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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 142 139 it is the complementary color RGB 225 113 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 142 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 142 139 shade: RGB 35 142 134, RGB 52 160 153, RGB 69 178 172, RGB 86 196 191 and RGB 103 214 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 142 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 142 139 shade: RGB 30 142 139, RGB 13 124 120, RGB 0 106 101, RGB 0 88 82 and RGB 0 70 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 142 139 shade: RGB 30 143 140, RGB 30 143 109, RGB 30 143 79, RGB 30 143 48 and RGB 42 143 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 142 139 shade: RGB 30 143 140, RGB 30 115 143, RGB 30 85 143, RGB 30 54 143 and RGB 30 30 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 142 139 shade matches the following richer shades: RGB 30 143 140, RGB 16 157 153 and RGB 2 171 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 142 139 shade: RGB 30 143 140, RGB 44 129 126, RGB 58 114 113, RGB 72 100 100 and RGB 86 86 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 142 139 shade: RGB 30 143 79, RGB 30 143 109, RGB 30 143 139, RGB 30 116 143 and RGB 30 86 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 142 139 shade: RGB 15 74 73, RGB 23 109 106, RGB 30 143 140, RGB 37 177 173 and RGB 45 210 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 142 139 shade: RGB 30 142 139, RGB 49 30 143 and RGB 143 94 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 142 139 shade: RGB 30 142 139, RGB 139 30 143 and RGB 143 139 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 142 139 shade: RGB 30 142 139, RGB 49 30 143, RGB 143 30 34 and RGB 124 143 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 142 139 shade: RGB 30 142 139, RGB 82 30 143, RGB 143 30 34 and RGB 90 143 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 2 / 44

HEX #1E8E8B

RGB 30 142 139

HSL 178.39, 0.65%, 0.34%

LAB 53.48, -30.06, -7.08

 

Complementary color

CMYK 0 / 50 / 48 / 12

HEX #E17174

RGB 225 113 116

HSL 358.39, 0.65%, 0.66%

LAB 60.85, 43.78, 18.77

 

CMYK 75 / 0 / 6 / 44

HEX #238E86

RGB 35 142 134

HSL 175.51, 0.6%, 0.35%

LAB 53.41, -30.99, -4.27

 

CMYK 68 / 0 / 4 / 37

HEX #34A099

RGB 52 160 153

HSL 176.11, 0.51%, 0.42%

LAB 60.04, -31.69, -5.28

 

CMYK 61 / 0 / 3 / 30

HEX #45B2AC

RGB 69 178 172

HSL 176.7, 0.44%, 0.48%

LAB 66.58, -32.14, -6.18

 

CMYK 56 / 0 / 3 / 23

HEX #56C4BF

RGB 86 196 191

HSL 177.27, 0.48%, 0.55%

LAB 73.04, -32.42, -7

 

CMYK 52 / 0 / 2 / 16

HEX #67D6D2

RGB 103 214 210

HSL 177.84, 0.58%, 0.62%

LAB 79.4, -32.59, -7.74

 

CMYK 79 / 0 / 2 / 44

HEX #1E8E8B

RGB 30 142 139

HSL 178.39, 0.65%, 0.34%

LAB 53.48, -30.06, -7.08

 

CMYK 90 / 0 / 3 / 51

HEX #0D7C78

RGB 13 124 120

HSL 177.84, 0.81%, 0.27%

LAB 46.79, -28.72, -5.93

 

CMYK 100 / 0 / 5 / 58

HEX #006A65

RGB 0 106 101

HSL 177.17, 1%, 0.21%

LAB 39.99, -26.87, -4.61

 

CMYK 100 / 0 / 7 / 65

HEX #005852

RGB 0 88 82

HSL 175.91, 1%, 0.17%

LAB 33.11, -24.18, -3.03

 

CMYK 100 / 0 / 10 / 73

HEX #00463F

RGB 0 70 63

HSL 174, 1%, 0.14%

LAB 25.98, -21.41, -1.35

 

CMYK 79 / 0 / 2 / 44

HEX #1E8F8C

RGB 30 143 140

HSL 178.41, 0.65%, 0.34%

LAB 53.83, -30.24, -7.13

 

