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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 183 82 it is the complementary color RGB 224 72 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 183 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 183 82 shade: RGB 36 183 77, RGB 53 201 96, RGB 70 219 115, RGB 87 237 134 and RGB 104 255 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 183 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 183 82 shade: RGB 31 183 82, RGB 14 165 63, RGB 0 147 44, RGB 0 129 25 and RGB 0 111 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 183 82 shade: RGB 31 183 82, RGB 31 183 41, RGB 62 183 31, RGB 103 183 31 and RGB 144 183 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 183 82 shade: RGB 31 183 82, RGB 31 183 123, RGB 31 183 164, RGB 31 161 183 and RGB 31 120 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 183 82 shade matches the following richer shades: RGB 31 183 82 and RGB 13 200 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 183 82 shade: RGB 31 183 82, RGB 48 165 87, RGB 65 148 93, RGB 83 131 99 and RGB 100 113 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 183 82 shade: RGB 61 183 31, RGB 31 183 41, RGB 31 183 81, RGB 31 183 122 and RGB 31 183 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 183 82 shade: RGB 19 112 50, RGB 25 147 66, RGB 31 183 82, RGB 37 218 98 and RGB 72 224 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 183 82 shade: RGB 31 183 82, RGB 31 102 183 and RGB 183 31 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 183 82 shade: RGB 31 183 82, RGB 81 31 183 and RGB 183 81 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 183 82 shade: RGB 31 183 82, RGB 31 102 183, RGB 183 31 132 and RGB 183 112 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 183 82 shade: RGB 31 183 82, RGB 31 56 183, RGB 183 31 132 and RGB 183 157 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

Complementary color

CMYK 0 / 68 / 23 / 12

HEX #E048AD

RGB 224 72 173

HSL 320.13, 0.71%, 0.58%

LAB 55.58, 68.01, -22.09

 

CMYK 80 / 0 / 58 / 28

HEX #24B74D

RGB 36 183 77

HSL 136.73, 0.67%, 0.43%

LAB 65.58, -59.26, 42.85

 

CMYK 74 / 0 / 52 / 21

HEX #35C960

RGB 53 201 96

HSL 137.43, 0.58%, 0.5%

LAB 71.81, -60.42, 41.33

 

CMYK 68 / 0 / 47 / 14

HEX #46DB73

RGB 70 219 115

HSL 138.12, 0.67%, 0.57%

LAB 77.99, -61.15, 39.82

 

CMYK 63 / 0 / 43 / 7

HEX #57ED86

RGB 87 237 134

HSL 138.8, 0.81%, 0.64%

LAB 84.13, -61.59, 38.38

 

CMYK 59 / 0 / 40 / 0

HEX #68FF99

RGB 104 255 153

HSL 139.47, 1%, 0.7%

LAB 90.21, -61.81, 37

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 92 / 0 / 62 / 35

HEX #0EA53F

RGB 14 165 63

HSL 139.47, 0.84%, 0.35%

LAB 59.31, -57.23, 42.02

 

CMYK 100 / 0 / 70 / 42

HEX #00932C

RGB 0 147 44

HSL 137.96, 1%, 0.29%

LAB 53, -54.59, 43.41

 

CMYK 100 / 0 / 81 / 49

HEX #008119

RGB 0 129 25

HSL 131.63, 1%, 0.25%

LAB 46.67, -50.78, 44.22

 

CMYK 100 / 0 / 95 / 56

HEX #006F06

RGB 0 111 6

HSL 123.24, 1%, 0.22%

LAB 40.22, -46.4, 43.56

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 83 / 0 / 78 / 28

HEX #1FB729

RGB 31 183 41

HSL 123.95, 0.71%, 0.42%

LAB 65.21, -63.47, 57.04

 

CMYK 66 / 0 / 83 / 28

HEX #3EB71F

RGB 62 183 31

HSL 107.76, 0.71%, 0.42%

LAB 65.74, -59.12, 60.66

 

CMYK 44 / 0 / 83 / 28

HEX #67B71F

RGB 103 183 31

HSL 91.58, 0.71%, 0.42%

LAB 67.16, -47.91, 62.48

 

CMYK 21 / 0 / 83 / 28

HEX #90B71F

RGB 144 183 31

HSL 75.39, 0.71%, 0.42%

LAB 69.39, -32.71, 65.3

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 83 / 0 / 33 / 28

HEX #1FB77B

RGB 31 183 123

HSL 156.32, 0.71%, 0.42%

LAB 66.2, -51.7, 20.09

 

CMYK 83 / 0 / 10 / 28

HEX #1FB7A4

RGB 31 183 164

HSL 172.5, 0.71%, 0.42%

LAB 67.16, -41.53, -1

 

CMYK 83 / 12 / 0 / 28

HEX #1FA1B7

RGB 31 161 183

HSL 188.68, 0.71%, 0.42%

LAB 60.96, -25.38, -20.87

 

