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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 204 82 it is the complementary color RGB 224 51 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 204 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 204 82 shade: RGB 36 204 77, RGB 53 222 96, RGB 70 240 115, RGB 87 255 134 and RGB 104 255 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 204 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 204 82 shade: RGB 31 204 82, RGB 14 186 63, RGB 0 168 44, RGB 0 150 25 and RGB 0 132 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 204 82 shade: RGB 30 204 81, RGB 30 204 34, RGB 72 204 30, RGB 119 204 30 and RGB 166 204 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 204 82 shade: RGB 30 204 81, RGB 30 204 128, RGB 30 204 175, RGB 30 186 204 and RGB 30 139 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 204 82 shade matches the following richer shades: RGB 30 204 81 and RGB 11 223 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 204 82 shade: RGB 30 204 81, RGB 49 185 89, RGB 68 166 97, RGB 87 147 105 and RGB 106 128 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 204 82 shade: RGB 73 204 30, RGB 30 204 33, RGB 30 204 79, RGB 30 204 125 and RGB 30 204 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 204 82 shade: RGB 19 132 52, RGB 25 168 67, RGB 30 204 81, RGB 51 224 102 and RGB 87 229 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 204 82 shade: RGB 31 204 82, RGB 30 120 204 and RGB 204 30 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 204 82 shade: RGB 31 204 82, RGB 79 30 204 and RGB 204 79 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 204 82 shade: RGB 31 204 82, RGB 30 120 204, RGB 204 30 154 and RGB 204 114 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 204 82 shade: RGB 31 204 82, RGB 30 68 204, RGB 204 30 154 and RGB 204 166 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 60 / 20

HEX #1FCC52

RGB 31 204 82

HSL 137.69, 0.74%, 0.46%

LAB 72.29, -65.92, 48.37

 

Complementary color

CMYK 0 / 77 / 23 / 12

HEX #E033AD

RGB 224 51 173

HSL 317.69, 0.74%, 0.54%

LAB 53.2, 74.74, -25.76

 

CMYK 82 / 0 / 62 / 20

HEX #24CC4D

RGB 36 204 77

HSL 134.64, 0.7%, 0.47%

LAB 72.29, -66.04, 50.6

 

CMYK 76 / 0 / 57 / 13

HEX #35DE60

RGB 53 222 96

HSL 135.27, 0.72%, 0.54%

LAB 78.37, -67.47, 49.22

 

CMYK 71 / 0 / 52 / 6

HEX #46F073

RGB 70 240 115

HSL 135.88, 0.85%, 0.61%

LAB 84.41, -68.45, 47.78

 

CMYK 66 / 0 / 47 / 0

HEX #57FF86

RGB 87 255 134

HSL 136.79, 1%, 0.67%

LAB 89.52, -68.05, 45.23

 

CMYK 59 / 0 / 40 / 0

HEX #68FF99

RGB 104 255 153

HSL 139.47, 1%, 0.7%

LAB 90.21, -61.81, 37

 

CMYK 85 / 0 / 60 / 20

HEX #1FCC52

RGB 31 204 82

HSL 137.69, 0.74%, 0.46%

LAB 72.29, -65.92, 48.37

 

CMYK 92 / 0 / 66 / 27

HEX #0EBA3F

RGB 14 186 63

HSL 137.09, 0.86%, 0.39%

LAB 66.19, -63.79, 49.74

 

CMYK 100 / 0 / 74 / 34

HEX #00A82C

RGB 0 168 44

HSL 135.71, 1%, 0.33%

LAB 60.06, -60.93, 50.78

 

CMYK 100 / 0 / 83 / 41

HEX #009619

RGB 0 150 25

HSL 130, 1%, 0.29%

LAB 53.9, -57.04, 51.07

 

CMYK 100 / 0 / 95 / 48

HEX #008406

RGB 0 132 6

HSL 122.73, 1%, 0.26%

LAB 47.64, -52.64, 49.84

 

CMYK 85 / 0 / 60 / 20

HEX #1ECC51

RGB 30 204 81

HSL 137.59, 0.74%, 0.46%

LAB 72.27, -66.13, 48.79

 

