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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 85 156 it is the complementary color RGB 218 170 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 85 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 85 156 shade: RGB 42 85 151, RGB 59 103 170, RGB 76 121 189, RGB 93 139 208 and RGB 110 157 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 85 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 85 156 shade: RGB 37 85 156, RGB 20 67 137, RGB 3 49 118, RGB 0 31 99 and RGB 0 13 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 85 156 shade: RGB 36 85 156, RGB 36 52 156, RGB 53 36 156, RGB 85 36 156 and RGB 117 36 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 85 156 shade: RGB 36 85 156, RGB 36 52 156 and RGB 36 36 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 85 156 shade matches the following richer shades: RGB 36 85 156, RGB 21 82 172 and RGB 5 79 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 85 156 shade: RGB 36 85 156, RGB 52 88 141, RGB 68 91 125, RGB 83 94 109 and RGB 99 97 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 85 156 shade: RGB 36 150 156, RGB 36 118 156, RGB 36 86 156, RGB 36 54 156 and RGB 50 36 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 85 156 shade: RGB 21 48 90, RGB 28 67 123, RGB 36 85 156, RGB 44 103 190 and RGB 65 124 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 85 156 shade: RGB 37 85 156, RGB 130 36 156 and RGB 134 156 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 85 156 shade: RGB 37 85 156, RGB 156 36 86 and RGB 86 156 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 85 156 shade: RGB 37 85 156, RGB 130 36 156, RGB 156 106 36 and RGB 62 156 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 85 156 shade: RGB 37 85 156, RGB 156 36 146, RGB 156 106 36 and RGB 36 156 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 46 / 0 / 39

HEX #25559C

RGB 37 85 156

HSL 215.8, 0.62%, 0.38%

LAB 36.54, 9.68, -43.38

 

Complementary color

CMYK 0 / 22 / 55 / 15

HEX #DAAA63

RGB 218 170 99

HSL 35.8, 0.62%, 0.62%

LAB 72.6, 9.36, 42.98

 

CMYK 72 / 44 / 0 / 41

HEX #2A5597

RGB 42 85 151

HSL 216.33, 0.56%, 0.38%

LAB 36.41, 8.46, -40.56

 

CMYK 65 / 39 / 0 / 33

HEX #3B67AA

RGB 59 103 170

HSL 216.22, 0.48%, 0.45%

LAB 43.55, 6.79, -40.45

 

CMYK 60 / 36 / 0 / 26

HEX #4C79BD

RGB 76 121 189

HSL 216.11, 0.46%, 0.52%

LAB 50.55, 5.5, -40.36

 

CMYK 55 / 33 / 0 / 18

HEX #5D8BD0

RGB 93 139 208

HSL 216, 0.55%, 0.59%

LAB 57.41, 4.49, -40.3

 

CMYK 52 / 31 / 0 / 11

HEX #6E9DE3

RGB 110 157 227

HSL 215.9, 0.68%, 0.66%

LAB 64.14, 3.67, -40.27

 

CMYK 76 / 46 / 0 / 39

HEX #25559C

RGB 37 85 156

HSL 215.8, 0.62%, 0.38%

LAB 36.54, 9.68, -43.38

 

CMYK 85 / 51 / 0 / 46

HEX #144389

RGB 20 67 137

HSL 215.9, 0.75%, 0.31%

LAB 29.33, 12.27, -43.42

 

CMYK 97 / 58 / 0 / 54

HEX #033176

RGB 3 49 118

HSL 216, 0.95%, 0.24%

LAB 22.03, 15.69, -43.35

 

CMYK 100 / 69 / 0 / 61

HEX #001F63

RGB 0 31 99

HSL 221.21, 1%, 0.19%

LAB 14.85, 20.38, -42.76

 

CMYK 100 / 84 / 0 / 69

HEX #000D50

RGB 0 13 80

HSL 230.25, 1%, 0.16%

LAB 7.83, 25.2, -41.52

 

