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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 147 60 it is the complementary color RGB 225 108 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 147 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 147 60 shade: RGB 35 147 55, RGB 52 165 74, RGB 69 183 93, RGB 86 201 112 and RGB 103 219 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 147 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 147 60 shade: RGB 30 147 60, RGB 13 129 41, RGB 0 111 22, RGB 0 93 3 and RGB 0 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 147 60 shade: RGB 30 148 60, RGB 31 148 30, RGB 63 148 30, RGB 95 148 30 and RGB 127 148 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 147 60 shade: RGB 30 148 60, RGB 30 148 92, RGB 30 148 124, RGB 30 140 148 and RGB 30 108 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 147 60 shade matches the following richer shades: RGB 30 148 60, RGB 15 162 53 and RGB 1 177 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 147 60 shade: RGB 30 148 60, RGB 44 133 67, RGB 59 119 74, RGB 73 104 81 and RGB 88 90 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 147 60 shade: RGB 63 148 30, RGB 32 148 30, RGB 30 148 59, RGB 30 148 91 and RGB 30 148 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 147 60 shade: RGB 16 79 32, RGB 23 113 46, RGB 30 148 60, RGB 37 182 74 and RGB 48 212 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 147 60 shade: RGB 30 147 60, RGB 30 95 148 and RGB 148 30 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 147 60 shade: RGB 30 147 60, RGB 59 30 148 and RGB 148 59 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 147 60 shade: RGB 30 147 60, RGB 30 95 148, RGB 148 30 118 and RGB 148 83 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 147 60 shade: RGB 30 147 60, RGB 30 59 148, RGB 148 30 118 and RGB 148 118 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 59 / 42

HEX #1E933C

RGB 30 147 60

HSL 135.38, 0.66%, 0.35%

LAB 53.46, -50.07, 36.7

 

Complementary color

CMYK 0 / 52 / 13 / 12

HEX #E16CC3

RGB 225 108 195

HSL 315.38, 0.66%, 0.65%

LAB 62.23, 56.11, -24.51

 

CMYK 76 / 0 / 63 / 42

HEX #239337

RGB 35 147 55

HSL 130.71, 0.62%, 0.36%

LAB 53.49, -49.99, 39.16

 

CMYK 68 / 0 / 55 / 35

HEX #34A54A

RGB 52 165 74

HSL 131.68, 0.52%, 0.43%

LAB 60.01, -50.94, 37.73

 

CMYK 62 / 0 / 49 / 28

HEX #45B75D

RGB 69 183 93

HSL 132.63, 0.45%, 0.49%

LAB 66.46, -51.43, 36.27

 

CMYK 57 / 0 / 44 / 21

HEX #56C970

RGB 86 201 112

HSL 133.57, 0.52%, 0.56%

LAB 72.84, -51.64, 34.86

 

CMYK 53 / 0 / 40 / 14

HEX #67DB83

RGB 103 219 131

HSL 134.48, 0.62%, 0.63%

LAB 79.15, -51.66, 33.5

 

CMYK 80 / 0 / 59 / 42

HEX #1E933C

RGB 30 147 60

HSL 135.38, 0.66%, 0.35%

LAB 53.46, -50.07, 36.7

 

CMYK 90 / 0 / 68 / 49

HEX #0D8129

RGB 13 129 41

HSL 134.48, 0.82%, 0.28%

LAB 46.9, -48.28, 38.14

 

CMYK 100 / 0 / 80 / 56

HEX #006F16

RGB 0 111 22

HSL 131.89, 1%, 0.22%

LAB 40.29, -45.45, 39.04

 

CMYK 100 / 0 / 97 / 64

HEX #005D03

RGB 0 93 3

HSL 121.94, 1%, 0.18%

LAB 33.64, -41.05, 38.82

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 80 / 0 / 59 / 42

HEX #1E943C

RGB 30 148 60

HSL 135.25, 0.66%, 0.35%

LAB 53.8, -50.42, 37.1

 

CMYK 79 / 0 / 80 / 42

HEX #1F941E

RGB 31 148 30

HSL 119.49, 0.66%, 0.35%

LAB 53.56, -53.33, 49.33

 

