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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 131 178 it is the complementary color RGB 218 124 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 131 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 131 178 shade: RGB 42 131 173, RGB 59 149 192, RGB 76 167 211, RGB 93 185 230 and RGB 110 203 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 131 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 131 178 shade: RGB 37 131 178, RGB 20 113 159, RGB 3 95 140, RGB 0 77 121 and RGB 0 59 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 131 178 shade: RGB 36 130 177, RGB 36 92 177, RGB 36 54 177, RGB 56 36 177 and RGB 94 36 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 131 178 shade: RGB 36 130 177, RGB 36 92 177, RGB 36 54 177 and RGB 36 36 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 131 178 shade matches the following richer shades: RGB 36 130 177, RGB 19 136 195 and RGB 1 142 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 131 178 shade: RGB 36 130 177, RGB 53 124 160, RGB 71 119 143, RGB 88 113 125 and RGB 105 107 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 131 178 shade: RGB 36 177 149, RGB 36 168 177, RGB 36 130 177, RGB 36 92 177 and RGB 36 55 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 131 178 shade: RGB 22 80 109, RGB 29 105 143, RGB 36 130 177, RGB 43 155 211 and RGB 77 171 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 131 178 shade: RGB 37 131 178, RGB 111 36 177 and RGB 177 168 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 131 178 shade: RGB 37 131 178, RGB 177 36 130 and RGB 130 177 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 131 178 shade: RGB 37 131 178, RGB 111 36 177, RGB 177 83 36 and RGB 102 177 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 131 178 shade: RGB 37 131 178, RGB 154 36 177, RGB 177 83 36 and RGB 59 177 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 26 / 0 / 30

HEX #2583B2

RGB 37 131 178

HSL 200, 0.66%, 0.42%

LAB 51.66, -10.38, -32.39

 

Complementary color

CMYK 0 / 43 / 65 / 15

HEX #DA7C4D

RGB 218 124 77

HSL 20, 0.66%, 0.58%

LAB 61.53, 32.41, 41.07

 

CMYK 76 / 24 / 0 / 32

HEX #2A83AD

RGB 42 131 173

HSL 199.24, 0.61%, 0.42%

LAB 51.54, -11.57, -29.67

 

CMYK 69 / 22 / 0 / 25

HEX #3B95C0

RGB 59 149 192

HSL 199.4, 0.53%, 0.49%

LAB 58.26, -12.77, -30.06

 

CMYK 64 / 21 / 0 / 17

HEX #4CA7D3

RGB 76 167 211

HSL 199.56, 0.61%, 0.56%

LAB 64.86, -13.67, -30.4

 

CMYK 60 / 20 / 0 / 10

HEX #5DB9E6

RGB 93 185 230

HSL 199.71, 0.73%, 0.63%

LAB 71.38, -14.37, -30.72

 

CMYK 56 / 18 / 0 / 2

HEX #6ECBF9

RGB 110 203 249

HSL 199.86, 0.92%, 0.7%

LAB 77.8, -14.93, -31.03

 

CMYK 79 / 26 / 0 / 30

HEX #2583B2

RGB 37 131 178

HSL 200, 0.66%, 0.42%

LAB 51.66, -10.38, -32.39

 

CMYK 87 / 29 / 0 / 38

HEX #14719F

RGB 20 113 159

HSL 199.86, 0.78%, 0.35%

LAB 44.89, -8.51, -31.94

 

CMYK 98 / 32 / 0 / 45

HEX #035F8C

RGB 3 95 140

HSL 199.71, 0.96%, 0.28%

LAB 38.02, -6.09, -31.41

 

CMYK 100 / 36 / 0 / 53

HEX #004D79

RGB 0 77 121

HSL 201.82, 1%, 0.24%

LAB 31.09, -2.72, -30.69

 

CMYK 100 / 42 / 0 / 60

HEX #003B66

RGB 0 59 102

HSL 205.29, 1%, 0.2%

LAB 23.96, 1.14, -29.97

 

