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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 52 147 it is the complementary color RGB 225 203 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 52 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 52 147 shade: RGB 35 52 142, RGB 52 70 161, RGB 69 88 180, RGB 86 106 199 and RGB 103 124 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 52 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 52 147 shade: RGB 30 52 147, RGB 13 34 128, RGB 0 16 109, RGB 0 0 90 and RGB 0 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 52 147 shade: RGB 30 52 148, RGB 39 30 148, RGB 71 30 148, RGB 103 30 148 and RGB 135 30 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 52 147 shade: RGB 30 52 148 and RGB 30 30 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 52 147 shade matches the following richer shades: RGB 30 52 148, RGB 15 43 162 and RGB 1 34 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 52 147 shade: RGB 30 52 148, RGB 44 61 133, RGB 59 70 119, RGB 73 79 104 and RGB 88 88 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 52 147 shade: RGB 30 116 148, RGB 30 85 148, RGB 30 53 148, RGB 38 30 148 and RGB 69 30 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 52 147 shade: RGB 16 28 79, RGB 23 40 113, RGB 30 52 148, RGB 37 64 182 and RGB 48 79 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 52 147 shade: RGB 30 52 147, RGB 148 30 148 and RGB 101 148 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 52 147 shade: RGB 30 52 147, RGB 148 30 53 and RGB 53 148 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 52 147 shade: RGB 30 52 147, RGB 148 30 148, RGB 148 124 30 and RGB 30 148 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 52 147 shade: RGB 30 52 147, RGB 148 30 112, RGB 148 124 30 and RGB 30 148 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 65 / 0 / 42

HEX #1E3493

RGB 30 52 147

HSL 228.72, 0.66%, 0.35%

LAB 26.27, 27.68, -54.56

 

Complementary color

CMYK 0 / 10 / 52 / 12

HEX #E1CB6C

RGB 225 203 108

HSL 48.72, 0.66%, 0.65%

LAB 81.73, -4.31, 49.69

 

CMYK 75 / 63 / 0 / 44

HEX #23348E

RGB 35 52 142

HSL 230.47, 0.6%, 0.35%

LAB 26.06, 26.32, -51.81

 

CMYK 68 / 57 / 0 / 37

HEX #3446A1

RGB 52 70 161

HSL 230.09, 0.51%, 0.42%

LAB 33.32, 23.79, -51.55

 

CMYK 62 / 51 / 0 / 29

HEX #4558B4

RGB 69 88 180

HSL 229.73, 0.45%, 0.49%

LAB 40.48, 21.77, -51.23

 

CMYK 57 / 47 / 0 / 22

HEX #566AC7

RGB 86 106 199

HSL 229.38, 0.5%, 0.56%

LAB 47.51, 20.15, -50.92

 

CMYK 53 / 43 / 0 / 15

HEX #677CDA

RGB 103 124 218

HSL 229.04, 0.61%, 0.63%

LAB 54.41, 18.81, -50.65

 

CMYK 80 / 65 / 0 / 42

HEX #1E3493

RGB 30 52 147

HSL 228.72, 0.66%, 0.35%

LAB 26.27, 27.68, -54.56

 

CMYK 90 / 73 / 0 / 50

HEX #0D2280

RGB 13 34 128

HSL 229.04, 0.82%, 0.28%

LAB 19.17, 31.05, -54.38

 

CMYK 100 / 85 / 0 / 57

HEX #00106D

RGB 0 16 109

HSL 231.19, 1%, 0.21%

LAB 12.45, 34.44, -53.32

 

CMYK 100 / 100 / 0 / 65

HEX #00005A

RGB 0 0 90

HSL 240, 1%, 0.18%

LAB 6.67, 36.68, -50.3

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 80 / 65 / 0 / 42

HEX #1E3494

RGB 30 52 148

HSL 228.81, 0.66%, 0.35%

LAB 26.36, 28.07, -55.02

 

CMYK 74 / 80 / 0 / 42

HEX #271E94

RGB 39 30 148

HSL 244.58, 0.66%, 0.35%

LAB 21.94, 42.47, -62.29

 

CMYK 52 / 80 / 0 / 42

HEX #471E94

RGB 71 30 148

HSL 260.85, 0.66%, 0.35%

LAB 24.97, 46.19, -57.18

 

CMYK 30 / 80 / 0 / 42

HEX #671E94

RGB 103 30 148

HSL 277.12, 0.66%, 0.35%

LAB 29.29, 51.4, -49.95

 

CMYK 9 / 80 / 0 / 42

HEX #871E94

RGB 135 30 148

HSL 293.39, 0.66%, 0.35%

LAB 34.43, 57.55, -41.39

 

CMYK 80 / 65 / 0 / 42

HEX #1E3494

RGB 30 52 148

HSL 228.81, 0.66%, 0.35%

LAB 26.36, 28.07, -55.02

 

CMYK 80 / 80 / 0 / 42

HEX #1E1E94

RGB 30 30 148

HSL 240, 0.66%, 0.35%

LAB 21.37, 41.77, -63.25

 

CMYK 80 / 65 / 0 / 42

HEX #1E3494

RGB 30 52 148

HSL 228.81, 0.66%, 0.35%

LAB 26.36, 28.07, -55.02

 

CMYK 91 / 73 / 0 / 36

HEX #0F2BA2

RGB 15 43 162

HSL 228.57, 0.83%, 0.35%

LAB 25.07, 38.22, -65.72

 

CMYK 99 / 81 / 0 / 31

HEX #0122B1

RGB 1 34 177

HSL 228.75, 0.99%, 0.35%

LAB 24.72, 48.27, -75.36

 

