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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 244 198 it is the complementary color RGB 225 11 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 244 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 244 198 shade: RGB 35 244 193, RGB 52 255 212, RGB 69 255 231, RGB 86 255 250 and RGB 103 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 244 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 244 198 shade: RGB 30 244 198, RGB 13 226 179, RGB 0 208 160, RGB 0 190 141 and RGB 0 172 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 244 198 shade: RGB 30 244 198, RGB 30 244 140, RGB 30 244 83, RGB 36 244 30 and RGB 93 244 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 244 198 shade: RGB 30 244 198, RGB 30 232 244, RGB 30 175 244, RGB 30 117 244 and RGB 30 60 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 244 198 shade matches the following richer shades: RGB 30 244 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 244 198 shade: RGB 30 244 198, RGB 49 225 187, RGB 68 206 176, RGB 87 187 166 and RGB 106 168 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 244 198 shade: RGB 30 244 84, RGB 30 244 141, RGB 30 244 198, RGB 30 233 244 and RGB 30 176 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 244 198 shade: RGB 8 184 146, RGB 10 223 177, RGB 30 244 198, RGB 70 246 208 and RGB 109 248 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 244 198 shade: RGB 30 244 198, RGB 30 34 244 and RGB 244 112 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 244 198 shade: RGB 30 244 198, RGB 198 30 244 and RGB 244 198 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 244 198 shade: RGB 30 244 198, RGB 30 34 244, RGB 244 30 77 and RGB 244 240 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 244 198 shade: RGB 30 244 198, RGB 91 30 244, RGB 244 30 77 and RGB 183 244 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

Complementary color

CMYK 0 / 95 / 75 / 12

HEX #E10B39

RGB 225 11 57

HSL 347.1, 0.91%, 0.46%

LAB 47.68, 73.03, 36.39

 

CMYK 86 / 0 / 21 / 4

HEX #23F4C1

RGB 35 244 193

HSL 165.36, 0.9%, 0.55%

LAB 86.46, -58.78, 11.33

 

CMYK 80 / 0 / 17 / 0

HEX #34FFD4

RGB 52 255 212

HSL 167.29, 1%, 0.6%

LAB 90.32, -57.21, 7.03

 

CMYK 73 / 0 / 9 / 0

HEX #45FFE7

RGB 69 255 231

HSL 172.26, 1%, 0.64%

LAB 91.03, -50.74, -1.75

 

CMYK 66 / 0 / 2 / 0

HEX #56FFFA

RGB 86 255 250

HSL 178.22, 1%, 0.67%

LAB 91.86, -43.65, -10.34

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 94 / 0 / 21 / 11

HEX #0DE2B3

RGB 13 226 179

HSL 166.76, 0.89%, 0.47%

LAB 80.59, -56.26, 10.28

 

CMYK 100 / 0 / 23 / 18

HEX #00D0A0

RGB 0 208 160

HSL 166.15, 1%, 0.41%

LAB 74.6, -54.31, 11.87

 

CMYK 100 / 0 / 26 / 25

HEX #00BE8D

RGB 0 190 141

HSL 164.53, 1%, 0.37%

LAB 68.57, -51.95, 13.6

 

CMYK 100 / 0 / 29 / 33

HEX #00AC7A

RGB 0 172 122

HSL 162.56, 1%, 0.34%

LAB 62.43, -49.53, 15.4

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 88 / 0 / 43 / 4

HEX #1EF48C

RGB 30 244 140

HSL 150.84, 0.91%, 0.54%

LAB 85.44, -70.13, 36.94

 

CMYK 88 / 0 / 66 / 4

HEX #1EF453

RGB 30 244 83

HSL 134.86, 0.91%, 0.54%

LAB 84.79, -77.97, 61.96

 

CMYK 85 / 0 / 88 / 4

HEX #24F41E

RGB 36 244 30

HSL 118.32, 0.91%, 0.54%

LAB 84.57, -80.97, 77.37

 

CMYK 62 / 0 / 88 / 4

HEX #5DF41E

RGB 93 244 30

HSL 102.34, 0.91%, 0.54%

LAB 85.57, -72.37, 78.62

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 88 / 5 / 0 / 4

HEX #1EE8F4

RGB 30 232 244

HSL 183.36, 0.91%, 0.54%

LAB 84.24, -40.28, -18.71

 

CMYK 88 / 28 / 0 / 4

HEX #1EAFF4

RGB 30 175 244

HSL 199.35, 0.91%, 0.54%

LAB 67.63, -11.92, -44.29

 

CMYK 88 / 52 / 0 / 4

HEX #1E75F4

RGB 30 117 244

HSL 215.61, 0.91%, 0.54%

LAB 51.3, 22.5, -70.35

 

