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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 103 172 it is the complementary color RGB 224 152 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 103 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 103 172 shade: RGB 36 103 167, RGB 53 121 186, RGB 70 139 205, RGB 87 157 224 and RGB 104 175 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 103 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 103 172 shade: RGB 31 103 172, RGB 14 85 153, RGB 0 67 134, RGB 0 49 115 and RGB 0 31 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 103 172 shade: RGB 31 103 172, RGB 31 65 172, RGB 35 31 172, RGB 73 31 172 and RGB 111 31 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 103 172 shade: RGB 31 103 172, RGB 31 65 172 and RGB 31 31 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 103 172 shade matches the following richer shades: RGB 31 103 172 and RGB 15 103 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 103 172 shade: RGB 31 103 172, RGB 48 103 155, RGB 64 102 139, RGB 81 102 122 and RGB 97 102 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 103 172 shade: RGB 31 172 165, RGB 31 141 172, RGB 31 104 172, RGB 31 66 172 and RGB 33 31 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 103 172 shade: RGB 18 61 102, RGB 25 82 137, RGB 31 103 172, RGB 38 124 207 and RGB 66 144 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 103 172 shade: RGB 31 103 172, RGB 127 31 172 and RGB 160 172 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 103 172 shade: RGB 31 103 172, RGB 172 31 104 and RGB 104 172 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 103 172 shade: RGB 31 103 172, RGB 127 31 172, RGB 172 99 31 and RGB 76 172 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 103 172 shade: RGB 31 103 172, RGB 170 31 172, RGB 172 99 31 and RGB 33 172 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

Complementary color

CMYK 0 / 32 / 63 / 12

HEX #E09853

RGB 224 152 83

HSL 29.36, 0.69%, 0.6%

LAB 68.7, 20.32, 46.54

 

CMYK 78 / 38 / 0 / 35

HEX #2467A7

RGB 36 103 167

HSL 209.31, 0.65%, 0.4%

LAB 42.56, 2.21, -40.31

 

CMYK 72 / 35 / 0 / 27

HEX #3579BA

RGB 53 121 186

HSL 209.32, 0.56%, 0.47%

LAB 49.47, 0.45, -40.41

 

CMYK 66 / 32 / 0 / 20

HEX #468BCD

RGB 70 139 205

HSL 209.33, 0.57%, 0.54%

LAB 56.26, -0.91, -40.48

 

CMYK 61 / 30 / 0 / 12

HEX #579DE0

RGB 87 157 224

HSL 209.34, 0.69%, 0.61%

LAB 62.95, -1.98, -40.56

 

CMYK 57 / 28 / 0 / 5

HEX #68AFF3

RGB 104 175 243

HSL 209.35, 0.85%, 0.68%

LAB 69.52, -2.84, -40.64

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 91 / 44 / 0 / 40

HEX #0E5599

RGB 14 85 153

HSL 209.35, 0.83%, 0.33%

LAB 35.77, 6.24, -42.83

 

CMYK 100 / 50 / 0 / 47

HEX #004386

RGB 0 67 134

HSL 210, 1%, 0.26%

LAB 28.74, 9.64, -42.55

 

CMYK 100 / 57 / 0 / 55

HEX #003173

RGB 0 49 115

HSL 214.43, 1%, 0.23%

LAB 21.71, 14.14, -41.96

 

CMYK 100 / 68 / 0 / 62

HEX #001F60

RGB 0 31 96

HSL 220.63, 1%, 0.19%

LAB 14.54, 19.05, -41.28

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 82 / 62 / 0 / 33

HEX #1F41AC

RGB 31 65 172

HSL 225.53, 0.69%, 0.4%

LAB 31.92, 28.71, -60.46

 

CMYK 80 / 82 / 0 / 33

HEX #231FAC

RGB 35 31 172

HSL 241.7, 0.69%, 0.4%

LAB 24.69, 49.34, -72.38

 

CMYK 58 / 82 / 0 / 33

HEX #491FAC

RGB 73 31 172

HSL 257.87, 0.69%, 0.4%

LAB 27.78, 52.61, -67.17

 

CMYK 35 / 82 / 0 / 33

HEX #6F1FAC

RGB 111 31 172

HSL 274.04, 0.69%, 0.4%

LAB 32.56, 57.79, -59.13

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 82 / 62 / 0 / 33

HEX #1F41AC

RGB 31 65 172

HSL 225.53, 0.69%, 0.4%

LAB 31.92, 28.71, -60.46

 

CMYK 82 / 82 / 0 / 33

HEX #1F1FAC

RGB 31 31 172

HSL 240, 0.69%, 0.4%

LAB 24.48, 49.12, -72.73

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 92 / 45 / 0 / 26

HEX #0F67BC

RGB 15 103 188

HSL 209.48, 0.85%, 0.4%

LAB 43.41, 8.77, -51.28

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 69 / 34 / 0 / 39

HEX #30679B

RGB 48 103 155

HSL 209.16, 0.53%, 0.4%

LAB 42.3, -0.56, -33.59

 

