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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 205 99 it is the complementary color RGB 222 50 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 205 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 205 99 shade: RGB 38 205 94, RGB 55 223 113, RGB 72 241 132, RGB 89 255 151 and RGB 106 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 205 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 205 99 shade: RGB 33 205 99, RGB 16 187 80, RGB 0 169 61, RGB 0 151 42 and RGB 0 133 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 205 99 shade: RGB 33 206 99, RGB 33 206 53, RGB 60 206 33, RGB 106 206 33 and RGB 153 206 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 205 99 shade: RGB 33 206 99, RGB 33 206 146, RGB 33 206 192, RGB 33 172 206 and RGB 33 126 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 205 99 shade matches the following richer shades: RGB 33 206 99 and RGB 14 225 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 205 99 shade: RGB 33 206 99, RGB 52 186 104, RGB 72 167 108, RGB 91 147 113 and RGB 111 128 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 205 99 shade: RGB 59 206 33, RGB 33 206 53, RGB 33 206 99, RGB 33 206 145 and RGB 33 206 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 205 99 shade: RGB 22 135 65, RGB 27 170 82, RGB 33 206 99, RGB 58 222 121 and RGB 93 228 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 205 99 shade: RGB 33 205 99, RGB 33 105 206 and RGB 206 33 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 205 99 shade: RGB 33 205 99, RGB 99 33 206 and RGB 206 99 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 205 99 shade: RGB 33 205 99, RGB 33 105 206, RGB 206 33 139 and RGB 206 134 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 205 99 shade: RGB 33 205 99, RGB 33 53 206, RGB 206 33 139 and RGB 206 186 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 52 / 20

HEX #21CD63

RGB 33 205 99

HSL 143.02, 0.72%, 0.47%

LAB 72.82, -63.71, 41.05

 

Complementary color

CMYK 0 / 77 / 30 / 13

HEX #DE329C

RGB 222 50 156

HSL 323.02, 0.72%, 0.53%

LAB 52.08, 72.53, -17.5

 

CMYK 81 / 0 / 54 / 20

HEX #26CD5E

RGB 38 205 94

HSL 140.12, 0.69%, 0.48%

LAB 72.81, -63.96, 43.46

 

CMYK 75 / 0 / 49 / 13

HEX #37DF71

RGB 55 223 113

HSL 140.71, 0.72%, 0.55%

LAB 78.91, -65.15, 41.89

 

CMYK 70 / 0 / 45 / 5

HEX #48F184

RGB 72 241 132

HSL 141.3, 0.86%, 0.61%

LAB 84.97, -65.94, 40.37

 

CMYK 65 / 0 / 41 / 0

HEX #59FF97

RGB 89 255 151

HSL 142.41, 1%, 0.67%

LAB 89.8, -65.01, 37.38

 

CMYK 58 / 0 / 33 / 0

HEX #6AFFAA

RGB 106 255 170

HSL 145.77, 1%, 0.71%

LAB 90.55, -58.44, 28.98

 

CMYK 84 / 0 / 52 / 20

HEX #21CD63

RGB 33 205 99

HSL 143.02, 0.72%, 0.47%

LAB 72.82, -63.71, 41.05

 

CMYK 91 / 0 / 57 / 27

HEX #10BB50

RGB 16 187 80

HSL 142.46, 0.84%, 0.4%

LAB 66.7, -61.89, 42.71

 

CMYK 100 / 0 / 64 / 34

HEX #00A93D

RGB 0 169 61

HSL 141.66, 1%, 0.33%

LAB 60.53, -59.48, 44.29

 

CMYK 100 / 0 / 72 / 41

HEX #00972A

RGB 0 151 42

HSL 136.69, 1%, 0.3%

LAB 54.34, -56.02, 45.65

 

CMYK 100 / 0 / 83 / 48

HEX #008517

RGB 0 133 23

HSL 130.38, 1%, 0.26%

LAB 48.05, -52.13, 46.19

 

CMYK 84 / 0 / 52 / 19

HEX #21CE63

RGB 33 206 99

HSL 142.89, 0.72%, 0.47%

LAB 73.13, -64.04, 41.43

 