CMYK 85 / 0 / 83 / 20

HEX #1ECC22

RGB 30 204 34

HSL 121.38, 0.74%, 0.46%

LAB 71.95, -70.15, 65.34

 

CMYK 65 / 0 / 85 / 20

HEX #48CC1E

RGB 72 204 30

HSL 105.52, 0.74%, 0.46%

LAB 72.67, -63.97, 67.2

 

CMYK 42 / 0 / 85 / 20

HEX #77CC1E

RGB 119 204 30

HSL 89.31, 0.74%, 0.46%

LAB 74.32, -51.02, 69.29

 

CMYK 19 / 0 / 85 / 20

HEX #A6CC1E

RGB 166 204 30

HSL 73.1, 0.74%, 0.46%

LAB 76.91, -33.59, 72.54

 

CMYK 85 / 0 / 60 / 20

HEX #1ECC51

RGB 30 204 81

HSL 137.59, 0.74%, 0.46%

LAB 72.27, -66.13, 48.79

 

CMYK 85 / 0 / 37 / 20

HEX #1ECC80

RGB 30 204 128

HSL 153.79, 0.74%, 0.46%

LAB 72.91, -58.54, 26.5

 

CMYK 85 / 0 / 14 / 20

HEX #1ECCAF

RGB 30 204 175

HSL 170, 0.74%, 0.46%

LAB 73.91, -47.6, 2.83

 

CMYK 85 / 9 / 0 / 20

HEX #1EBACC

RGB 30 186 204

HSL 186.21, 0.74%, 0.46%

LAB 69.29, -31.06, -19.84

 

CMYK 85 / 32 / 0 / 20

HEX #1E8BCC

RGB 30 139 204

HSL 202.41, 0.74%, 0.46%

LAB 55.18, -6.13, -41.7

 

CMYK 85 / 0 / 60 / 20

HEX #1ECC51

RGB 30 204 81

HSL 137.59, 0.74%, 0.46%

LAB 72.27, -66.13, 48.79

 

CMYK 95 / 0 / 67 / 13

HEX #0BDF49

RGB 11 223 73

HSL 137.55, 0.91%, 0.46%

LAB 78.07, -73.85, 58.58

 

CMYK 85 / 0 / 60 / 20

HEX #1ECC51

RGB 30 204 81

HSL 137.59, 0.74%, 0.46%

LAB 72.27, -66.13, 48.79

 

CMYK 74 / 0 / 52 / 27

HEX #31B959

RGB 49 185 89

HSL 137.65, 0.58%, 0.46%

LAB 66.58, -56.47, 38.31

 

CMYK 59 / 0 / 42 / 35

HEX #44A661

RGB 68 166 97

HSL 137.76, 0.42%, 0.46%

LAB 61.1, -44.26, 27.35

 

CMYK 41 / 0 / 29 / 42

HEX #579369

RGB 87 147 105

HSL 138, 0.26%, 0.46%

LAB 56, -29.11, 16.26

 

CMYK 17 / 0 / 13 / 50

HEX #6A8070

RGB 106 128 112

HSL 136.36, 0.09%, 0.46%

LAB 51.46, -11.38, 6.04

 

CMYK 64 / 0 / 85 / 20

HEX #49CC1E

RGB 73 204 30

HSL 105.17, 0.74%, 0.46%

LAB 72.69, -63.76, 67.24

 

CMYK 85 / 0 / 84 / 20

HEX #1ECC21

RGB 30 204 33

HSL 121.03, 0.74%, 0.46%

LAB 71.94, -70.2, 65.59

 

CMYK 85 / 0 / 61 / 20

HEX #1ECC4F

RGB 30 204 79

HSL 136.9, 0.74%, 0.46%

LAB 72.25, -66.38, 49.65

 

CMYK 85 / 0 / 39 / 20

HEX #1ECC7D

RGB 30 204 125

HSL 152.76, 0.74%, 0.46%

LAB 72.85, -59.13, 27.99

 

