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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 11 100 it is the complementary color RGB 225 244 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 11 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 11 100 shade: RGB 35 11 95, RGB 52 29 114, RGB 69 47 133, RGB 86 65 152 and RGB 103 83 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 11 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 11 100 shade: RGB 30 11 100, RGB 13 0 81, RGB 0 0 62, RGB 0 0 43 and RGB 0 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 11 100 shade: RGB 30 11 100, RGB 54 11 100, RGB 78 11 100, RGB 100 11 98 and RGB 100 11 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 11 100 shade: RGB 30 11 100 and RGB 11 11 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 11 100 shade matches the following richer shades: RGB 30 11 100 and RGB 25 2 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 11 100 shade: RGB 30 11 100, RGB 35 20 91, RGB 40 29 82, RGB 45 38 73 and RGB 51 47 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 11 100 shade: RGB 11 41 100, RGB 11 17 100, RGB 29 11 100, RGB 53 11 100 and RGB 77 11 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 11 100 shade: RGB 8 2 26, RGB 19 7 63, RGB 30 11 100, RGB 41 15 138 and RGB 52 19 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 11 100 shade: RGB 30 11 100, RGB 100 11 65 and RGB 29 100 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 11 100 shade: RGB 30 11 100, RGB 100 29 11 and RGB 11 100 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 11 100 shade: RGB 30 11 100, RGB 100 11 65, RGB 83 100 11 and RGB 11 100 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 11 100 shade: RGB 30 11 100, RGB 100 11 38, RGB 83 100 11 and RGB 11 100 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

Complementary color

CMYK 8 / 0 / 36 / 4

HEX #E1F49B

RGB 225 244 155

HSL 72.81, 0.8%, 0.78%

LAB 93.05, -19.97, 40.83

 

CMYK 63 / 88 / 0 / 63

HEX #230B5F

RGB 35 11 95

HSL 257.14, 0.79%, 0.21%

LAB 12.11, 34.69, -44.54

 

CMYK 54 / 75 / 0 / 55

HEX #341D72

RGB 52 29 114

HSL 256.24, 0.59%, 0.28%

LAB 19.32, 33.74, -45.09

 

CMYK 48 / 65 / 0 / 48

HEX #452F85

RGB 69 47 133

HSL 255.35, 0.48%, 0.35%

LAB 26.71, 32.29, -45.03

 

CMYK 43 / 57 / 0 / 40

HEX #564198

RGB 86 65 152

HSL 254.48, 0.4%, 0.43%

LAB 34.04, 30.87, -44.81

 

CMYK 40 / 51 / 0 / 33

HEX #6753AB

RGB 103 83 171

HSL 253.64, 0.35%, 0.5%

LAB 41.23, 29.6, -44.56

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 84 / 100 / 0 / 68

HEX #0D0051

RGB 13 0 81

HSL 249.63, 1%, 0.16%

LAB 6.14, 34.07, -44.99

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 46 / 89 / 0 / 61

HEX #360B64

RGB 54 11 100

HSL 268.99, 0.8%, 0.22%

LAB 15.19, 38.63, -42.71

 

CMYK 22 / 89 / 0 / 61

HEX #4E0B64

RGB 78 11 100

HSL 285.17, 0.8%, 0.22%

LAB 19.14, 42.66, -36.1

 

CMYK 0 / 89 / 2 / 61

HEX #640B62

RGB 100 11 98

HSL 301.35, 0.8%, 0.22%

LAB 23.1, 46.67, -28.19

 

CMYK 0 / 89 / 26 / 61

HEX #640B4A

RGB 100 11 74

HSL 317.53, 0.8%, 0.22%

LAB 21.74, 42.97, -14.26

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 89 / 89 / 0 / 61

HEX #0B0B64

RGB 11 11 100

HSL 240, 0.8%, 0.22%

LAB 10.78, 34.4, -50.14

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 77 / 98 / 0 / 57

HEX #19026E

RGB 25 2 110

HSL 252.78, 0.96%, 0.22%

LAB 11.8, 42.26, -55.02

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 62 / 78 / 0 / 64

HEX #23145B

RGB 35 20 91

HSL 252.68, 0.64%, 0.22%

LAB 13.31, 28.67, -39.88

 

CMYK 51 / 65 / 0 / 68

HEX #281D52

RGB 40 29 82

HSL 252.45, 0.48%, 0.22%

LAB 15.16, 20.78, -30.75

 

