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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 233 139 it is the complementary color RGB 224 22 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 233 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 233 139 shade: RGB 36 233 134, RGB 53 251 153, RGB 70 255 172, RGB 87 255 191 and RGB 104 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 233 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 233 139 shade: RGB 31 233 139, RGB 14 215 120, RGB 0 197 101, RGB 0 179 82 and RGB 0 161 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 233 139 shade: RGB 32 232 139, RGB 32 232 85, RGB 33 232 32, RGB 87 232 32 and RGB 141 232 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 233 139 shade: RGB 32 232 139, RGB 32 232 193, RGB 32 218 232, RGB 32 163 232 and RGB 32 109 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 233 139 shade matches the following richer shades: RGB 32 232 139 and RGB 12 252 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 233 139 shade: RGB 32 232 139, RGB 52 213 138, RGB 71 193 136, RGB 91 173 135 and RGB 111 153 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 233 139 shade: RGB 32 232 32, RGB 32 232 85, RGB 32 232 139, RGB 32 232 192 and RGB 32 219 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 233 139 shade: RGB 16 166 96, RGB 20 203 118, RGB 32 232 139, RGB 69 236 159 and RGB 107 240 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 233 139 shade: RGB 31 233 139, RGB 32 85 232 and RGB 232 58 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 233 139 shade: RGB 31 233 139, RGB 139 32 232 and RGB 232 139 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 233 139 shade: RGB 31 233 139, RGB 32 85 232, RGB 232 32 125 and RGB 232 179 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 233 139 shade: RGB 31 233 139, RGB 38 32 232, RGB 232 32 125 and RGB 226 232 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 40 / 9

HEX #1FE98B

RGB 31 233 139

HSL 152.08, 0.82%, 0.52%

LAB 82.07, -66.53, 33.03

 

Complementary color

CMYK 0 / 90 / 48 / 12

HEX #E01674

RGB 224 22 116

HSL 332.08, 0.82%, 0.48%

LAB 49.11, 74.92, 2.22

 

CMYK 85 / 0 / 42 / 9

HEX #24E986

RGB 36 233 134

HSL 149.85, 0.82%, 0.53%

LAB 82.04, -67.07, 35.5

 

CMYK 79 / 0 / 39 / 2

HEX #35FB99

RGB 53 251 153

HSL 150.3, 0.96%, 0.6%

LAB 87.99, -68.27, 33.89

 

CMYK 73 / 0 / 33 / 0

HEX #46FFAC

RGB 70 255 172

HSL 153.08, 1%, 0.64%

LAB 89.77, -64.09, 26.78

 

CMYK 66 / 0 / 25 / 0

HEX #57FFBF

RGB 87 255 191

HSL 157.14, 1%, 0.67%

LAB 90.46, -57.72, 18.12

 

CMYK 59 / 0 / 18 / 0

HEX #68FFD2

RGB 104 255 210

HSL 162.12, 1%, 0.7%

LAB 91.29, -50.64, 9.58

 

CMYK 87 / 0 / 40 / 9

HEX #1FE98B

RGB 31 233 139

HSL 152.08, 0.82%, 0.52%

LAB 82.07, -66.53, 33.03

 

CMYK 93 / 0 / 44 / 16

HEX #0ED778

RGB 14 215 120

HSL 151.64, 0.88%, 0.45%

LAB 76.1, -64.8, 34.78

 

CMYK 100 / 0 / 49 / 23

HEX #00C565

RGB 0 197 101

HSL 150.76, 1%, 0.39%

LAB 70.09, -62.61, 36.61

 

CMYK 100 / 0 / 54 / 30

HEX #00B352

RGB 0 179 82

HSL 147.49, 1%, 0.35%

LAB 64.04, -59.77, 38.53

 

CMYK 100 / 0 / 61 / 37

HEX #00A13F

RGB 0 161 63

HSL 143.48, 1%, 0.32%

LAB 57.89, -56.72, 40.37

 

