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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 101 25 it is the complementary color RGB 225 154 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 101 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 101 25 shade: RGB 35 101 20, RGB 52 119 39, RGB 69 137 58, RGB 86 155 77 and RGB 103 173 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 101 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 101 25 shade: RGB 30 101 25, RGB 13 83 6, RGB 0 65 0, RGB 0 47 0 and RGB 0 29 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 101 25 shade: RGB 30 102 25, RGB 51 102 25, RGB 71 102 25, RGB 92 102 25 and RGB 102 90 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 101 25 shade: RGB 30 102 25, RGB 25 102 41, RGB 25 102 61, RGB 25 102 82 and RGB 25 101 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 101 25 shade matches the following richer shades: RGB 30 102 25, RGB 21 112 15 and RGB 12 122 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 101 25 shade: RGB 30 102 25, RGB 39 91 35, RGB 48 81 46, RGB 57 71 56 and RGB 66 60 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 101 25 shade: RGB 71 102 25, RGB 50 102 25, RGB 30 102 25, RGB 25 102 40 and RGB 25 102 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 101 25 shade: RGB 10 35 8, RGB 20 68 17, RGB 30 102 25, RGB 40 135 33 and RGB 50 168 42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 101 25 shade: RGB 30 101 25, RGB 25 91 102 and RGB 102 25 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 101 25 shade: RGB 30 101 25, RGB 25 30 102 and RGB 102 25 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 101 25 shade: RGB 30 101 25, RGB 25 91 102, RGB 96 25 102 and RGB 102 35 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 101 25 shade: RGB 30 101 25, RGB 25 68 102, RGB 96 25 102 and RGB 102 58 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 75 / 60

HEX #1E6519

RGB 30 101 25

HSL 116.05, 0.6%, 0.25%

LAB 37.21, -37.57, 34.9

 

Complementary color

CMYK 2 / 33 / 0 / 10

HEX #E19AE6

RGB 225 154 230

HSL 296.05, 0.6%, 0.75%

LAB 72.78, 38.7, -27.79

 

CMYK 65 / 0 / 80 / 60

HEX #236514

RGB 35 101 20

HSL 108.89, 0.67%, 0.24%

LAB 37.33, -36.78, 37.07

 

CMYK 56 / 0 / 67 / 53

HEX #347727

RGB 52 119 39

HSL 110.25, 0.51%, 0.31%

LAB 44.33, -37.53, 36.48

 

CMYK 50 / 0 / 58 / 46

HEX #45893A

RGB 69 137 58

HSL 111.65, 0.41%, 0.38%

LAB 51.22, -37.79, 35.33

 

CMYK 45 / 0 / 50 / 39

HEX #569B4D

RGB 86 155 77

HSL 113.08, 0.34%, 0.45%

LAB 58, -37.8, 34.04

 

CMYK 40 / 0 / 45 / 32

HEX #67AD60

RGB 103 173 96

HSL 114.55, 0.32%, 0.53%

LAB 64.66, -37.67, 32.73

 

CMYK 70 / 0 / 75 / 60

HEX #1E6519

RGB 30 101 25

HSL 116.05, 0.6%, 0.25%

LAB 37.21, -37.57, 34.9

 

CMYK 84 / 0 / 93 / 67

HEX #0D5306

RGB 13 83 6

HSL 114.55, 0.87%, 0.17%

LAB 30.12, -35.81, 34.86

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 71 / 0 / 75 / 60

HEX #1E6619

RGB 30 102 25

HSL 116.1, 0.61%, 0.25%

LAB 37.57, -37.95, 35.27

 

CMYK 50 / 0 / 75 / 60

HEX #336619

RGB 51 102 25

HSL 99.74, 0.61%, 0.25%

LAB 38.33, -31.94, 36.3

 

CMYK 30 / 0 / 75 / 60

HEX #476619

RGB 71 102 25

HSL 84.16, 0.61%, 0.25%

LAB 39.43, -24.23, 37.76

 