CMYK 77 / 46 / 0 / 39

HEX #24559C

RGB 36 85 156

HSL 215.5, 0.63%, 0.38%

LAB 36.5, 9.55, -43.43

 

CMYK 77 / 67 / 0 / 39

HEX #24349C

RGB 36 52 156

HSL 232, 0.63%, 0.38%

LAB 27.38, 31.72, -58.23

 

CMYK 66 / 77 / 0 / 39

HEX #35249C

RGB 53 36 156

HSL 248.5, 0.63%, 0.38%

LAB 25.01, 43.26, -62.1

 

CMYK 46 / 77 / 0 / 39

HEX #55249C

RGB 85 36 156

HSL 264.5, 0.63%, 0.38%

LAB 28.36, 47.76, -56.46

 

CMYK 25 / 77 / 0 / 39

HEX #75249C

RGB 117 36 156

HSL 280.5, 0.63%, 0.38%

LAB 32.8, 53.52, -49.05

 

CMYK 77 / 46 / 0 / 39

HEX #24559C

RGB 36 85 156

HSL 215.5, 0.63%, 0.38%

LAB 36.5, 9.55, -43.43

 

CMYK 77 / 67 / 0 / 39

HEX #24349C

RGB 36 52 156

HSL 232, 0.63%, 0.38%

LAB 27.38, 31.72, -58.23

 

CMYK 77 / 77 / 0 / 39

HEX #24249C

RGB 36 36 156

HSL 240, 0.63%, 0.38%

LAB 23.79, 41.58, -64.15

 

CMYK 77 / 46 / 0 / 39

HEX #24559C

RGB 36 85 156

HSL 215.5, 0.63%, 0.38%

LAB 36.5, 9.55, -43.43

 

CMYK 88 / 52 / 0 / 33

HEX #1552AC

RGB 21 82 172

HSL 215.76, 0.78%, 0.38%

LAB 36.31, 16.48, -53.32

 

CMYK 97 / 58 / 0 / 26

HEX #054FBC

RGB 5 79 188

HSL 215.74, 0.95%, 0.38%

LAB 36.47, 24.22, -62.52

 

CMYK 77 / 46 / 0 / 39

HEX #24559C

RGB 36 85 156

HSL 215.5, 0.63%, 0.38%

LAB 36.5, 9.55, -43.43

 

CMYK 63 / 38 / 0 / 45

HEX #34588D

RGB 52 88 141

HSL 215.73, 0.46%, 0.38%

LAB 37.17, 4.57, -33.26

 

CMYK 46 / 27 / 0 / 51

HEX #445B7D

RGB 68 91 125

HSL 215.79, 0.3%, 0.38%

LAB 38.18, 1.12, -21.86

 

CMYK 24 / 14 / 0 / 57

HEX #535E6D

RGB 83 94 109

HSL 214.62, 0.14%, 0.38%

LAB 39.49, -0.58, -9.94

 

CMYK 0 / 2 / 5 / 61

HEX #63615E

RGB 99 97 94

HSL 36, 0.03%, 0.38%

LAB 41.23, 0.18, 1.98

 

CMYK 77 / 4 / 0 / 39

HEX #24969C

RGB 36 150 156

HSL 183, 0.63%, 0.38%

LAB 56.67, -28.06, -12.06

 

CMYK 77 / 24 / 0 / 39

HEX #24769C

RGB 36 118 156

HSL 199, 0.63%, 0.38%

LAB 46.62, -10.95, -27.44

 

CMYK 77 / 45 / 0 / 39

HEX #24569C

RGB 36 86 156

HSL 215, 0.63%, 0.38%

LAB 36.8, 8.89, -42.96

 

CMYK 77 / 65 / 0 / 39

HEX #24369C

RGB 36 54 156

HSL 231, 0.63%, 0.38%

LAB 27.88, 30.41, -57.41

 

CMYK 68 / 77 / 0 / 39

HEX #32249C

RGB 50 36 156

HSL 247, 0.63%, 0.38%

LAB 24.77, 42.92, -62.51

 

