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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 203 247 it is the complementary color RGB 225 52 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 203 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 203 247 shade: RGB 35 203 242, RGB 52 221 255, RGB 69 239 255, RGB 86 255 255 and RGB 103 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 203 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 203 247 shade: RGB 30 203 247, RGB 13 185 228, RGB 0 167 209, RGB 0 149 190 and RGB 0 131 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 203 247 shade: RGB 28 202 246, RGB 28 143 246, RGB 28 84 246, RGB 31 28 246 and RGB 90 28 246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 203 247 shade: RGB 28 202 246, RGB 28 143 246, RGB 28 84 246 and RGB 28 28 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 203 247 shade matches the following richer shades: RGB 28 202 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 203 247 shade: RGB 28 202 246, RGB 47 191 227, RGB 66 179 208, RGB 85 168 189 and RGB 104 157 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 203 247 shade: RGB 28 246 174, RGB 28 246 232, RGB 28 203 246, RGB 28 144 246 and RGB 28 86 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 203 247 shade: RGB 6 149 186, RGB 8 181 225, RGB 28 202 246, RGB 68 211 248 and RGB 108 220 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 203 247 shade: RGB 30 203 247, RGB 115 28 246 and RGB 246 203 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 203 247 shade: RGB 30 203 247, RGB 246 28 203 and RGB 203 246 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 203 247 shade: RGB 30 203 247, RGB 115 28 246, RGB 246 72 28 and RGB 159 246 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 203 247 shade: RGB 30 203 247, RGB 181 28 246, RGB 246 72 28 and RGB 94 246 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 18 / 0 / 3

HEX #1ECBF7

RGB 30 203 247

HSL 192.17, 0.93%, 0.54%

LAB 75.89, -25.54, -33.05

 

Complementary color

CMYK 0 / 77 / 96 / 12

HEX #E13408

RGB 225 52 8

HSL 12.17, 0.93%, 0.46%

LAB 50.07, 64.2, 60.34

 

CMYK 86 / 16 / 0 / 5

HEX #23CBF2

RGB 35 203 242

HSL 191.3, 0.89%, 0.54%

LAB 75.75, -26.88, -30.58

 

CMYK 80 / 13 / 0 / 0

HEX #34DDFF

RGB 52 221 255

HSL 190.05, 1%, 0.6%

LAB 81.65, -30.3, -28.43

 

CMYK 73 / 6 / 0 / 0

HEX #45EFFF

RGB 69 239 255

HSL 185.16, 1%, 0.64%

LAB 87.1, -37.13, -20.11

 

CMYK 66 / 0 / 0 / 0

HEX #56FFFF

RGB 86 255 255

HSL 180, 1%, 0.67%

LAB 92.01, -42.31, -12.72

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 88 / 18 / 0 / 3

HEX #1ECBF7

RGB 30 203 247

HSL 192.17, 0.93%, 0.54%

LAB 75.89, -25.54, -33.05

 

CMYK 94 / 19 / 0 / 11

HEX #0DB9E4

RGB 13 185 228

HSL 192, 0.89%, 0.47%

LAB 69.74, -23.5, -32.29

 

CMYK 100 / 20 / 0 / 18

HEX #00A7D1

RGB 0 167 209

HSL 192.06, 1%, 0.41%

LAB 63.54, -21.1, -31.44

 

CMYK 100 / 22 / 0 / 25

HEX #0095BE

RGB 0 149 190

HSL 192.95, 1%, 0.37%

LAB 57.28, -18.27, -30.51

 

CMYK 100 / 23 / 0 / 33

HEX #0083AB

RGB 0 131 171

HSL 194.04, 1%, 0.34%

LAB 50.89, -15.34, -29.58

 

CMYK 89 / 18 / 0 / 4

HEX #1CCAF6

RGB 28 202 246

HSL 192.11, 0.92%, 0.54%

LAB 75.54, -25.47, -33.05

 

