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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 91 224 it is the complementary color RGB 225 164 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 91 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 91 224 shade: RGB 35 91 219, RGB 52 109 238, RGB 69 127 255, RGB 86 145 255 and RGB 103 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 91 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 91 224 shade: RGB 30 91 224, RGB 13 73 205, RGB 0 55 186, RGB 0 37 167 and RGB 0 19 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 91 224 shade: RGB 30 91 224, RGB 30 39 224, RGB 74 30 224, RGB 126 30 224 and RGB 178 30 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 91 224 shade: RGB 30 91 224, RGB 30 39 224 and RGB 30 30 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 91 224 shade matches the following richer shades: RGB 30 91 224 and RGB 9 83 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 91 224 shade: RGB 30 91 224, RGB 51 99 203, RGB 71 106 183, RGB 92 114 162 and RGB 113 122 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 91 224 shade: RGB 30 195 224, RGB 30 143 224, RGB 30 91 224, RGB 30 40 224 and RGB 72 30 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 91 224 shade: RGB 20 61 151, RGB 25 76 188, RGB 30 91 224, RGB 66 117 229 and RGB 103 144 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 91 224 shade: RGB 30 91 224, RGB 201 30 224 and RGB 169 224 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 91 224 shade: RGB 30 91 224, RGB 224 30 91 and RGB 91 224 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 91 224 shade: RGB 30 91 224, RGB 201 30 224, RGB 224 163 30 and RGB 53 224 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 91 224 shade: RGB 30 91 224, RGB 224 30 188, RGB 224 163 30 and RGB 30 224 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

Complementary color

CMYK 0 / 27 / 86 / 12

HEX #E1A41F

RGB 225 164 31

HSL 41.13, 0.76%, 0.5%

LAB 71.32, 12.08, 69.75

 

CMYK 84 / 58 / 0 / 14

HEX #235BDB

RGB 35 91 219

HSL 221.74, 0.72%, 0.5%

LAB 42.69, 29.93, -70.27

 

CMYK 78 / 54 / 0 / 7

HEX #346DEE

RGB 52 109 238

HSL 221.61, 0.85%, 0.57%

LAB 49.3, 26.99, -70.22

 

CMYK 73 / 50 / 0 / 0

HEX #457FFF

RGB 69 127 255

HSL 221.29, 1%, 0.64%

LAB 55.75, 23.8, -69.19

 

CMYK 66 / 43 / 0 / 0

HEX #5691FF

RGB 86 145 255

HSL 219.05, 1%, 0.67%

LAB 61.18, 15.23, -60.44

 

CMYK 60 / 36 / 0 / 0

HEX #67A3FF

RGB 103 163 255

HSL 216.32, 1%, 0.7%

LAB 66.75, 7.56, -51.53

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 94 / 64 / 0 / 20

HEX #0D49CD

RGB 13 73 205

HSL 221.25, 0.88%, 0.43%

LAB 36.48, 35.12, -72.42

 

CMYK 100 / 70 / 0 / 27

HEX #0037BA

RGB 0 55 186

HSL 222.26, 1%, 0.36%

LAB 30.1, 39.12, -71.8

 

CMYK 100 / 78 / 0 / 35

HEX #0025A7

RGB 0 37 167

HSL 226.71, 1%, 0.33%

LAB 24.04, 43.16, -70.47

 

CMYK 100 / 87 / 0 / 42

HEX #001394

RGB 0 19 148

HSL 232.3, 1%, 0.29%

LAB 18.38, 46.11, -68.24

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 87 / 83 / 0 / 12

HEX #1E27E0

RGB 30 39 224

HSL 237.22, 0.76%, 0.5%

LAB 32.05, 61.36, -90.68

 

CMYK 67 / 87 / 0 / 12

HEX #4A1EE0

RGB 74 30 224

HSL 253.61, 0.76%, 0.5%

LAB 33.49, 66.96, -88.21

 

CMYK 44 / 87 / 0 / 12

HEX #7E1EE0

RGB 126 30 224

HSL 269.69, 0.76%, 0.5%

LAB 39.15, 71.7, -78.68

 

CMYK 21 / 87 / 0 / 12

HEX #B21EE0

RGB 178 30 224

HSL 285.77, 0.76%, 0.5%

LAB 46.68, 78.68, -66.07

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 87 / 83 / 0 / 12

HEX #1E27E0

RGB 30 39 224

HSL 237.22, 0.76%, 0.5%

LAB 32.05, 61.36, -90.68

 

