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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 70 212 it is the complementary color RGB 224 185 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 70 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 70 212 shade: RGB 36 70 207, RGB 53 88 226, RGB 70 106 245, RGB 87 124 255 and RGB 104 142 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 70 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 70 212 shade: RGB 31 70 212, RGB 14 52 193, RGB 0 34 174, RGB 0 16 155 and RGB 0 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 70 212 shade: RGB 31 70 212, RGB 41 31 212, RGB 90 31 212, RGB 139 31 212 and RGB 188 31 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 70 212 shade: RGB 31 70 212 and RGB 31 31 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 70 212 shade matches the following richer shades: RGB 31 70 212 and RGB 12 59 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 70 212 shade: RGB 31 70 212, RGB 51 82 193, RGB 71 93 173, RGB 91 104 153 and RGB 111 115 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 70 212 shade: RGB 31 167 212, RGB 31 119 212, RGB 31 71 212, RGB 40 31 212 and RGB 89 31 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 70 212 shade: RGB 21 46 141, RGB 26 58 177, RGB 31 70 212, RGB 60 95 225 and RGB 96 125 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 70 212 shade: RGB 31 70 212, RGB 209 31 212 and RGB 143 212 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 70 212 shade: RGB 31 70 212, RGB 212 31 71 and RGB 71 212 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 70 212 shade: RGB 31 70 212, RGB 209 31 212, RGB 212 173 31 and RGB 34 212 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 70 212 shade: RGB 31 70 212, RGB 212 31 161, RGB 212 173 31 and RGB 31 212 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

Complementary color

CMYK 0 / 17 / 81 / 12

HEX #E0B92B

RGB 224 185 43

HSL 47.07, 0.74%, 0.52%

LAB 76.51, 0.87, 70.74

 

CMYK 83 / 66 / 0 / 19

HEX #2446CF

RGB 36 70 207

HSL 228.07, 0.7%, 0.48%

LAB 36.48, 38.98, -73.55

 

CMYK 77 / 61 / 0 / 11

HEX #3558E2

RGB 53 88 226

HSL 227.86, 0.75%, 0.55%

LAB 43.1, 35.97, -73.56

 

CMYK 71 / 57 / 0 / 4

HEX #466AF5

RGB 70 106 245

HSL 227.66, 0.9%, 0.62%

LAB 49.74, 33.37, -73.39

 

CMYK 66 / 51 / 0 / 0

HEX #577CFF

RGB 87 124 255

HSL 226.79, 1%, 0.67%

LAB 55.75, 28.08, -69.16

 

CMYK 59 / 44 / 0 / 0

HEX #688EFF

RGB 104 142 255

HSL 224.9, 1%, 0.7%

LAB 61.23, 20.07, -60.3

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 93 / 73 / 0 / 24

HEX #0E34C1

RGB 14 52 193

HSL 227.26, 0.86%, 0.41%

LAB 30.4, 43.92, -75.43

 

CMYK 100 / 80 / 0 / 32

HEX #0022AE

RGB 0 34 174

HSL 228.28, 1%, 0.34%

LAB 24.32, 47.24, -74.22

 

CMYK 100 / 90 / 0 / 39

HEX #00109B

RGB 0 16 155

HSL 233.81, 1%, 0.3%

LAB 18.96, 49.52, -71.6

 

CMYK 100 / 100 / 0 / 47

HEX #000088

RGB 0 0 136

HSL 240, 1%, 0.27%

LAB 14.27, 49.64, -67.6

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 81 / 85 / 0 / 17

HEX #291FD4

RGB 41 31 212

HSL 243.31, 0.74%, 0.48%

LAB 29.92, 61.56, -87.29

 

CMYK 58 / 85 / 0 / 17

HEX #5A1FD4

RGB 90 31 212

HSL 259.56, 0.74%, 0.48%

LAB 33.79, 64.82, -80.76

 

CMYK 34 / 85 / 0 / 17

HEX #8B1FD4

RGB 139 31 212

HSL 275.8, 0.74%, 0.48%

LAB 39.95, 70.5, -70.4

 

CMYK 11 / 85 / 0 / 17

HEX #BC1FD4

RGB 188 31 212

HSL 292.04, 0.74%, 0.48%

LAB 47.53, 78, -57.75

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 85 / 85 / 0 / 17

HEX #1F1FD4

RGB 31 31 212

HSL 240, 0.74%, 0.48%

LAB 29.47, 61.2, -88.05

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 95 / 75 / 0 / 9

HEX #0C3BE8

RGB 12 59 232

HSL 227.18, 0.9%, 0.48%

LAB 36.05, 53.35, -88.63

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 74 / 58 / 0 / 24

HEX #3352C1

RGB 51 82 193

HSL 226.9, 0.58%, 0.48%

LAB 38.88, 27.56, -61.47

 

