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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 167 226 it is the complementary color RGB 218 88 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 167 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 167 226 shade: RGB 42 167 221, RGB 59 185 240, RGB 76 203 255, RGB 93 221 255 and RGB 110 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 167 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 167 226 shade: RGB 37 167 226, RGB 20 149 207, RGB 3 131 188, RGB 0 113 169 and RGB 0 95 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 167 226 shade: RGB 38 168 226, RGB 38 117 226, RGB 38 66 226, RGB 61 38 226 and RGB 112 38 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 167 226 shade: RGB 38 168 226, RGB 38 117 226, RGB 38 66 226 and RGB 38 38 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 167 226 shade matches the following richer shades: RGB 38 168 226 and RGB 18 175 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 167 226 shade: RGB 38 168 226, RGB 58 160 207, RGB 77 153 187, RGB 97 145 167 and RGB 117 138 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 167 226 shade: RGB 38 226 182, RGB 38 220 226, RGB 38 170 226, RGB 38 120 226 and RGB 38 69 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 167 226 shade: RGB 21 117 161, RGB 25 144 198, RGB 38 168 226, RGB 74 182 231 and RGB 111 197 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 167 226 shade: RGB 37 167 226, RGB 132 38 226 and RGB 226 207 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 167 226 shade: RGB 37 167 226, RGB 226 38 170 and RGB 170 226 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 167 226 shade: RGB 37 167 226, RGB 132 38 226, RGB 226 94 38 and RGB 132 226 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 167 226 shade: RGB 37 167 226, RGB 189 38 226, RGB 226 94 38 and RGB 76 226 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 26 / 0 / 11

HEX #25A7E2

RGB 37 167 226

HSL 198.73, 0.77%, 0.52%

LAB 64.58, -13.42, -39.2

 

Complementary color

CMYK 0 / 60 / 87 / 15

HEX #DA581D

RGB 218 88 29

HSL 18.73, 0.77%, 0.48%

LAB 54, 48.37, 56

 

CMYK 81 / 24 / 0 / 13

HEX #2AA7DD

RGB 42 167 221

HSL 198.1, 0.72%, 0.52%

LAB 64.44, -14.74, -36.65

 

CMYK 75 / 23 / 0 / 6

HEX #3BB9F0

RGB 59 185 240

HSL 198.23, 0.86%, 0.59%

LAB 70.82, -16.23, -37.1

 

CMYK 70 / 20 / 0 / 0

HEX #4CCBFF

RGB 76 203 255

HSL 197.43, 1%, 0.65%

LAB 76.96, -18.7, -35.61

 

CMYK 64 / 13 / 0 / 0

HEX #5DDDFF

RGB 93 221 255

HSL 192.59, 1%, 0.68%

LAB 82.52, -25.32, -27.03

 

CMYK 57 / 6 / 0 / 0

HEX #6EEFFF

RGB 110 239 255

HSL 186.62, 1%, 0.72%

LAB 88.1, -31.17, -18.52

 

CMYK 84 / 26 / 0 / 11

HEX #25A7E2

RGB 37 167 226

HSL 198.73, 0.77%, 0.52%

LAB 64.58, -13.42, -39.2

 

CMYK 90 / 28 / 0 / 19

HEX #1495CF

RGB 20 149 207

HSL 198.61, 0.82%, 0.45%

LAB 58.18, -11.36, -38.68

 

CMYK 98 / 30 / 0 / 26

HEX #0383BC

RGB 3 131 188

HSL 198.49, 0.97%, 0.37%

LAB 51.7, -8.85, -38.09

 

CMYK 100 / 33 / 0 / 34

HEX #0071A9

RGB 0 113 169

HSL 199.88, 1%, 0.33%

LAB 45.19, -5.68, -37.36

 

CMYK 100 / 37 / 0 / 41

HEX #005F96

RGB 0 95 150

HSL 202, 1%, 0.29%

LAB 38.53, -2.2, -36.64

 

