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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 244 98 it is the complementary color RGB 224 11 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 244 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 244 98 shade: RGB 36 244 93, RGB 53 255 112, RGB 70 255 131, RGB 87 255 150 and RGB 104 255 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 244 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 244 98 shade: RGB 31 244 98, RGB 14 226 79, RGB 0 208 60, RGB 0 190 41 and RGB 0 172 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 244 98 shade: RGB 30 244 98, RGB 30 244 40, RGB 78 244 30, RGB 136 244 30 and RGB 194 244 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 244 98 shade: RGB 30 244 98, RGB 30 244 155, RGB 30 244 213, RGB 30 218 244 and RGB 30 160 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 244 98 shade matches the following richer shades: RGB 30 244 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 244 98 shade: RGB 30 244 98, RGB 49 225 105, RGB 68 206 112, RGB 87 187 119 and RGB 106 168 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 244 98 shade: RGB 80 244 30, RGB 30 244 38, RGB 30 244 95, RGB 30 244 151 and RGB 30 244 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 244 98 shade: RGB 8 184 63, RGB 10 223 77, RGB 30 244 98, RGB 70 246 125 and RGB 109 248 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 244 98 shade: RGB 31 244 98, RGB 30 137 244 and RGB 244 30 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 244 98 shade: RGB 31 244 98, RGB 95 30 244 and RGB 244 95 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 244 98 shade: RGB 31 244 98, RGB 30 137 244, RGB 244 30 180 and RGB 244 137 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 244 98 shade: RGB 31 244 98, RGB 30 73 244, RGB 244 30 180 and RGB 244 201 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 60 / 4

HEX #1FF462

RGB 31 244 98

HSL 138.87, 0.91%, 0.54%

LAB 84.93, -76.26, 55.92

 

Complementary color

CMYK 0 / 95 / 30 / 12

HEX #E00B9D

RGB 224 11 157

HSL 318.87, 0.91%, 0.46%

LAB 50.12, 79.9, -21.05

 

CMYK 85 / 0 / 62 / 4

HEX #24F45D

RGB 36 244 93

HSL 136.44, 0.9%, 0.55%

LAB 84.93, -76.47, 58.06

 

CMYK 79 / 0 / 56 / 0

HEX #35FF70

RGB 53 255 112

HSL 137.52, 1%, 0.6%

LAB 88.66, -75.95, 54.2

 

CMYK 73 / 0 / 49 / 0

HEX #46FF83

RGB 70 255 131

HSL 139.78, 1%, 0.64%

LAB 89.14, -71.2, 46.11

 

CMYK 66 / 0 / 41 / 0

HEX #57FF96

RGB 87 255 150

HSL 142.5, 1%, 0.67%

LAB 89.74, -65.52, 37.78

 

CMYK 59 / 0 / 34 / 0

HEX #68FFA9

RGB 104 255 169

HSL 145.83, 1%, 0.7%

LAB 90.47, -59.02, 29.38

 

CMYK 87 / 0 / 60 / 4

HEX #1FF462

RGB 31 244 98

HSL 138.87, 0.91%, 0.54%

LAB 84.93, -76.26, 55.92

 

CMYK 94 / 0 / 65 / 11

HEX #0EE24F

RGB 14 226 79

HSL 138.4, 0.88%, 0.47%

LAB 79.07, -74, 57.27

 

CMYK 100 / 0 / 71 / 18

HEX #00D03C

RGB 0 208 60

HSL 137.31, 1%, 0.41%

LAB 73.18, -71.15, 58.37

 

CMYK 100 / 0 / 78 / 25

HEX #00BE29

RGB 0 190 41

HSL 132.95, 1%, 0.37%

LAB 67.27, -67.52, 58.95

 

CMYK 100 / 0 / 87 / 33

HEX #00AC16

RGB 0 172 22

HSL 127.67, 1%, 0.34%

LAB 61.28, -63.5, 58.5

 