CMYK 79 / 0 / 24 / 44

HEX #1E8F6D

RGB 30 143 109

HSL 161.95, 0.65%, 0.34%

LAB 52.98, -38.92, 9.5

 

CMYK 79 / 0 / 45 / 44

HEX #1E8F4F

RGB 30 143 79

HSL 146.02, 0.65%, 0.34%

LAB 52.38, -45.53, 25.52

 

CMYK 79 / 0 / 66 / 44

HEX #1E8F30

RGB 30 143 48

HSL 129.56, 0.65%, 0.34%

LAB 51.99, -50.2, 40.66

 

CMYK 71 / 0 / 79 / 44

HEX #2A8F1E

RGB 42 143 30

HSL 113.63, 0.65%, 0.34%

LAB 52.1, -49.77, 47.99

 

CMYK 79 / 0 / 2 / 44

HEX #1E8F8C

RGB 30 143 140

HSL 178.41, 0.65%, 0.34%

LAB 53.83, -30.24, -7.13

 

CMYK 79 / 20 / 0 / 44

HEX #1E738F

RGB 30 115 143

HSL 194.87, 0.65%, 0.34%

LAB 44.97, -14.62, -22.33

 

CMYK 79 / 41 / 0 / 44

HEX #1E558F

RGB 30 85 143

HSL 210.8, 0.65%, 0.34%

LAB 35.51, 3.67, -37.17

 

CMYK 79 / 62 / 0 / 44

HEX #1E368F

RGB 30 54 143

HSL 227.26, 0.65%, 0.34%

LAB 26.44, 24.76, -51.81

 

CMYK 79 / 79 / 0 / 44

HEX #1E1E8F

RGB 30 30 143

HSL 240, 0.65%, 0.34%

LAB 20.78, 40.08, -61.12

 

CMYK 79 / 0 / 2 / 44

HEX #1E8F8C

RGB 30 143 140

HSL 178.41, 0.65%, 0.34%

LAB 53.83, -30.24, -7.13

 

CMYK 90 / 0 / 3 / 38

HEX #109D99

RGB 16 157 153

HSL 178.3, 0.82%, 0.34%

LAB 58.53, -34.01, -7.59

 

CMYK 99 / 0 / 3 / 33

HEX #02ABA6

RGB 2 171 166

HSL 178.22, 0.98%, 0.34%

LAB 63.25, -37.1, -7.9

 

CMYK 79 / 0 / 2 / 44

HEX #1E8F8C

RGB 30 143 140

HSL 178.41, 0.65%, 0.34%

LAB 53.83, -30.24, -7.13

 

CMYK 66 / 0 / 2 / 49

HEX #2C817E

RGB 44 129 126

HSL 177.88, 0.49%, 0.34%

LAB 49.18, -25.64, -5.85

 

CMYK 49 / 0 / 1 / 55

HEX #3A7271

RGB 58 114 113

HSL 178.93, 0.33%, 0.34%

LAB 44.41, -18.66, -5.16

 

CMYK 28 / 0 / 0 / 61

HEX #486464

RGB 72 100 100

HSL 180, 0.16%, 0.34%

LAB 40.27, -10.24, -3.35

 

CMYK 0 / 0 / 0 / 66

HEX #565656

RGB 86 86 86

HSL 0, 0%, 0.34%

LAB 36.57, 0, -0

 

CMYK 79 / 0 / 45 / 44

HEX #1E8F4F

RGB 30 143 79

HSL 146.02, 0.65%, 0.34%

LAB 52.38, -45.53, 25.52

 

CMYK 79 / 0 / 24 / 44

HEX #1E8F6D

RGB 30 143 109

HSL 161.95, 0.65%, 0.34%

LAB 52.98, -38.92, 9.5

 

CMYK 79 / 0 / 3 / 44

HEX #1E8F8B

RGB 30 143 139

HSL 177.88, 0.65%, 0.34%

LAB 53.8, -30.54, -6.6

 

CMYK 79 / 19 / 0 / 44

HEX #1E748F

RGB 30 116 143

HSL 194.34, 0.65%, 0.34%

LAB 45.29, -15.18, -21.84

 