CMYK 87 / 87 / 0 / 12

HEX #1E1EE0

RGB 30 30 224

HSL 240, 0.76%, 0.5%

LAB 30.85, 64.96, -92.69

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 96 / 66 / 0 / 4

HEX #0953F5

RGB 9 83 245

HSL 221.19, 0.93%, 0.5%

LAB 42.52, 43.61, -85.28

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 75 / 51 / 0 / 20

HEX #3363CB

RGB 51 99 203

HSL 221.05, 0.6%, 0.5%

LAB 44.15, 20.27, -58.72

 

CMYK 61 / 42 / 0 / 28

HEX #476AB7

RGB 71 106 183

HSL 221.25, 0.44%, 0.5%

LAB 45.73, 11.73, -44.57

 

CMYK 43 / 30 / 0 / 36

HEX #5C72A2

RGB 92 114 162

HSL 221.14, 0.28%, 0.5%

LAB 48.16, 4.91, -28.39

 

CMYK 20 / 13 / 0 / 45

HEX #717A8D

RGB 113 122 141

HSL 220.71, 0.11%, 0.5%

LAB 51.1, 0.96, -11.43

 

CMYK 87 / 13 / 0 / 12

HEX #1EC3E0

RGB 30 195 224

HSL 188.97, 0.76%, 0.5%

LAB 72.69, -29.06, -25.57

 

CMYK 87 / 36 / 0 / 12

HEX #1E8FE0

RGB 30 143 224

HSL 205.05, 0.76%, 0.5%

LAB 57.37, -1.04, -49.46

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 87 / 82 / 0 / 12

HEX #1E28E0

RGB 30 40 224

HSL 236.91, 0.76%, 0.5%

LAB 32.2, 60.91, -90.43

 

CMYK 68 / 87 / 0 / 12

HEX #481EE0

RGB 72 30 224

HSL 252.99, 0.76%, 0.5%

LAB 33.32, 66.83, -88.5

 

CMYK 87 / 60 / 0 / 41

HEX #143D97

RGB 20 61 151

HSL 221.22, 0.77%, 0.34%

LAB 28.7, 22.21, -53.06

 

CMYK 87 / 60 / 0 / 26

HEX #194CBC

RGB 25 76 188

HSL 221.23, 0.77%, 0.42%

LAB 36, 27.14, -63.28

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 71 / 49 / 0 / 10

HEX #4275E5

RGB 66 117 229

HSL 221.23, 0.76%, 0.58%

LAB 51.31, 20.32, -61.9

 

CMYK 56 / 38 / 0 / 8

HEX #6790EA

RGB 103 144 234

HSL 221.22, 0.76%, 0.66%

LAB 60.58, 11.93, -49.78

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 10 / 87 / 0 / 12

HEX #C91EE0

RGB 201 30 224

HSL 292.89, 0.76%, 0.5%

LAB 50.37, 82.3, -59.92

 

CMYK 25 / 0 / 87 / 12

HEX #A9E01E

RGB 169 224 30

HSL 77.01, 0.76%, 0.5%

LAB 82.83, -41.4, 77.57

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 0 / 87 / 59 / 12

HEX #E01E5B

RGB 224 30 91

HSL 341.13, 0.76%, 0.5%

LAB 48.92, 71.91, 17.29

 

CMYK 59 / 0 / 87 / 12

HEX #5BE01E

RGB 91 224 30

HSL 101.13, 0.76%, 0.5%

LAB 79.4, -66.29, 73.3

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 10 / 87 / 0 / 12

HEX #C91EE0

RGB 201 30 224

HSL 292.89, 0.76%, 0.5%

LAB 50.37, 82.3, -59.92

 

CMYK 0 / 27 / 87 / 12

HEX #E0A31E

RGB 224 163 30

HSL 41.13, 0.76%, 0.5%

LAB 70.96, 12.15, 69.67

 

CMYK 76 / 0 / 87 / 12

HEX #35E01E

RGB 53 224 30

HSL 112.89, 0.76%, 0.5%

LAB 78.56, -73.46, 72.23

 

CMYK 87 / 59 / 0 / 12

HEX #1E5BE0

RGB 30 91 224

HSL 221.13, 0.76%, 0.5%

LAB 42.97, 31.5, -72.66

 

CMYK 0 / 87 / 16 / 12

HEX #E01EBC

RGB 224 30 188

HSL 311.13, 0.76%, 0.5%

LAB 52.29, 81.2, -35.92

 

CMYK 0 / 27 / 87 / 12

HEX #E0A31E

RGB 224 163 30

HSL 41.13, 0.76%, 0.5%

LAB 70.96, 12.15, 69.67

 

CMYK 87 / 0 / 71 / 12

HEX #1EE042

RGB 30 224 66

HSL 131.13, 0.76%, 0.5%

LAB 78.45, -73.73, 61.69

 

Description

Color code: RGB 30 91 224 | qconv.com Color code: RGB 30 91 224 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 91 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 91 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 59 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 59% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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