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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 115 59 it is the complementary color RGB 223 140 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 115 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 32 115 59 shade: RGB 37 115 54, RGB 54 133 73, RGB 71 151 92, RGB 88 169 111 and RGB 105 187 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 115 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 32 115 59 shade: RGB 32 115 59, RGB 15 97 40, RGB 0 79 21, RGB 0 61 2 and RGB 0 43 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 32 115 59 shade: RGB 32 115 59, RGB 32 115 37, RGB 50 115 32, RGB 72 115 32 and RGB 94 115 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 32 115 59 shade: RGB 32 115 59, RGB 32 115 81, RGB 32 115 104, RGB 32 104 115 and RGB 32 81 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 32 115 59 shade matches the following richer shades: RGB 32 115 59, RGB 20 127 55 and RGB 8 139 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 32 115 59 shade: RGB 32 115 59, RGB 44 103 63, RGB 56 91 67, RGB 68 79 72 and RGB 80 67 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 32 115 59 shade: RGB 50 115 32, RGB 32 115 36, RGB 32 115 58, RGB 32 115 80 and RGB 32 115 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 32 115 59 shade: RGB 14 50 26, RGB 23 83 42, RGB 32 115 59, RGB 41 147 76 and RGB 50 179 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 32 115 59 shade: RGB 32 115 59, RGB 32 72 115 and RGB 115 32 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 32 115 59 shade: RGB 32 115 59, RGB 58 32 115 and RGB 115 58 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 32 115 59 shade: RGB 32 115 59, RGB 32 72 115, RGB 115 32 89 and RGB 115 75 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 32 115 59 shade: RGB 32 115 59, RGB 32 47 115, RGB 115 32 89 and RGB 115 100 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

Complementary color

CMYK 0 / 37 / 12 / 13

HEX #DF8CC4

RGB 223 140 196

HSL 319.52, 0.56%, 0.71%

LAB 68.34, 39.5, -15.8

 

CMYK 68 / 0 / 53 / 55

HEX #257336

RGB 37 115 54

HSL 133.08, 0.51%, 0.3%

LAB 42.64, -37.75, 26.8

 

CMYK 59 / 0 / 45 / 48

HEX #368549

RGB 54 133 73

HSL 134.43, 0.42%, 0.37%

LAB 49.55, -38.04, 25.25

 

CMYK 53 / 0 / 39 / 41

HEX #47975C

RGB 71 151 92

HSL 135.75, 0.36%, 0.44%

LAB 56.33, -38.04, 23.81

 

CMYK 48 / 0 / 34 / 34

HEX #58A96F

RGB 88 169 111

HSL 137.04, 0.32%, 0.5%

LAB 63.01, -37.9, 22.48

 

CMYK 44 / 0 / 30 / 27

HEX #69BB82

RGB 105 187 130

HSL 138.29, 0.38%, 0.57%

LAB 69.58, -37.68, 21.26

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 85 / 0 / 59 / 62

HEX #0F6128

RGB 15 97 40

HSL 138.29, 0.73%, 0.22%

LAB 35.6, -36.92, 25.68

 

CMYK 100 / 0 / 73 / 69

HEX #004F15

RGB 0 79 21

HSL 135.95, 1%, 0.15%

LAB 28.5, -35.02, 27.29

 

CMYK 100 / 0 / 97 / 76

HEX #003D02

RGB 0 61 2

HSL 121.97, 1%, 0.12%

LAB 21.36, -30.82, 28.05

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 72 / 0 / 68 / 55

HEX #207325

RGB 32 115 37

HSL 123.61, 0.56%, 0.29%

LAB 42.31, -41.16, 35.01

 

CMYK 57 / 0 / 72 / 55

HEX #327320

RGB 50 115 32

HSL 106.99, 0.56%, 0.29%

LAB 42.83, -37.16, 37.97

 

CMYK 37 / 0 / 72 / 55

HEX #487320

RGB 72 115 32

HSL 91.08, 0.56%, 0.29%

LAB 43.86, -29.59, 39.37

 

CMYK 18 / 0 / 72 / 55

HEX #5E7320

RGB 94 115 32

HSL 75.18, 0.56%, 0.29%

LAB 45.28, -20.44, 41.28

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 72 / 0 / 30 / 55

HEX #207351

RGB 32 115 81

HSL 155.42, 0.56%, 0.29%

LAB 43.01, -33.3, 11.83

 

CMYK 72 / 0 / 10 / 55

HEX #207368

RGB 32 115 104

HSL 172.05, 0.56%, 0.29%

LAB 43.61, -27.15, -1.05

 

CMYK 72 / 10 / 0 / 55

HEX #206873

RGB 32 104 115

HSL 187.95, 0.56%, 0.29%

LAB 40.32, -17.94, -12.61

 

