5

RGB 37 206 165

HSL 165.44, 0.7%, 0.48%

LAB 74.35, -50.43, 8.87

 

Complementary color

CMYK 0 / 78 / 59 / 15

HEX #DA315A

RGB 218 49 90

HSL 345.44, 0.7%, 0.52%

LAB 49.3, 65.84, 18.22

 

CMYK 80 / 0 / 22 / 19

HEX #2ACEA0

RGB 42 206 160

HSL 163.17, 0.66%, 0.49%

LAB 74.3, -51.19, 11.48

 

CMYK 74 / 0 / 20 / 12

HEX #3BE0B3

RGB 59 224 179

HSL 163.64, 0.73%, 0.55%

LAB 80.46, -52.02, 10.16

 

CMYK 69 / 0 / 18 / 5

HEX #4CF2C6

RGB 76 242 198

HSL 164.1, 0.86%, 0.62%

LAB 86.56, -52.6, 8.95

 

CMYK 64 / 0 / 15 / 0

HEX #5DFFD9

RGB 93 255 217

HSL 165.93, 1%, 0.68%

LAB 91.17, -50.92, 5.76

 

CMYK 57 / 0 / 7 / 0

HEX #6EFFEC

RGB 110 255 236

HSL 172.14, 1%, 0.72%

LAB 92.08, -43.42, -2.69

 

CMYK 82 / 0 / 20 / 19

HEX #25CEA5

RGB 37 206 165

HSL 165.44, 0.7%, 0.48%

LAB 74.35, -50.43, 8.87

 

CMYK 89 / 0 / 22 / 26

HEX #14BC92

RGB 20 188 146

HSL 165, 0.81%, 0.41%

LAB 68.16, -49.12, 10.32

 

CMYK 98 / 0 / 25 / 33

HEX #03AA7F

RGB 3 170 127

HSL 164.55, 0.97%, 0.34%

LAB 61.91, -47.41, 11.92

 

CMYK 100 / 0 / 29 / 40

HEX #00986C

RGB 0 152 108

HSL 162.63, 1%, 0.3%

LAB 55.62, -45.07, 13.73

 

CMYK 100 / 0 / 34 / 47

HEX #008659

RGB 0 134 89

HSL 159.85, 1%, 0.26%

LAB 49.22, -42.51, 15.67

 

CMYK 83 / 0 / 20 / 18

HEX #24D0A6

RGB 36 208 166

HSL 165.35, 0.7%, 0.48%

LAB 74.98, -51.08, 9.22

 

CMYK 83 / 0 / 42 / 18

HEX #24D078

RGB 36 208 120

HSL 149.3, 0.7%, 0.48%

LAB 74.09, -60.96, 32.2

 

CMYK 83 / 0 / 64 / 18

HEX #24D04A

RGB 36 208 74

HSL 133.26, 0.7%, 0.48%

LAB 73.53, -67.63, 53.27

 

CMYK 78 / 0 / 83 / 18

HEX #2DD024

RGB 45 208 36

HSL 116.86, 0.7%, 0.48%

LAB 73.41, -69.57, 66.25

 

CMYK 56 / 0 / 83 / 18

HEX #5BD024

RGB 91 208 36

HSL 100.81, 0.7%, 0.48%

LAB 74.49, -60.57, 67.62

 

CMYK 83 / 0 / 20 / 18

HEX #24D0A6

RGB 36 208 166

HSL 165.35, 0.7%, 0.48%

LAB 74.98, -51.08, 9.22

 

CMYK 83 / 2 / 0 / 18

HEX #24CBD0

RGB 36 203 208

HSL 181.74, 0.7%, 0.48%

LAB 74.6, -37.43, -14

 

CMYK 83 / 25 / 0 / 18

HEX #249DD0

RGB 36 157 208

HSL 197.79, 0.7%, 0.48%

LAB 60.82, -14.35, -35.09

 

CMYK 83 / 47 / 0 / 18

HEX #246FD0

RGB 36 111 208

HSL 213.84, 0.7%, 0.48%

LAB 47.36, 12.93, -56.42

 

CMYK 83 / 69 / 0 / 18

HEX #2440D0

RGB 36 64 208

HSL 230.23, 0.7%, 0.48%

LAB 35.19, 43.05, -76.25

 

CMYK 83 / 0 / 20 / 18

HEX #24D0A6

RGB 36 208 166

HSL 165.35, 0.7%, 0.48%

LAB 74.98, -51.08, 9.22

 

CMYK 93 / 0 / 22 / 11

HEX #10E3B0

RGB 16 227 176

HSL 165.5, 0.87%, 0.48%

LAB 80.84, -57.27, 12.22

 

CMYK 83 / 0 / 20 / 18

HEX #24D0A6

RGB 36 208 166

HSL 165.35, 0.7%, 0.48%

LAB 74.98, -51.08, 9.22

 

CMYK 70 / 0 / 17 / 26

HEX #38BC9C

RGB 56 188 156

HSL 165.45, 0.54%, 0.48%

LAB 68.9, -42.99, 5.98

 

CMYK 55 / 0 / 13 / 34

HEX #4CA892

RGB 76 168 146

HSL 165.65, 0.38%, 0.48%

LAB 63.03, -32.84, 3.1

 