CMYK 80 / 65 / 0 / 42

HEX #1E3494

RGB 30 52 148

HSL 228.81, 0.66%, 0.35%

LAB 26.36, 28.07, -55.02

 

CMYK 67 / 54 / 0 / 48

HEX #2C3D85

RGB 44 61 133

HSL 228.54, 0.5%, 0.35%

LAB 28.29, 18.08, -42.57

 

CMYK 50 / 41 / 0 / 53

HEX #3B4677

RGB 59 70 119

HSL 229, 0.34%, 0.35%

LAB 30.98, 10.27, -29.47

 

CMYK 30 / 24 / 0 / 59

HEX #494F68

RGB 73 79 104

HSL 228.39, 0.18%, 0.35%

LAB 34, 3.99, -15.26

 

CMYK 2 / 2 / 0 / 65

HEX #58585A

RGB 88 88 90

HSL 240, 0.01%, 0.35%

LAB 37.47, 0.43, -1.16

 

CMYK 80 / 22 / 0 / 42

HEX #1E7494

RGB 30 116 148

HSL 196.27, 0.66%, 0.35%

LAB 45.5, -13.39, -24.47

 

CMYK 80 / 43 / 0 / 42

HEX #1E5594

RGB 30 85 148

HSL 212.03, 0.66%, 0.35%

LAB 35.81, 5.65, -39.72

 

CMYK 80 / 64 / 0 / 42

HEX #1E3594

RGB 30 53 148

HSL 228.31, 0.66%, 0.35%

LAB 26.62, 27.39, -54.6

 

CMYK 74 / 80 / 0 / 42

HEX #261E94

RGB 38 30 148

HSL 244.07, 0.66%, 0.35%

LAB 21.87, 42.38, -62.41

 

CMYK 53 / 80 / 0 / 42

HEX #451E94

RGB 69 30 148

HSL 259.83, 0.66%, 0.35%

LAB 24.74, 45.9, -57.57

 

CMYK 80 / 65 / 0 / 69

HEX #101C4F

RGB 16 28 79

HSL 228.57, 0.66%, 0.19%

LAB 12.64, 15.51, -32.89

 

CMYK 80 / 65 / 0 / 56

HEX #172871

RGB 23 40 113

HSL 228.67, 0.66%, 0.27%

LAB 19.61, 21.78, -44.07

 

CMYK 80 / 65 / 0 / 42

HEX #1E3494

RGB 30 52 148

HSL 228.81, 0.66%, 0.35%

LAB 26.36, 28.07, -55.02

 

CMYK 80 / 65 / 0 / 29

HEX #2540B6

RGB 37 64 182

HSL 228.83, 0.66%, 0.43%

LAB 32.78, 33.69, -64.99

 

CMYK 77 / 63 / 0 / 17

HEX #304FD4

RGB 48 79 212

HSL 228.66, 0.66%, 0.51%

LAB 39.54, 36.11, -71.4

 

CMYK 80 / 65 / 0 / 42

HEX #1E3493

RGB 30 52 147

HSL 228.72, 0.66%, 0.35%

LAB 26.27, 27.68, -54.56

 

CMYK 0 / 80 / 0 / 42

HEX #941E94

RGB 148 30 148

HSL 300, 0.66%, 0.35%

LAB 36.67, 60.21, -37.68

 

CMYK 32 / 0 / 80 / 42

HEX #65941E

RGB 101 148 30

HSL 83.9, 0.66%, 0.35%

LAB 56.13, -33.73, 52.67

 

CMYK 80 / 65 / 0 / 42

HEX #1E3493

RGB 30 52 147

HSL 228.72, 0.66%, 0.35%

LAB 26.27, 27.68, -54.56

 

CMYK 0 / 80 / 64 / 42

HEX #941E35

RGB 148 30 53

HSL 348.31, 0.66%, 0.35%

LAB 32.88, 49.02, 17.18

 

CMYK 64 / 0 / 80 / 42

HEX #35941E

RGB 53 148 30

HSL 108.31, 0.66%, 0.35%

LAB 54.06, -49.13, 49.98

 

CMYK 80 / 65 / 0 / 42

HEX #1E3493

RGB 30 52 147

HSL 228.72, 0.66%, 0.35%

LAB 26.27, 27.68, -54.56

 

CMYK 0 / 80 / 0 / 42

HEX #941E94

RGB 148 30 148

HSL 300, 0.66%, 0.35%

LAB 36.67, 60.21, -37.68

 

CMYK 0 / 16 / 80 / 42

HEX #947C1E

RGB 148 124 30

HSL 47.8, 0.66%, 0.35%

LAB 52.74, -0.6, 50.89

 

CMYK 80 / 0 / 80 / 42

HEX #1E941E

RGB 30 148 30

HSL 120, 0.66%, 0.35%

LAB 53.55, -53.48, 49.31

 

CMYK 80 / 65 / 0 / 42

HEX #1E3493

RGB 30 52 147

HSL 228.72, 0.66%, 0.35%

LAB 26.27, 27.68, -54.56

 

CMYK 0 / 80 / 24 / 42

HEX #941E70

RGB 148 30 112

HSL 318.31, 0.66%, 0.35%

LAB 34.79, 54.84, -18.25

 

CMYK 0 / 16 / 80 / 42

HEX #947C1E

RGB 148 124 30

HSL 47.8, 0.66%, 0.35%

LAB 52.74, -0.6, 50.89

 

CMYK 80 / 0 / 56 / 42

HEX #1E9441

RGB 30 148 65

HSL 137.8, 0.66%, 0.35%

LAB 53.85, -49.71, 34.7

 

Description

Color code: RGB 30 52 147 | qconv.com Color code: RGB 30 52 147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 52 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 52 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 65 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 65% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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