CMYK 57 / 0 / 80 / 42

HEX #3F941E

RGB 63 148 30

HSL 103.22, 0.66%, 0.35%

LAB 54.38, -46.56, 50.39

 

CMYK 36 / 0 / 80 / 42

HEX #5F941E

RGB 95 148 30

HSL 86.95, 0.66%, 0.35%

LAB 55.79, -36.02, 52.23

 

CMYK 14 / 0 / 80 / 42

HEX #7F941E

RGB 127 148 30

HSL 70.68, 0.66%, 0.35%

LAB 57.83, -22.96, 54.86

 

CMYK 80 / 0 / 59 / 42

HEX #1E943C

RGB 30 148 60

HSL 135.25, 0.66%, 0.35%

LAB 53.8, -50.42, 37.1

 

CMYK 80 / 0 / 38 / 42

HEX #1E945C

RGB 30 148 92

HSL 151.53, 0.66%, 0.35%

LAB 54.27, -44.89, 20.87

 

CMYK 80 / 0 / 16 / 42

HEX #1E947C

RGB 30 148 124

HSL 167.8, 0.66%, 0.35%

LAB 54.98, -37.18, 3.77

 

CMYK 80 / 5 / 0 / 42

HEX #1E8C94

RGB 30 140 148

HSL 184.07, 0.66%, 0.35%

LAB 53.14, -26.25, -12.79

 

CMYK 80 / 27 / 0 / 42

HEX #1E6C94

RGB 30 108 148

HSL 200.34, 0.66%, 0.35%

LAB 42.97, -8.75, -28.41

 

CMYK 80 / 0 / 59 / 42

HEX #1E943C

RGB 30 148 60

HSL 135.25, 0.66%, 0.35%

LAB 53.8, -50.42, 37.1

 

CMYK 91 / 0 / 67 / 36

HEX #0FA235

RGB 15 162 53

HSL 135.51, 0.83%, 0.35%

LAB 58.23, -57.4, 45.27

 

CMYK 99 / 0 / 74 / 31

HEX #01B12E

RGB 1 177 46

HSL 135.34, 0.99%, 0.35%

LAB 63.05, -63.36, 53.1

 

CMYK 80 / 0 / 59 / 42

HEX #1E943C

RGB 30 148 60

HSL 135.25, 0.66%, 0.35%

LAB 53.8, -50.42, 37.1

 

CMYK 67 / 0 / 50 / 48

HEX #2C8543

RGB 44 133 67

HSL 135.51, 0.5%, 0.35%

LAB 49.15, -41.37, 27.94

 

CMYK 50 / 0 / 38 / 53

HEX #3B774A

RGB 59 119 74

HSL 135, 0.34%, 0.35%

LAB 45.11, -30.24, 18.91

 

CMYK 30 / 0 / 22 / 59

HEX #496851

RGB 73 104 81

HSL 135.48, 0.18%, 0.35%

LAB 41.07, -16.58, 9.39

 

CMYK 2 / 0 / 2 / 65

HEX #585A58

RGB 88 90 88

HSL 120, 0.01%, 0.35%

LAB 38.01, -1.22, 0.87

 

CMYK 57 / 0 / 80 / 42

HEX #3F941E

RGB 63 148 30

HSL 103.22, 0.66%, 0.35%

LAB 54.38, -46.56, 50.39

 

CMYK 78 / 0 / 80 / 42

HEX #20941E

RGB 32 148 30

HSL 118.98, 0.66%, 0.35%

LAB 53.58, -53.19, 49.35

 

CMYK 80 / 0 / 60 / 42

HEX #1E943B

RGB 30 148 59

HSL 134.75, 0.66%, 0.35%

LAB 53.78, -50.56, 37.57

 

CMYK 80 / 0 / 39 / 42

HEX #1E945B

RGB 30 148 91

HSL 151.02, 0.66%, 0.35%

LAB 54.25, -45.1, 21.4

 