CMYK 35 / 0 / 9 / 42

HEX #609487

RGB 96 148 135

HSL 165, 0.21%, 0.48%

LAB 57.48, -20.38, 1.37

 

CMYK 10 / 0 / 2 / 50

HEX #73807D

RGB 115 128 125

HSL 166.15, 0.05%, 0.48%

LAB 52.47, -5.4, -0.01

 

CMYK 83 / 0 / 65 / 18

HEX #24D049

RGB 36 208 73

HSL 132.91, 0.7%, 0.48%

LAB 73.52, -67.73, 53.68

 

CMYK 83 / 0 / 43 / 18

HEX #24D077

RGB 36 208 119

HSL 148.95, 0.7%, 0.48%

LAB 74.07, -61.14, 32.69

 

CMYK 83 / 0 / 21 / 18

HEX #24D0A5

RGB 36 208 165

HSL 165, 0.7%, 0.48%

LAB 74.95, -51.32, 9.72

 

CMYK 83 / 1 / 0 / 18

HEX #24CDD0

RGB 36 205 208

HSL 181.05, 0.7%, 0.48%

LAB 75.2, -38.35, -13.1

 

CMYK 83 / 24 / 0 / 18

HEX #249FD0

RGB 36 159 208

HSL 197.09, 0.7%, 0.48%

LAB 61.42, -15.44, -34.16

 

CMYK 82 / 0 / 20 / 46

HEX #18896E

RGB 24 137 110

HSL 165.66, 0.7%, 0.32%

LAB 50.93, -36.72, 6

 

CMYK 83 / 0 / 20 / 32

HEX #1EAD8A

RGB 30 173 138

HSL 165.31, 0.7%, 0.4%

LAB 63.34, -44.26, 7.87

 

CMYK 83 / 0 / 20 / 18

HEX #24D0A6

RGB 36 208 166

HSL 165.35, 0.7%, 0.48%

LAB 74.98, -51.08, 9.22

 

CMYK 71 / 0 / 17 / 13

HEX #40DDB7

RGB 64 221 183

HSL 165.48, 0.7%, 0.56%

LAB 79.74, -49.18, 7.03

 

CMYK 56 / 0 / 14 / 11

HEX #63E3C4

RGB 99 227 196

HSL 165.47, 0.7%, 0.64%

LAB 82.69, -42.8, 4.5

 

CMYK 82 / 0 / 20 / 19

HEX #25CEA5

RGB 37 206 165

HSL 165.44, 0.7%, 0.48%

LAB 74.35, -50.43, 8.87

 

CMYK 83 / 78 / 0 / 18

HEX #242DD0

RGB 36 45 208

HSL 236.86, 0.7%, 0.48%

LAB 31.36, 53.81, -82.58

 

CMYK 0 / 54 / 83 / 18

HEX #D06024

RGB 208 96 36

HSL 20.93, 0.7%, 0.48%

LAB 53.92, 40.97, 52.51

 

CMYK 82 / 0 / 20 / 19

HEX #25CEA5

RGB 37 206 165

HSL 165.44, 0.7%, 0.48%

LAB 74.35, -50.43, 8.87

 

CMYK 21 / 83 / 0 / 18

HEX #A524D0

RGB 165 36 208

HSL 285, 0.7%, 0.48%

LAB 43.97, 72.36, -61.38

 

CMYK 0 / 21 / 83 / 18

HEX #D0A524

RGB 208 165 36

HSL 45, 0.7%, 0.48%

LAB 69.79, 4.25, 66.37

 

CMYK 82 / 0 / 20 / 19

HEX #25CEA5

RGB 37 206 165

HSL 165.44, 0.7%, 0.48%

LAB 74.35, -50.43, 8.87

 

CMYK 83 / 78 / 0 / 18

HEX #242DD0

RGB 36 45 208

HSL 236.86, 0.7%, 0.48%

LAB 31.36, 53.81, -82.58

 

CMYK 0 / 83 / 62 / 18

HEX #D0244F

RGB 208 36 79

HSL 345, 0.7%, 0.48%

LAB 45.96, 65.86, 20.16

 

CMYK 0 / 4 / 83 / 18

HEX #D0C724

RGB 208 199 36

HSL 56.86, 0.7%, 0.48%

LAB 78.69, -13.43, 73.92

 

CMYK 82 / 0 / 20 / 19

HEX #25CEA5

RGB 37 206 165

HSL 165.44, 0.7%, 0.48%

LAB 74.35, -50.43, 8.87

 

CMYK 62 / 83 / 0 / 18

HEX #4F24D0

RGB 79 36 208

HSL 255, 0.7%, 0.48%

LAB 32.87, 60.99, -79.99

 

CMYK 0 / 83 / 62 / 18

HEX #D0244F

RGB 208 36 79

HSL 345, 0.7%, 0.48%

LAB 45.96, 65.86, 20.16

 

CMYK 21 / 0 / 83 / 18

HEX #A5D024

RGB 165 208 36

HSL 75, 0.7%, 0.48%

LAB 78.02, -35.64, 72.1

 

Description

Color code: RGB 37 206 165 | qconv.com Color code: RGB 37 206 165 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 206 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 206 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 20 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 20% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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