CMYK 85 / 0 / 16 / 20

HEX #1ECCAC

RGB 30 204 172

HSL 168.97, 0.74%, 0.46%

LAB 73.83, -48.38, 4.34

 

CMYK 86 / 0 / 61 / 48

HEX #138434

RGB 19 132 52

HSL 137.52, 0.75%, 0.3%

LAB 48.12, -47.31, 34.33

 

CMYK 85 / 0 / 60 / 34

HEX #19A843

RGB 25 168 67

HSL 137.62, 0.74%, 0.38%

LAB 60.44, -56.81, 41.5

 

CMYK 85 / 0 / 60 / 20

HEX #1ECC51

RGB 30 204 81

HSL 137.59, 0.74%, 0.46%

LAB 72.27, -66.13, 48.79

 

CMYK 77 / 0 / 54 / 12

HEX #33E066

RGB 51 224 102

HSL 137.69, 0.74%, 0.54%

LAB 79.03, -67.59, 47.23

 

CMYK 62 / 0 / 44 / 10

HEX #57E581

RGB 87 229 129

HSL 137.75, 0.73%, 0.62%

LAB 81.65, -59.43, 37.65

 

CMYK 85 / 0 / 60 / 20

HEX #1FCC52

RGB 31 204 82

HSL 137.69, 0.74%, 0.46%

LAB 72.29, -65.92, 48.37

 

CMYK 85 / 41 / 0 / 20

HEX #1E78CC

RGB 30 120 204

HSL 208.97, 0.74%, 0.46%

LAB 49.58, 5.26, -50.59

 

CMYK 0 / 85 / 75 / 20

HEX #CC1E32

RGB 204 30 50

HSL 353.1, 0.74%, 0.46%

LAB 44.23, 64.73, 35.46

 

CMYK 85 / 0 / 60 / 20

HEX #1FCC52

RGB 31 204 82

HSL 137.69, 0.74%, 0.46%

LAB 72.29, -65.92, 48.37

 

CMYK 61 / 85 / 0 / 20

HEX #4F1ECC

RGB 79 30 204

HSL 256.9, 0.74%, 0.46%

LAB 31.69, 62.13, -79.61

 

CMYK 0 / 61 / 85 / 20

HEX #CC4F1E

RGB 204 79 30

HSL 16.9, 0.74%, 0.46%

LAB 50.12, 47.4, 51.45

 

CMYK 85 / 0 / 60 / 20

HEX #1FCC52

RGB 31 204 82

HSL 137.69, 0.74%, 0.46%

LAB 72.29, -65.92, 48.37

 

CMYK 85 / 41 / 0 / 20

HEX #1E78CC

RGB 30 120 204

HSL 208.97, 0.74%, 0.46%

LAB 49.58, 5.26, -50.59

 

CMYK 0 / 85 / 25 / 20

HEX #CC1E9A

RGB 204 30 154

HSL 317.24, 0.74%, 0.46%

LAB 47.1, 72.91, -24.22

 

CMYK 0 / 44 / 85 / 20

HEX #CC721E

RGB 204 114 30

HSL 28.97, 0.74%, 0.46%

LAB 57.04, 29.9, 57.28

 

CMYK 85 / 0 / 60 / 20

HEX #1FCC52

RGB 31 204 82

HSL 137.69, 0.74%, 0.46%

LAB 72.29, -65.92, 48.37

 

CMYK 85 / 67 / 0 / 20

HEX #1E44CC

RGB 30 68 204

HSL 226.9, 0.74%, 0.46%

LAB 35.54, 38.74, -73.37

 

CMYK 0 / 85 / 25 / 20

HEX #CC1E9A

RGB 204 30 154

HSL 317.24, 0.74%, 0.46%

LAB 47.1, 72.91, -24.22

 

CMYK 0 / 19 / 85 / 20

HEX #CCA61E

RGB 204 166 30

HSL 46.9, 0.74%, 0.46%

LAB 69.61, 1.79, 67.7

 

Description

Color code: RGB 31 204 82 | qconv.com Color code: RGB 31 204 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 204 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 204 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 60 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 60% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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