CMYK 59 / 46 / 0 / 32

HEX #475DAD

RGB 71 93 173

HSL 227.06, 0.42%, 0.48%

LAB 41.51, 16.52, -45.44

 

CMYK 41 / 32 / 0 / 40

HEX #5B6899

RGB 91 104 153

HSL 227.42, 0.25%, 0.48%

LAB 44.84, 8.06, -28.26

 

CMYK 17 / 14 / 0 / 48

HEX #6F7385

RGB 111 115 133

HSL 229.09, 0.09%, 0.48%

LAB 48.68, 2.48, -10.37

 

CMYK 85 / 21 / 0 / 17

HEX #1FA7D4

RGB 31 167 212

HSL 194.92, 0.74%, 0.48%

LAB 63.9, -18.72, -32.53

 

CMYK 85 / 44 / 0 / 17

HEX #1F77D4

RGB 31 119 212

HSL 210.83, 0.74%, 0.48%

LAB 49.78, 9.04, -54.81

 

CMYK 85 / 67 / 0 / 17

HEX #1F47D4

RGB 31 71 212

HSL 226.74, 0.74%, 0.48%

LAB 37.02, 39.85, -75.55

 

CMYK 81 / 85 / 0 / 17

HEX #281FD4

RGB 40 31 212

HSL 242.98, 0.74%, 0.48%

LAB 29.87, 61.52, -87.37

 

CMYK 58 / 85 / 0 / 17

HEX #591FD4

RGB 89 31 212

HSL 259.23, 0.74%, 0.48%

LAB 33.68, 64.73, -80.94

 

CMYK 85 / 67 / 0 / 45

HEX #152E8D

RGB 21 46 141

HSL 227.5, 0.74%, 0.32%

LAB 23.79, 28.6, -54.93

 

CMYK 85 / 67 / 0 / 31

HEX #1A3AB1

RGB 26 58 177

HSL 227.28, 0.74%, 0.4%

LAB 30.45, 34.85, -65.87

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 73 / 58 / 0 / 12

HEX #3C5FE1

RGB 60 95 225

HSL 227.27, 0.73%, 0.56%

LAB 45.06, 31.96, -69.79

 

CMYK 58 / 46 / 0 / 9

HEX #607DE7

RGB 96 125 231

HSL 227.11, 0.74%, 0.64%

LAB 54.99, 20.97, -57.03

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 1 / 85 / 0 / 17

HEX #D11FD4

RGB 209 31 212

HSL 299.01, 0.74%, 0.48%

LAB 51.02, 81.6, -51.95

 

CMYK 33 / 0 / 85 / 17

HEX #8FD41F

RGB 143 212 31

HSL 82.87, 0.74%, 0.48%

LAB 77.89, -45.91, 72.62

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 0 / 85 / 67 / 17

HEX #D41F47

RGB 212 31 71

HSL 346.74, 0.74%, 0.48%

LAB 46.22, 67.56, 25.57

 

CMYK 67 / 0 / 85 / 17

HEX #47D41F

RGB 71 212 31

HSL 106.74, 0.74%, 0.48%

LAB 75.16, -66.72, 69.17

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 1 / 85 / 0 / 17

HEX #D11FD4

RGB 209 31 212

HSL 299.01, 0.74%, 0.48%

LAB 51.02, 81.6, -51.95

 

CMYK 0 / 18 / 85 / 17

HEX #D4AD1F

RGB 212 173 31

HSL 47.07, 0.74%, 0.48%

LAB 72.22, 1.62, 69.92

 

CMYK 84 / 0 / 85 / 17

HEX #22D41F

RGB 34 212 31

HSL 119.01, 0.74%, 0.48%

LAB 74.52, -72.2, 68.38

 

CMYK 85 / 67 / 0 / 17

HEX #1F46D4

RGB 31 70 212

HSL 227.07, 0.74%, 0.48%

LAB 36.79, 40.47, -75.93

 

CMYK 0 / 85 / 24 / 17

HEX #D41FA1

RGB 212 31 161

HSL 316.91, 0.74%, 0.48%

LAB 48.95, 75.26, -25.43

 

CMYK 0 / 18 / 85 / 17

HEX #D4AD1F

RGB 212 173 31

HSL 47.07, 0.74%, 0.48%

LAB 72.22, 1.62, 69.92

 

CMYK 85 / 0 / 61 / 17

HEX #1FD453

RGB 31 212 83

HSL 137.24, 0.74%, 0.48%

LAB 74.83, -68.3, 50.85

 

Description

Color code: RGB 31 70 212 | qconv.com Color code: RGB 31 70 212 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 70 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 70 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 67 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 67% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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