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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 42 91 it is the complementary color RGB 224 213 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 42 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 42 91 shade: RGB 36 42 86, RGB 53 60 105, RGB 70 78 124, RGB 87 96 143 and RGB 104 114 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 42 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 42 91 shade: RGB 31 42 91, RGB 14 24 72, RGB 0 6 53, RGB 0 0 34 and RGB 0 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 42 91 shade: RGB 31 42 91, RGB 36 31 91, RGB 52 31 91, RGB 68 31 91 and RGB 84 31 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 42 91 shade: RGB 31 42 91 and RGB 31 31 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 42 91 shade matches the following richer shades: RGB 31 42 91, RGB 21 35 101, RGB 11 29 110 and RGB 1 23 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 42 91 shade: RGB 31 42 91, RGB 41 48 81, RGB 51 54 71, RGB 60 61 61 and RGB 70 67 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 42 91 shade: RGB 31 74 91, RGB 31 58 91, RGB 31 42 91, RGB 36 31 91 and RGB 52 31 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 42 91 shade: RGB 10 13 29, RGB 20 27 60, RGB 31 42 91, RGB 41 56 121 and RGB 52 70 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 42 91 shade: RGB 31 42 91, RGB 91 31 90 and RGB 66 91 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 42 91 shade: RGB 31 42 91, RGB 91 31 42 and RGB 42 91 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 42 91 shade: RGB 31 42 91, RGB 91 31 90, RGB 91 80 31 and RGB 31 91 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 42 91 shade: RGB 31 42 91, RGB 91 31 72, RGB 91 80 31 and RGB 31 91 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

Complementary color

CMYK 0 / 5 / 27 / 12

HEX #E0D5A4

RGB 224 213 164

HSL 49, 0.49%, 0.76%

LAB 85.06, -3.74, 25.64

 

CMYK 58 / 51 / 0 / 66

HEX #242A56

RGB 36 42 86

HSL 232.8, 0.41%, 0.24%

LAB 18.81, 11.99, -27.6

 

CMYK 50 / 43 / 0 / 59

HEX #353C69

RGB 53 60 105

HSL 231.92, 0.33%, 0.31%

LAB 26.76, 10.65, -27.31

 

CMYK 44 / 37 / 0 / 51

HEX #464E7C

RGB 70 78 124

HSL 231.11, 0.28%, 0.38%

LAB 34.41, 9.67, -27.13

 

CMYK 39 / 33 / 0 / 44

HEX #57608F

RGB 87 96 143

HSL 230.36, 0.24%, 0.45%

LAB 41.81, 8.92, -27.04

 

CMYK 36 / 30 / 0 / 36

HEX #6872A2

RGB 104 114 162

HSL 229.66, 0.24%, 0.52%

LAB 48.99, 8.31, -27.03

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 81 / 67 / 0 / 72

HEX #0E1848

RGB 14 24 72

HSL 229.66, 0.67%, 0.17%

LAB 10.66, 15.25, -31.29

 

CMYK 100 / 89 / 0 / 79

HEX #000635

RGB 0 6 53

HSL 233.21, 1%, 0.1%

LAB 3.5, 13.91, -29.4

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 60 / 66 / 0 / 64

HEX #241F5B

RGB 36 31 91

HSL 245, 0.49%, 0.24%

LAB 16.06, 21.68, -35.39

 

CMYK 43 / 66 / 0 / 64

HEX #341F5B

RGB 52 31 91

HSL 261, 0.49%, 0.24%

LAB 17.76, 25.36, -32.54

 

CMYK 25 / 66 / 0 / 64

HEX #441F5B

RGB 68 31 91

HSL 277, 0.49%, 0.24%

LAB 19.9, 29.59, -28.99

 

CMYK 8 / 66 / 0 / 64

HEX #541F5B

RGB 84 31 91

HSL 293, 0.49%, 0.24%

LAB 22.37, 34.06, -24.9

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 66 / 66 / 0 / 64

HEX #1F1F5B

RGB 31 31 91

HSL 240, 0.49%, 0.24%

LAB 15.63, 20.69, -36.11

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 79 / 65 / 0 / 60

HEX #152365

RGB 21 35 101

HSL 229.5, 0.66%, 0.24%

LAB 16.99, 20.23, -40.53

 

CMYK 90 / 74 / 0 / 57

HEX #0B1D6E

RGB 11 29 110

HSL 229.09, 0.82%, 0.24%

LAB 15.88, 27.2, -48.27

 