CMYK 80 / 0 / 18 / 42

HEX #1E947A

RGB 30 148 122

HSL 166.78, 0.66%, 0.35%

LAB 54.93, -37.72, 4.84

 

CMYK 80 / 0 / 59 / 69

HEX #104F20

RGB 16 79 32

HSL 135.24, 0.66%, 0.19%

LAB 28.92, -30.99, 22.04

 

CMYK 80 / 0 / 59 / 56

HEX #17712E

RGB 23 113 46

HSL 135.33, 0.66%, 0.27%

LAB 41.52, -40.84, 29.6

 

CMYK 80 / 0 / 59 / 42

HEX #1E943C

RGB 30 148 60

HSL 135.25, 0.66%, 0.35%

LAB 53.8, -50.42, 37.1

 

CMYK 80 / 0 / 59 / 29

HEX #25B64A

RGB 37 182 74

HSL 135.31, 0.66%, 0.43%

LAB 65.23, -59.2, 43.85

 

CMYK 77 / 0 / 58 / 17

HEX #30D45A

RGB 48 212 90

HSL 135.37, 0.66%, 0.51%

LAB 75.11, -65.63, 48.09

 

CMYK 80 / 0 / 59 / 42

HEX #1E933C

RGB 30 147 60

HSL 135.38, 0.66%, 0.35%

LAB 53.46, -50.07, 36.7

 

CMYK 80 / 36 / 0 / 42

HEX #1E5F94

RGB 30 95 148

HSL 206.95, 0.66%, 0.35%

LAB 38.9, -0.79, -34.82

 

CMYK 0 / 80 / 68 / 42

HEX #941E30

RGB 148 30 48

HSL 350.85, 0.66%, 0.35%

LAB 32.78, 48.72, 20.3

 

CMYK 80 / 0 / 59 / 42

HEX #1E933C

RGB 30 147 60

HSL 135.38, 0.66%, 0.35%

LAB 53.46, -50.07, 36.7

 

CMYK 60 / 80 / 0 / 42

HEX #3B1E94

RGB 59 30 148

HSL 254.75, 0.66%, 0.35%

LAB 23.66, 44.59, -59.39

 

CMYK 0 / 60 / 80 / 42

HEX #943B1E

RGB 148 59 30

HSL 14.75, 0.66%, 0.35%

LAB 36.96, 35.84, 35.81

 

CMYK 80 / 0 / 59 / 42

HEX #1E933C

RGB 30 147 60

HSL 135.38, 0.66%, 0.35%

LAB 53.46, -50.07, 36.7

 

CMYK 80 / 36 / 0 / 42

HEX #1E5F94

RGB 30 95 148

HSL 206.95, 0.66%, 0.35%

LAB 38.9, -0.79, -34.82

 

CMYK 0 / 80 / 20 / 42

HEX #941E76

RGB 148 30 118

HSL 315.25, 0.66%, 0.35%

LAB 35.07, 55.65, -21.61

 

CMYK 0 / 44 / 80 / 42

HEX #94531E

RGB 148 83 30

HSL 26.95, 0.66%, 0.35%

LAB 42.12, 22.9, 40.91

 

CMYK 80 / 0 / 59 / 42

HEX #1E933C

RGB 30 147 60

HSL 135.38, 0.66%, 0.35%

LAB 53.46, -50.07, 36.7

 

CMYK 80 / 60 / 0 / 42

HEX #1E3B94

RGB 30 59 148

HSL 225.25, 0.66%, 0.35%

LAB 28.23, 23.3, -51.97

 

CMYK 0 / 80 / 20 / 42

HEX #941E76

RGB 148 30 118

HSL 315.25, 0.66%, 0.35%

LAB 35.07, 55.65, -21.61

 

CMYK 0 / 20 / 80 / 42

HEX #94761E

RGB 148 118 30

HSL 44.75, 0.66%, 0.35%

LAB 51.09, 2.79, 49.38

 

Description

Color code: RGB 30 147 60 | qconv.com Color code: RGB 30 147 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 147 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 147 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 59 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 59% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

83% - Informática El Corte...
Link: http://www.iecisa.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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