CMYK 77 / 47 / 0 / 65

HEX #15305A

RGB 21 48 90

HSL 216.52, 0.62%, 0.22%

LAB 20.09, 6.09, -28.27

 

CMYK 77 / 46 / 0 / 52

HEX #1C437B

RGB 28 67 123

HSL 215.37, 0.63%, 0.3%

LAB 28.62, 7.43, -35.84

 

CMYK 77 / 46 / 0 / 39

HEX #24559C

RGB 36 85 156

HSL 215.5, 0.63%, 0.38%

LAB 36.5, 9.55, -43.43

 

CMYK 77 / 46 / 0 / 25

HEX #2C67BE

RGB 44 103 190

HSL 215.75, 0.62%, 0.46%

LAB 44.17, 11.96, -51.19

 

CMYK 69 / 41 / 0 / 18

HEX #417CD2

RGB 65 124 210

HSL 215.59, 0.62%, 0.54%

LAB 52.05, 9.03, -49.99

 

CMYK 76 / 46 / 0 / 39

HEX #25559C

RGB 37 85 156

HSL 215.8, 0.62%, 0.38%

LAB 36.54, 9.68, -43.38

 

CMYK 17 / 77 / 0 / 39

HEX #82249C

RGB 130 36 156

HSL 287, 0.63%, 0.38%

LAB 34.82, 56.1, -45.69

 

CMYK 14 / 0 / 77 / 39

HEX #869C24

RGB 134 156 36

HSL 71, 0.63%, 0.38%

LAB 60.76, -23.68, 55.81

 

CMYK 76 / 46 / 0 / 39

HEX #25559C

RGB 37 85 156

HSL 215.8, 0.62%, 0.38%

LAB 36.54, 9.68, -43.38

 

CMYK 0 / 77 / 45 / 39

HEX #9C2456

RGB 156 36 86

HSL 335, 0.63%, 0.38%

LAB 35.99, 52.11, 0.32

 

CMYK 45 / 0 / 77 / 39

HEX #569C24

RGB 86 156 36

HSL 95, 0.63%, 0.38%

LAB 57.93, -42.31, 52.12

 

CMYK 76 / 46 / 0 / 39

HEX #25559C

RGB 37 85 156

HSL 215.8, 0.62%, 0.38%

LAB 36.54, 9.68, -43.38

 

CMYK 17 / 77 / 0 / 39

HEX #82249C

RGB 130 36 156

HSL 287, 0.63%, 0.38%

LAB 34.82, 56.1, -45.69

 

CMYK 0 / 32 / 77 / 39

HEX #9C6A24

RGB 156 106 36

HSL 35, 0.63%, 0.38%

LAB 48.89, 13.6, 45.19

 

CMYK 60 / 0 / 77 / 39

HEX #3E9C24

RGB 62 156 36

HSL 107, 0.63%, 0.38%

LAB 57.01, -49.41, 50.91

 

CMYK 76 / 46 / 0 / 39

HEX #25559C

RGB 37 85 156

HSL 215.8, 0.62%, 0.38%

LAB 36.54, 9.68, -43.38

 

CMYK 0 / 77 / 6 / 39

HEX #9C2492

RGB 156 36 146

HSL 305, 0.63%, 0.38%

LAB 38.56, 59.87, -33.38

 

CMYK 0 / 32 / 77 / 39

HEX #9C6A24

RGB 156 106 36

HSL 35, 0.63%, 0.38%

LAB 48.89, 13.6, 45.19

 

CMYK 77 / 0 / 71 / 39

HEX #249C2E

RGB 36 156 46

HSL 125, 0.63%, 0.38%

LAB 56.44, -53.89, 46.35

 

Description

Color code: RGB 37 85 156 | qconv.com Color code: RGB 37 85 156 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 85 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 85 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 46 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 46% 0% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

39% - ヤマギシリフォーム工業│集合住宅、改修工...
Link: http://www.ymgs.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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