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Color name
RGB 31 34 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 34 172 it is the complementary color RGB 224 221 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 34 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 34 172 shade: RGB 36 34 167, RGB 53 52 186, RGB 70 70 205, RGB 87 88 224 and RGB 104 106 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 34 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 34 172 shade: RGB 31 34 172, RGB 14 16 153, RGB 0 0 134, RGB 0 0 115 and RGB 0 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 34 172 shade: RGB 31 34 172, RGB 66 31 172, RGB 104 31 172, RGB 142 31 172 and RGB 172 31 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 34 172 shade: RGB 31 34 172 and RGB 31 31 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 34 172 shade matches the following richer shades: RGB 31 34 172 and RGB 15 18 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 34 172 shade: RGB 31 34 172, RGB 48 50 155, RGB 64 66 139, RGB 81 82 122 and RGB 97 97 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 34 172 shade: RGB 31 111 172, RGB 31 73 172, RGB 31 36 172, RGB 64 31 172 and RGB 102 31 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 34 172 shade: RGB 18 20 102, RGB 25 27 137, RGB 31 34 172, RGB 38 41 207 and RGB 66 69 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 34 172 shade: RGB 31 34 172, RGB 172 31 148 and RGB 92 172 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 34 172 shade: RGB 31 34 172, RGB 172 31 36 and RGB 36 172 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 34 172 shade: RGB 31 34 172, RGB 172 31 148, RGB 172 167 31 and RGB 31 172 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 34 172 shade: RGB 31 34 172, RGB 172 31 106, RGB 172 167 31 and RGB 31 172 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

Complementary color

CMYK 0 / 1 / 63 / 12

HEX #E0DD53

RGB 224 221 83

HSL 58.72, 0.69%, 0.6%

LAB 86.1, -15.6, 65.7

 

CMYK 78 / 80 / 0 / 35

HEX #2422A7

RGB 36 34 167

HSL 240.9, 0.66%, 0.39%

LAB 24.67, 46.31, -69.39

 

CMYK 72 / 72 / 0 / 27

HEX #3534BA

RGB 53 52 186

HSL 240.45, 0.56%, 0.47%

LAB 31.25, 44.06, -69.85

 

CMYK 66 / 66 / 0 / 20

HEX #4646CD

RGB 70 70 205

HSL 240, 0.57%, 0.54%

LAB 38, 41.77, -69.83

 

CMYK 61 / 61 / 0 / 12

HEX #5758E0

RGB 87 88 224

HSL 239.56, 0.69%, 0.61%

LAB 44.78, 39.67, -69.6

 

CMYK 57 / 56 / 0 / 5

HEX #686AF3

RGB 104 106 243

HSL 239.14, 0.85%, 0.68%

LAB 51.52, 37.81, -69.3

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 91 / 90 / 0 / 40

HEX #0E1099

RGB 14 16 153

HSL 239.14, 0.83%, 0.33%

LAB 19.07, 49.19, -70.17

 

CMYK 100 / 100 / 0 / 47

HEX #000086

RGB 0 0 134

HSL 240, 1%, 0.26%

LAB 13.95, 49.11, -66.88

 

CMYK 100 / 100 / 0 / 55

HEX #000073

RGB 0 0 115

HSL 240, 1%, 0.23%

LAB 10.83, 44, -59.92

 

CMYK 100 / 100 / 0 / 62

HEX #000060

RGB 0 0 96

HSL 240, 1%, 0.19%

LAB 7.63, 38.71, -52.74

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 62 / 82 / 0 / 33

HEX #421FAC

RGB 66 31 172

HSL 254.89, 0.69%, 0.4%

LAB 27.06, 51.85, -68.37

 

CMYK 40 / 82 / 0 / 33

HEX #681FAC

RGB 104 31 172

HSL 271.06, 0.69%, 0.4%

LAB 31.58, 56.72, -60.77

 

CMYK 17 / 82 / 0 / 33

HEX #8E1FAC

RGB 142 31 172

HSL 287.23, 0.69%, 0.4%

LAB 37.32, 63.01, -51.19

 

CMYK 0 / 82 / 5 / 33

HEX #AC1FA4

RGB 172 31 164

HSL 303.4, 0.69%, 0.4%

LAB 41.89, 67.38, -38.79

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 82 / 82 / 0 / 33

HEX #1F1FAC

RGB 31 31 172

HSL 240, 0.69%, 0.4%

LAB 24.48, 49.12, -72.73

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 92 / 90 / 0 / 26

HEX #0F12BC

RGB 15 18 188

HSL 238.96, 0.85%, 0.4%

LAB 24.21, 58.65, -82.76

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 69 / 68 / 0 / 39

HEX #30329B

RGB 48 50 155

HSL 238.88, 0.53%, 0.4%

LAB 27.51, 34.08, -57.39

 

