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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 217 21 it is the complementary color RGB 224 38 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 217 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 217 21 shade: RGB 36 217 16, RGB 53 235 35, RGB 70 253 54, RGB 87 255 73 and RGB 104 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 217 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 217 21 shade: RGB 31 217 21, RGB 14 199 2, RGB 0 181 0, RGB 0 163 0 and RGB 0 145 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 217 21 shade: RGB 31 218 21, RGB 84 218 21, RGB 137 218 21, RGB 190 218 21 and RGB 218 192 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 217 21 shade: RGB 31 218 21, RGB 21 218 64, RGB 21 218 117, RGB 21 218 170 and RGB 21 212 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 217 21 shade matches the following richer shades: RGB 31 218 21 and RGB 14 237 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 217 21 shade: RGB 31 218 21, RGB 49 198 40, RGB 66 179 60, RGB 83 159 79 and RGB 101 140 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 217 21 shade: RGB 139 218 21, RGB 87 218 21, RGB 34 218 21, RGB 21 218 60 and RGB 21 218 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 217 21 shade: RGB 20 143 14, RGB 26 180 17, RGB 31 218 21, RGB 56 234 46 and RGB 91 238 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 217 21 shade: RGB 31 217 21, RGB 21 191 218 and RGB 218 21 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 217 21 shade: RGB 31 217 21, RGB 21 34 218 and RGB 218 21 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 217 21 shade: RGB 31 217 21, RGB 21 191 218, RGB 205 21 218 and RGB 218 47 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 217 21 shade: RGB 31 217 21, RGB 21 132 218, RGB 205 21 218 and RGB 218 106 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 90 / 15

HEX #1FD915

RGB 31 217 21

HSL 116.94, 0.82%, 0.47%

LAB 76.05, -74.24, 71.56

 

Complementary color

CMYK 4 / 84 / 0 / 8

HEX #E026EA

RGB 224 38 234

HSL 296.94, 0.82%, 0.53%

LAB 55.25, 86.26, -57.53

 

CMYK 83 / 0 / 93 / 15

HEX #24D910

RGB 36 217 16

HSL 114.03, 0.86%, 0.46%

LAB 76.09, -73.91, 72.32

 

CMYK 77 / 0 / 85 / 8

HEX #35EB23

RGB 53 235 35

HSL 114.6, 0.83%, 0.53%

LAB 82, -76.47, 74.24

 

CMYK 72 / 0 / 79 / 1

HEX #46FD36

RGB 70 253 54

HSL 115.18, 0.98%, 0.6%

LAB 87.88, -78.4, 75.05

 

CMYK 66 / 0 / 71 / 0

HEX #57FF49

RGB 87 255 73

HSL 115.38, 1%, 0.64%

LAB 88.94, -74.85, 70.28

 

CMYK 59 / 0 / 64 / 0

HEX #68FF5C

RGB 104 255 92

HSL 115.58, 1%, 0.68%

LAB 89.5, -69.73, 63.91

 

CMYK 86 / 0 / 90 / 15

HEX #1FD915

RGB 31 217 21

HSL 116.94, 0.82%, 0.47%

LAB 76.05, -74.24, 71.56

 

CMYK 93 / 0 / 99 / 22

HEX #0EC702

RGB 14 199 2

HSL 116.35, 0.98%, 0.39%

LAB 70.14, -70.87, 68.88

 

CMYK 100 / 0 / 100 / 29

HEX #00B500

RGB 0 181 0

HSL 120, 1%, 0.35%

LAB 64.2, -66.63, 64.31

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA15

RGB 31 218 21

HSL 116.95, 0.82%, 0.47%

LAB 76.37, -74.52, 71.82

 

CMYK 61 / 0 / 90 / 15

HEX #54DA15

RGB 84 218 21

HSL 100.81, 0.82%, 0.47%

LAB 77.33, -66.21, 73.02

 

CMYK 37 / 0 / 90 / 15

HEX #89DA15

RGB 137 218 21

HSL 84.67, 0.82%, 0.47%

LAB 79.34, -50.78, 75.51

 

CMYK 13 / 0 / 90 / 15

HEX #BEDA15

RGB 190 218 21

HSL 68.53, 0.82%, 0.47%

LAB 82.46, -30.56, 79.33

 

CMYK 0 / 12 / 90 / 15

HEX #DAC015

RGB 218 192 21

HSL 52.08, 0.82%, 0.47%

LAB 77.67, -5.87, 76.54

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA15

RGB 31 218 21

HSL 116.95, 0.82%, 0.47%

LAB 76.37, -74.52, 71.82

 

CMYK 90 / 0 / 71 / 15

HEX #15DA40

RGB 21 218 64

HSL 133.1, 0.82%, 0.47%

LAB 76.48, -72.78, 60.35

 

CMYK 90 / 0 / 46 / 15

HEX #15DA75

RGB 21 218 117

HSL 149.24, 0.82%, 0.47%

LAB 77.03, -65.98, 37.48

 

CMYK 90 / 0 / 22 / 15

HEX #15DAAA

RGB 21 218 170

HSL 165.38, 0.82%, 0.47%

LAB 78, -55.03, 11.36

 

CMYK 90 / 3 / 0 / 15

HEX #15D4DA

RGB 21 212 218

HSL 181.83, 0.82%, 0.47%

LAB 77.46, -39.41, -15.09

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA15

RGB 31 218 21

HSL 116.95, 0.82%, 0.47%

LAB 76.37, -74.52, 71.82

 

CMYK 94 / 0 / 99 / 7

HEX #0EED02

RGB 14 237 2

HSL 116.94, 0.98%, 0.47%

LAB 82.2, -81.05, 78.59

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA15

RGB 31 218 21

HSL 116.95, 0.82%, 0.47%

LAB 76.37, -74.52, 71.82

 