CMYK 88 / 0 / 60 / 4

HEX #1EF462

RGB 30 244 98

HSL 139.07, 0.91%, 0.54%

LAB 84.92, -76.33, 55.91

 

CMYK 88 / 0 / 84 / 4

HEX #1EF428

RGB 30 244 40

HSL 122.8, 0.91%, 0.54%

LAB 84.55, -81.04, 75.32

 

CMYK 68 / 0 / 88 / 4

HEX #4EF41E

RGB 78 244 30

HSL 106.54, 0.91%, 0.54%

LAB 85.21, -75.39, 78.17

 

CMYK 44 / 0 / 88 / 4

HEX #88F41E

RGB 136 244 30

HSL 90.28, 0.91%, 0.54%

LAB 87.01, -60.96, 80.42

 

CMYK 20 / 0 / 88 / 4

HEX #C2F41E

RGB 194 244 30

HSL 74.02, 0.91%, 0.54%

LAB 89.98, -40.58, 84.1

 

CMYK 88 / 0 / 60 / 4

HEX #1EF462

RGB 30 244 98

HSL 139.07, 0.91%, 0.54%

LAB 84.92, -76.33, 55.91

 

CMYK 88 / 0 / 36 / 4

HEX #1EF49B

RGB 30 244 155

HSL 155.05, 0.91%, 0.54%

LAB 85.68, -67.35, 29.76

 

CMYK 88 / 0 / 13 / 4

HEX #1EF4D5

RGB 30 244 213

HSL 171.31, 0.91%, 0.54%

LAB 86.89, -54.09, 1.51

 

CMYK 88 / 11 / 0 / 4

HEX #1EDAF4

RGB 30 218 244

HSL 187.29, 0.91%, 0.54%

LAB 80.15, -33.8, -24.91

 

CMYK 88 / 34 / 0 / 4

HEX #1EA0F4

RGB 30 160 244

HSL 203.55, 0.91%, 0.54%

LAB 63.3, -3.53, -51.11

 

CMYK 88 / 0 / 60 / 4

HEX #1EF462

RGB 30 244 98

HSL 139.07, 0.91%, 0.54%

LAB 84.92, -76.33, 55.91

 

CMYK 88 / 0 / 60 / 4

HEX #1EF462

RGB 30 244 98

HSL 139.07, 0.91%, 0.54%

LAB 84.92, -76.33, 55.91

 

CMYK 78 / 0 / 53 / 12

HEX #31E169

RGB 49 225 105

HSL 139.09, 0.75%, 0.54%

LAB 79.34, -67.74, 46.21

 

CMYK 67 / 0 / 46 / 19

HEX #44CE70

RGB 68 206 112

HSL 139.13, 0.58%, 0.54%

LAB 73.9, -57.26, 36.11

 

CMYK 53 / 0 / 36 / 27

HEX #57BB77

RGB 87 187 119

HSL 139.2, 0.42%, 0.54%

LAB 68.68, -44.5, 25.79

 

CMYK 37 / 0 / 25 / 34

HEX #6AA87E

RGB 106 168 126

HSL 139.35, 0.26%, 0.54%

LAB 63.82, -29.27, 15.51

 

CMYK 67 / 0 / 88 / 4

HEX #50F41E

RGB 80 244 30

HSL 105.98, 0.91%, 0.54%

LAB 85.25, -75.02, 78.22

 

CMYK 88 / 0 / 84 / 4

HEX #1EF426

RGB 30 244 38

HSL 122.24, 0.91%, 0.54%

LAB 84.54, -81.12, 75.76

 

CMYK 88 / 0 / 61 / 4

HEX #1EF45F

RGB 30 244 95

HSL 138.22, 0.91%, 0.54%

LAB 84.9, -76.68, 57.16

 

CMYK 88 / 0 / 38 / 4

HEX #1EF497

RGB 30 244 151

HSL 153.93, 0.91%, 0.54%

LAB 85.61, -68.12, 31.68

 

CMYK 88 / 0 / 15 / 4

HEX #1EF4D0

RGB 30 244 208

HSL 169.91, 0.91%, 0.54%

LAB 86.77, -55.38, 3.95

 