CMYK 83 / 26 / 0 / 11

HEX #26A8E2

RGB 38 168 226

HSL 198.51, 0.76%, 0.52%

LAB 64.89, -13.89, -38.72

 

CMYK 83 / 48 / 0 / 11

HEX #2675E2

RGB 38 117 226

HSL 214.79, 0.76%, 0.52%

LAB 50.25, 16.19, -61.98

 

CMYK 83 / 71 / 0 / 11

HEX #2642E2

RGB 38 66 226

HSL 231.06, 0.76%, 0.52%

LAB 37.48, 48.26, -82.82

 

CMYK 73 / 83 / 0 / 11

HEX #3D26E2

RGB 61 38 226

HSL 247.34, 0.76%, 0.52%

LAB 33.71, 63.78, -89.03

 

CMYK 50 / 83 / 0 / 11

HEX #7026E2

RGB 112 38 226

HSL 263.62, 0.76%, 0.52%

LAB 38.41, 68.22, -81.09

 

CMYK 83 / 26 / 0 / 11

HEX #26A8E2

RGB 38 168 226

HSL 198.51, 0.76%, 0.52%

LAB 64.89, -13.89, -38.72

 

CMYK 83 / 48 / 0 / 11

HEX #2675E2

RGB 38 117 226

HSL 214.79, 0.76%, 0.52%

LAB 50.25, 16.19, -61.98

 

CMYK 83 / 71 / 0 / 11

HEX #2642E2

RGB 38 66 226

HSL 231.06, 0.76%, 0.52%

LAB 37.48, 48.26, -82.82

 

CMYK 83 / 83 / 0 / 11

HEX #2626E2

RGB 38 38 226

HSL 240, 0.76%, 0.52%

LAB 32.46, 62.65, -91.14

 

CMYK 83 / 26 / 0 / 11

HEX #26A8E2

RGB 38 168 226

HSL 198.51, 0.76%, 0.52%

LAB 64.89, -13.89, -38.72

 

CMYK 93 / 29 / 0 / 4

HEX #12AFF6

RGB 18 175 246

HSL 198.68, 0.93%, 0.52%

LAB 67.61, -11.77, -45.42

 

CMYK 83 / 26 / 0 / 11

HEX #26A8E2

RGB 38 168 226

HSL 198.51, 0.76%, 0.52%

LAB 64.89, -13.89, -38.72

 

CMYK 72 / 23 / 0 / 19

HEX #3AA0CF

RGB 58 160 207

HSL 198.93, 0.61%, 0.52%

LAB 62.12, -13.93, -32.47

 

CMYK 59 / 18 / 0 / 27

HEX #4D99BB

RGB 77 153 187

HSL 198.55, 0.45%, 0.52%

LAB 59.84, -13.44, -24.74

 

CMYK 42 / 13 / 0 / 35

HEX #6191A7

RGB 97 145 167

HSL 198.86, 0.28%, 0.52%

LAB 57.64, -10.27, -16.68

 

CMYK 20 / 6 / 0 / 42

HEX #758A93

RGB 117 138 147

HSL 198, 0.12%, 0.52%

LAB 56.15, -5.45, -7.32

 

CMYK 83 / 0 / 19 / 11

HEX #26E2B6

RGB 38 226 182

HSL 165.96, 0.76%, 0.52%

LAB 80.84, -54.19, 9.08

 

CMYK 83 / 3 / 0 / 11

HEX #26DCE2

RGB 38 220 226

HSL 181.91, 0.76%, 0.52%

LAB 80.23, -39.72, -15.2

 

CMYK 83 / 25 / 0 / 11

HEX #26AAE2

RGB 38 170 226

HSL 197.87, 0.76%, 0.52%

LAB 65.48, -14.97, -37.8

 

CMYK 83 / 47 / 0 / 11

HEX #2678E2

RGB 38 120 226

HSL 213.83, 0.76%, 0.52%

LAB 51.08, 14.3, -60.64

 

