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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 157 183 it is the complementary color RGB 225 98 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 157 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 157 183 shade: RGB 35 157 178, RGB 52 175 197, RGB 69 193 216, RGB 86 211 235 and RGB 103 229 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 157 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 157 183 shade: RGB 30 157 183, RGB 13 139 164, RGB 0 121 145, RGB 0 103 126 and RGB 0 85 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 157 183 shade: RGB 29 157 184, RGB 29 116 184, RGB 29 74 184, RGB 29 33 184 and RGB 68 29 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 157 183 shade: RGB 29 157 184, RGB 29 116 184, RGB 29 74 184, RGB 29 33 184 and RGB 29 29 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 157 183 shade matches the following richer shades: RGB 29 157 184 and RGB 12 169 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 157 183 shade: RGB 29 157 184, RGB 47 146 166, RGB 64 135 149, RGB 81 123 132 and RGB 99 112 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 157 183 shade: RGB 29 184 127, RGB 29 184 168, RGB 29 158 184, RGB 29 117 184 and RGB 29 76 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 157 183 shade: RGB 18 97 113, RGB 24 127 148, RGB 29 157 184, RGB 36 188 219 and RGB 71 199 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 157 183 shade: RGB 30 157 183, RGB 86 29 184 and RGB 184 148 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 157 183 shade: RGB 30 157 183, RGB 184 29 158 and RGB 158 184 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 157 183 shade: RGB 30 157 183, RGB 86 29 184, RGB 184 55 29 and RGB 127 184 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 157 183 shade: RGB 30 157 183, RGB 132 29 184, RGB 184 55 29 and RGB 81 184 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 14 / 0 / 28

HEX #1E9DB7

RGB 30 157 183

HSL 190.2, 0.72%, 0.42%

LAB 59.72, -23.42, -22.78

 

Complementary color

CMYK 0 / 56 / 68 / 12

HEX #E16248

RGB 225 98 72

HSL 10.2, 0.72%, 0.58%

LAB 57.28, 47.86, 39

 

CMYK 80 / 12 / 0 / 30

HEX #239DB2

RGB 35 157 178

HSL 188.81, 0.67%, 0.42%

LAB 59.6, -24.64, -20.12

 

CMYK 74 / 11 / 0 / 23

HEX #34AFC5

RGB 52 175 197

HSL 189.1, 0.58%, 0.49%

LAB 66.08, -25.8, -20.85

 

CMYK 68 / 11 / 0 / 15

HEX #45C1D8

RGB 69 193 216

HSL 189.39, 0.65%, 0.56%

LAB 72.47, -26.68, -21.5

 

CMYK 63 / 10 / 0 / 8

HEX #56D3EB

RGB 86 211 235

HSL 189.66, 0.79%, 0.63%

LAB 78.79, -27.36, -22.09

 

CMYK 59 / 10 / 0 / 0

HEX #67E5FE

RGB 103 229 254

HSL 189.93, 0.99%, 0.7%

LAB 85.04, -27.87, -22.64

 

CMYK 84 / 14 / 0 / 28

HEX #1E9DB7

RGB 30 157 183

HSL 190.2, 0.72%, 0.42%

LAB 59.72, -23.42, -22.78

 

CMYK 92 / 15 / 0 / 36

HEX #0D8BA4

RGB 13 139 164

HSL 189.93, 0.85%, 0.35%

LAB 53.2, -21.63, -21.96

 

CMYK 100 / 17 / 0 / 43

HEX #007991

RGB 0 121 145

HSL 189.93, 1%, 0.28%

LAB 46.6, -19.37, -21.03

 

CMYK 100 / 18 / 0 / 51

HEX #00677E

RGB 0 103 126

HSL 190.95, 1%, 0.25%

LAB 39.93, -16.45, -19.94

 

CMYK 100 / 21 / 0 / 58

HEX #00556B

RGB 0 85 107

HSL 192.34, 1%, 0.21%

LAB 33.05, -13.41, -18.86

 

CMYK 84 / 15 / 0 / 28

HEX #1D9DB8

RGB 29 157 184

HSL 190.45, 0.73%, 0.42%

LAB 59.74, -23.16, -23.3

 