CMYK 83 / 34 / 0 / 28

HEX #1F78B7

RGB 31 120 183

HSL 204.87, 0.71%, 0.42%

LAB 48.44, -2.67, -40.34

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 94 / 0 / 62 / 22

HEX #0DC84C

RGB 13 200 76

HSL 140.21, 0.88%, 0.42%

LAB 70.81, -66.62, 49.31

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 71 / 0 / 47 / 35

HEX #30A557

RGB 48 165 87

HSL 140, 0.55%, 0.42%

LAB 60.09, -49.66, 31.22

 

CMYK 56 / 0 / 37 / 42

HEX #41945D

RGB 65 148 93

HSL 140.24, 0.39%, 0.42%

LAB 55.17, -38.1, 21.67

 

CMYK 37 / 0 / 24 / 49

HEX #538363

RGB 83 131 99

HSL 140, 0.22%, 0.42%

LAB 50.65, -23.65, 12.25

 

CMYK 12 / 0 / 8 / 56

HEX #647168

RGB 100 113 104

HSL 138.46, 0.06%, 0.42%

LAB 46.34, -6.8, 3.34

 

CMYK 67 / 0 / 83 / 28

HEX #3DB71F

RGB 61 183 31

HSL 108.16, 0.71%, 0.42%

LAB 65.72, -59.33, 60.63

 

CMYK 83 / 0 / 78 / 28

HEX #1FB729

RGB 31 183 41

HSL 123.95, 0.71%, 0.42%

LAB 65.21, -63.47, 57.04

 

CMYK 83 / 0 / 56 / 28

HEX #1FB751

RGB 31 183 81

HSL 139.74, 0.71%, 0.42%

LAB 65.56, -59.26, 40.9

 

CMYK 83 / 0 / 33 / 28

HEX #1FB77A

RGB 31 183 122

HSL 155.92, 0.71%, 0.42%

LAB 66.18, -51.92, 20.6

 

CMYK 83 / 0 / 11 / 28

HEX #1FB7A2

RGB 31 183 162

HSL 171.71, 0.71%, 0.42%

LAB 67.1, -42.08, 0.02

 

CMYK 83 / 0 / 55 / 56

HEX #137032

RGB 19 112 50

HSL 140, 0.71%, 0.26%

LAB 41.15, -40.42, 27.03

 

CMYK 83 / 0 / 55 / 42

HEX #199342

RGB 25 147 66

HSL 140.16, 0.71%, 0.34%

LAB 53.46, -49.83, 33.69

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 83 / 0 / 55 / 15

HEX #25DA62

RGB 37 218 98

HSL 140.22, 0.71%, 0.5%

LAB 76.93, -67.72, 46.53

 

CMYK 68 / 0 / 45 / 12

HEX #48E07B

RGB 72 224 123

HSL 140.13, 0.71%, 0.58%

LAB 79.68, -61.34, 38.03

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 83 / 44 / 0 / 28

HEX #1F66B7

RGB 31 102 183

HSL 211.97, 0.71%, 0.42%

LAB 43.08, 8.53, -48.88

 

CMYK 0 / 83 / 78 / 28

HEX #B71F29

RGB 183 31 41

HSL 356.05, 0.71%, 0.42%

LAB 39.93, 58.39, 34.8

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 56 / 83 / 0 / 28

HEX #511FB7

RGB 81 31 183

HSL 259.74, 0.71%, 0.42%

LAB 29.78, 56.46, -70.4

 

CMYK 0 / 56 / 83 / 28

HEX #B7511F

RGB 183 81 31

HSL 19.74, 0.71%, 0.42%

LAB 47.04, 38.57, 46.99

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 83 / 44 / 0 / 28

HEX #1F66B7

RGB 31 102 183

HSL 211.97, 0.71%, 0.42%

LAB 43.08, 8.53, -48.88

 

CMYK 0 / 83 / 28 / 28

HEX #B71F84

RGB 183 31 132

HSL 320.13, 0.71%, 0.42%

LAB 42.33, 65.42, -18.56

 

CMYK 0 / 39 / 83 / 28

HEX #B7701F

RGB 183 112 31

HSL 31.97, 0.71%, 0.42%

LAB 53.77, 22.06, 52.99

 

CMYK 83 / 0 / 55 / 28

HEX #1FB752

RGB 31 183 82

HSL 140.13, 0.71%, 0.42%

LAB 65.57, -59.12, 40.44

 

CMYK 83 / 69 / 0 / 28

HEX #1F38B7

RGB 31 56 183

HSL 230.13, 0.71%, 0.42%

LAB 30.73, 38.68, -68.96

 

CMYK 0 / 83 / 28 / 28

HEX #B71F84

RGB 183 31 132

HSL 320.13, 0.71%, 0.42%

LAB 42.33, 65.42, -18.56

 

CMYK 0 / 14 / 83 / 28

HEX #B79D1F

RGB 183 157 31

HSL 49.74, 0.71%, 0.42%

LAB 65.18, -2.7, 62.88

 

Description

Color code: RGB 31 183 82 | qconv.com Color code: RGB 31 183 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 183 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 183 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 55 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 55% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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