CMYK 86 / 0 / 40 / 9

HEX #20E88B

RGB 32 232 139

HSL 152.1, 0.81%, 0.52%

LAB 81.78, -66.12, 32.64

 

CMYK 86 / 0 / 63 / 9

HEX #20E855

RGB 32 232 85

HSL 135.9, 0.81%, 0.52%

LAB 81.11, -74.08, 57.1

 

CMYK 86 / 0 / 86 / 9

HEX #21E820

RGB 33 232 32

HSL 119.7, 0.81%, 0.52%

LAB 80.82, -77.85, 73.72

 

CMYK 63 / 0 / 86 / 9

HEX #57E820

RGB 87 232 32

HSL 103.5, 0.81%, 0.52%

LAB 81.75, -69.76, 74.9

 

CMYK 39 / 0 / 86 / 9

HEX #8DE820

RGB 141 232 32

HSL 87.3, 0.81%, 0.52%

LAB 83.69, -54.71, 77.33

 

CMYK 86 / 0 / 40 / 9

HEX #20E88B

RGB 32 232 139

HSL 152.1, 0.81%, 0.52%

LAB 81.78, -66.12, 32.64

 

CMYK 86 / 0 / 17 / 9

HEX #20E8C1

RGB 32 232 193

HSL 168.3, 0.81%, 0.52%

LAB 82.84, -54.26, 6.15

 

CMYK 86 / 6 / 0 / 9

HEX #20DAE8

RGB 32 218 232

HSL 184.2, 0.81%, 0.52%

LAB 79.77, -37.39, -19.09

 

CMYK 86 / 30 / 0 / 9

HEX #20A3E8

RGB 32 163 232

HSL 200.7, 0.81%, 0.52%

LAB 63.61, -9.45, -44.03

 

CMYK 86 / 53 / 0 / 9

HEX #206DE8

RGB 32 109 232

HSL 216.9, 0.81%, 0.52%

LAB 48.35, 23.12, -68.43

 

CMYK 86 / 0 / 40 / 9

HEX #20E88B

RGB 32 232 139

HSL 152.1, 0.81%, 0.52%

LAB 81.78, -66.12, 32.64

 

CMYK 95 / 0 / 44 / 1

HEX #0CFC8C

RGB 12 252 140

HSL 152, 0.98%, 0.52%

LAB 87.77, -73.55, 39.94

 

CMYK 86 / 0 / 40 / 9

HEX #20E88B

RGB 32 232 139

HSL 152.1, 0.81%, 0.52%

LAB 81.78, -66.12, 32.64

 

CMYK 76 / 0 / 35 / 16

HEX #34D58A

RGB 52 213 138

HSL 152.05, 0.66%, 0.52%

LAB 76.16, -57.59, 25.72

 

CMYK 63 / 0 / 30 / 24

HEX #47C188

RGB 71 193 136

HSL 151.97, 0.5%, 0.52%

LAB 70.36, -47.18, 18.92

 

CMYK 47 / 0 / 22 / 32

HEX #5BAD87

RGB 91 173 135

HSL 152.2, 0.33%, 0.52%

LAB 64.85, -34.1, 11.9

 

CMYK 27 / 0 / 12 / 40

HEX #6F9986

RGB 111 153 134

HSL 152.86, 0.17%, 0.52%

LAB 59.78, -18.5, 5.38

 

CMYK 86 / 0 / 86 / 9

HEX #20E820

RGB 32 232 32

HSL 120, 0.81%, 0.52%

LAB 80.81, -77.93, 73.71

 

CMYK 86 / 0 / 63 / 9

HEX #20E855

RGB 32 232 85

HSL 135.9, 0.81%, 0.52%

LAB 81.11, -74.08, 57.1

 

CMYK 86 / 0 / 40 / 9

HEX #20E88B

RGB 32 232 139

HSL 152.1, 0.81%, 0.52%

LAB 81.78, -66.12, 32.64

 

CMYK 86 / 0 / 17 / 9

HEX #20E8C0

RGB 32 232 192

HSL 168, 0.81%, 0.52%

LAB 82.82, -54.51, 6.64

 