CMYK 72 / 30 / 0 / 55

HEX #205173

RGB 32 81 115

HSL 204.58, 0.56%, 0.29%

LAB 32.77, -4.35, -24.25

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 84 / 0 / 57 / 50

HEX #147F37

RGB 20 127 55

HSL 139.63, 0.73%, 0.29%

LAB 46.45, -44.99, 30.83

 

CMYK 94 / 0 / 63 / 45

HEX #088B33

RGB 8 139 51

HSL 139.69, 0.89%, 0.29%

LAB 50.4, -50.72, 37.42

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 57 / 0 / 39 / 60

HEX #2C673F

RGB 44 103 63

HSL 139.32, 0.4%, 0.29%

LAB 38.89, -29.17, 16.92

 

CMYK 38 / 0 / 26 / 64

HEX #385B43

RGB 56 91 67

HSL 138.86, 0.24%, 0.29%

LAB 35.46, -18.53, 9.92

 

CMYK 14 / 0 / 9 / 69

HEX #444F48

RGB 68 79 72

HSL 141.82, 0.07%, 0.29%

LAB 32.46, -5.98, 2.66

 

CMYK 0 / 16 / 5 / 69

HEX #50434C

RGB 80 67 76

HSL 318.46, 0.09%, 0.29%

LAB 30.01, 7.38, -3.35

 

CMYK 57 / 0 / 72 / 55

HEX #327320

RGB 50 115 32

HSL 106.99, 0.56%, 0.29%

LAB 42.83, -37.16, 37.97

 

CMYK 72 / 0 / 69 / 55

HEX #207324

RGB 32 115 36

HSL 122.89, 0.56%, 0.29%

LAB 42.3, -41.27, 35.46

 

CMYK 72 / 0 / 50 / 55

HEX #20733A

RGB 32 115 58

HSL 138.8, 0.56%, 0.29%

LAB 42.57, -38.1, 24.49

 

CMYK 72 / 0 / 30 / 55

HEX #207350

RGB 32 115 80

HSL 154.7, 0.56%, 0.29%

LAB 42.99, -33.54, 12.39

 

CMYK 72 / 0 / 11 / 55

HEX #207366

RGB 32 115 102

HSL 170.6, 0.56%, 0.29%

LAB 43.55, -27.73, 0.07

 

CMYK 72 / 0 / 48 / 80

HEX #0E321A

RGB 14 50 26

HSL 140, 0.56%, 0.13%

LAB 17.69, -19.56, 11.56

 

CMYK 72 / 0 / 49 / 67

HEX #17532A

RGB 23 83 42

HSL 139, 0.57%, 0.21%

LAB 30.73, -29.47, 18.53

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 72 / 0 / 48 / 42

HEX #29934C

RGB 41 147 76

HSL 139.81, 0.56%, 0.37%

LAB 53.88, -45.9, 29.09

 

CMYK 72 / 0 / 49 / 30

HEX #32B35C

RGB 50 179 92

HSL 139.53, 0.56%, 0.45%

LAB 64.72, -53.69, 34.5

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 72 / 37 / 0 / 55

HEX #204873

RGB 32 72 115

HSL 211.08, 0.56%, 0.29%

LAB 29.86, 1.49, -28.83

 

CMYK 0 / 72 / 66 / 55

HEX #732027

RGB 115 32 39

HSL 354.94, 0.56%, 0.29%

LAB 26.23, 36.67, 16.49

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 50 / 72 / 0 / 55

HEX #3A2073

RGB 58 32 115

HSL 258.8, 0.56%, 0.29%

LAB 20.71, 33.44, -43.43

 

CMYK 0 / 50 / 72 / 55

HEX #733A20

RGB 115 58 32

HSL 18.8, 0.56%, 0.29%

LAB 31.29, 22.74, 26.99

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 72 / 37 / 0 / 55

HEX #204873

RGB 32 72 115

HSL 211.08, 0.56%, 0.29%

LAB 29.86, 1.49, -28.83

 

CMYK 0 / 72 / 23 / 55

HEX #732059

RGB 115 32 89

HSL 318.8, 0.56%, 0.29%

LAB 27.84, 42.16, -14.64

 

CMYK 0 / 35 / 72 / 55

HEX #734B20

RGB 115 75 32

HSL 31.08, 0.56%, 0.29%

LAB 35.56, 12.59, 31.73

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 72 / 59 / 0 / 55

HEX #202F73

RGB 32 47 115

HSL 229.16, 0.56%, 0.29%

LAB 22.22, 18.85, -41.07

 

CMYK 0 / 72 / 23 / 55

HEX #732059

RGB 115 32 89

HSL 318.8, 0.56%, 0.29%

LAB 27.84, 42.16, -14.64

 

CMYK 0 / 13 / 72 / 55

HEX #736420

RGB 115 100 32

HSL 49.16, 0.56%, 0.29%

LAB 42.56, -2.35, 39.09

 

Description

Color code: RGB 32 115 59 | qconv.com Color code: RGB 32 115 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 115 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 115 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 49 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 49% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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