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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 228 121 it is the complementary color RGB 224 27 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 228 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 228 121 shade: RGB 36 228 116, RGB 53 246 135, RGB 70 255 154, RGB 87 255 173 and RGB 104 255 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 228 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 228 121 shade: RGB 31 228 121, RGB 14 210 102, RGB 0 192 83, RGB 0 174 64 and RGB 0 156 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 228 121 shade: RGB 32 227 121, RGB 32 227 69, RGB 48 227 32, RGB 101 227 32 and RGB 153 227 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 228 121 shade: RGB 32 227 121, RGB 32 227 174, RGB 32 227 226, RGB 32 175 227 and RGB 32 123 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 228 121 shade matches the following richer shades: RGB 32 227 121 and RGB 12 247 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 228 121 shade: RGB 32 227 121, RGB 52 207 123, RGB 73 187 125, RGB 93 166 126 and RGB 113 146 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 228 121 shade: RGB 48 227 32, RGB 32 227 68, RGB 32 227 120, RGB 32 227 172 and RGB 32 227 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 228 121 shade: RGB 19 158 82, RGB 24 194 102, RGB 32 227 121, RGB 69 232 143 and RGB 106 236 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 228 121 shade: RGB 31 228 121, RGB 32 100 227 and RGB 227 42 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 228 121 shade: RGB 31 228 121, RGB 120 32 227 and RGB 227 120 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 228 121 shade: RGB 31 228 121, RGB 32 100 227, RGB 227 32 139 and RGB 227 159 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 228 121 shade: RGB 31 228 121, RGB 32 42 227, RGB 227 32 139 and RGB 227 217 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 47 / 11

HEX #1FE479

RGB 31 228 121

HSL 147.41, 0.78%, 0.51%

LAB 80.27, -67.99, 39.64

 

Complementary color

CMYK 0 / 88 / 40 / 12

HEX #E01B86

RGB 224 27 134

HSL 327.41, 0.78%, 0.49%

LAB 49.92, 75.72, -7.54

 

CMYK 84 / 0 / 49 / 11

HEX #24E474

RGB 36 228 116

HSL 145, 0.78%, 0.52%

LAB 80.25, -68.4, 42.05

 

CMYK 78 / 0 / 45 / 4

HEX #35F687

RGB 53 246 135

HSL 145.49, 0.91%, 0.59%

LAB 86.21, -69.68, 40.44

 

CMYK 73 / 0 / 40 / 0

HEX #46FF9A

RGB 70 255 154

HSL 147.24, 1%, 0.64%

LAB 89.47, -67.46, 35.38

 

CMYK 66 / 0 / 32 / 0

HEX #57FFAD

RGB 87 255 173

HSL 150.71, 1%, 0.67%

LAB 90.12, -61.37, 26.81

 

CMYK 59 / 0 / 25 / 0

HEX #68FFC0

RGB 104 255 192

HSL 154.97, 1%, 0.7%

LAB 90.9, -54.53, 18.29

 

CMYK 86 / 0 / 47 / 11

HEX #1FE479

RGB 31 228 121

HSL 147.41, 0.78%, 0.51%

LAB 80.27, -67.99, 39.64

 

CMYK 93 / 0 / 51 / 18

HEX #0ED266

RGB 14 210 102

HSL 146.94, 0.88%, 0.44%

LAB 74.28, -66.14, 41.37

 

CMYK 100 / 0 / 57 / 25

HEX #00C053

RGB 0 192 83

HSL 145.94, 1%, 0.38%

LAB 68.26, -63.77, 43.13

 

CMYK 100 / 0 / 63 / 32

HEX #00AE40

RGB 0 174 64

HSL 142.07, 1%, 0.34%

LAB 62.2, -60.66, 44.85

 

CMYK 100 / 0 / 71 / 39

HEX #009C2D

RGB 0 156 45

HSL 137.31, 1%, 0.31%

LAB 56.05, -57.25, 46.24

 

CMYK 86 / 0 / 47 / 11

HEX #20E379

RGB 32 227 121

HSL 147.38, 0.78%, 0.51%

LAB 79.97, -67.59, 39.26

 

