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Color name
RGB 30 151 16

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 151 16 it is the complementary color RGB 225 104 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 151 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 151 16 shade: RGB 35 151 11, RGB 52 169 30, RGB 69 187 49, RGB 86 205 68 and RGB 103 223 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 151 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 151 16 shade: RGB 30 151 16, RGB 13 133 0, RGB 0 115 0, RGB 0 97 0 and RGB 0 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 151 16 shade: RGB 30 152 15, RGB 66 152 15, RGB 103 152 15, RGB 140 152 15 and RGB 152 127 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 151 16 shade: RGB 30 152 15, RGB 15 152 38, RGB 15 152 75, RGB 15 152 112 and RGB 15 152 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 151 16 shade matches the following richer shades: RGB 30 152 15 and RGB 19 165 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 151 16 shade: RGB 30 152 15, RGB 40 138 29, RGB 51 125 43, RGB 62 111 56 and RGB 73 97 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 151 16 shade: RGB 104 152 15, RGB 68 152 15, RGB 31 152 15, RGB 15 152 36 and RGB 15 152 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 151 16 shade: RGB 15 77 8, RGB 22 114 12, RGB 30 152 15, RGB 37 189 19 and RGB 44 226 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 151 16 shade: RGB 30 151 16, RGB 15 140 152 and RGB 152 15 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 151 16 shade: RGB 30 151 16, RGB 15 31 152 and RGB 152 15 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 151 16 shade: RGB 30 151 16, RGB 15 140 152, RGB 136 15 152 and RGB 152 27 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 151 16 shade: RGB 30 151 16, RGB 15 100 152, RGB 136 15 152 and RGB 152 68 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 89 / 41

HEX #1E9710

RGB 30 151 16

HSL 113.78, 0.81%, 0.33%

LAB 54.5, -55.18, 53.94

 

Complementary color

CMYK 6 / 56 / 0 / 6

HEX #E168EF

RGB 225 104 239

HSL 293.78, 0.81%, 0.67%

LAB 63.46, 65.35, -47.26

 

CMYK 77 / 0 / 93 / 41

HEX #23970B

RGB 35 151 11

HSL 109.71, 0.86%, 0.32%

LAB 54.57, -54.6, 54.97

 

CMYK 69 / 0 / 82 / 34

HEX #34A91E

RGB 52 169 30

HSL 110.5, 0.7%, 0.39%

LAB 60.96, -56.57, 56.45

 

CMYK 63 / 0 / 74 / 27

HEX #45BB31

RGB 69 187 49

HSL 111.3, 0.58%, 0.46%

LAB 67.3, -57.83, 56.63

 

CMYK 58 / 0 / 67 / 20

HEX #56CD44

RGB 86 205 68

HSL 112.12, 0.58%, 0.54%

LAB 73.58, -58.62, 56.1

 

CMYK 54 / 0 / 61 / 13

HEX #67DF57

RGB 103 223 87

HSL 112.94, 0.68%, 0.61%

LAB 79.81, -59.08, 55.19

 

CMYK 80 / 0 / 89 / 41

HEX #1E9710

RGB 30 151 16

HSL 113.78, 0.81%, 0.33%

LAB 54.5, -55.18, 53.94

 

CMYK 90 / 0 / 100 / 48

HEX #0D8500

RGB 13 133 0

HSL 114.14, 1%, 0.26%

LAB 48.08, -52.16, 51.43

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 80 / 0 / 90 / 40

HEX #1E980F

RGB 30 152 15

HSL 113.43, 0.82%, 0.33%

LAB 54.83, -55.53, 54.43

 

CMYK 57 / 0 / 90 / 40

HEX #42980F

RGB 66 152 15

HSL 97.66, 0.82%, 0.33%

LAB 55.73, -47.93, 55.56

 

CMYK 32 / 0 / 90 / 40

HEX #67980F

RGB 103 152 15

HSL 81.46, 0.82%, 0.33%

LAB 57.44, -35.34, 57.68

 

CMYK 8 / 0 / 90 / 40

HEX #8C980F

RGB 140 152 15

HSL 65.26, 0.82%, 0.33%

LAB 59.95, -19.77, 60.77

 

CMYK 0 / 16 / 90 / 40

HEX #987F0F

RGB 152 127 15

HSL 49.05, 0.82%, 0.33%

LAB 53.91, -0.87, 56.4

 

CMYK 80 / 0 / 90 / 40

HEX #1E980F

RGB 30 152 15

HSL 113.43, 0.82%, 0.33%

LAB 54.83, -55.53, 54.43

 

CMYK 90 / 0 / 75 / 40

HEX #0F9826

RGB 15 152 38

HSL 130.07, 0.82%, 0.33%

LAB 54.76, -55.74, 47.65

 

CMYK 90 / 0 / 51 / 40

HEX #0F984B

RGB 15 152 75

HSL 146.28, 0.82%, 0.33%

LAB 55.14, -51.05, 31.12

 

CMYK 90 / 0 / 26 / 40

HEX #0F9870

RGB 15 152 112

HSL 162.48, 0.82%, 0.33%

LAB 55.81, -43.3, 11.76

 

CMYK 90 / 0 / 3 / 40

HEX #0F9894

RGB 15 152 148

HSL 178.25, 0.82%, 0.33%

LAB 56.78, -33.26, -7.35

 

CMYK 80 / 0 / 90 / 40

HEX #1E980F

RGB 30 152 15

HSL 113.43, 0.82%, 0.33%

LAB 54.83, -55.53, 54.43

 

CMYK 88 / 0 / 99 / 35

HEX #13A502

RGB 19 165 2

HSL 113.74, 0.98%, 0.33%

LAB 59.02, -61, 59.92

 

