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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 224 112 it is the complementary color RGB 222 31 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 224 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 224 112 shade: RGB 38 224 107, RGB 55 242 126, RGB 72 255 145, RGB 89 255 164 and RGB 106 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 224 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 224 112 shade: RGB 33 224 112, RGB 16 206 93, RGB 0 188 74, RGB 0 170 55 and RGB 0 152 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 224 112 shade: RGB 31 223 110, RGB 31 223 59, RGB 55 223 31, RGB 107 223 31 and RGB 159 223 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 224 112 shade: RGB 31 223 110, RGB 31 223 162, RGB 31 223 214, RGB 31 180 223 and RGB 31 128 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 224 112 shade matches the following richer shades: RGB 31 223 110 and RGB 11 243 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 224 112 shade: RGB 31 223 110, RGB 52 202 114, RGB 73 181 118, RGB 93 161 121 and RGB 114 140 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 224 112 shade: RGB 57 223 31, RGB 31 223 57, RGB 31 223 108, RGB 31 223 159 and RGB 31 223 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 224 112 shade: RGB 21 150 75, RGB 26 187 93, RGB 31 223 110, RGB 67 228 134 and RGB 104 233 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 224 112 shade: RGB 33 224 112, RGB 31 108 223 and RGB 223 31 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 224 112 shade: RGB 33 224 112, RGB 108 31 223 and RGB 223 108 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 224 112 shade: RGB 33 224 112, RGB 31 108 223, RGB 223 31 146 and RGB 223 146 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 224 112 shade: RGB 33 224 112, RGB 31 51 223, RGB 223 31 146 and RGB 223 204 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 50 / 12

HEX #21E070

RGB 33 224 112

HSL 144.82, 0.75%, 0.5%

LAB 78.93, -67.96, 42.33

 

Complementary color

CMYK 0 / 86 / 36 / 13

HEX #DE1F8F

RGB 222 31 143

HSL 324.82, 0.75%, 0.5%

LAB 50.09, 75.46, -12.75

 

CMYK 83 / 0 / 52 / 12

HEX #26E06B

RGB 38 224 107

HSL 142.26, 0.75%, 0.51%

LAB 78.92, -68.28, 44.72

 

CMYK 77 / 0 / 48 / 5

HEX #37F27E

RGB 55 242 126

HSL 142.78, 0.88%, 0.58%

LAB 84.91, -69.55, 43.13

 

CMYK 72 / 0 / 43 / 0

HEX #48FF91

RGB 72 255 145

HSL 143.93, 1%, 0.64%

LAB 89.37, -68.72, 39.68

 

CMYK 65 / 0 / 36 / 0

HEX #59FFA4

RGB 89 255 164

HSL 147.11, 1%, 0.67%

LAB 90.01, -62.73, 31.2

 

CMYK 58 / 0 / 28 / 0

HEX #6AFFB7

RGB 106 255 183

HSL 151.01, 1%, 0.71%

LAB 90.78, -55.96, 22.72

 

CMYK 85 / 0 / 50 / 12

HEX #21E070

RGB 33 224 112

HSL 144.82, 0.75%, 0.5%

LAB 78.93, -67.96, 42.33

 

CMYK 92 / 0 / 55 / 19

HEX #10CE5D

RGB 16 206 93

HSL 144.32, 0.86%, 0.44%

LAB 72.92, -66.11, 44.01

 

CMYK 100 / 0 / 61 / 26

HEX #00BC4A

RGB 0 188 74

HSL 143.62, 1%, 0.37%

LAB 66.87, -63.73, 45.67

 

CMYK 100 / 0 / 68 / 33

HEX #00AA37

RGB 0 170 55

HSL 139.41, 1%, 0.33%

LAB 60.8, -60.46, 47.2

 

CMYK 100 / 0 / 76 / 40

HEX #009824

RGB 0 152 36

HSL 134.21, 1%, 0.3%

LAB 54.64, -56.85, 48.23

 

CMYK 86 / 0 / 51 / 13

HEX #1FDF6E

RGB 31 223 110

HSL 144.69, 0.76%, 0.5%

LAB 78.57, -68.1, 42.85

 