CMYK 38 / 48 / 0 / 71

HEX #2D2649

RGB 45 38 73

HSL 252, 0.32%, 0.22%

LAB 17.58, 12.9, -20.73

 

CMYK 20 / 27 / 0 / 75

HEX #332F40

RGB 51 47 64

HSL 254.12, 0.15%, 0.22%

LAB 20.47, 6.05, -10.04

 

CMYK 89 / 59 / 0 / 61

HEX #0B2964

RGB 11 41 100

HSL 219.78, 0.8%, 0.22%

LAB 18.26, 14.28, -37.83

 

CMYK 89 / 83 / 0 / 61

HEX #0B1164

RGB 11 17 100

HSL 235.96, 0.8%, 0.22%

LAB 11.91, 31.12, -48.27

 

CMYK 71 / 89 / 0 / 61

HEX #1D0B64

RGB 29 11 100

HSL 252.13, 0.8%, 0.22%

LAB 12.09, 35.62, -47.92

 

CMYK 47 / 89 / 0 / 61

HEX #350B64

RGB 53 11 100

HSL 268.31, 0.8%, 0.22%

LAB 15.04, 38.48, -42.96

 

CMYK 23 / 89 / 0 / 61

HEX #4D0B64

RGB 77 11 100

HSL 284.49, 0.8%, 0.22%

LAB 18.96, 42.48, -36.4

 

CMYK 69 / 92 / 0 / 90

HEX #08021A

RGB 8 2 26

HSL 255, 0.86%, 0.05%

LAB 1.53, 6.03, -11.57

 

CMYK 70 / 89 / 0 / 75

HEX #13073F

RGB 19 7 63

HSL 252.86, 0.8%, 0.14%

LAB 5.86, 23.52, -32.77

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 70 / 89 / 0 / 46

HEX #290F8A

RGB 41 15 138

HSL 252.68, 0.8%, 0.3%

LAB 18.58, 46.37, -61.63

 

CMYK 70 / 89 / 0 / 31

HEX #3413AF

RGB 52 19 175

HSL 252.69, 0.8%, 0.38%

LAB 24.61, 56.07, -74.28

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 0 / 89 / 35 / 61

HEX #640B41

RGB 100 11 65

HSL 323.6, 0.8%, 0.22%

LAB 21.32, 41.8, -8.72

 

CMYK 71 / 0 / 89 / 61

HEX #1D640B

RGB 29 100 11

HSL 107.87, 0.8%, 0.22%

LAB 36.74, -38.45, 39.42

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 0 / 71 / 89 / 61

HEX #641D0B

RGB 100 29 11

HSL 12.13, 0.8%, 0.22%

LAB 22.35, 31.06, 28.36

 

CMYK 89 / 0 / 71 / 61

HEX #0B641D

RGB 11 100 29

HSL 132.13, 0.8%, 0.22%

LAB 36.51, -40.02, 32.26

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 0 / 89 / 35 / 61

HEX #640B41

RGB 100 11 65

HSL 323.6, 0.8%, 0.22%

LAB 21.32, 41.8, -8.72

 

CMYK 17 / 0 / 89 / 61

HEX #53640B

RGB 83 100 11

HSL 71.46, 0.8%, 0.22%

LAB 39.54, -18.61, 42.96

 

CMYK 89 / 0 / 53 / 61

HEX #0B642F

RGB 11 100 47

HSL 144.27, 0.8%, 0.22%

LAB 36.73, -37.35, 23.18

 

CMYK 70 / 89 / 0 / 61

HEX #1E0B64

RGB 30 11 100

HSL 252.81, 0.8%, 0.22%

LAB 12.19, 35.71, -47.75

 

CMYK 0 / 89 / 62 / 61

HEX #640B26

RGB 100 11 38

HSL 341.8, 0.8%, 0.22%

LAB 20.4, 39.12, 8.88

 

CMYK 17 / 0 / 89 / 61

HEX #53640B

RGB 83 100 11

HSL 71.46, 0.8%, 0.22%

LAB 39.54, -18.61, 42.96

 

CMYK 89 / 0 / 26 / 61

HEX #0B644A

RGB 11 100 74

HSL 162.47, 0.8%, 0.22%

LAB 37.26, -31.25, 7.94

 

Description

Color code: RGB 30 11 100 | qconv.com Color code: RGB 30 11 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 11 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 11 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 89 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 89% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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