CMYK 54 / 53 / 0 / 45

HEX #40428B

RGB 64 66 139

HSL 238.4, 0.37%, 0.4%

LAB 31.46, 20.95, -41.1

 

CMYK 34 / 33 / 0 / 52

HEX #51527A

RGB 81 82 122

HSL 238.54, 0.2%, 0.4%

LAB 36.35, 9.81, -22.8

 

CMYK 8 / 8 / 0 / 58

HEX #61616A

RGB 97 97 106

HSL 240, 0.04%, 0.4%

LAB 41.42, 1.96, -5.1

 

CMYK 82 / 35 / 0 / 33

HEX #1F6FAC

RGB 31 111 172

HSL 205.96, 0.69%, 0.4%

LAB 45.14, -1.38, -39.17

 

CMYK 82 / 58 / 0 / 33

HEX #1F49AC

RGB 31 73 172

HSL 222.13, 0.69%, 0.4%

LAB 34.06, 23.35, -56.98

 

CMYK 82 / 79 / 0 / 33

HEX #1F24AC

RGB 31 36 172

HSL 237.87, 0.69%, 0.4%

LAB 25.36, 46.58, -71.27

 

CMYK 63 / 82 / 0 / 33

HEX #401FAC

RGB 64 31 172

HSL 254.04, 0.69%, 0.4%

LAB 26.87, 51.65, -68.69

 

CMYK 41 / 82 / 0 / 33

HEX #661FAC

RGB 102 31 172

HSL 270.21, 0.69%, 0.4%

LAB 31.31, 56.42, -61.23

 

CMYK 82 / 80 / 0 / 60

HEX #121466

RGB 18 20 102

HSL 238.57, 0.7%, 0.24%

LAB 13.16, 30.52, -47.51

 

CMYK 82 / 80 / 0 / 46

HEX #191B89

RGB 25 27 137

HSL 238.93, 0.69%, 0.32%

LAB 19.21, 39.35, -59.98

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 82 / 80 / 0 / 19

HEX #2629CF

RGB 38 41 207

HSL 238.93, 0.69%, 0.48%

LAB 30.65, 55.59, -83.19

 

CMYK 70 / 69 / 0 / 14

HEX #4245DC

RGB 66 69 220

HSL 238.83, 0.69%, 0.56%

LAB 38.87, 46.83, -77.06

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 0 / 82 / 14 / 33

HEX #AC1F94

RGB 172 31 148

HSL 310.21, 0.69%, 0.4%

LAB 41.04, 65.04, -30.5

 

CMYK 47 / 0 / 82 / 33

HEX #5CAC1F

RGB 92 172 31

HSL 94.04, 0.69%, 0.4%

LAB 63.24, -47.11, 58.76

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 0 / 82 / 79 / 33

HEX #AC1F24

RGB 172 31 36

HSL 357.87, 0.69%, 0.4%

LAB 37.62, 55.05, 34.59

 

CMYK 79 / 0 / 82 / 33

HEX #24AC1F

RGB 36 172 31

HSL 117.87, 0.69%, 0.4%

LAB 61.64, -60.14, 56.69

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 0 / 82 / 14 / 33

HEX #AC1F94

RGB 172 31 148

HSL 310.21, 0.69%, 0.4%

LAB 41.04, 65.04, -30.5

 

CMYK 0 / 3 / 82 / 33

HEX #ACA71F

RGB 172 167 31

HSL 57.87, 0.69%, 0.4%

LAB 66.91, -12.88, 63.96

 

CMYK 82 / 0 / 68 / 33

HEX #1FAC37

RGB 31 172 55

HSL 130.21, 0.69%, 0.4%

LAB 61.72, -58.87, 48.27

 

CMYK 82 / 80 / 0 / 33

HEX #1F22AC

RGB 31 34 172

HSL 238.72, 0.69%, 0.4%

LAB 25, 47.62, -71.87

 

CMYK 0 / 82 / 38 / 33

HEX #AC1F6A

RGB 172 31 106

HSL 328.09, 0.69%, 0.4%

LAB 39.23, 59.87, -7.29

 

CMYK 0 / 3 / 82 / 33

HEX #ACA71F

RGB 172 167 31

HSL 57.87, 0.69%, 0.4%

LAB 66.91, -12.88, 63.96

 

CMYK 82 / 0 / 44 / 33

HEX #1FAC61

RGB 31 172 97

HSL 148.09, 0.69%, 0.4%

LAB 62.22, -52.84, 28.65

 

Description

Color code: RGB 31 34 172 | qconv.com Color code: RGB 31 34 172 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 34 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 34 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 80 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 80% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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