CMYK 89 / 42 / 0 / 4

HEX #1C8FF6

RGB 28 143 246

HSL 208.35, 0.92%, 0.54%

LAB 58.55, 7.08, -59.78

 

CMYK 89 / 66 / 0 / 4

HEX #1C54F6

RGB 28 84 246

HSL 224.59, 0.92%, 0.54%

LAB 43.12, 43.95, -84.83

 

CMYK 87 / 89 / 0 / 4

HEX #1F1CF6

RGB 31 28 246

HSL 240.83, 0.92%, 0.54%

LAB 33.51, 71.66, -100.76

 

CMYK 63 / 89 / 0 / 4

HEX #5A1CF6

RGB 90 28 246

HSL 257.06, 0.92%, 0.54%

LAB 37.22, 74.14, -94.49

 

CMYK 89 / 18 / 0 / 4

HEX #1CCAF6

RGB 28 202 246

HSL 192.11, 0.92%, 0.54%

LAB 75.54, -25.47, -33.05

 

CMYK 89 / 42 / 0 / 4

HEX #1C8FF6

RGB 28 143 246

HSL 208.35, 0.92%, 0.54%

LAB 58.55, 7.08, -59.78

 

CMYK 89 / 66 / 0 / 4

HEX #1C54F6

RGB 28 84 246

HSL 224.59, 0.92%, 0.54%

LAB 43.12, 43.95, -84.83

 

CMYK 89 / 89 / 0 / 4

HEX #1C1CF6

RGB 28 28 246

HSL 240, 0.92%, 0.54%

LAB 33.42, 71.6, -100.92

 

CMYK 89 / 18 / 0 / 4

HEX #1CCAF6

RGB 28 202 246

HSL 192.11, 0.92%, 0.54%

LAB 75.54, -25.47, -33.05

 

CMYK 89 / 18 / 0 / 4

HEX #1CCAF6

RGB 28 202 246

HSL 192.11, 0.92%, 0.54%

LAB 75.54, -25.47, -33.05

 

CMYK 79 / 16 / 0 / 11

HEX #2FBFE3

RGB 47 191 227

HSL 192, 0.76%, 0.54%

LAB 71.83, -24.82, -28.49

 

CMYK 68 / 14 / 0 / 18

HEX #42B3D0

RGB 66 179 208

HSL 192.25, 0.6%, 0.54%

LAB 67.99, -22.52, -23.97

 

CMYK 55 / 11 / 0 / 26

HEX #55A8BD

RGB 85 168 189

HSL 192.12, 0.44%, 0.54%

LAB 64.65, -19.22, -18.48

 

CMYK 39 / 8 / 0 / 33

HEX #689DAA

RGB 104 157 170

HSL 191.82, 0.28%, 0.54%

LAB 61.62, -14.11, -12.33

 

CMYK 89 / 0 / 29 / 4

HEX #1CF6AE

RGB 28 246 174

HSL 160.18, 0.92%, 0.54%

LAB 86.61, -64.26, 21.35

 

CMYK 89 / 0 / 6 / 4

HEX #1CF6E8

RGB 28 246 232

HSL 176.15, 0.92%, 0.54%

LAB 87.96, -49.94, -6.85

 

CMYK 89 / 17 / 0 / 4

HEX #1CCBF6

RGB 28 203 246

HSL 191.83, 0.92%, 0.54%

LAB 75.83, -25.97, -32.61

 

CMYK 89 / 41 / 0 / 4

HEX #1C90F6

RGB 28 144 246

HSL 208.07, 0.92%, 0.54%

LAB 58.83, 6.48, -59.33

 

CMYK 89 / 65 / 0 / 4

HEX #1C56F6

RGB 28 86 246

HSL 224.04, 0.92%, 0.54%

LAB 43.59, 42.71, -84.07

 