CMYK 84 / 37 / 0 / 28

HEX #1D74B8

RGB 29 116 184

HSL 206.32, 0.73%, 0.42%

LAB 47.25, -0.03, -42.8

 

CMYK 84 / 60 / 0 / 28

HEX #1D4AB8

RGB 29 74 184

HSL 222.58, 0.73%, 0.42%

LAB 35.24, 27.2, -62.16

 

CMYK 84 / 82 / 0 / 28

HEX #1D21B8

RGB 29 33 184

HSL 238.45, 0.73%, 0.42%

LAB 26.19, 51.84, -77.08

 

CMYK 63 / 84 / 0 / 28

HEX #441DB8

RGB 68 29 184

HSL 255.1, 0.73%, 0.42%

LAB 28.3, 56.19, -73.5

 

CMYK 84 / 15 / 0 / 28

HEX #1D9DB8

RGB 29 157 184

HSL 190.45, 0.73%, 0.42%

LAB 59.74, -23.16, -23.3

 

CMYK 84 / 37 / 0 / 28

HEX #1D74B8

RGB 29 116 184

HSL 206.32, 0.73%, 0.42%

LAB 47.25, -0.03, -42.8

 

CMYK 84 / 60 / 0 / 28

HEX #1D4AB8

RGB 29 74 184

HSL 222.58, 0.73%, 0.42%

LAB 35.24, 27.2, -62.16

 

CMYK 84 / 82 / 0 / 28

HEX #1D21B8

RGB 29 33 184

HSL 238.45, 0.73%, 0.42%

LAB 26.19, 51.84, -77.08

 

CMYK 84 / 84 / 0 / 28

HEX #1D1DB8

RGB 29 29 184

HSL 240, 0.73%, 0.42%

LAB 25.57, 53.67, -78.11

 

CMYK 84 / 15 / 0 / 28

HEX #1D9DB8

RGB 29 157 184

HSL 190.45, 0.73%, 0.42%

LAB 59.74, -23.16, -23.3

 

CMYK 94 / 16 / 0 / 21

HEX #0CA9C9

RGB 12 169 201

HSL 190.16, 0.89%, 0.42%

LAB 63.89, -24.51, -26.45

 

CMYK 84 / 15 / 0 / 28

HEX #1D9DB8

RGB 29 157 184

HSL 190.45, 0.73%, 0.42%

LAB 59.74, -23.16, -23.3

 

CMYK 72 / 12 / 0 / 35

HEX #2F92A6

RGB 47 146 166

HSL 190.08, 0.56%, 0.42%

LAB 56, -21.46, -18.77

 

CMYK 57 / 9 / 0 / 42

HEX #408795

RGB 64 135 149

HSL 189.88, 0.4%, 0.42%

LAB 52.5, -18, -14.26

 

CMYK 39 / 7 / 0 / 48

HEX #517B84

RGB 81 123 132

HSL 190.59, 0.24%, 0.42%

LAB 48.98, -12.07, -9.52

 

CMYK 13 / 2 / 0 / 55

HEX #637072

RGB 99 112 114

HSL 188, 0.07%, 0.42%

LAB 46.25, -4.42, -2.77

 

CMYK 84 / 0 / 31 / 28

HEX #1DB87F

RGB 29 184 127

HSL 157.94, 0.73%, 0.42%

LAB 66.58, -51.39, 18.44

 

CMYK 84 / 0 / 9 / 28

HEX #1DB8A8

RGB 29 184 168

HSL 173.81, 0.73%, 0.42%

LAB 67.55, -41.01, -2.63

 

CMYK 84 / 14 / 0 / 28

HEX #1D9EB8

RGB 29 158 184

HSL 190.06, 0.73%, 0.42%

LAB 60.05, -23.68, -22.83

 

CMYK 84 / 36 / 0 / 28

HEX #1D75B8

RGB 29 117 184

HSL 205.94, 0.73%, 0.42%

LAB 47.55, -0.65, -42.33

 

