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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 50 33 it is the complementary color RGB 224 205 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 50 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 50 33 shade: RGB 36 50 28, RGB 53 68 47, RGB 70 86 66, RGB 87 104 85 and RGB 104 122 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 50 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 50 33 shade: RGB 31 50 33, RGB 14 32 14 and RGB 0 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 50 33 shade: RGB 31 50 33, RGB 34 50 31, RGB 39 50 31, RGB 44 50 31 and RGB 49 50 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 50 33 shade: RGB 31 50 33, RGB 31 50 38, RGB 31 50 43, RGB 31 50 48 and RGB 31 46 50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 50 33 shade matches the following richer shades: RGB 31 50 33, RGB 24 56 28, RGB 18 63 22, RGB 11 69 17 and RGB 5 76 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 50 33 shade: RGB 31 50 33, RGB 38 43 38, RGB 44 36 43, RGB 51 30 49 and RGB 57 23 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 50 33 shade: RGB 39 50 31, RGB 34 50 31, RGB 31 50 33, RGB 31 50 38 and RGB 31 50 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 50 33 shade: RGB 31 50 33, RGB 31 44 50 and RGB 50 31 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 50 33 shade: RGB 31 50 33, RGB 33 31 50 and RGB 50 33 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 50 33 shade: RGB 31 50 33, RGB 31 44 50, RGB 50 31 48 and RGB 50 37 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 50 33 shade: RGB 31 50 33, RGB 31 38 50, RGB 50 31 48 and RGB 50 42 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

Complementary color

CMYK 0 / 8 / 1 / 12

HEX #E0CDDE

RGB 224 205 222

HSL 306.32, 0.23%, 0.84%

LAB 84.37, 9.58, -6.01

 

CMYK 28 / 0 / 44 / 80

HEX #24321C

RGB 36 50 28

HSL 98.18, 0.28%, 0.15%

LAB 18.97, -10.93, 12.16

 

CMYK 22 / 0 / 31 / 73

HEX #35442F

RGB 53 68 47

HSL 102.86, 0.18%, 0.23%

LAB 27.01, -10.76, 10.8

 

CMYK 19 / 0 / 23 / 66

HEX #465642

RGB 70 86 66

HSL 108, 0.13%, 0.3%

LAB 34.7, -10.61, 9.63

 

CMYK 16 / 0 / 18 / 59

HEX #576855

RGB 87 104 85

HSL 113.68, 0.1%, 0.37%

LAB 42.13, -10.48, 8.6

 

CMYK 15 / 0 / 15 / 52

HEX #687A68

RGB 104 122 104

HSL 120, 0.08%, 0.44%

LAB 49.33, -10.38, 7.66

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 56 / 0 / 56 / 87

HEX #0E200E

RGB 14 32 14

HSL 120, 0.39%, 0.09%

LAB 10.24, -12.33, 9.11

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 32 / 0 / 38 / 80

HEX #22321F

RGB 34 50 31

HSL 110.53, 0.23%, 0.16%

LAB 18.89, -11.25, 10.03

 

CMYK 22 / 0 / 38 / 80

HEX #27321F

RGB 39 50 31

HSL 94.74, 0.23%, 0.16%

LAB 19.27, -9.01, 10.62

 

CMYK 12 / 0 / 38 / 80

HEX #2C321F

RGB 44 50 31

HSL 78.95, 0.23%, 0.16%

LAB 19.7, -6.66, 11.27

 

CMYK 2 / 0 / 38 / 80

HEX #31321F

RGB 49 50 31

HSL 63.16, 0.23%, 0.16%

LAB 20.18, -4.23, 11.98

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 38 / 0 / 24 / 80

HEX #1F3226

RGB 31 50 38

HSL 142.11, 0.23%, 0.16%

LAB 18.85, -10.93, 5.22

 

CMYK 38 / 0 / 14 / 80

HEX #1F322B

RGB 31 50 43

HSL 157.89, 0.23%, 0.16%

LAB 19, -9.64, 2

 

CMYK 38 / 0 / 4 / 80

HEX #1F3230

RGB 31 50 48

HSL 173.68, 0.23%, 0.16%

LAB 19.17, -8.24, -1.19

 

CMYK 38 / 8 / 0 / 80

HEX #1F2E32

RGB 31 46 50

HSL 192.63, 0.23%, 0.16%

LAB 17.81, -5.03, -4.59

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 57 / 0 / 50 / 78

HEX #18381C

RGB 24 56 28

HSL 127.5, 0.4%, 0.16%

LAB 20.46, -19.13, 13.96

 