CMYK 79 / 40 / 0 / 44

HEX #1E568F

RGB 30 86 143

HSL 210.27, 0.65%, 0.34%

LAB 35.82, 3.02, -36.68

 

CMYK 80 / 0 / 1 / 71

HEX #0F4A49

RGB 15 74 73

HSL 178.98, 0.66%, 0.17%

LAB 28.06, -18.23, -4.75

 

CMYK 79 / 0 / 3 / 57

HEX #176D6A

RGB 23 109 106

HSL 177.91, 0.65%, 0.26%

LAB 41.47, -24.79, -5.43

 

CMYK 79 / 0 / 2 / 44

HEX #1E8F8C

RGB 30 143 140

HSL 178.41, 0.65%, 0.34%

LAB 53.83, -30.24, -7.13

 

CMYK 79 / 0 / 2 / 31

HEX #25B1AD

RGB 37 177 173

HSL 178.29, 0.65%, 0.42%

LAB 65.64, -35.72, -8.22

 

CMYK 79 / 0 / 2 / 18

HEX #2DD2CE

RGB 45 210 206

HSL 178.55, 0.65%, 0.5%

LAB 76.74, -40.46, -9.7

 

CMYK 79 / 0 / 2 / 44

HEX #1E8E8B

RGB 30 142 139

HSL 178.39, 0.65%, 0.34%

LAB 53.48, -30.06, -7.08

 

CMYK 66 / 79 / 0 / 44

HEX #311E8F

RGB 49 30 143

HSL 250.09, 0.65%, 0.34%

LAB 22.18, 41.88, -58.77

 

CMYK 0 / 34 / 79 / 44

HEX #8F5E1E

RGB 143 94 30

HSL 33.98, 0.65%, 0.34%

LAB 44.15, 14.3, 42.64

 

CMYK 79 / 0 / 2 / 44

HEX #1E8E8B

RGB 30 142 139

HSL 178.39, 0.65%, 0.34%

LAB 53.48, -30.06, -7.08

 

CMYK 3 / 79 / 0 / 44

HEX #8B1E8F

RGB 139 30 143

HSL 297.88, 0.65%, 0.34%

LAB 34.8, 57.5, -37.69

 

CMYK 0 / 3 / 79 / 44

HEX #8F8B1E

RGB 143 139 30

HSL 57.88, 0.65%, 0.34%

LAB 56.48, -11.15, 54.12

 

CMYK 79 / 0 / 2 / 44

HEX #1E8E8B

RGB 30 142 139

HSL 178.39, 0.65%, 0.34%

LAB 53.48, -30.06, -7.08

 

CMYK 66 / 79 / 0 / 44

HEX #311E8F

RGB 49 30 143

HSL 250.09, 0.65%, 0.34%

LAB 22.18, 41.88, -58.77

 

CMYK 0 / 79 / 76 / 44

HEX #8F1E22

RGB 143 30 34

HSL 357.88, 0.65%, 0.34%

LAB 31.54, 46.48, 27.45

 

CMYK 13 / 0 / 79 / 44

HEX #7C8F1E

RGB 124 143 30

HSL 70.09, 0.65%, 0.34%

LAB 56.11, -21.75, 53.2

 

CMYK 79 / 0 / 2 / 44

HEX #1E8E8B

RGB 30 142 139

HSL 178.39, 0.65%, 0.34%

LAB 53.48, -30.06, -7.08

 

CMYK 43 / 79 / 0 / 44

HEX #521E8F

RGB 82 30 143

HSL 267.61, 0.65%, 0.34%

LAB 25.88, 46.55, -52.55

 

CMYK 0 / 79 / 76 / 44

HEX #8F1E22

RGB 143 30 34

HSL 357.88, 0.65%, 0.34%

LAB 31.54, 46.48, 27.45

 

CMYK 37 / 0 / 79 / 44

HEX #5A8F1E

RGB 90 143 30

HSL 88.14, 0.65%, 0.34%

LAB 53.93, -35.67, 50.39

 

Description

Color code: RGB 30 142 139 | qconv.com Color code: RGB 30 142 139 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 142 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 142 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 2 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 2% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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