CMYK 99 / 81 / 0 / 53

HEX #011778

RGB 1 23 120

HSL 228.91, 0.98%, 0.24%

LAB 15.36, 34.43, -55.61

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 49 / 41 / 0 / 68

HEX #293051

RGB 41 48 81

HSL 229.5, 0.33%, 0.24%

LAB 20.75, 7.26, -21.16

 

CMYK 28 / 24 / 0 / 72

HEX #333647

RGB 51 54 71

HSL 231, 0.16%, 0.24%

LAB 22.99, 3.24, -10.91

 

CMYK 2 / 0 / 0 / 76

HEX #3C3D3D

RGB 60 61 61

HSL 180, 0.01%, 0.24%

LAB 25.67, -0.42, -0.15

 

CMYK 0 / 4 / 27 / 73

HEX #464333

RGB 70 67 51

HSL 50.53, 0.16%, 0.24%

LAB 28.26, -1.82, 10.2

 

CMYK 66 / 19 / 0 / 64

HEX #1F4A5B

RGB 31 74 91

HSL 197, 0.49%, 0.24%

LAB 29.27, -9.02, -14.49

 

CMYK 66 / 36 / 0 / 64

HEX #1F3A5B

RGB 31 58 91

HSL 213, 0.49%, 0.24%

LAB 23.91, 1.4, -22.83

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 60 / 66 / 0 / 64

HEX #241F5B

RGB 36 31 91

HSL 245, 0.49%, 0.24%

LAB 16.06, 21.68, -35.39

 

CMYK 43 / 66 / 0 / 64

HEX #341F5B

RGB 52 31 91

HSL 261, 0.49%, 0.24%

LAB 17.76, 25.36, -32.54

 

CMYK 66 / 55 / 0 / 89

HEX #0A0D1D

RGB 10 13 29

HSL 230.53, 0.49%, 0.08%

LAB 3.98, 2.93, -10.32

 

CMYK 67 / 55 / 0 / 76

HEX #141B3C

RGB 20 27 60

HSL 229.5, 0.5%, 0.16%

LAB 10.98, 8.99, -22.31

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 66 / 54 / 0 / 53

HEX #293879

RGB 41 56 121

HSL 228.75, 0.49%, 0.32%

LAB 25.8, 16.43, -39.07

 

CMYK 66 / 54 / 0 / 40

HEX #344698

RGB 52 70 152

HSL 229.2, 0.49%, 0.4%

LAB 32.65, 20.48, -47.18

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 0 / 66 / 1 / 64

HEX #5B1F5A

RGB 91 31 90

HSL 301, 0.49%, 0.24%

LAB 23.48, 35.86, -22.42

 

CMYK 27 / 0 / 66 / 64

HEX #425B1F

RGB 66 91 31

HSL 85, 0.49%, 0.24%

LAB 35.48, -20.23, 30.76

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 0 / 66 / 54 / 64

HEX #5B1F2A

RGB 91 31 42

HSL 349, 0.49%, 0.24%

LAB 21.47, 28.56, 7.27

 

CMYK 54 / 0 / 66 / 64

HEX #2A5B1F

RGB 42 91 31

HSL 109, 0.49%, 0.24%

LAB 34.14, -29.46, 28.89

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 0 / 66 / 1 / 64

HEX #5B1F5A

RGB 91 31 90

HSL 301, 0.49%, 0.24%

LAB 23.48, 35.86, -22.42

 

CMYK 0 / 12 / 66 / 64

HEX #5B501F

RGB 91 80 31

HSL 49, 0.49%, 0.24%

LAB 34.11, -2.19, 29.85

 

CMYK 66 / 0 / 65 / 64

HEX #1F5B20

RGB 31 91 32

HSL 121, 0.49%, 0.24%

LAB 33.73, -32.57, 27.8

 

CMYK 66 / 54 / 0 / 64

HEX #1F2A5B

RGB 31 42 91

HSL 229, 0.49%, 0.24%

LAB 18.81, 12.76, -30.95

 

CMYK 0 / 66 / 21 / 64

HEX #5B1F48

RGB 91 31 72

HSL 319, 0.49%, 0.24%

LAB 22.56, 32.61, -11.79

 

CMYK 0 / 12 / 66 / 64

HEX #5B501F

RGB 91 80 31

HSL 49, 0.49%, 0.24%

LAB 34.11, -2.19, 29.85

 

CMYK 66 / 0 / 45 / 64

HEX #1F5B32

RGB 31 91 50

HSL 139, 0.49%, 0.24%

LAB 33.99, -29.62, 18.06

 

Description

Color code: RGB 31 42 91 | qconv.com Color code: RGB 31 42 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 42 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 42 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 54 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 54% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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