CMYK 71 / 0 / 65 / 75

HEX #123F16

RGB 18 63 22

HSL 125.33, 0.56%, 0.16%

LAB 22.8, -25.35, 20.41

 

CMYK 84 / 0 / 75 / 73

HEX #0B4511

RGB 11 69 17

HSL 126.21, 0.73%, 0.16%

LAB 24.85, -30.07, 25.33

 

CMYK 93 / 0 / 84 / 70

HEX #054C0C

RGB 5 76 12

HSL 125.92, 0.88%, 0.16%

LAB 27.37, -34.14, 30.1

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 12 / 0 / 12 / 83

HEX #262B26

RGB 38 43 38

HSL 120, 0.06%, 0.16%

LAB 16.89, -3.44, 2.5

 

CMYK 0 / 18 / 2 / 83

HEX #2C242B

RGB 44 36 43

HSL 307.5, 0.1%, 0.16%

LAB 15.34, 5.35, -3.23

 

CMYK 0 / 41 / 4 / 80

HEX #331E31

RGB 51 30 49

HSL 305.71, 0.26%, 0.16%

LAB 14.7, 14.02, -8.38

 

CMYK 0 / 60 / 5 / 78

HEX #391736

RGB 57 23 54

HSL 305.29, 0.43%, 0.16%

LAB 14.11, 22.01, -12.79

 

CMYK 22 / 0 / 38 / 80

HEX #27321F

RGB 39 50 31

HSL 94.74, 0.23%, 0.16%

LAB 19.27, -9.01, 10.62

 

CMYK 32 / 0 / 38 / 80

HEX #22321F

RGB 34 50 31

HSL 110.53, 0.23%, 0.16%

LAB 18.89, -11.25, 10.03

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 38 / 0 / 24 / 80

HEX #1F3226

RGB 31 50 38

HSL 142.11, 0.23%, 0.16%

LAB 18.85, -10.93, 5.22

 

CMYK 38 / 0 / 14 / 80

HEX #1F322B

RGB 31 50 43

HSL 157.89, 0.23%, 0.16%

LAB 19, -9.64, 2

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 38 / 12 / 0 / 80

HEX #1F2C32

RGB 31 44 50

HSL 198.95, 0.23%, 0.16%

LAB 17.1, -3.68, -5.66

 

CMYK 0 / 38 / 26 / 80

HEX #321F25

RGB 50 31 37

HSL 341.05, 0.23%, 0.16%

LAB 14.35, 10.34, -0.29

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 34 / 38 / 0 / 80

HEX #211F32

RGB 33 31 50

HSL 246.32, 0.23%, 0.16%

LAB 12.82, 6.35, -12.19

 

CMYK 0 / 34 / 38 / 80

HEX #32211F

RGB 50 33 31

HSL 6.32, 0.23%, 0.16%

LAB 14.76, 7.86, 4.61

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 38 / 12 / 0 / 80

HEX #1F2C32

RGB 31 44 50

HSL 198.95, 0.23%, 0.16%

LAB 17.1, -3.68, -5.66

 

CMYK 0 / 38 / 4 / 80

HEX #321F30

RGB 50 31 48

HSL 306.32, 0.23%, 0.16%

LAB 14.8, 12.68, -7.54

 

CMYK 0 / 26 / 38 / 80

HEX #32251F

RGB 50 37 31

HSL 18.95, 0.23%, 0.16%

LAB 16, 5.07, 6.35

 

CMYK 38 / 0 / 34 / 80

HEX #1F3221

RGB 31 50 33

HSL 126.32, 0.23%, 0.16%

LAB 18.72, -12.09, 8.43

 

CMYK 38 / 24 / 0 / 80

HEX #1F2632

RGB 31 38 50

HSL 217.89, 0.23%, 0.16%

LAB 15, 0.5, -8.85

 

CMYK 0 / 38 / 4 / 80

HEX #321F30

RGB 50 31 48

HSL 306.32, 0.23%, 0.16%

LAB 14.8, 12.68, -7.54

 

CMYK 0 / 16 / 38 / 80

HEX #322A1F

RGB 50 42 31

HSL 34.74, 0.23%, 0.16%

LAB 17.61, 1.62, 8.56

 

Description

Color code: RGB 31 50 33 | qconv.com Color code: RGB 31 50 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 50 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 50 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 34 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 34% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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