CMYK 83 / 69 / 0 / 11

HEX #2645E2

RGB 38 69 226

HSL 230.11, 0.76%, 0.52%

LAB 38.13, 46.49, -81.75

 

CMYK 87 / 27 / 0 / 37

HEX #1575A1

RGB 21 117 161

HSL 198.86, 0.77%, 0.36%

LAB 46.25, -10.03, -30.98

 

CMYK 87 / 27 / 0 / 22

HEX #1990C6

RGB 25 144 198

HSL 198.73, 0.78%, 0.44%

LAB 56.32, -11.53, -36.52

 

CMYK 83 / 26 / 0 / 11

HEX #26A8E2

RGB 38 168 226

HSL 198.51, 0.76%, 0.52%

LAB 64.89, -13.89, -38.72

 

CMYK 68 / 21 / 0 / 9

HEX #4AB6E7

RGB 74 182 231

HSL 198.73, 0.77%, 0.6%

LAB 69.95, -15.63, -33.52

 

CMYK 53 / 17 / 0 / 7

HEX #6FC5EC

RGB 111 197 236

HSL 198.72, 0.77%, 0.68%

LAB 75.68, -15.36, -27.3

 

CMYK 84 / 26 / 0 / 11

HEX #25A7E2

RGB 37 167 226

HSL 198.73, 0.77%, 0.52%

LAB 64.58, -13.42, -39.2

 

CMYK 42 / 83 / 0 / 11

HEX #8426E2

RGB 132 38 226

HSL 270, 0.76%, 0.52%

LAB 40.87, 70.63, -76.97

 

CMYK 0 / 8 / 83 / 11

HEX #E2CF26

RGB 226 207 38

HSL 53.94, 0.76%, 0.52%

LAB 82.34, -9.71, 77.13

 

CMYK 84 / 26 / 0 / 11

HEX #25A7E2

RGB 37 167 226

HSL 198.73, 0.77%, 0.52%

LAB 64.58, -13.42, -39.2

 

CMYK 0 / 83 / 25 / 11

HEX #E226AA

RGB 226 38 170

HSL 317.87, 0.76%, 0.52%

LAB 52.35, 77.92, -25.28

 

CMYK 25 / 0 / 83 / 11

HEX #AAE226

RGB 170 226 38

HSL 77.87, 0.76%, 0.52%

LAB 83.48, -41.66, 76.48

 

CMYK 84 / 26 / 0 / 11

HEX #25A7E2

RGB 37 167 226

HSL 198.73, 0.77%, 0.52%

LAB 64.58, -13.42, -39.2

 

CMYK 42 / 83 / 0 / 11

HEX #8426E2

RGB 132 38 226

HSL 270, 0.76%, 0.52%

LAB 40.87, 70.63, -76.97

 

CMYK 0 / 58 / 83 / 11

HEX #E25E26

RGB 226 94 38

HSL 17.87, 0.76%, 0.52%

LAB 56.4, 48.74, 54.95

 

CMYK 42 / 0 / 83 / 11

HEX #84E226

RGB 132 226 38

HSL 90, 0.76%, 0.52%

LAB 81.53, -55.11, 74.02

 

CMYK 84 / 26 / 0 / 11

HEX #25A7E2

RGB 37 167 226

HSL 198.73, 0.77%, 0.52%

LAB 64.58, -13.42, -39.2

 

CMYK 16 / 83 / 0 / 11

HEX #BD26E2

RGB 189 38 226

HSL 288.19, 0.76%, 0.52%

LAB 49.13, 79.05, -63.16

 

CMYK 0 / 58 / 83 / 11

HEX #E25E26

RGB 226 94 38

HSL 17.87, 0.76%, 0.52%

LAB 56.4, 48.74, 54.95

 

CMYK 66 / 0 / 83 / 11

HEX #4CE226

RGB 76 226 38

HSL 107.87, 0.76%, 0.52%

LAB 79.65, -69.88, 71.64

 

Description

Color code: RGB 37 167 226 | qconv.com Color code: RGB 37 167 226 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 167 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 167 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 26 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 26% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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