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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 228 178 it is the complementary color RGB 224 27 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 228 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 228 178 shade: RGB 36 228 173, RGB 53 246 192, RGB 70 255 211, RGB 87 255 230 and RGB 104 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 228 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 228 178 shade: RGB 31 228 178, RGB 14 210 159, RGB 0 192 140, RGB 0 174 121 and RGB 0 156 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 228 178 shade: RGB 32 227 178, RGB 32 227 125, RGB 32 227 72, RGB 44 227 32 and RGB 97 227 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 228 178 shade: RGB 32 227 178, RGB 32 224 227, RGB 32 171 227, RGB 32 119 227 and RGB 32 66 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 228 178 shade matches the following richer shades: RGB 32 227 178 and RGB 12 247 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 228 178 shade: RGB 32 227 178, RGB 52 207 168, RGB 73 187 158, RGB 93 166 148 and RGB 113 146 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 228 178 shade: RGB 32 227 71, RGB 32 227 123, RGB 32 227 175, RGB 32 227 227 and RGB 32 175 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 228 178 shade: RGB 19 158 122, RGB 24 194 151, RGB 32 227 178, RGB 69 232 190 and RGB 106 236 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 228 178 shade: RGB 31 228 178, RGB 32 45 227 and RGB 227 97 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 228 178 shade: RGB 31 228 178, RGB 175 32 227 and RGB 227 175 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 228 178 shade: RGB 31 228 178, RGB 32 45 227, RGB 227 32 84 and RGB 227 214 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 228 178 shade: RGB 31 228 178, RGB 78 32 227, RGB 227 32 84 and RGB 182 227 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 22 / 11

HEX #1FE4B2

RGB 31 228 178

HSL 164.77, 0.78%, 0.51%

LAB 81.29, -56.43, 11.82

 

Complementary color

CMYK 0 / 88 / 66 / 12

HEX #E01B4D

RGB 224 27 77

HSL 344.77, 0.78%, 0.49%

LAB 48.47, 71.65, 25.27

 

CMYK 84 / 0 / 24 / 11

HEX #24E4AD

RGB 36 228 173

HSL 162.81, 0.78%, 0.52%

LAB 81.23, -57.26, 14.36

 

CMYK 78 / 0 / 22 / 4

HEX #35F6C0

RGB 53 246 192

HSL 163.21, 0.91%, 0.59%

LAB 87.23, -58.34, 12.97

 

CMYK 73 / 0 / 17 / 0

HEX #46FFD3

RGB 70 255 211

HSL 165.73, 1%, 0.64%

LAB 90.56, -55.58, 7.92

 

CMYK 66 / 0 / 10 / 0

HEX #57FFE6

RGB 87 255 230

HSL 171.07, 1%, 0.67%

LAB 91.35, -48.67, -0.72

 

CMYK 59 / 0 / 2 / 0

HEX #68FFF9

RGB 104 255 249

HSL 177.62, 1%, 0.7%

LAB 92.27, -41.19, -9.17

 

CMYK 86 / 0 / 22 / 11

HEX #1FE4B2

RGB 31 228 178

HSL 164.77, 0.78%, 0.51%

LAB 81.29, -56.43, 11.82

 

CMYK 93 / 0 / 24 / 18

HEX #0ED29F

RGB 14 210 159

HSL 164.39, 0.88%, 0.44%

LAB 75.26, -54.88, 13.34

 

CMYK 100 / 0 / 27 / 25

HEX #00C08C

RGB 0 192 140

HSL 163.75, 1%, 0.38%

LAB 69.18, -52.96, 14.99

 

CMYK 100 / 0 / 30 / 32

HEX #00AE79

RGB 0 174 121

HSL 161.72, 1%, 0.34%

LAB 63.05, -50.53, 16.81

 

CMYK 100 / 0 / 35 / 39

HEX #009C66

RGB 0 156 102

HSL 159.23, 1%, 0.31%

LAB 56.82, -48.02, 18.72

 