CMYK 86 / 0 / 70 / 11

HEX #20E345

RGB 32 227 69

HSL 131.38, 0.78%, 0.51%

LAB 79.43, -74.19, 61.6

 

CMYK 79 / 0 / 86 / 11

HEX #30E320

RGB 48 227 32

HSL 115.08, 0.78%, 0.51%

LAB 79.43, -74.91, 72.56

 

CMYK 56 / 0 / 86 / 11

HEX #65E320

RGB 101 227 32

HSL 98.77, 0.78%, 0.51%

LAB 80.63, -64.76, 74.08

 

CMYK 33 / 0 / 86 / 11

HEX #99E320

RGB 153 227 32

HSL 82.77, 0.78%, 0.51%

LAB 82.81, -48.54, 76.82

 

CMYK 86 / 0 / 47 / 11

HEX #20E379

RGB 32 227 121

HSL 147.38, 0.78%, 0.51%

LAB 79.97, -67.59, 39.26

 

CMYK 86 / 0 / 23 / 11

HEX #20E3AE

RGB 32 227 174

HSL 163.69, 0.78%, 0.51%

LAB 80.91, -56.93, 13.38

 

CMYK 86 / 0 / 0 / 11

HEX #20E3E2

RGB 32 227 226

HSL 179.69, 0.78%, 0.51%

LAB 82.24, -43.23, -12.2

 

CMYK 86 / 23 / 0 / 11

HEX #20AFE3

RGB 32 175 227

HSL 196, 0.78%, 0.51%

LAB 66.91, -17.73, -36.12

 

CMYK 86 / 46 / 0 / 11

HEX #207BE3

RGB 32 123 227

HSL 212, 0.78%, 0.51%

LAB 51.86, 12.36, -59.95

 

CMYK 86 / 0 / 47 / 11

HEX #20E379

RGB 32 227 121

HSL 147.38, 0.78%, 0.51%

LAB 79.97, -67.59, 39.26

 

CMYK 95 / 0 / 52 / 3

HEX #0CF777

RGB 12 247 119

HSL 147.32, 0.94%, 0.51%

LAB 85.97, -75.3, 47.69

 

CMYK 86 / 0 / 47 / 11

HEX #20E379

RGB 32 227 121

HSL 147.38, 0.78%, 0.51%

LAB 79.97, -67.59, 39.26

 

CMYK 75 / 0 / 41 / 19

HEX #34CF7B

RGB 52 207 123

HSL 147.48, 0.62%, 0.51%

LAB 74.05, -58.24, 30.66

 

CMYK 61 / 0 / 33 / 27

HEX #49BB7D

RGB 73 187 125

HSL 147.37, 0.46%, 0.51%

LAB 68.34, -46.55, 22.07

 

CMYK 44 / 0 / 24 / 35

HEX #5DA67E

RGB 93 166 126

HSL 147.12, 0.29%, 0.51%

LAB 62.6, -32.17, 13.72

 

CMYK 23 / 0 / 12 / 43

HEX #719280

RGB 113 146 128

HSL 147.27, 0.13%, 0.51%

LAB 57.68, -15.39, 5.78

 

CMYK 79 / 0 / 86 / 11

HEX #30E320

RGB 48 227 32

HSL 115.08, 0.78%, 0.51%

LAB 79.43, -74.91, 72.56

 

CMYK 86 / 0 / 70 / 11

HEX #20E344

RGB 32 227 68

HSL 131.08, 0.78%, 0.51%

LAB 79.42, -74.27, 61.97

 

CMYK 86 / 0 / 47 / 11

HEX #20E378

RGB 32 227 120

HSL 147.08, 0.78%, 0.51%

LAB 79.95, -67.75, 39.73

 

CMYK 86 / 0 / 24 / 11

HEX #20E3AC

RGB 32 227 172

HSL 163.08, 0.78%, 0.51%

LAB 80.86, -57.39, 14.37

 

