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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 68 17 it is the complementary color RGB 225 187 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 68 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 68 17 shade: RGB 35 68 12, RGB 52 86 31, RGB 69 104 50, RGB 86 122 69 and RGB 103 140 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 68 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 68 17 shade: RGB 30 68 17, RGB 13 50 0, RGB 0 32 0 and RGB 0 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 68 17 shade: RGB 30 69 17, RGB 44 69 17, RGB 58 69 17, RGB 69 66 17 and RGB 69 52 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 68 17 shade: RGB 30 69 17, RGB 17 69 18, RGB 17 69 32, RGB 17 69 46 and RGB 17 69 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 68 17 shade matches the following richer shades: RGB 30 69 17, RGB 27 76 10 and RGB 23 83 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 68 17 shade: RGB 30 69 17, RGB 34 62 24, RGB 37 55 31, RGB 40 48 38 and RGB 44 41 45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 68 17 shade: RGB 58 69 17, RGB 45 69 17, RGB 31 69 17, RGB 17 69 17 and RGB 17 69 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 68 17 shade: RGB 1 3 0, RGB 16 36 9, RGB 30 69 17, RGB 45 102 25 and RGB 59 135 33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 68 17 shade: RGB 30 68 17, RGB 17 69 65 and RGB 69 17 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 68 17 shade: RGB 30 68 17, RGB 17 31 69 and RGB 69 17 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 68 17 shade: RGB 30 68 17, RGB 17 69 65, RGB 55 17 69 and RGB 69 17 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 68 17 shade: RGB 30 68 17, RGB 17 57 69, RGB 55 17 69 and RGB 69 29 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 75 / 73

HEX #1E4411

RGB 30 68 17

HSL 104.71, 0.6%, 0.17%

LAB 25.11, -24.56, 25.8

 

Complementary color

CMYK 5 / 21 / 0 / 7

HEX #E1BBEE

RGB 225 187 238

HSL 284.71, 0.6%, 0.83%

LAB 80.58, 22.52, -20.23

 

CMYK 49 / 0 / 82 / 73

HEX #23440C

RGB 35 68 12

HSL 95.36, 0.7%, 0.16%

LAB 25.32, -23.17, 28.38

 

CMYK 40 / 0 / 64 / 66

HEX #34561F

RGB 52 86 31

HSL 97.09, 0.47%, 0.23%

LAB 32.89, -23.48, 27.61

 

CMYK 34 / 0 / 52 / 59

HEX #456832

RGB 69 104 50

HSL 98.89, 0.35%, 0.3%

LAB 40.24, -23.47, 26.33

 

CMYK 30 / 0 / 43 / 52

HEX #567A45

RGB 86 122 69

HSL 100.75, 0.28%, 0.37%

LAB 47.4, -23.35, 25

 

CMYK 26 / 0 / 37 / 45

HEX #678C58

RGB 103 140 88

HSL 102.69, 0.23%, 0.45%

LAB 54.39, -23.18, 23.74

 

CMYK 56 / 0 / 75 / 73

HEX #1E4411

RGB 30 68 17

HSL 104.71, 0.6%, 0.17%

LAB 25.11, -24.56, 25.8

 

CMYK 74 / 0 / 100 / 80

HEX #0D3200

RGB 13 50 0

HSL 104.4, 1%, 0.1%

LAB 17.31, -23.78, 24.29

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 57 / 0 / 75 / 73

HEX #1E4511

RGB 30 69 17

HSL 105, 0.6%, 0.17%

LAB 25.48, -25.03, 26.2

 

CMYK 36 / 0 / 75 / 73

HEX #2C4511

RGB 44 69 17

HSL 88.85, 0.6%, 0.17%

LAB 26.25, -19.53, 27.24

 

CMYK 16 / 0 / 75 / 73

HEX #3A4511

RGB 58 69 17

HSL 72.69, 0.6%, 0.17%

LAB 27.29, -13.04, 28.64

 

CMYK 0 / 4 / 75 / 73

HEX #454211

RGB 69 66 17

HSL 56.54, 0.6%, 0.17%

LAB 27.3, -5.72, 28.98

 

CMYK 0 / 25 / 75 / 73

HEX #453411

RGB 69 52 17

HSL 40.38, 0.6%, 0.17%

LAB 22.87, 3.19, 24.35

 

CMYK 57 / 0 / 75 / 73

HEX #1E4511

RGB 30 69 17

HSL 105, 0.6%, 0.17%

LAB 25.48, -25.03, 26.2

 

CMYK 75 / 0 / 74 / 73

HEX #114512

RGB 17 69 18

HSL 121.15, 0.6%, 0.17%

LAB 25.01, -28.7, 25.05

 

CMYK 75 / 0 / 54 / 73

HEX #114520

RGB 17 69 32

HSL 137.31, 0.6%, 0.17%

LAB 25.2, -26.54, 17.45

 

CMYK 75 / 0 / 33 / 73

HEX #11452E

RGB 17 69 46

HSL 153.46, 0.6%, 0.17%

LAB 25.48, -23.42, 9.06

 

CMYK 75 / 0 / 13 / 73

HEX #11453C

RGB 17 69 60

HSL 169.62, 0.6%, 0.17%

LAB 25.87, -19.43, 0.49

 

CMYK 57 / 0 / 75 / 73

HEX #1E4511

RGB 30 69 17

HSL 105, 0.6%, 0.17%

LAB 25.48, -25.03, 26.2

 

CMYK 64 / 0 / 87 / 70

HEX #1B4C0A

RGB 27 76 10

HSL 104.55, 0.77%, 0.17%

LAB 27.91, -29.67, 31.56

 

CMYK 72 / 0 / 96 / 67

HEX #175303

RGB 23 83 3

HSL 105, 0.93%, 0.17%

LAB 30.34, -33.98, 36.22

 