CMYK 75 / 0 / 80 / 22

HEX #31C628

RGB 49 198 40

HSL 116.58, 0.66%, 0.47%

LAB 70.31, -65.77, 62.32

 

CMYK 63 / 0 / 66 / 30

HEX #42B33C

RGB 66 179 60

HSL 116.97, 0.5%, 0.47%

LAB 64.74, -54.75, 49.66

 

CMYK 48 / 0 / 50 / 38

HEX #539F4F

RGB 83 159 79

HSL 117, 0.34%, 0.47%

LAB 59.16, -40.18, 34.42

 

CMYK 28 / 0 / 29 / 45

HEX #658C63

RGB 101 140 99

HSL 117.07, 0.17%, 0.47%

LAB 54.47, -22.07, 17.67

 

CMYK 36 / 0 / 90 / 15

HEX #8BDA15

RGB 139 218 21

HSL 84.06, 0.82%, 0.47%

LAB 79.43, -50.08, 75.63

 

CMYK 60 / 0 / 90 / 15

HEX #57DA15

RGB 87 218 21

HSL 99.9, 0.82%, 0.47%

LAB 77.41, -65.51, 73.13

 

CMYK 84 / 0 / 90 / 15

HEX #22DA15

RGB 34 218 21

HSL 116.04, 0.82%, 0.47%

LAB 76.4, -74.25, 71.86

 

CMYK 90 / 0 / 72 / 15

HEX #15DA3C

RGB 21 218 60

HSL 131.88, 0.82%, 0.47%

LAB 76.45, -73.12, 61.77

 

CMYK 90 / 0 / 48 / 15

HEX #15DA71

RGB 21 218 113

HSL 148.02, 0.82%, 0.47%

LAB 76.98, -66.65, 39.38

 

CMYK 86 / 0 / 90 / 44

HEX #148F0E

RGB 20 143 14

HSL 117.21, 0.82%, 0.31%

LAB 51.64, -54.02, 51.81

 

CMYK 86 / 0 / 91 / 29

HEX #1AB411

RGB 26 180 17

HSL 116.69, 0.83%, 0.39%

LAB 64.08, -64.31, 61.99

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA15

RGB 31 218 21

HSL 116.95, 0.82%, 0.47%

LAB 76.37, -74.52, 71.82

 

CMYK 76 / 0 / 80 / 8

HEX #38EA2E

RGB 56 234 46

HSL 116.81, 0.82%, 0.55%

LAB 81.77, -75.26, 71.42

 

CMYK 62 / 0 / 65 / 7

HEX #5BEE54

RGB 91 238 84

HSL 117.27, 0.82%, 0.63%

LAB 83.97, -67.52, 60.96

 

CMYK 86 / 0 / 90 / 15

HEX #1FD915

RGB 31 217 21

HSL 116.94, 0.82%, 0.47%

LAB 76.05, -74.24, 71.56

 

CMYK 90 / 12 / 0 / 15

HEX #15BFDA

RGB 21 191 218

HSL 188.22, 0.82%, 0.47%

LAB 71.2, -29.51, -24.59

 

CMYK 0 / 90 / 48 / 15

HEX #DA1571

RGB 218 21 113

HSL 331.98, 0.82%, 0.47%

LAB 47.8, 73.44, 2.01

 

CMYK 86 / 0 / 90 / 15

HEX #1FD915

RGB 31 217 21

HSL 116.94, 0.82%, 0.47%

LAB 76.05, -74.24, 71.56

 

CMYK 90 / 84 / 0 / 15

HEX #1522DA

RGB 21 34 218

HSL 236.04, 0.82%, 0.47%

LAB 30.32, 61.47, -90.12

 

CMYK 0 / 90 / 84 / 15

HEX #DA1522

RGB 218 21 34

HSL 356.04, 0.82%, 0.47%

LAB 46.39, 69.5, 47.41

 

CMYK 86 / 0 / 90 / 15

HEX #1FD915

RGB 31 217 21

HSL 116.94, 0.82%, 0.47%

LAB 76.05, -74.24, 71.56

 

CMYK 90 / 12 / 0 / 15

HEX #15BFDA

RGB 21 191 218

HSL 188.22, 0.82%, 0.47%

LAB 71.2, -29.51, -24.59

 

CMYK 6 / 90 / 0 / 15

HEX #CD15DA

RGB 205 21 218

HSL 296.04, 0.82%, 0.47%

LAB 50.19, 83.37, -56.76

 

CMYK 0 / 78 / 90 / 15

HEX #DA2F15

RGB 218 47 21

HSL 7.92, 0.82%, 0.47%

LAB 48.25, 63.74, 54.66

 

CMYK 86 / 0 / 90 / 15

HEX #1FD915

RGB 31 217 21

HSL 116.94, 0.82%, 0.47%

LAB 76.05, -74.24, 71.56

 

CMYK 90 / 39 / 0 / 15

HEX #1584DA

RGB 21 132 218

HSL 206.19, 0.82%, 0.47%

LAB 53.73, 2.73, -51.89

 

CMYK 6 / 90 / 0 / 15

HEX #CD15DA

RGB 205 21 218

HSL 296.04, 0.82%, 0.47%

LAB 50.19, 83.37, -56.76

 

CMYK 0 / 51 / 90 / 15

HEX #DA6A15

RGB 218 106 21

HSL 25.89, 0.82%, 0.47%

LAB 57.34, 39.54, 61.17

 

Description

Color code: RGB 31 217 21 | qconv.com Color code: RGB 31 217 21 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 217 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 217 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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