CMYK 80 / 27 / 0 / 31

HEX #2482B1

RGB 36 130 177

HSL 200, 0.66%, 0.42%

LAB 51.28, -10.27, -32.4

 

CMYK 80 / 48 / 0 / 31

HEX #245CB1

RGB 36 92 177

HSL 216.17, 0.66%, 0.42%

LAB 39.92, 13.16, -50.43

 

CMYK 80 / 69 / 0 / 31

HEX #2436B1

RGB 36 54 177

HSL 232.34, 0.66%, 0.42%

LAB 29.88, 38.14, -66.79

 

CMYK 68 / 80 / 0 / 31

HEX #3824B1

RGB 56 36 177

HSL 248.51, 0.66%, 0.42%

LAB 27.51, 50.05, -70.66

 

CMYK 47 / 80 / 0 / 31

HEX #5E24B1

RGB 94 36 177

HSL 264.68, 0.66%, 0.42%

LAB 31.38, 54.58, -64.14

 

CMYK 80 / 27 / 0 / 31

HEX #2482B1

RGB 36 130 177

HSL 200, 0.66%, 0.42%

LAB 51.28, -10.27, -32.4

 

CMYK 80 / 48 / 0 / 31

HEX #245CB1

RGB 36 92 177

HSL 216.17, 0.66%, 0.42%

LAB 39.92, 13.16, -50.43

 

CMYK 80 / 69 / 0 / 31

HEX #2436B1

RGB 36 54 177

HSL 232.34, 0.66%, 0.42%

LAB 29.88, 38.14, -66.79

 

CMYK 80 / 80 / 0 / 31

HEX #2424B1

RGB 36 36 177

HSL 240, 0.66%, 0.42%

LAB 26.19, 48.5, -72.89

 

CMYK 80 / 27 / 0 / 31

HEX #2482B1

RGB 36 130 177

HSL 200, 0.66%, 0.42%

LAB 51.28, -10.27, -32.4

 

CMYK 90 / 30 / 0 / 24

HEX #1388C3

RGB 19 136 195

HSL 200.11, 0.82%, 0.42%

LAB 53.69, -8.44, -38.94

 

CMYK 100 / 33 / 0 / 17

HEX #018ED4

RGB 1 142 212

HSL 199.91, 0.99%, 0.42%

LAB 56.19, -6.2, -44.62

 

CMYK 80 / 27 / 0 / 31

HEX #2482B1

RGB 36 130 177

HSL 200, 0.66%, 0.42%

LAB 51.28, -10.27, -32.4

 

CMYK 67 / 23 / 0 / 37

HEX #357CA0

RGB 53 124 160

HSL 200.19, 0.5%, 0.42%

LAB 49.14, -10.46, -25.83

 

CMYK 50 / 17 / 0 / 44

HEX #47778F

RGB 71 119 143

HSL 200, 0.34%, 0.42%

LAB 47.64, -9.31, -18.1

 

CMYK 30 / 10 / 0 / 51

HEX #58717D

RGB 88 113 125

HSL 199.46, 0.17%, 0.42%

LAB 46.13, -6.09, -9.61

 

CMYK 3 / 1 / 0 / 58

HEX #696B6C

RGB 105 107 108

HSL 200, 0.01%, 0.42%

LAB 45.08, -0.56, -0.83

 

CMYK 80 / 0 / 16 / 31

HEX #24B195

RGB 36 177 149

HSL 168.09, 0.66%, 0.42%

LAB 64.95, -42.53, 4.1

 

CMYK 80 / 5 / 0 / 31

HEX #24A8B1

RGB 36 168 177

HSL 183.83, 0.66%, 0.42%

LAB 62.97, -30.34, -14.44

 

CMYK 80 / 27 / 0 / 31

HEX #2482B1

RGB 36 130 177

HSL 200, 0.66%, 0.42%

LAB 51.28, -10.27, -32.4

 

CMYK 80 / 48 / 0 / 31

HEX #245CB1

RGB 36 92 177

HSL 216.17, 0.66%, 0.42%

LAB 39.92, 13.16, -50.43

 

