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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 205 90 it is the complementary color RGB 225 50 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 205 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 205 90 shade: RGB 35 205 85, RGB 52 223 104, RGB 69 241 123, RGB 86 255 142 and RGB 103 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 205 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 205 90 shade: RGB 30 205 90, RGB 13 187 71, RGB 0 169 52, RGB 0 151 33 and RGB 0 133 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 205 90 shade: RGB 30 204 90, RGB 30 204 43, RGB 64 204 30, RGB 111 204 30 and RGB 158 204 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 205 90 shade: RGB 30 204 90, RGB 30 204 136, RGB 30 204 183, RGB 30 177 204 and RGB 30 130 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 205 90 shade matches the following richer shades: RGB 30 204 90 and RGB 11 223 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 205 90 shade: RGB 30 204 90, RGB 49 185 95, RGB 68 166 101, RGB 87 147 107 and RGB 106 128 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 205 90 shade: RGB 65 204 30, RGB 30 204 42, RGB 30 204 88, RGB 30 204 134 and RGB 30 204 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 205 90 shade: RGB 19 132 58, RGB 25 168 74, RGB 30 204 90, RGB 51 224 110 and RGB 87 229 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 205 90 shade: RGB 30 205 90, RGB 30 111 204 and RGB 204 30 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 205 90 shade: RGB 30 205 90, RGB 88 30 204 and RGB 204 88 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 205 90 shade: RGB 30 205 90, RGB 30 111 204, RGB 204 30 146 and RGB 204 123 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 205 90 shade: RGB 30 205 90, RGB 30 59 204, RGB 204 30 146 and RGB 204 175 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 56 / 20

HEX #1ECD5A

RGB 30 205 90

HSL 140.57, 0.74%, 0.46%

LAB 72.68, -65.28, 45.16

 

Complementary color

CMYK 0 / 78 / 27 / 12

HEX #E132A5

RGB 225 50 165

HSL 320.57, 0.74%, 0.54%

LAB 52.96, 74.27, -21.42

 

CMYK 83 / 0 / 59 / 20

HEX #23CD55

RGB 35 205 85

HSL 137.65, 0.71%, 0.47%

LAB 72.68, -65.48, 47.48

 

CMYK 77 / 0 / 53 / 13

HEX #34DF68

RGB 52 223 104

HSL 138.25, 0.73%, 0.54%

LAB 78.76, -66.85, 45.98

 

CMYK 71 / 0 / 49 / 5

HEX #45F17B

RGB 69 241 123

HSL 138.84, 0.86%, 0.61%

LAB 84.79, -67.79, 44.48

 

CMYK 66 / 0 / 44 / 0

HEX #56FF8E

RGB 86 255 142

HSL 139.88, 1%, 0.67%

LAB 89.6, -67, 41.5

 

CMYK 60 / 0 / 37 / 0

HEX #67FFA1

RGB 103 255 161

HSL 142.89, 1%, 0.7%

LAB 90.31, -60.66, 33.16

 

CMYK 85 / 0 / 56 / 20

HEX #1ECD5A

RGB 30 205 90

HSL 140.57, 0.74%, 0.46%

LAB 72.68, -65.28, 45.16

 

CMYK 93 / 0 / 62 / 27

HEX #0DBB47

RGB 13 187 71

HSL 140, 0.87%, 0.39%

LAB 66.58, -63.23, 46.71

 

CMYK 100 / 0 / 69 / 34

HEX #00A934

RGB 0 169 52

HSL 138.46, 1%, 0.33%

LAB 60.45, -60.48, 48.06

 

CMYK 100 / 0 / 78 / 41

HEX #009721

RGB 0 151 33

HSL 133.11, 1%, 0.3%

LAB 54.28, -56.79, 48.92

 

CMYK 100 / 0 / 89 / 48

HEX #00850E

RGB 0 133 14

HSL 126.32, 1%, 0.26%

LAB 48.02, -52.63, 48.57

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 69 / 0 / 85 / 20

HEX #40CC1E

RGB 64 204 30

HSL 108.28, 0.74%, 0.46%

LAB 72.47, -65.58, 66.96

 

CMYK 46 / 0 / 85 / 20

HEX #6FCC1E

RGB 111 204 30

HSL 92.07, 0.74%, 0.46%

LAB 73.97, -53.6, 68.85

 

CMYK 23 / 0 / 85 / 20

HEX #9ECC1E

RGB 158 204 30

HSL 75.86, 0.74%, 0.46%

LAB 76.4, -36.77, 71.9

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 85 / 0 / 33 / 20

HEX #1ECC88

RGB 30 204 136

HSL 156.55, 0.74%, 0.46%

LAB 73.05, -56.89, 22.49

 

CMYK 85 / 0 / 10 / 20

HEX #1ECCB7

RGB 30 204 183

HSL 172.76, 0.74%, 0.46%

LAB 74.11, -45.45, -1.19

 

CMYK 85 / 13 / 0 / 20

HEX #1EB1CC

RGB 30 177 204

HSL 189.31, 0.74%, 0.46%

LAB 66.58, -26.63, -23.98

 