CMYK 84 / 0 / 74 / 19

HEX #21CE35

RGB 33 206 53

HSL 126.94, 0.72%, 0.47%

LAB 72.71, -69.26, 60.45

 

CMYK 71 / 0 / 84 / 19

HEX #3CCE21

RGB 60 206 33

HSL 110.64, 0.72%, 0.47%

LAB 73.03, -66.81, 66.74

 

CMYK 49 / 0 / 84 / 19

HEX #6ACE21

RGB 106 206 33

HSL 94.68, 0.72%, 0.47%

LAB 74.39, -55.78, 68.47

 

CMYK 26 / 0 / 84 / 19

HEX #99CE21

RGB 153 206 33

HSL 78.38, 0.72%, 0.47%

LAB 76.69, -39.52, 71.37

 

CMYK 84 / 0 / 52 / 19

HEX #21CE63

RGB 33 206 99

HSL 142.89, 0.72%, 0.47%

LAB 73.13, -64.04, 41.43

 

CMYK 84 / 0 / 29 / 19

HEX #21CE92

RGB 33 206 146

HSL 159.19, 0.72%, 0.47%

LAB 73.9, -55.24, 18.37

 

CMYK 84 / 0 / 7 / 19

HEX #21CEC0

RGB 33 206 192

HSL 175.14, 0.72%, 0.47%

LAB 75, -43.62, -4.76

 

CMYK 84 / 17 / 0 / 19

HEX #21ACCE

RGB 33 172 206

HSL 191.79, 0.72%, 0.47%

LAB 65.19, -23.22, -27.22

 

CMYK 84 / 39 / 0 / 19

HEX #217ECE

RGB 33 126 206

HSL 207.75, 0.72%, 0.47%

LAB 51.5, 2.58, -48.66

 

CMYK 84 / 0 / 52 / 19

HEX #21CE63

RGB 33 206 99

HSL 142.89, 0.72%, 0.47%

LAB 73.13, -64.04, 41.43

 

CMYK 94 / 0 / 58 / 12

HEX #0EE15F

RGB 14 225 95

HSL 143.03, 0.88%, 0.47%

LAB 78.91, -71.82, 50.21

 

CMYK 84 / 0 / 52 / 19

HEX #21CE63

RGB 33 206 99

HSL 142.89, 0.72%, 0.47%

LAB 73.13, -64.04, 41.43

 

CMYK 72 / 0 / 44 / 27

HEX #34BA68

RGB 52 186 104

HSL 143.28, 0.56%, 0.47%

LAB 67.16, -53.93, 31.47

 

CMYK 57 / 0 / 35 / 35

HEX #48A76C

RGB 72 167 108

HSL 142.74, 0.4%, 0.47%

LAB 61.74, -41.71, 22.3

 

CMYK 38 / 0 / 23 / 42

HEX #5B9371

RGB 91 147 113

HSL 143.57, 0.24%, 0.47%

LAB 56.37, -26.26, 12.28

 

CMYK 13 / 0 / 9 / 50

HEX #6F8075

RGB 111 128 117

HSL 141.18, 0.07%, 0.47%

LAB 51.95, -8.53, 3.87

 

CMYK 71 / 0 / 84 / 19

HEX #3BCE21

RGB 59 206 33

HSL 110.98, 0.72%, 0.47%

LAB 73.01, -66.99, 66.71

 

CMYK 84 / 0 / 74 / 19

HEX #21CE35

RGB 33 206 53

HSL 126.94, 0.72%, 0.47%

LAB 72.71, -69.26, 60.45

 

CMYK 84 / 0 / 52 / 19

HEX #21CE63

RGB 33 206 99

HSL 142.89, 0.72%, 0.47%

LAB 73.13, -64.04, 41.43

 

CMYK 84 / 0 / 30 / 19

HEX #21CE91

RGB 33 206 145

HSL 158.84, 0.72%, 0.47%

LAB 73.88, -55.46, 18.87

 

