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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 51 78 it is the complementary color RGB 223 204 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 51 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 32 51 78 shade: RGB 37 51 73, RGB 54 69 92, RGB 71 87 111, RGB 88 105 130 and RGB 105 123 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 51 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 32 51 78 shade: RGB 32 51 78, RGB 15 33 59, RGB 0 15 40, RGB 0 0 21 and RGB 0 0 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 32 51 78 shade: RGB 32 52 79, RGB 32 39 79, RGB 38 32 79, RGB 51 32 79 and RGB 63 32 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 32 51 78 shade: RGB 32 52 79, RGB 32 39 79 and RGB 32 32 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 32 51 78 shade matches the following richer shades: RGB 32 52 79, RGB 23 50 88, RGB 14 48 97 and RGB 5 47 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 32 51 78 shade: RGB 32 52 79, RGB 41 53 70, RGB 50 55 61, RGB 59 56 52 and RGB 68 58 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 32 51 78 shade: RGB 32 77 79, RGB 32 64 79, RGB 32 52 79, RGB 32 39 79 and RGB 38 32 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 32 51 78 shade: RGB 8 13 21, RGB 20 32 50, RGB 32 52 79, RGB 44 71 108 and RGB 56 90 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 32 51 78 shade: RGB 32 51 78, RGB 69 32 79 and RGB 71 79 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 32 51 78 shade: RGB 32 51 78, RGB 79 32 52 and RGB 52 79 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 32 51 78 shade: RGB 32 51 78, RGB 69 32 79, RGB 79 60 32 and RGB 42 79 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 32 51 78 shade: RGB 32 51 78, RGB 79 32 75, RGB 79 60 32 and RGB 32 79 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 35 / 0 / 69

HEX #20334E

RGB 32 51 78

HSL 215.22, 0.42%, 0.22%

LAB 20.92, 1.54, -18.92

 

Complementary color

CMYK 0 / 9 / 21 / 13

HEX #DFCCB1

RGB 223 204 177

HSL 35.22, 0.42%, 0.78%

LAB 82.94, 2.36, 15.86

 

CMYK 49 / 30 / 0 / 71

HEX #253349

RGB 37 51 73

HSL 216.67, 0.33%, 0.22%

LAB 20.99, 1.16, -15.43

 

CMYK 41 / 25 / 0 / 64

HEX #36455C

RGB 54 69 92

HSL 216.32, 0.26%, 0.29%

LAB 28.94, 0.65, -15.54

 

CMYK 36 / 22 / 0 / 56

HEX #47576F

RGB 71 87 111

HSL 216, 0.22%, 0.36%

LAB 36.56, 0.28, -15.72

 

CMYK 32 / 19 / 0 / 49

HEX #586982

RGB 88 105 130

HSL 215.71, 0.19%, 0.43%

LAB 43.93, -0.01, -15.94

 

CMYK 30 / 17 / 0 / 42

HEX #697B95

RGB 105 123 149

HSL 215.45, 0.17%, 0.5%

LAB 51.08, -0.25, -16.2

 

CMYK 59 / 35 / 0 / 69

HEX #20334E

RGB 32 51 78

HSL 215.22, 0.42%, 0.22%

LAB 20.92, 1.54, -18.92

 

CMYK 75 / 44 / 0 / 77

HEX #0F213B

RGB 15 33 59

HSL 215.45, 0.59%, 0.15%

LAB 12.64, 2.81, -18.98

 

CMYK 100 / 63 / 0 / 84

HEX #000F28

RGB 0 15 40

HSL 217.5, 1%, 0.08%

LAB 4.47, 3.42, -18.12

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 59 / 51 / 0 / 69

HEX #20274F

RGB 32 39 79

HSL 231.06, 0.42%, 0.22%

LAB 17.1, 10.51, -25.65

 

CMYK 52 / 59 / 0 / 69

HEX #26204F

RGB 38 32 79

HSL 247.66, 0.42%, 0.22%

LAB 15.54, 17.13, -28.12

 

CMYK 35 / 59 / 0 / 69

HEX #33204F

RGB 51 32 79

HSL 264.26, 0.42%, 0.22%

LAB 17, 20.78, -25.7

 

CMYK 20 / 59 / 0 / 69

HEX #3F204F

RGB 63 32 79

HSL 279.57, 0.42%, 0.22%

LAB 18.6, 24.44, -23.05

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 59 / 51 / 0 / 69

HEX #20274F

RGB 32 39 79

HSL 231.06, 0.42%, 0.22%

LAB 17.1, 10.51, -25.65

 

CMYK 59 / 59 / 0 / 69

HEX #20204F

RGB 32 32 79

HSL 240, 0.42%, 0.22%

LAB 14.98, 15.63, -29.05

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 74 / 43 / 0 / 65

HEX #173258

RGB 23 50 88

HSL 215.08, 0.59%, 0.22%

LAB 20.7, 4.17, -25.96

 

CMYK 86 / 51 / 0 / 62

HEX #0E3061

RGB 14 48 97

HSL 215.42, 0.75%, 0.22%

LAB 20.32, 8.11, -32.52

 