CMYK 88 / 75 / 0 / 4

HEX #1E3CF4

RGB 30 60 244

HSL 231.59, 0.91%, 0.54%

LAB 37.91, 57.28, -92.32

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 78 / 0 / 17 / 12

HEX #31E1BB

RGB 49 225 187

HSL 167.05, 0.75%, 0.54%

LAB 80.79, -51.58, 6.38

 

CMYK 67 / 0 / 15 / 19

HEX #44CEB0

RGB 68 206 176

HSL 166.96, 0.58%, 0.54%

LAB 75.14, -43.97, 4.16

 

CMYK 53 / 0 / 11 / 27

HEX #57BBA6

RGB 87 187 166

HSL 167.4, 0.42%, 0.54%

LAB 69.7, -34.39, 1.76

 

CMYK 37 / 0 / 8 / 34

HEX #6AA89B

RGB 106 168 155

HSL 167.42, 0.26%, 0.54%

LAB 64.51, -23.03, 0.39

 

CMYK 88 / 0 / 66 / 4

HEX #1EF454

RGB 30 244 84

HSL 135.14, 0.91%, 0.54%

LAB 84.8, -77.87, 61.57

 

CMYK 88 / 0 / 42 / 4

HEX #1EF48D

RGB 30 244 141

HSL 151.12, 0.91%, 0.54%

LAB 85.45, -69.95, 36.46

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 88 / 5 / 0 / 4

HEX #1EE9F4

RGB 30 233 244

HSL 183.08, 0.91%, 0.54%

LAB 84.53, -40.74, -18.27

 

CMYK 88 / 28 / 0 / 4

HEX #1EB0F4

RGB 30 176 244

HSL 199.07, 0.91%, 0.54%

LAB 67.92, -12.46, -43.84

 

CMYK 96 / 0 / 21 / 28

HEX #08B892

RGB 8 184 146

HSL 167.05, 0.92%, 0.38%

LAB 66.83, -48.05, 8.41

 

CMYK 96 / 0 / 21 / 13

HEX #0ADFB1

RGB 10 223 177

HSL 167.04, 0.91%, 0.46%

LAB 79.62, -55.67, 9.96

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 72 / 0 / 15 / 4

HEX #46F6D0

RGB 70 246 208

HSL 167.05, 0.91%, 0.62%

LAB 87.86, -52.64, 5.58

 

CMYK 56 / 0 / 12 / 3

HEX #6DF8DA

RGB 109 248 218

HSL 167.05, 0.91%, 0.7%

LAB 89.6, -44.86, 3.02

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 88 / 86 / 0 / 4

HEX #1E22F4

RGB 30 34 244

HSL 238.88, 0.91%, 0.54%

LAB 33.88, 69.09, -99.02

 

CMYK 0 / 54 / 88 / 4

HEX #F4701E

RGB 244 112 30

HSL 22.99, 0.91%, 0.54%

LAB 62.44, 46.75, 64.04

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 19 / 88 / 0 / 4

HEX #C61EF4

RGB 198 30 244

HSL 287.1, 0.91%, 0.54%

LAB 51.23, 85.17, -69.84

 

CMYK 0 / 19 / 88 / 4

HEX #F4C61E

RGB 244 198 30

HSL 47.1, 0.91%, 0.54%

LAB 81.68, 2.41, 79.06

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 88 / 86 / 0 / 4

HEX #1E22F4

RGB 30 34 244

HSL 238.88, 0.91%, 0.54%

LAB 33.88, 69.09, -99.02

 

CMYK 0 / 88 / 68 / 4

HEX #F41E4D

RGB 244 30 77

HSL 346.82, 0.91%, 0.54%

LAB 52.62, 76.14, 31.33

 

CMYK 0 / 2 / 88 / 4

HEX #F4F01E

RGB 244 240 30

HSL 58.88, 0.91%, 0.54%

LAB 92.42, -18.6, 87.53

 

CMYK 88 / 0 / 19 / 4

HEX #1EF4C6

RGB 30 244 198

HSL 167.1, 0.91%, 0.54%

LAB 86.53, -57.87, 8.82

 

CMYK 63 / 88 / 0 / 4

HEX #5B1EF4

RGB 91 30 244

HSL 257.1, 0.91%, 0.54%

LAB 37.27, 73.18, -93.28

 

CMYK 0 / 88 / 68 / 4

HEX #F41E4D

RGB 244 30 77

HSL 346.82, 0.91%, 0.54%

LAB 52.62, 76.14, 31.33

 

CMYK 25 / 0 / 88 / 4

HEX #B7F41E

RGB 183 244 30

HSL 77.1, 0.91%, 0.54%

LAB 89.33, -44.77, 83.29

 

Description

Color code: RGB 30 244 198 | qconv.com Color code: RGB 30 244 198 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 244 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 244 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 19 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 19% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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