CMYK 80 / 69 / 0 / 31

HEX #2437B1

RGB 36 55 177

HSL 231.91, 0.66%, 0.42%

LAB 30.11, 37.51, -66.41

 

CMYK 80 / 27 / 0 / 57

HEX #16506D

RGB 22 80 109

HSL 200, 0.66%, 0.26%

LAB 31.83, -7.54, -21.97

 

CMYK 80 / 27 / 0 / 44

HEX #1D698F

RGB 29 105 143

HSL 200, 0.66%, 0.34%

LAB 41.76, -8.94, -27.31

 

CMYK 80 / 27 / 0 / 31

HEX #2482B1

RGB 36 130 177

HSL 200, 0.66%, 0.42%

LAB 51.28, -10.27, -32.4

 

CMYK 80 / 27 / 0 / 17

HEX #2B9BD3

RGB 43 155 211

HSL 200, 0.66%, 0.5%

LAB 60.48, -11.55, -37.29

 

CMYK 65 / 22 / 0 / 15

HEX #4DABDA

RGB 77 171 218

HSL 200, 0.66%, 0.58%

LAB 66.34, -13.43, -31.98

 

CMYK 79 / 26 / 0 / 30

HEX #2583B2

RGB 37 131 178

HSL 200, 0.66%, 0.42%

LAB 51.66, -10.38, -32.39

 

CMYK 37 / 80 / 0 / 31

HEX #6F24B1

RGB 111 36 177

HSL 271.91, 0.66%, 0.42%

LAB 33.6, 57.16, -60.43

 

CMYK 0 / 5 / 80 / 31

HEX #B1A824

RGB 177 168 36

HSL 56.17, 0.66%, 0.42%

LAB 67.64, -11.03, 63.35

 

CMYK 79 / 26 / 0 / 30

HEX #2583B2

RGB 37 131 178

HSL 200, 0.66%, 0.42%

LAB 51.66, -10.38, -32.39

 

CMYK 0 / 80 / 27 / 31

HEX #B12482

RGB 177 36 130

HSL 320, 0.66%, 0.42%

LAB 41.56, 62.51, -18.6

 

CMYK 27 / 0 / 80 / 31

HEX #82B124

RGB 130 177 36

HSL 80, 0.66%, 0.42%

LAB 66.76, -35.32, 61.26

 

CMYK 79 / 26 / 0 / 30

HEX #2583B2

RGB 37 131 178

HSL 200, 0.66%, 0.42%

LAB 51.66, -10.38, -32.39

 

CMYK 37 / 80 / 0 / 31

HEX #6F24B1

RGB 111 36 177

HSL 271.91, 0.66%, 0.42%

LAB 33.6, 57.16, -60.43

 

CMYK 0 / 53 / 80 / 31

HEX #B15324

RGB 177 83 36

HSL 20, 0.66%, 0.42%

LAB 46.53, 35.34, 43.87

 

CMYK 42 / 0 / 80 / 31

HEX #66B124

RGB 102 177 36

HSL 91.91, 0.66%, 0.42%

LAB 65.28, -45.58, 59.35

 

CMYK 79 / 26 / 0 / 30

HEX #2583B2

RGB 37 131 178

HSL 200, 0.66%, 0.42%

LAB 51.66, -10.38, -32.39

 

CMYK 13 / 80 / 0 / 31

HEX #9A24B1

RGB 154 36 177

HSL 290.21, 0.66%, 0.42%

LAB 40.09, 64.72, -49.6

 

CMYK 0 / 53 / 80 / 31

HEX #B15324

RGB 177 83 36

HSL 20, 0.66%, 0.42%

LAB 46.53, 35.34, 43.87

 

CMYK 67 / 0 / 80 / 31

HEX #3BB124

RGB 59 177 36

HSL 110.21, 0.66%, 0.42%

LAB 63.76, -57.47, 57.38

 

Description

Color code: RGB 37 131 178 | qconv.com Color code: RGB 37 131 178 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 131 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 131 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 26 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 26% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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