CMYK 84 / 59 / 0 / 28

HEX #1D4CB8

RGB 29 76 184

HSL 221.81, 0.73%, 0.42%

LAB 35.77, 25.87, -61.29

 

CMYK 84 / 14 / 0 / 56

HEX #126171

RGB 18 97 113

HSL 190.11, 0.73%, 0.26%

LAB 37.61, -16.57, -15.54

 

CMYK 84 / 14 / 0 / 42

HEX #187F94

RGB 24 127 148

HSL 190.16, 0.72%, 0.34%

LAB 48.9, -20.08, -19.25

 

CMYK 84 / 15 / 0 / 28

HEX #1D9DB8

RGB 29 157 184

HSL 190.45, 0.73%, 0.42%

LAB 59.74, -23.16, -23.3

 

CMYK 84 / 14 / 0 / 14

HEX #24BCDB

RGB 36 188 219

HSL 190.16, 0.72%, 0.5%

LAB 70.49, -26.82, -26.2

 

CMYK 68 / 12 / 0 / 12

HEX #47C7E1

RGB 71 199 225

HSL 190.13, 0.72%, 0.58%

LAB 74.59, -26.65, -23.15

 

CMYK 84 / 14 / 0 / 28

HEX #1E9DB7

RGB 30 157 183

HSL 190.2, 0.72%, 0.42%

LAB 59.72, -23.42, -22.78

 

CMYK 53 / 84 / 0 / 28

HEX #561DB8

RGB 86 29 184

HSL 262.06, 0.73%, 0.42%

LAB 30.2, 58, -70.29

 

CMYK 0 / 20 / 84 / 28

HEX #B8941D

RGB 184 148 29

HSL 46.06, 0.73%, 0.42%

LAB 62.89, 2.55, 61.54

 

CMYK 84 / 14 / 0 / 28

HEX #1E9DB7

RGB 30 157 183

HSL 190.2, 0.72%, 0.42%

LAB 59.72, -23.42, -22.78

 

CMYK 0 / 84 / 14 / 28

HEX #B81D9E

RGB 184 29 158

HSL 310.06, 0.73%, 0.42%

LAB 43.56, 69.41, -32.42

 

CMYK 14 / 0 / 84 / 28

HEX #9EB81D

RGB 158 184 29

HSL 70.06, 0.73%, 0.42%

LAB 70.62, -27.49, 67.21

 

CMYK 84 / 14 / 0 / 28

HEX #1E9DB7

RGB 30 157 183

HSL 190.2, 0.72%, 0.42%

LAB 59.72, -23.42, -22.78

 

CMYK 53 / 84 / 0 / 28

HEX #561DB8

RGB 86 29 184

HSL 262.06, 0.73%, 0.42%

LAB 30.2, 58, -70.29

 

CMYK 0 / 70 / 84 / 28

HEX #B8371D

RGB 184 55 29

HSL 10.06, 0.73%, 0.42%

LAB 42.78, 50.6, 44.14

 

CMYK 31 / 0 / 84 / 28

HEX #7FB81D

RGB 127 184 29

HSL 82.06, 0.73%, 0.42%

LAB 68.67, -39.89, 64.76

 

CMYK 84 / 14 / 0 / 28

HEX #1E9DB7

RGB 30 157 183

HSL 190.2, 0.72%, 0.42%

LAB 59.72, -23.42, -22.78

 

CMYK 28 / 84 / 0 / 28

HEX #841DB8

RGB 132 29 184

HSL 279.87, 0.73%, 0.42%

LAB 36.45, 64.24, -59.8

 

CMYK 0 / 70 / 84 / 28

HEX #B8371D

RGB 184 55 29

HSL 10.06, 0.73%, 0.42%

LAB 42.78, 50.6, 44.14

 

CMYK 56 / 0 / 84 / 28

HEX #51B81D

RGB 81 184 29

HSL 99.87, 0.73%, 0.42%

LAB 66.61, -54.99, 62.16

 

Description

Color code: RGB 30 157 183 | qconv.com Color code: RGB 30 157 183 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 157 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 157 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 14 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 14% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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