CMYK 57 / 0 / 75 / 73

HEX #1E4511

RGB 30 69 17

HSL 105, 0.6%, 0.17%

LAB 25.48, -25.03, 26.2

 

CMYK 45 / 0 / 61 / 76

HEX #223E18

RGB 34 62 24

HSL 104.21, 0.44%, 0.17%

LAB 23.17, -19.22, 19.88

 

CMYK 33 / 0 / 44 / 78

HEX #25371F

RGB 37 55 31

HSL 105, 0.28%, 0.17%

LAB 20.92, -12.94, 12.77

 

CMYK 17 / 0 / 21 / 81

HEX #283026

RGB 40 48 38

HSL 108, 0.12%, 0.17%

LAB 18.82, -5.85, 5.27

 

CMYK 2 / 9 / 0 / 82

HEX #2C292D

RGB 44 41 45

HSL 285, 0.05%, 0.17%

LAB 17.04, 2.32, -2.12

 

CMYK 16 / 0 / 75 / 73

HEX #3A4511

RGB 58 69 17

HSL 72.69, 0.6%, 0.17%

LAB 27.29, -13.04, 28.64

 

CMYK 35 / 0 / 75 / 73

HEX #2D4511

RGB 45 69 17

HSL 87.69, 0.6%, 0.17%

LAB 26.32, -19.09, 27.33

 

CMYK 55 / 0 / 75 / 73

HEX #1F4511

RGB 31 69 17

HSL 103.85, 0.6%, 0.17%

LAB 25.53, -24.68, 26.26

 

CMYK 75 / 0 / 75 / 73

HEX #114511

RGB 17 69 17

HSL 120, 0.6%, 0.17%

LAB 25, -28.82, 25.54

 

CMYK 75 / 0 / 55 / 73

HEX #11451F

RGB 17 69 31

HSL 136.15, 0.6%, 0.17%

LAB 25.18, -26.72, 18.03

 

CMYK 67 / 0 / 100 / 99

HEX #010300

RGB 1 3 0

HSL 100, 1%, 0.01%

LAB 0.65, -0.94, 0.95

 

CMYK 56 / 0 / 75 / 86

HEX #102409

RGB 16 36 9

HSL 104.44, 0.6%, 0.09%

LAB 11.9, -14.73, 13.66

 

CMYK 57 / 0 / 75 / 73

HEX #1E4511

RGB 30 69 17

HSL 105, 0.6%, 0.17%

LAB 25.48, -25.03, 26.2

 

CMYK 56 / 0 / 75 / 60

HEX #2D6619

RGB 45 102 25

HSL 104.42, 0.61%, 0.25%

LAB 38.08, -33.9, 35.95

 

CMYK 56 / 0 / 76 / 47

HEX #3B8721

RGB 59 135 33

HSL 104.71, 0.61%, 0.33%

LAB 49.94, -42.48, 44.96

 

CMYK 56 / 0 / 75 / 73

HEX #1E4411

RGB 30 68 17

HSL 104.71, 0.6%, 0.17%

LAB 25.11, -24.56, 25.8

 

CMYK 75 / 0 / 6 / 73

HEX #114541

RGB 17 69 65

HSL 175.38, 0.6%, 0.17%

LAB 26.03, -17.83, -2.54

 

CMYK 0 / 75 / 25 / 73

HEX #451134

RGB 69 17 52

HSL 319.62, 0.6%, 0.17%

LAB 15.03, 28.95, -9.76

 

CMYK 56 / 0 / 75 / 73

HEX #1E4411

RGB 30 68 17

HSL 104.71, 0.6%, 0.17%

LAB 25.11, -24.56, 25.8

 

CMYK 75 / 55 / 0 / 73

HEX #111F45

RGB 17 31 69

HSL 223.85, 0.6%, 0.17%

LAB 12.79, 9.06, -25.75

 

CMYK 0 / 75 / 55 / 73

HEX #45111F

RGB 69 17 31

HSL 343.85, 0.6%, 0.17%

LAB 14.2, 26.09, 4.3

 

CMYK 56 / 0 / 75 / 73

HEX #1E4411

RGB 30 68 17

HSL 104.71, 0.6%, 0.17%

LAB 25.11, -24.56, 25.8

 

CMYK 75 / 0 / 6 / 73

HEX #114541

RGB 17 69 65

HSL 175.38, 0.6%, 0.17%

LAB 26.03, -17.83, -2.54

 

CMYK 20 / 75 / 0 / 73

HEX #371145

RGB 55 17 69

HSL 283.85, 0.6%, 0.17%

LAB 13.49, 28.23, -24.4

 

CMYK 0 / 75 / 71 / 73

HEX #451114

RGB 69 17 20

HSL 356.54, 0.6%, 0.17%

LAB 13.92, 25.09, 11.9

 

CMYK 56 / 0 / 75 / 73

HEX #1E4411

RGB 30 68 17

HSL 104.71, 0.6%, 0.17%

LAB 25.11, -24.56, 25.8

 

CMYK 75 / 17 / 0 / 73

HEX #113945

RGB 17 57 69

HSL 193.85, 0.6%, 0.17%

LAB 21.85, -9.32, -11.49

 

CMYK 20 / 75 / 0 / 73

HEX #371145

RGB 55 17 69

HSL 283.85, 0.6%, 0.17%

LAB 13.49, 28.23, -24.4

 

CMYK 0 / 58 / 75 / 73

HEX #451D11

RGB 69 29 17

HSL 13.85, 0.6%, 0.17%

LAB 16.43, 18.15, 16.96

 

Description

Color code: RGB 30 68 17 | qconv.com Color code: RGB 30 68 17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 68 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 68 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 75 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 75% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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