CMYK 86 / 0 / 1 / 11

HEX #20E3E0

RGB 32 227 224

HSL 179.08, 0.78%, 0.51%

LAB 82.18, -43.8, -11.22

 

CMYK 88 / 0 / 48 / 38

HEX #139E52

RGB 19 158 82

HSL 147.19, 0.79%, 0.35%

LAB 57.27, -51.65, 30.15

 

CMYK 88 / 0 / 47 / 24

HEX #18C266

RGB 24 194 102

HSL 147.53, 0.78%, 0.43%

LAB 69.28, -60.29, 35.12

 

CMYK 86 / 0 / 47 / 11

HEX #20E379

RGB 32 227 121

HSL 147.38, 0.78%, 0.51%

LAB 79.97, -67.59, 39.26

 

CMYK 70 / 0 / 38 / 9

HEX #45E88F

RGB 69 232 143

HSL 147.24, 0.78%, 0.59%

LAB 82.36, -61.3, 31.49

 

CMYK 55 / 0 / 30 / 7

HEX #6AECA5

RGB 106 236 165

HSL 147.23, 0.77%, 0.67%

LAB 84.88, -51.79, 23.82

 

CMYK 86 / 0 / 47 / 11

HEX #1FE479

RGB 31 228 121

HSL 147.41, 0.78%, 0.51%

LAB 80.27, -67.99, 39.64

 

CMYK 86 / 56 / 0 / 11

HEX #2064E3

RGB 32 100 227

HSL 219.08, 0.78%, 0.51%

LAB 45.59, 26.97, -70.09

 

CMYK 0 / 81 / 86 / 11

HEX #E32A20

RGB 227 42 32

HSL 3.08, 0.78%, 0.51%

LAB 49.61, 67.81, 51.84

 

CMYK 86 / 0 / 47 / 11

HEX #1FE479

RGB 31 228 121

HSL 147.41, 0.78%, 0.51%

LAB 80.27, -67.99, 39.64

 

CMYK 47 / 86 / 0 / 11

HEX #7820E3

RGB 120 32 227

HSL 267.08, 0.78%, 0.51%

LAB 38.85, 71.16, -80.91

 

CMYK 0 / 47 / 86 / 11

HEX #E37820

RGB 227 120 32

HSL 27.08, 0.78%, 0.51%

LAB 61.54, 36.22, 61.62

 

CMYK 86 / 0 / 47 / 11

HEX #1FE479

RGB 31 228 121

HSL 147.41, 0.78%, 0.51%

LAB 80.27, -67.99, 39.64

 

CMYK 86 / 56 / 0 / 11

HEX #2064E3

RGB 32 100 227

HSL 219.08, 0.78%, 0.51%

LAB 45.59, 26.97, -70.09

 

CMYK 0 / 86 / 39 / 11

HEX #E3208B

RGB 227 32 139

HSL 327.08, 0.78%, 0.51%

LAB 50.95, 76.02, -8.95

 

CMYK 0 / 30 / 86 / 11

HEX #E39F20

RGB 227 159 32

HSL 39.08, 0.78%, 0.51%

LAB 70.34, 15.63, 68.78

 

CMYK 86 / 0 / 47 / 11

HEX #1FE479

RGB 31 228 121

HSL 147.41, 0.78%, 0.51%

LAB 80.27, -67.99, 39.64

 

CMYK 86 / 81 / 0 / 11

HEX #202AE3

RGB 32 42 227

HSL 236.92, 0.78%, 0.51%

LAB 32.94, 60.98, -90.92

 

CMYK 0 / 86 / 39 / 11

HEX #E3208B

RGB 227 32 139

HSL 327.08, 0.78%, 0.51%

LAB 50.95, 76.02, -8.95

 

CMYK 0 / 4 / 86 / 11

HEX #E3D920

RGB 227 217 32

HSL 56.92, 0.78%, 0.51%

LAB 85.03, -14.43, 80.68

 

Description

Color code: RGB 31 228 121 | qconv.com Color code: RGB 31 228 121 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 228 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 228 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 47 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 47% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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