CMYK 84 / 0 / 7 / 19

HEX #21CEBF

RGB 33 206 191

HSL 174.8, 0.72%, 0.47%

LAB 74.97, -43.9, -4.26

 

CMYK 84 / 0 / 52 / 47

HEX #168741

RGB 22 135 65

HSL 142.83, 0.72%, 0.31%

LAB 49.35, -46.04, 29.16

 

CMYK 84 / 0 / 52 / 33

HEX #1BAA52

RGB 27 170 82

HSL 143.08, 0.73%, 0.39%

LAB 61.3, -55.12, 35.22

 

CMYK 84 / 0 / 52 / 19

HEX #21CE63

RGB 33 206 99

HSL 142.89, 0.72%, 0.47%

LAB 73.13, -64.04, 41.43

 

CMYK 74 / 0 / 45 / 13

HEX #3ADE79

RGB 58 222 121

HSL 143.05, 0.71%, 0.55%

LAB 78.77, -63.13, 37.8

 

CMYK 59 / 0 / 36 / 11

HEX #5DE491

RGB 93 228 145

HSL 143.11, 0.71%, 0.63%

LAB 81.76, -55.09, 29.78

 

CMYK 84 / 0 / 52 / 20

HEX #21CD63

RGB 33 205 99

HSL 143.02, 0.72%, 0.47%

LAB 72.82, -63.71, 41.05

 

CMYK 84 / 49 / 0 / 19

HEX #2169CE

RGB 33 105 206

HSL 215.03, 0.72%, 0.47%

LAB 45.47, 15.74, -58.32

 

CMYK 0 / 84 / 83 / 19

HEX #CE2124

RGB 206 33 36

HSL 358.96, 0.72%, 0.47%

LAB 44.71, 64.19, 43.94

 

CMYK 84 / 0 / 52 / 20

HEX #21CD63

RGB 33 205 99

HSL 143.02, 0.72%, 0.47%

LAB 72.82, -63.71, 41.05

 

CMYK 52 / 84 / 0 / 19

HEX #6321CE

RGB 99 33 206

HSL 262.89, 0.72%, 0.47%

LAB 34.39, 63.58, -76.26

 

CMYK 0 / 52 / 84 / 19

HEX #CE6321

RGB 206 99 33

HSL 22.89, 0.72%, 0.47%

LAB 54.19, 38.6, 53.85

 

CMYK 84 / 0 / 52 / 20

HEX #21CD63

RGB 33 205 99

HSL 143.02, 0.72%, 0.47%

LAB 72.82, -63.71, 41.05

 

CMYK 84 / 49 / 0 / 19

HEX #2169CE

RGB 33 105 206

HSL 215.03, 0.72%, 0.47%

LAB 45.47, 15.74, -58.32

 

CMYK 0 / 84 / 33 / 19

HEX #CE218B

RGB 206 33 139

HSL 323.24, 0.72%, 0.47%

LAB 47.07, 71.04, -15.2

 

CMYK 0 / 35 / 84 / 19

HEX #CE8621

RGB 206 134 33

HSL 35.03, 0.72%, 0.47%

LAB 61.9, 20.05, 60.47

 

CMYK 84 / 0 / 52 / 20

HEX #21CD63

RGB 33 205 99

HSL 143.02, 0.72%, 0.47%

LAB 72.82, -63.71, 41.05

 

CMYK 84 / 74 / 0 / 19

HEX #2135CE

RGB 33 53 206

HSL 233.06, 0.72%, 0.47%

LAB 32.54, 48.67, -79.48

 

CMYK 0 / 84 / 33 / 19

HEX #CE218B

RGB 206 33 139

HSL 323.24, 0.72%, 0.47%

LAB 47.07, 71.04, -15.2

 

CMYK 0 / 10 / 84 / 19

HEX #CEBA21

RGB 206 186 33

HSL 53.06, 0.72%, 0.47%

LAB 75.04, -7.75, 71.53

 

Description

Color code: RGB 33 205 99 | qconv.com Color code: RGB 33 205 99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 205 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 205 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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