CMYK 10 / 0 / 75 / 60

HEX #5C6619

RGB 92 102 25

HSL 67.79, 0.61%, 0.25%

LAB 40.97, -14.84, 39.81

 

CMYK 0 / 12 / 75 / 60

HEX #665A19

RGB 102 90 25

HSL 50.65, 0.61%, 0.25%

LAB 38.21, -3.18, 37.4

 

CMYK 71 / 0 / 75 / 60

HEX #1E6619

RGB 30 102 25

HSL 116.1, 0.61%, 0.25%

LAB 37.57, -37.95, 35.27

 

CMYK 75 / 0 / 60 / 60

HEX #196629

RGB 25 102 41

HSL 132.47, 0.61%, 0.25%

LAB 37.61, -37.06, 27.59

 

CMYK 75 / 0 / 40 / 60

HEX #19663D

RGB 25 102 61

HSL 148.05, 0.61%, 0.25%

LAB 37.93, -33.41, 16.71

 

CMYK 75 / 0 / 20 / 60

HEX #196652

RGB 25 102 82

HSL 164.42, 0.61%, 0.25%

LAB 38.41, -28.23, 4.72

 

CMYK 75 / 1 / 0 / 60

HEX #196566

RGB 25 101 102

HSL 180.78, 0.61%, 0.25%

LAB 38.68, -21.68, -7.15

 

CMYK 71 / 0 / 75 / 60

HEX #1E6619

RGB 30 102 25

HSL 116.1, 0.61%, 0.25%

LAB 37.57, -37.95, 35.27

 

CMYK 81 / 0 / 87 / 56

HEX #15700F

RGB 21 112 15

HSL 116.29, 0.76%, 0.25%

LAB 40.87, -43.96, 41.97

 

CMYK 90 / 0 / 97 / 52

HEX #0C7A04

RGB 12 122 4

HSL 115.93, 0.94%, 0.25%

LAB 44.24, -48.76, 47.46

 

CMYK 71 / 0 / 75 / 60

HEX #1E6619

RGB 30 102 25

HSL 116.1, 0.61%, 0.25%

LAB 37.57, -37.95, 35.27

 

CMYK 57 / 0 / 62 / 64

HEX #275B23

RGB 39 91 35

HSL 115.71, 0.44%, 0.25%

LAB 34.06, -29.9, 26.69

 

CMYK 41 / 0 / 43 / 68

HEX #30512E

RGB 48 81 46

HSL 116.57, 0.28%, 0.25%

LAB 31.14, -20.25, 16.88

 

CMYK 20 / 0 / 21 / 72

HEX #394738

RGB 57 71 56

HSL 116, 0.12%, 0.25%

LAB 28.54, -9.07, 7.2

 

CMYK 0 / 9 / 0 / 74

HEX #423C42

RGB 66 60 66

HSL 300, 0.05%, 0.25%

LAB 26.11, 3.9, -2.75

 

CMYK 30 / 0 / 75 / 60

HEX #476619

RGB 71 102 25

HSL 84.16, 0.61%, 0.25%

LAB 39.43, -24.23, 37.76

 

CMYK 51 / 0 / 75 / 60

HEX #326619

RGB 50 102 25

HSL 100.52, 0.61%, 0.25%

LAB 38.29, -32.28, 36.24

 

CMYK 71 / 0 / 75 / 60

HEX #1E6619

RGB 30 102 25

HSL 116.1, 0.61%, 0.25%

LAB 37.57, -37.95, 35.27

 

CMYK 75 / 0 / 61 / 60

HEX #196628

RGB 25 102 40

HSL 131.69, 0.61%, 0.25%

LAB 37.59, -37.2, 28.1

 

CMYK 75 / 0 / 40 / 60

HEX #19663D

RGB 25 102 61

HSL 148.05, 0.61%, 0.25%

LAB 37.93, -33.41, 16.71

 