CMYK 80 / 0 / 90 / 40

HEX #1E980F

RGB 30 152 15

HSL 113.43, 0.82%, 0.33%

LAB 54.83, -55.53, 54.43

 

CMYK 71 / 0 / 79 / 46

HEX #288A1D

RGB 40 138 29

HSL 113.94, 0.65%, 0.33%

LAB 50.35, -48.52, 46.62

 

CMYK 59 / 0 / 66 / 51

HEX #337D2B

RGB 51 125 43

HSL 114.15, 0.49%, 0.33%

LAB 46.37, -39.82, 36.86

 

CMYK 44 / 0 / 50 / 56

HEX #3E6F38

RGB 62 111 56

HSL 113.45, 0.33%, 0.33%

LAB 42.27, -28.6, 25.45

 

CMYK 25 / 0 / 28 / 62

HEX #496146

RGB 73 97 70

HSL 113.33, 0.16%, 0.33%

LAB 38.57, -14.91, 12.55

 

CMYK 32 / 0 / 90 / 40

HEX #68980F

RGB 104 152 15

HSL 81.02, 0.82%, 0.33%

LAB 57.5, -34.95, 57.75

 

CMYK 55 / 0 / 90 / 40

HEX #44980F

RGB 68 152 15

HSL 96.79, 0.82%, 0.33%

LAB 55.81, -47.36, 55.65

 

CMYK 80 / 0 / 90 / 40

HEX #1F980F

RGB 31 152 15

HSL 112.99, 0.82%, 0.33%

LAB 54.85, -55.39, 54.45

 

CMYK 90 / 0 / 76 / 40

HEX #0F9824

RGB 15 152 36

HSL 129.2, 0.82%, 0.33%

LAB 54.75, -55.91, 48.37

 

CMYK 90 / 0 / 53 / 40

HEX #0F9848

RGB 15 152 72

HSL 144.96, 0.82%, 0.33%

LAB 55.1, -51.55, 32.62

 

CMYK 81 / 0 / 90 / 70

HEX #0F4D08

RGB 15 77 8

HSL 113.91, 0.81%, 0.17%

LAB 27.92, -33.16, 32.16

 

CMYK 81 / 0 / 89 / 55

HEX #16720C

RGB 22 114 12

HSL 114.12, 0.81%, 0.25%

LAB 41.58, -44.63, 43.43

 

CMYK 80 / 0 / 90 / 40

HEX #1E980F

RGB 30 152 15

HSL 113.43, 0.82%, 0.33%

LAB 54.83, -55.53, 54.43

 

CMYK 80 / 0 / 90 / 26

HEX #25BD13

RGB 37 189 19

HSL 113.65, 0.82%, 0.41%

LAB 67.15, -65.67, 64.33

 

CMYK 81 / 0 / 90 / 11

HEX #2CE217

RGB 44 226 23

HSL 113.79, 0.82%, 0.49%

LAB 79.04, -75.41, 73.83

 

CMYK 80 / 0 / 89 / 41

HEX #1E9710

RGB 30 151 16

HSL 113.78, 0.81%, 0.33%

LAB 54.5, -55.18, 53.94

 

CMYK 90 / 8 / 0 / 40

HEX #0F8C98

RGB 15 140 152

HSL 185.26, 0.82%, 0.33%

LAB 53.09, -26.13, -15.2

 

CMYK 0 / 90 / 43 / 40

HEX #980F56

RGB 152 15 86

HSL 328.91, 0.82%, 0.33%

LAB 33.33, 56.38, -3.69

 

CMYK 80 / 0 / 89 / 41

HEX #1E9710

RGB 30 151 16

HSL 113.78, 0.81%, 0.33%

LAB 54.5, -55.18, 53.94

 

CMYK 90 / 80 / 0 / 40

HEX #0F1F98

RGB 15 31 152

HSL 232.99, 0.82%, 0.33%

LAB 21.39, 41.77, -65.7

 

CMYK 0 / 90 / 80 / 40

HEX #980F1F

RGB 152 15 31

HSL 352.99, 0.82%, 0.33%

LAB 32.07, 52.82, 30.42

 

CMYK 80 / 0 / 89 / 41

HEX #1E9710

RGB 30 151 16

HSL 113.78, 0.81%, 0.33%

LAB 54.5, -55.18, 53.94

 

CMYK 90 / 8 / 0 / 40

HEX #0F8C98

RGB 15 140 152

HSL 185.26, 0.82%, 0.33%

LAB 53.09, -26.13, -15.2

 

CMYK 11 / 90 / 0 / 40

HEX #880F98

RGB 136 15 152

HSL 292.99, 0.82%, 0.33%

LAB 33.65, 62.01, -45.07

 

CMYK 0 / 82 / 90 / 40

HEX #981B0F

RGB 152 27 15

HSL 5.26, 0.82%, 0.33%

LAB 32.91, 49.61, 39.93

 

CMYK 80 / 0 / 89 / 41

HEX #1E9710

RGB 30 151 16

HSL 113.78, 0.81%, 0.33%

LAB 54.5, -55.18, 53.94

 

CMYK 90 / 34 / 0 / 40

HEX #0F6498

RGB 15 100 152

HSL 202.77, 0.82%, 0.33%

LAB 40.38, -3.71, -34.89

 

CMYK 11 / 90 / 0 / 40

HEX #880F98

RGB 136 15 152

HSL 292.99, 0.82%, 0.33%

LAB 33.65, 62.01, -45.07

 

CMYK 0 / 55 / 90 / 40

HEX #98440F

RGB 152 68 15

HSL 23.21, 0.82%, 0.33%

LAB 39.32, 32.38, 44.91

 

Description

Color code: RGB 30 151 16 | qconv.com Color code: RGB 30 151 16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 151 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 151 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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