CMYK 86 / 0 / 74 / 13

HEX #1FDF3B

RGB 31 223 59

HSL 128.75, 0.76%, 0.5%

LAB 78.1, -73.94, 63.81

 

CMYK 75 / 0 / 86 / 13

HEX #37DF1F

RGB 55 223 31

HSL 112.5, 0.76%, 0.5%

LAB 78.28, -72.85, 71.8

 

CMYK 52 / 0 / 86 / 13

HEX #6BDF1F

RGB 107 223 31

HSL 96.25, 0.76%, 0.5%

LAB 79.61, -61.78, 73.48

 

CMYK 29 / 0 / 86 / 13

HEX #9FDF1F

RGB 159 223 31

HSL 80, 0.76%, 0.5%

LAB 81.97, -44.7, 76.43

 

CMYK 86 / 0 / 51 / 13

HEX #1FDF6E

RGB 31 223 110

HSL 144.69, 0.76%, 0.5%

LAB 78.57, -68.1, 42.85

 

CMYK 86 / 0 / 27 / 13

HEX #1FDFA2

RGB 31 223 162

HSL 160.94, 0.76%, 0.5%

LAB 79.43, -58.23, 17.61

 

CMYK 86 / 0 / 4 / 13

HEX #1FDFD6

RGB 31 223 214

HSL 177.19, 0.76%, 0.5%

LAB 80.7, -44.96, -8.12

 

CMYK 86 / 19 / 0 / 13

HEX #1FB4DF

RGB 31 180 223

HSL 193.44, 0.76%, 0.5%

LAB 68.21, -21.78, -31.91

 

CMYK 86 / 43 / 0 / 13

HEX #1F80DF

RGB 31 128 223

HSL 209.69, 0.76%, 0.5%

LAB 53.01, 7.67, -55.85

 

CMYK 86 / 0 / 51 / 13

HEX #1FDF6E

RGB 31 223 110

HSL 144.69, 0.76%, 0.5%

LAB 78.57, -68.1, 42.85

 

CMYK 95 / 0 / 56 / 5

HEX #0BF36B

RGB 11 243 107

HSL 144.83, 0.91%, 0.5%

LAB 84.6, -75.79, 51.54

 

CMYK 86 / 0 / 51 / 13

HEX #1FDF6E

RGB 31 223 110

HSL 144.69, 0.76%, 0.5%

LAB 78.57, -68.1, 42.85

 

CMYK 74 / 0 / 44 / 21

HEX #34CA72

RGB 52 202 114

HSL 144.8, 0.59%, 0.5%

LAB 72.35, -58.04, 33.05

 

CMYK 60 / 0 / 35 / 29

HEX #49B576

RGB 73 181 118

HSL 145, 0.43%, 0.5%

LAB 66.35, -45.44, 23.11

 

CMYK 42 / 0 / 25 / 37

HEX #5DA179

RGB 93 161 121

HSL 144.71, 0.27%, 0.5%

LAB 60.96, -30.83, 14.21

 

CMYK 19 / 0 / 11 / 45

HEX #728C7D

RGB 114 140 125

HSL 145.38, 0.1%, 0.5%

LAB 55.9, -12.43, 4.95

 

CMYK 74 / 0 / 86 / 13

HEX #39DF1F

RGB 57 223 31

HSL 111.88, 0.76%, 0.5%

LAB 78.31, -72.55, 71.84

 

CMYK 86 / 0 / 74 / 13

HEX #1FDF39

RGB 31 223 57

HSL 128.13, 0.76%, 0.5%

LAB 78.09, -74.09, 64.47

 

CMYK 86 / 0 / 52 / 13

HEX #1FDF6C

RGB 31 223 108

HSL 144.06, 0.76%, 0.5%

LAB 78.55, -68.4, 43.77

 

CMYK 86 / 0 / 29 / 13

HEX #1FDF9F

RGB 31 223 159

HSL 160, 0.76%, 0.5%

LAB 79.37, -58.9, 19.1

 