CMYK 96 / 0 / 66 / 28

HEX #08B83F

RGB 8 184 63

HSL 138.75, 0.92%, 0.38%

LAB 65.51, -63.46, 48.98

 

CMYK 96 / 0 / 65 / 13

HEX #0ADF4D

RGB 10 223 77

HSL 138.87, 0.91%, 0.46%

LAB 78.1, -73.48, 57.01

 

CMYK 88 / 0 / 60 / 4

HEX #1EF462

RGB 30 244 98

HSL 139.07, 0.91%, 0.54%

LAB 84.92, -76.33, 55.91

 

CMYK 72 / 0 / 49 / 4

HEX #46F67D

RGB 70 246 125

HSL 138.75, 0.91%, 0.62%

LAB 86.35, -69.05, 45.47

 

CMYK 56 / 0 / 38 / 3

HEX #6DF899

RGB 109 248 153

HSL 138.99, 0.91%, 0.7%

LAB 88.3, -58.07, 34.51

 

CMYK 87 / 0 / 60 / 4

HEX #1FF462

RGB 31 244 98

HSL 138.87, 0.91%, 0.54%

LAB 84.93, -76.26, 55.92

 

CMYK 88 / 44 / 0 / 4

HEX #1E89F4

RGB 30 137 244

HSL 210, 0.91%, 0.54%

LAB 56.78, 10.07, -61.51

 

CMYK 0 / 88 / 79 / 4

HEX #F41E34

RGB 244 30 52

HSL 353.83, 0.91%, 0.54%

LAB 52.3, 75.22, 45.36

 

CMYK 87 / 0 / 60 / 4

HEX #1FF462

RGB 31 244 98

HSL 138.87, 0.91%, 0.54%

LAB 84.93, -76.26, 55.92

 

CMYK 61 / 88 / 0 / 4

HEX #5F1EF4

RGB 95 30 244

HSL 258.22, 0.91%, 0.54%

LAB 37.65, 73.46, -92.63

 

CMYK 0 / 61 / 88 / 4

HEX #F45F1E

RGB 244 95 30

HSL 18.22, 0.91%, 0.54%

LAB 59.44, 54.54, 61.74

 

CMYK 87 / 0 / 60 / 4

HEX #1FF462

RGB 31 244 98

HSL 138.87, 0.91%, 0.54%

LAB 84.93, -76.26, 55.92

 

CMYK 88 / 44 / 0 / 4

HEX #1E89F4

RGB 30 137 244

HSL 210, 0.91%, 0.54%

LAB 56.78, 10.07, -61.51

 

CMYK 0 / 88 / 26 / 4

HEX #F41EB4

RGB 244 30 180

HSL 317.94, 0.91%, 0.54%

LAB 55.54, 84.23, -25.94

 

CMYK 0 / 44 / 88 / 4

HEX #F4891E

RGB 244 137 30

HSL 30, 0.91%, 0.54%

LAB 67.44, 34.29, 67.92

 

CMYK 87 / 0 / 60 / 4

HEX #1FF462

RGB 31 244 98

HSL 138.87, 0.91%, 0.54%

LAB 84.93, -76.26, 55.92

 

CMYK 88 / 70 / 0 / 4

HEX #1E49F4

RGB 30 73 244

HSL 227.94, 0.91%, 0.54%

LAB 40.53, 49.96, -87.99

 

CMYK 0 / 88 / 26 / 4

HEX #F41EB4

RGB 244 30 180

HSL 317.94, 0.91%, 0.54%

LAB 55.54, 84.23, -25.94

 

CMYK 0 / 18 / 88 / 4

HEX #F4C91E

RGB 244 201 30

HSL 47.94, 0.91%, 0.54%

LAB 82.43, 0.86, 79.65

 

Description

Color code: RGB 31 244 98 | qconv.com Color code: RGB 31 244 98 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 244 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 244 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 60 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 60% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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