CMYK 86 / 0 / 22 / 11

HEX #20E3B2

RGB 32 227 178

HSL 164.92, 0.78%, 0.51%

LAB 80.99, -55.98, 11.4

 

CMYK 86 / 0 / 45 / 11

HEX #20E37D

RGB 32 227 125

HSL 148.62, 0.78%, 0.51%

LAB 80.03, -66.91, 37.36

 

CMYK 86 / 0 / 68 / 11

HEX #20E348

RGB 32 227 72

HSL 132.31, 0.78%, 0.51%

LAB 79.45, -73.91, 60.49

 

CMYK 81 / 0 / 86 / 11

HEX #2CE320

RGB 44 227 32

HSL 116.31, 0.78%, 0.51%

LAB 79.37, -75.38, 72.5

 

CMYK 57 / 0 / 86 / 11

HEX #61E320

RGB 97 227 32

HSL 100, 0.78%, 0.51%

LAB 80.51, -65.77, 73.93

 

CMYK 86 / 0 / 22 / 11

HEX #20E3B2

RGB 32 227 178

HSL 164.92, 0.78%, 0.51%

LAB 80.99, -55.98, 11.4

 

CMYK 86 / 1 / 0 / 11

HEX #20E0E3

RGB 32 224 227

HSL 180.92, 0.78%, 0.51%

LAB 81.38, -41.6, -14.01

 

CMYK 86 / 25 / 0 / 11

HEX #20ABE3

RGB 32 171 227

HSL 197.23, 0.78%, 0.51%

LAB 65.73, -15.6, -37.96

 

CMYK 86 / 48 / 0 / 11

HEX #2077E3

RGB 32 119 227

HSL 213.23, 0.78%, 0.51%

LAB 50.74, 14.87, -61.75

 

CMYK 86 / 71 / 0 / 11

HEX #2042E3

RGB 32 66 227

HSL 229.54, 0.78%, 0.51%

LAB 37.39, 48.28, -83.55

 

CMYK 86 / 0 / 22 / 11

HEX #20E3B2

RGB 32 227 178

HSL 164.92, 0.78%, 0.51%

LAB 80.99, -55.98, 11.4

 

CMYK 95 / 0 / 24 / 3

HEX #0CF7BB

RGB 12 247 187

HSL 164.68, 0.94%, 0.51%

LAB 87.09, -62.36, 15.31

 

CMYK 86 / 0 / 22 / 11

HEX #20E3B2

RGB 32 227 178

HSL 164.92, 0.78%, 0.51%

LAB 80.99, -55.98, 11.4

 

CMYK 75 / 0 / 19 / 19

HEX #34CFA8

RGB 52 207 168

HSL 164.9, 0.62%, 0.51%

LAB 74.94, -48.56, 8.12

 

CMYK 61 / 0 / 16 / 27

HEX #49BB9E

RGB 73 187 158

HSL 164.74, 0.46%, 0.51%

LAB 69.06, -39.21, 5.16

 

CMYK 44 / 0 / 11 / 35

HEX #5DA694

RGB 93 166 148

HSL 165.21, 0.29%, 0.51%

LAB 63.13, -27.26, 2.21

 

CMYK 23 / 0 / 5 / 43

HEX #71928A

RGB 113 146 138

HSL 165.45, 0.13%, 0.51%

LAB 57.95, -13.25, 0.46

 

CMYK 86 / 0 / 69 / 11

HEX #20E347

RGB 32 227 71

HSL 132, 0.78%, 0.51%

LAB 79.44, -74, 60.87

 

CMYK 86 / 0 / 46 / 11

HEX #20E37B

RGB 32 227 123

HSL 148, 0.78%, 0.51%

LAB 80, -67.25, 38.31

 

CMYK 86 / 0 / 23 / 11

HEX #20E3AF

RGB 32 227 175

HSL 164, 0.78%, 0.51%

LAB 80.93, -56.69, 12.89

 

CMYK 86 / 0 / 0 / 11

HEX #20E3E3

RGB 32 227 227

HSL 180, 0.78%, 0.51%

LAB 82.27, -42.94, -12.68

 