CMYK 86 / 0 / 6 / 13

HEX #1FDFD2

RGB 31 223 210

HSL 175.94, 0.76%, 0.5%

LAB 80.58, -46.08, -6.16

 

CMYK 86 / 0 / 50 / 41

HEX #15964B

RGB 21 150 75

HSL 145.12, 0.75%, 0.34%

LAB 54.53, -49.85, 30.37

 

CMYK 86 / 0 / 50 / 27

HEX #1ABB5D

RGB 26 187 93

HSL 144.97, 0.76%, 0.42%

LAB 66.94, -59.25, 36.7

 

CMYK 86 / 0 / 51 / 13

HEX #1FDF6E

RGB 31 223 110

HSL 144.69, 0.76%, 0.5%

LAB 78.57, -68.1, 42.85

 

CMYK 71 / 0 / 41 / 11

HEX #43E486

RGB 67 228 134

HSL 144.97, 0.75%, 0.58%

LAB 80.96, -61.75, 34.18

 

CMYK 55 / 0 / 33 / 9

HEX #68E99D

RGB 104 233 157

HSL 144.65, 0.75%, 0.66%

LAB 83.79, -52.52, 26.42

 

CMYK 85 / 0 / 50 / 12

HEX #21E070

RGB 33 224 112

HSL 144.82, 0.75%, 0.5%

LAB 78.93, -67.96, 42.33

 

CMYK 86 / 52 / 0 / 13

HEX #1F6CDF

RGB 31 108 223

HSL 215.94, 0.76%, 0.5%

LAB 47.42, 20.24, -64.85

 

CMYK 0 / 86 / 86 / 13

HEX #DF1F1F

RGB 223 31 31

HSL 0, 0.76%, 0.5%

LAB 47.96, 69.09, 50.63

 

CMYK 85 / 0 / 50 / 12

HEX #21E070

RGB 33 224 112

HSL 144.82, 0.75%, 0.5%

LAB 78.93, -67.96, 42.33

 

CMYK 52 / 86 / 0 / 13

HEX #6C1FDF

RGB 108 31 223

HSL 264.06, 0.76%, 0.5%

LAB 36.92, 69.25, -81.85

 

CMYK 0 / 52 / 86 / 13

HEX #DF6C1F

RGB 223 108 31

HSL 24.06, 0.76%, 0.5%

LAB 58.52, 40.7, 59.26

 

CMYK 85 / 0 / 50 / 12

HEX #21E070

RGB 33 224 112

HSL 144.82, 0.75%, 0.5%

LAB 78.93, -67.96, 42.33

 

CMYK 86 / 52 / 0 / 13

HEX #1F6CDF

RGB 31 108 223

HSL 215.94, 0.76%, 0.5%

LAB 47.42, 20.24, -64.85

 

CMYK 0 / 86 / 35 / 13

HEX #DF1F92

RGB 223 31 146

HSL 324.06, 0.76%, 0.5%

LAB 50.39, 75.99, -14.09

 

CMYK 0 / 35 / 86 / 13

HEX #DF921F

RGB 223 146 31

HSL 35.94, 0.76%, 0.5%

LAB 66.78, 20.84, 65.98

 

CMYK 85 / 0 / 50 / 12

HEX #21E070

RGB 33 224 112

HSL 144.82, 0.75%, 0.5%

LAB 78.93, -67.96, 42.33

 

CMYK 86 / 77 / 0 / 13

HEX #1F33DF

RGB 31 51 223

HSL 233.75, 0.76%, 0.5%

LAB 33.96, 55.29, -86.94

 

CMYK 0 / 86 / 35 / 13

HEX #DF1F92

RGB 223 31 146

HSL 324.06, 0.76%, 0.5%

LAB 50.39, 75.99, -14.09

 

CMYK 0 / 9 / 86 / 13

HEX #DFCC1F

RGB 223 204 31

HSL 54.06, 0.76%, 0.5%

LAB 81.28, -9.65, 77.71

 

Description

Color code: RGB 33 224 112 | qconv.com Color code: RGB 33 224 112 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 224 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 224 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 50 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 50% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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