CMYK 86 / 6 / 0 / 9

HEX #20DBE8

RGB 32 219 232

HSL 183.9, 0.81%, 0.52%

LAB 80.06, -37.85, -18.65

 

CMYK 90 / 0 / 42 / 35

HEX #10A660

RGB 16 166 96

HSL 152, 0.82%, 0.36%

LAB 60.09, -52.13, 26.38

 

CMYK 90 / 0 / 42 / 20

HEX #14CB76

RGB 20 203 118

HSL 152.13, 0.82%, 0.44%

LAB 72.34, -60.79, 30.91

 

CMYK 86 / 0 / 40 / 9

HEX #20E88B

RGB 32 232 139

HSL 152.1, 0.81%, 0.52%

LAB 81.78, -66.12, 32.64

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9F

RGB 69 236 159

HSL 152.34, 0.81%, 0.6%

LAB 83.84, -59.73, 25.33

 

CMYK 55 / 0 / 26 / 6

HEX #6BF0B2

RGB 107 240 178

HSL 152.03, 0.82%, 0.68%

LAB 86.34, -50.66, 19.13

 

CMYK 87 / 0 / 40 / 9

HEX #1FE98B

RGB 31 233 139

HSL 152.08, 0.82%, 0.52%

LAB 82.07, -66.53, 33.03

 

CMYK 86 / 63 / 0 / 9

HEX #2055E8

RGB 32 85 232

HSL 224.1, 0.81%, 0.52%

LAB 42.2, 38.43, -78.46

 

CMYK 0 / 75 / 86 / 9

HEX #E83A20

RGB 232 58 32

HSL 7.8, 0.81%, 0.52%

LAB 52.16, 64.77, 54.32

 

CMYK 87 / 0 / 40 / 9

HEX #1FE98B

RGB 31 233 139

HSL 152.08, 0.82%, 0.52%

LAB 82.07, -66.53, 33.03

 

CMYK 40 / 86 / 0 / 9

HEX #8B20E8

RGB 139 32 232

HSL 272.1, 0.81%, 0.52%

LAB 41.76, 74.46, -78.88

 

CMYK 0 / 40 / 86 / 9

HEX #E88B20

RGB 232 139 32

HSL 32.1, 0.81%, 0.52%

LAB 66.31, 28.37, 65.77

 

CMYK 87 / 0 / 40 / 9

HEX #1FE98B

RGB 31 233 139

HSL 152.08, 0.82%, 0.52%

LAB 82.07, -66.53, 33.03

 

CMYK 86 / 63 / 0 / 9

HEX #2055E8

RGB 32 85 232

HSL 224.1, 0.81%, 0.52%

LAB 42.2, 38.43, -78.46

 

CMYK 0 / 86 / 46 / 9

HEX #E8207D

RGB 232 32 125

HSL 332.1, 0.81%, 0.52%

LAB 51.46, 75.93, 0.35

 

CMYK 0 / 23 / 86 / 9

HEX #E8B320

RGB 232 179 32

HSL 44.1, 0.81%, 0.52%

LAB 75.76, 7.19, 73.4

 

CMYK 87 / 0 / 40 / 9

HEX #1FE98B

RGB 31 233 139

HSL 152.08, 0.82%, 0.52%

LAB 82.07, -66.53, 33.03

 

CMYK 84 / 86 / 0 / 9

HEX #2620E8

RGB 38 32 232

HSL 241.8, 0.81%, 0.52%

LAB 32.42, 66.7, -94.64

 

CMYK 0 / 86 / 46 / 9

HEX #E8207D

RGB 232 32 125

HSL 332.1, 0.81%, 0.52%

LAB 51.46, 75.93, 0.35

 

CMYK 3 / 0 / 86 / 9

HEX #E2E820

RGB 226 232 32

HSL 61.8, 0.81%, 0.52%

LAB 88.92, -22.16, 83.79

 

Description

Color code: RGB 31 233 139 | qconv.com Color code: RGB 31 233 139 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 233 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 233 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 40 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 40% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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