CMYK 95 / 56 / 0 / 58

HEX #052F6A

RGB 5 47 106

HSL 215.05, 0.91%, 0.22%

LAB 20.46, 11.99, -38.18

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 41 / 24 / 0 / 73

HEX #293546

RGB 41 53 70

HSL 215.17, 0.26%, 0.22%

LAB 21.8, 0.08, -12.14

 

CMYK 18 / 10 / 0 / 76

HEX #32373D

RGB 50 55 61

HSL 212.73, 0.1%, 0.22%

LAB 22.82, -0.6, -4.46

 

CMYK 0 / 5 / 12 / 77

HEX #3B3834

RGB 59 56 52

HSL 34.29, 0.06%, 0.22%

LAB 23.69, 0.45, 2.96

 

CMYK 0 / 15 / 37 / 73

HEX #443A2B

RGB 68 58 43

HSL 36, 0.23%, 0.22%

LAB 25.04, 1.71, 10.95

 

CMYK 59 / 3 / 0 / 69

HEX #204D4F

RGB 32 77 79

HSL 182.55, 0.42%, 0.22%

LAB 29.86, -14.66, -5.88

 

CMYK 59 / 19 / 0 / 69

HEX #20404F

RGB 32 64 79

HSL 199.15, 0.42%, 0.22%

LAB 25.38, -6.78, -12.67

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 59 / 51 / 0 / 69

HEX #20274F

RGB 32 39 79

HSL 231.06, 0.42%, 0.22%

LAB 17.1, 10.51, -25.65

 

CMYK 52 / 59 / 0 / 69

HEX #26204F

RGB 38 32 79

HSL 247.66, 0.42%, 0.22%

LAB 15.54, 17.13, -28.12

 

CMYK 62 / 38 / 0 / 92

HEX #080D15

RGB 8 13 21

HSL 216.92, 0.45%, 0.06%

LAB 3.56, 0.22, -4.82

 

CMYK 60 / 36 / 0 / 80

HEX #142032

RGB 20 32 50

HSL 216, 0.43%, 0.14%

LAB 12.04, 1.15, -13.49

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 59 / 34 / 0 / 58

HEX #2C476C

RGB 44 71 108

HSL 214.69, 0.42%, 0.3%

LAB 29.72, 1.98, -24.58

 

CMYK 59 / 35 / 0 / 46

HEX #385A8A

RGB 56 90 138

HSL 215.12, 0.42%, 0.38%

LAB 37.82, 3.06, -30.41

 

CMYK 59 / 35 / 0 / 69

HEX #20334E

RGB 32 51 78

HSL 215.22, 0.42%, 0.22%

LAB 20.92, 1.54, -18.92

 

CMYK 13 / 59 / 0 / 69

HEX #45204F

RGB 69 32 79

HSL 287.23, 0.42%, 0.22%

LAB 19.49, 26.33, -21.59

 

CMYK 10 / 0 / 59 / 69

HEX #474F20

RGB 71 79 32

HSL 70.21, 0.42%, 0.22%

LAB 31.89, -11.22, 26.28

 

CMYK 59 / 35 / 0 / 69

HEX #20334E

RGB 32 51 78

HSL 215.22, 0.42%, 0.22%

LAB 20.92, 1.54, -18.92

 

CMYK 0 / 59 / 34 / 69

HEX #4F2034

RGB 79 32 52

HSL 334.47, 0.42%, 0.22%

LAB 19.82, 24.62, -2.36

 

CMYK 34 / 0 / 59 / 69

HEX #344F20

RGB 52 79 32

HSL 94.47, 0.42%, 0.22%

LAB 30.46, -19.76, 24.26

 

CMYK 59 / 35 / 0 / 69

HEX #20334E

RGB 32 51 78

HSL 215.22, 0.42%, 0.22%

LAB 20.92, 1.54, -18.92

 

CMYK 13 / 59 / 0 / 69

HEX #45204F

RGB 69 32 79

HSL 287.23, 0.42%, 0.22%

LAB 19.49, 26.33, -21.59

 

CMYK 0 / 24 / 59 / 69

HEX #4F3C20

RGB 79 60 32

HSL 35.74, 0.42%, 0.22%

LAB 26.73, 4.42, 20.36

 

CMYK 47 / 0 / 59 / 69

HEX #2A4F20

RGB 42 79 32

HSL 107.23, 0.42%, 0.22%

LAB 29.88, -23.69, 23.43

 

CMYK 59 / 35 / 0 / 69

HEX #20334E

RGB 32 51 78

HSL 215.22, 0.42%, 0.22%

LAB 20.92, 1.54, -18.92

 

CMYK 0 / 59 / 5 / 69

HEX #4F204B

RGB 79 32 75

HSL 305.11, 0.42%, 0.22%

LAB 20.84, 28.69, -16.64

 

CMYK 0 / 24 / 59 / 69

HEX #4F3C20

RGB 79 60 32

HSL 35.74, 0.42%, 0.22%

LAB 26.73, 4.42, 20.36

 

CMYK 59 / 0 / 54 / 69

HEX #204F24

RGB 32 79 36

HSL 125.11, 0.42%, 0.22%

LAB 29.48, -26.42, 20.55

 

Description

Color code: RGB 32 51 78 | qconv.com Color code: RGB 32 51 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 51 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 51 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 35 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 35% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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