CMYK 85 / 36 / 0 / 20

HEX #1E82CC

RGB 30 130 204

HSL 205.52, 0.74%, 0.46%

LAB 52.51, -0.82, -45.92

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 95 / 0 / 62 / 13

HEX #0BDF54

RGB 11 223 84

HSL 140.66, 0.91%, 0.46%

LAB 78.16, -72.68, 54.17

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 74 / 0 / 49 / 27

HEX #31B95F

RGB 49 185 95

HSL 140.29, 0.58%, 0.46%

LAB 66.66, -55.54, 35.41

 

CMYK 59 / 0 / 39 / 35

HEX #44A665

RGB 68 166 101

HSL 140.2, 0.42%, 0.46%

LAB 61.17, -43.54, 25.3

 

CMYK 41 / 0 / 27 / 42

HEX #57936B

RGB 87 147 107

HSL 140, 0.26%, 0.46%

LAB 56.04, -28.72, 15.19

 

CMYK 17 / 0 / 12 / 50

HEX #6A8071

RGB 106 128 113

HSL 139.09, 0.09%, 0.46%

LAB 51.49, -11.18, 5.5

 

CMYK 68 / 0 / 85 / 20

HEX #41CC1E

RGB 65 204 30

HSL 107.93, 0.74%, 0.46%

LAB 72.5, -65.39, 66.99

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2A

RGB 30 204 42

HSL 124.14, 0.74%, 0.46%

LAB 71.98, -69.71, 63.22

 

CMYK 85 / 0 / 57 / 20

HEX #1ECC58

RGB 30 204 88

HSL 140, 0.74%, 0.46%

LAB 72.34, -65.23, 45.69

 

CMYK 85 / 0 / 34 / 20

HEX #1ECC86

RGB 30 204 134

HSL 155.86, 0.74%, 0.46%

LAB 73.01, -57.31, 23.5

 

CMYK 85 / 0 / 12 / 20

HEX #1ECCB4

RGB 30 204 180

HSL 171.72, 0.74%, 0.46%

LAB 74.03, -46.26, 0.31

 

CMYK 86 / 0 / 56 / 48

HEX #13843A

RGB 19 132 58

HSL 140.71, 0.75%, 0.3%

LAB 48.19, -46.43, 31.39

 

CMYK 85 / 0 / 56 / 34

HEX #19A84A

RGB 25 168 74

HSL 140.56, 0.74%, 0.38%

LAB 60.52, -55.85, 38.24

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 77 / 0 / 51 / 12

HEX #33E06E

RGB 51 224 110

HSL 140.46, 0.74%, 0.54%

LAB 79.12, -66.45, 43.58

 

CMYK 62 / 0 / 41 / 10

HEX #57E588

RGB 87 229 136

HSL 140.7, 0.73%, 0.62%

LAB 81.75, -58.27, 34.3

 

CMYK 85 / 0 / 56 / 20

HEX #1ECD5A

RGB 30 205 90

HSL 140.57, 0.74%, 0.46%

LAB 72.68, -65.28, 45.16

 

CMYK 85 / 46 / 0 / 20

HEX #1E6FCC

RGB 30 111 204

HSL 212.07, 0.74%, 0.46%

LAB 46.98, 10.9, -54.75

 

CMYK 0 / 85 / 79 / 20

HEX #CC1E2A

RGB 204 30 42

HSL 355.86, 0.74%, 0.46%

LAB 44.14, 64.46, 39.97

 

CMYK 85 / 0 / 56 / 20

HEX #1ECD5A

RGB 30 205 90

HSL 140.57, 0.74%, 0.46%

LAB 72.68, -65.28, 45.16

 

CMYK 57 / 85 / 0 / 20

HEX #581ECC

RGB 88 30 204

HSL 260, 0.74%, 0.46%

LAB 32.62, 62.95, -78.05

 

CMYK 0 / 57 / 85 / 20

HEX #CC581E

RGB 204 88 30

HSL 20, 0.74%, 0.46%

LAB 51.74, 43.19, 52.82

 

CMYK 85 / 0 / 56 / 20

HEX #1ECD5A

RGB 30 205 90

HSL 140.57, 0.74%, 0.46%

LAB 72.68, -65.28, 45.16

 

CMYK 85 / 46 / 0 / 20

HEX #1E6FCC

RGB 30 111 204

HSL 212.07, 0.74%, 0.46%

LAB 46.98, 10.9, -54.75

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 40 / 85 / 20

HEX #CC7B1E

RGB 204 123 30

HSL 32.07, 0.74%, 0.46%

LAB 59.06, 25.08, 58.96

 

CMYK 85 / 0 / 56 / 20

HEX #1ECD5A

RGB 30 205 90

HSL 140.57, 0.74%, 0.46%

LAB 72.68, -65.28, 45.16

 

CMYK 85 / 71 / 0 / 20

HEX #1E3BCC

RGB 30 59 204

HSL 230, 0.74%, 0.46%

LAB 33.49, 44.31, -76.75

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 14 / 85 / 20

HEX #CCAF1E

RGB 204 175 30

HSL 50, 0.74%, 0.46%

LAB 71.95, -2.97, 69.63

 

Description

Color code: RGB 30 205 90 | qconv.com Color code: RGB 30 205 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 205 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 205 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 56 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 56% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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