CMYK 97 / 20 / 0 / 27

HEX #0695BA

RGB 6 149 186

HSL 192.33, 0.94%, 0.38%

LAB 57.15, -19.48, -28.44

 

CMYK 96 / 20 / 0 / 12

HEX #08B5E1

RGB 8 181 225

HSL 192.17, 0.93%, 0.46%

LAB 68.41, -22.61, -32.71

 

CMYK 89 / 18 / 0 / 4

HEX #1CCAF6

RGB 28 202 246

HSL 192.11, 0.92%, 0.54%

LAB 75.54, -25.47, -33.05

 

CMYK 73 / 15 / 0 / 3

HEX #44D3F8

RGB 68 211 248

HSL 192.33, 0.93%, 0.62%

LAB 78.81, -25.94, -29.05

 

CMYK 57 / 12 / 0 / 2

HEX #6CDCF9

RGB 108 220 249

HSL 192.34, 0.92%, 0.7%

LAB 82.49, -23.96, -23.85

 

CMYK 88 / 18 / 0 / 3

HEX #1ECBF7

RGB 30 203 247

HSL 192.17, 0.93%, 0.54%

LAB 75.89, -25.54, -33.05

 

CMYK 53 / 89 / 0 / 4

HEX #731CF6

RGB 115 28 246

HSL 263.94, 0.92%, 0.54%

LAB 39.8, 76.05, -90.14

 

CMYK 0 / 17 / 89 / 4

HEX #F6CB1C

RGB 246 203 28

HSL 48.17, 0.92%, 0.54%

LAB 83.12, 0.65, 80.66

 

CMYK 88 / 18 / 0 / 3

HEX #1ECBF7

RGB 30 203 247

HSL 192.17, 0.93%, 0.54%

LAB 75.89, -25.54, -33.05

 

CMYK 0 / 89 / 17 / 4

HEX #F61CCB

RGB 246 28 203

HSL 311.83, 0.92%, 0.54%

LAB 56.82, 87.6, -37.21

 

CMYK 17 / 0 / 89 / 4

HEX #CBF61C

RGB 203 246 28

HSL 71.83, 0.92%, 0.54%

LAB 91.09, -38.02, 85.56

 

CMYK 88 / 18 / 0 / 3

HEX #1ECBF7

RGB 30 203 247

HSL 192.17, 0.93%, 0.54%

LAB 75.89, -25.54, -33.05

 

CMYK 53 / 89 / 0 / 4

HEX #731CF6

RGB 115 28 246

HSL 263.94, 0.92%, 0.54%

LAB 39.8, 76.05, -90.14

 

CMYK 0 / 71 / 89 / 4

HEX #F6481C

RGB 246 72 28

HSL 12.11, 0.92%, 0.54%

LAB 56.4, 64.29, 60.31

 

CMYK 35 / 0 / 89 / 4

HEX #9FF61C

RGB 159 246 28

HSL 83.94, 0.92%, 0.54%

LAB 88.62, -54.27, 82.52

 

CMYK 88 / 18 / 0 / 3

HEX #1ECBF7

RGB 30 203 247

HSL 192.17, 0.93%, 0.54%

LAB 75.89, -25.54, -33.05

 

CMYK 26 / 89 / 0 / 4

HEX #B51CF6

RGB 181 28 246

HSL 282.11, 0.92%, 0.54%

LAB 48.65, 83.47, -75.28

 

CMYK 0 / 71 / 89 / 4

HEX #F6481C

RGB 246 72 28

HSL 12.11, 0.92%, 0.54%

LAB 56.4, 64.29, 60.31

 

CMYK 62 / 0 / 89 / 4

HEX #5EF61C

RGB 94 246 28

HSL 101.83, 0.92%, 0.54%

LAB 86.19, -72.85, 79.5

 

Description

Color code: RGB 30 203 247 | qconv.com Color code: RGB 30 203 247 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 203 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 203 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 18 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 18% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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