CMYK 54 / 27 / 0 / 45

HEX #40668B

RGB 64 102 139

HSL 209.6, 0.37%, 0.4%

LAB 41.93, -2.23, -24.55

 

CMYK 34 / 16 / 0 / 52

HEX #51667A

RGB 81 102 122

HSL 209.27, 0.2%, 0.4%

LAB 42.24, -2.62, -13.73

 

CMYK 8 / 4 / 0 / 58

HEX #61666A

RGB 97 102 106

HSL 206.67, 0.04%, 0.4%

LAB 42.89, -1.05, -2.92

 

CMYK 82 / 0 / 4 / 33

HEX #1FACA5

RGB 31 172 165

HSL 177.02, 0.69%, 0.4%

LAB 63.76, -36.31, -6.55

 

CMYK 82 / 18 / 0 / 33

HEX #1F8DAC

RGB 31 141 172

HSL 193.19, 0.69%, 0.4%

LAB 54.36, -18.65, -24.75

 

CMYK 82 / 40 / 0 / 33

HEX #1F68AC

RGB 31 104 172

HSL 208.94, 0.69%, 0.4%

LAB 43.02, 2.97, -42.54

 

CMYK 82 / 62 / 0 / 33

HEX #1F42AC

RGB 31 66 172

HSL 225.11, 0.69%, 0.4%

LAB 32.18, 28.04, -60.03

 

CMYK 81 / 82 / 0 / 33

HEX #211FAC

RGB 33 31 172

HSL 240.85, 0.69%, 0.4%

LAB 24.58, 49.23, -72.56

 

CMYK 82 / 40 / 0 / 60

HEX #123D66

RGB 18 61 102

HSL 209.29, 0.7%, 0.24%

LAB 25.03, 1.53, -28.23

 

CMYK 82 / 40 / 0 / 46

HEX #195289

RGB 25 82 137

HSL 209.46, 0.69%, 0.32%

LAB 34.08, 2.65, -35.8

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 82 / 40 / 0 / 19

HEX #267CCF

RGB 38 124 207

HSL 209.47, 0.69%, 0.48%

LAB 51.07, 4.62, -49.9

 

CMYK 70 / 35 / 0 / 14

HEX #4290DC

RGB 66 144 220

HSL 209.61, 0.69%, 0.56%

LAB 58.29, 0.71, -45.71

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 26 / 82 / 0 / 33

HEX #7F1FAC

RGB 127 31 172

HSL 280.85, 0.69%, 0.4%

LAB 34.94, 60.4, -55.15

 

CMYK 7 / 0 / 82 / 33

HEX #A0AC1F

RGB 160 172 31

HSL 65.11, 0.69%, 0.4%

LAB 67.34, -20.68, 63.95

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 0 / 82 / 40 / 33

HEX #AC1F68

RGB 172 31 104

HSL 328.94, 0.69%, 0.4%

LAB 39.16, 59.66, -6.13

 

CMYK 40 / 0 / 82 / 33

HEX #68AC1F

RGB 104 172 31

HSL 88.94, 0.69%, 0.4%

LAB 63.79, -43.07, 59.46

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 26 / 82 / 0 / 33

HEX #7F1FAC

RGB 127 31 172

HSL 280.85, 0.69%, 0.4%

LAB 34.94, 60.4, -55.15

 

CMYK 0 / 42 / 82 / 33

HEX #AC631F

RGB 172 99 31

HSL 28.94, 0.69%, 0.4%

LAB 49.24, 24.47, 48.38

 

CMYK 56 / 0 / 82 / 33

HEX #4CAC1F

RGB 76 172 31

HSL 100.85, 0.69%, 0.4%

LAB 62.63, -51.88, 57.96

 

CMYK 82 / 40 / 0 / 33

HEX #1F67AC

RGB 31 103 172

HSL 209.36, 0.69%, 0.4%

LAB 42.72, 3.6, -43.01

 

CMYK 1 / 82 / 0 / 33

HEX #AA1FAC

RGB 170 31 172

HSL 299.15, 0.69%, 0.4%

LAB 42.01, 68.24, -43.41

 

CMYK 0 / 42 / 82 / 33

HEX #AC631F

RGB 172 99 31

HSL 28.94, 0.69%, 0.4%

LAB 49.24, 24.47, 48.38

 

CMYK 81 / 0 / 82 / 33

HEX #21AC1F

RGB 33 172 31

HSL 119.15, 0.69%, 0.4%

LAB 61.59, -60.53, 56.63

 

Description

Color code: RGB 31 103 172 | qconv.com Color code: RGB 31 103 172 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 103 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 103 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 40 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 40% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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