CMYK 86 / 23 / 0 / 11

HEX #20AFE3

RGB 32 175 227

HSL 196, 0.78%, 0.51%

LAB 66.91, -17.73, -36.12

 

CMYK 88 / 0 / 23 / 38

HEX #139E7A

RGB 19 158 122

HSL 164.46, 0.79%, 0.35%

LAB 58.03, -42.99, 9.25

 

CMYK 88 / 0 / 22 / 24

HEX #18C297

RGB 24 194 151

HSL 164.82, 0.78%, 0.43%

LAB 70.18, -50.04, 10.47

 

CMYK 86 / 0 / 22 / 11

HEX #20E3B2

RGB 32 227 178

HSL 164.92, 0.78%, 0.51%

LAB 80.99, -55.98, 11.4

 

CMYK 70 / 0 / 18 / 9

HEX #45E8BE

RGB 69 232 190

HSL 164.54, 0.78%, 0.59%

LAB 83.28, -51.37, 8.42

 

CMYK 55 / 0 / 14 / 7

HEX #6AECCB

RGB 106 236 203

HSL 164.77, 0.77%, 0.67%

LAB 85.69, -43.72, 5.18

 

CMYK 86 / 0 / 22 / 11

HEX #1FE4B2

RGB 31 228 178

HSL 164.77, 0.78%, 0.51%

LAB 81.29, -56.43, 11.82

 

CMYK 86 / 80 / 0 / 11

HEX #202DE3

RGB 32 45 227

HSL 236, 0.78%, 0.51%

LAB 33.41, 59.59, -90.13

 

CMYK 0 / 57 / 86 / 11

HEX #E36120

RGB 227 97 32

HSL 20, 0.78%, 0.51%

LAB 57.06, 47.56, 57.96

 

CMYK 86 / 0 / 22 / 11

HEX #1FE4B2

RGB 31 228 178

HSL 164.77, 0.78%, 0.51%

LAB 81.29, -56.43, 11.82

 

CMYK 23 / 86 / 0 / 11

HEX #AF20E3

RGB 175 32 227

HSL 284, 0.78%, 0.51%

LAB 46.57, 78.36, -67.97

 

CMYK 0 / 23 / 86 / 11

HEX #E3AF20

RGB 227 175 32

HSL 44, 0.78%, 0.51%

LAB 74.25, 7.13, 71.96

 

CMYK 86 / 0 / 22 / 11

HEX #1FE4B2

RGB 31 228 178

HSL 164.77, 0.78%, 0.51%

LAB 81.29, -56.43, 11.82

 

CMYK 86 / 80 / 0 / 11

HEX #202DE3

RGB 32 45 227

HSL 236, 0.78%, 0.51%

LAB 33.41, 59.59, -90.13

 

CMYK 0 / 86 / 63 / 11

HEX #E32054

RGB 227 32 84

HSL 344, 0.78%, 0.51%

LAB 49.5, 71.89, 22.45

 

CMYK 0 / 6 / 86 / 11

HEX #E3D620

RGB 227 214 32

HSL 56, 0.78%, 0.51%

LAB 84.24, -12.94, 80.05

 

CMYK 86 / 0 / 22 / 11

HEX #1FE4B2

RGB 31 228 178

HSL 164.77, 0.78%, 0.51%

LAB 81.29, -56.43, 11.82

 

CMYK 66 / 86 / 0 / 11

HEX #4E20E3

RGB 78 32 227

HSL 254.15, 0.78%, 0.51%

LAB 34.39, 67.36, -88.43

 

CMYK 0 / 86 / 63 / 11

HEX #E32054

RGB 227 32 84

HSL 344, 0.78%, 0.51%

LAB 49.5, 71.89, 22.45

 

CMYK 20 / 0 / 86 / 11

HEX #B6E320

RGB 182 227 32

HSL 73.85, 0.78%, 0.51%

LAB 84.48, -37.64, 78.88

 

Description

Color code: RGB 31 228 178 | qconv.com Color code: RGB 31 228 178 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 228 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 228 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 22 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 22% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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