CMYK 71 / 0 / 77 / 86

HEX #0A2308

RGB 10 35 8

HSL 115.56, 0.63%, 0.08%

LAB 11.16, -16.58, 13

 

CMYK 71 / 0 / 75 / 73

HEX #144411

RGB 20 68 17

HSL 116.47, 0.6%, 0.17%

LAB 24.71, -27.65, 25.25

 

CMYK 71 / 0 / 75 / 60

HEX #1E6619

RGB 30 102 25

HSL 116.1, 0.61%, 0.25%

LAB 37.57, -37.95, 35.27

 

CMYK 70 / 0 / 76 / 47

HEX #288721

RGB 40 135 33

HSL 115.88, 0.61%, 0.33%

LAB 49.36, -47.16, 44.19

 

CMYK 70 / 0 / 75 / 34

HEX #32A82A

RGB 50 168 42

HSL 116.19, 0.6%, 0.41%

LAB 60.65, -55.84, 52.3

 

CMYK 70 / 0 / 75 / 60

HEX #1E6519

RGB 30 101 25

HSL 116.05, 0.6%, 0.25%

LAB 37.21, -37.57, 34.9

 

CMYK 75 / 11 / 0 / 60

HEX #195B66

RGB 25 91 102

HSL 188.57, 0.61%, 0.25%

LAB 35.3, -16.22, -12.25

 

CMYK 0 / 75 / 40 / 60

HEX #66193D

RGB 102 25 61

HSL 331.95, 0.61%, 0.25%

LAB 23.19, 37.3, -3.12

 

CMYK 70 / 0 / 75 / 60

HEX #1E6519

RGB 30 101 25

HSL 116.05, 0.6%, 0.25%

LAB 37.21, -37.57, 34.9

 

CMYK 75 / 71 / 0 / 60

HEX #191E66

RGB 25 30 102

HSL 236.1, 0.61%, 0.25%

LAB 15.98, 24.68, -42.85

 

CMYK 0 / 75 / 71 / 60

HEX #66191E

RGB 102 25 30

HSL 356.1, 0.61%, 0.25%

LAB 22.35, 34.46, 17.07

 

CMYK 70 / 0 / 75 / 60

HEX #1E6519

RGB 30 101 25

HSL 116.05, 0.6%, 0.25%

LAB 37.21, -37.57, 34.9

 

CMYK 75 / 11 / 0 / 60

HEX #195B66

RGB 25 91 102

HSL 188.57, 0.61%, 0.25%

LAB 35.3, -16.22, -12.25

 

CMYK 6 / 75 / 0 / 60

HEX #601966

RGB 96 25 102

HSL 295.32, 0.61%, 0.25%

LAB 24.13, 42.13, -29.21

 

CMYK 0 / 66 / 75 / 60

HEX #662319

RGB 102 35 25

HSL 7.79, 0.61%, 0.25%

LAB 23.99, 29.51, 22.31

 

CMYK 70 / 0 / 75 / 60

HEX #1E6519

RGB 30 101 25

HSL 116.05, 0.6%, 0.25%

LAB 37.21, -37.57, 34.9

 

CMYK 75 / 33 / 0 / 60

HEX #194466

RGB 25 68 102

HSL 206.49, 0.61%, 0.25%

LAB 27.57, -2.15, -24.2

 

CMYK 6 / 75 / 0 / 60

HEX #601966

RGB 96 25 102

HSL 295.32, 0.61%, 0.25%

LAB 24.13, 42.13, -29.21

 

CMYK 0 / 43 / 75 / 60

HEX #663A19

RGB 102 58 25

HSL 25.71, 0.61%, 0.25%

LAB 29.21, 16.37, 28.11

 

Description

Color code: RGB 30 101 25 | qconv.com Color code: RGB 30 101 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 101 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 101 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 75 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 75% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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