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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 196 89 it is the complementary color RGB 222 59 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 196 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 196 89 shade: RGB 38 196 84, RGB 55 214 103, RGB 72 232 122, RGB 89 250 141 and RGB 106 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 196 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 196 89 shade: RGB 33 196 89, RGB 16 178 70, RGB 0 160 51, RGB 0 142 32 and RGB 0 124 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 196 89 shade: RGB 33 196 89, RGB 33 196 45, RGB 65 196 33, RGB 109 196 33 and RGB 153 196 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 196 89 shade: RGB 33 196 89, RGB 33 196 133, RGB 33 196 177, RGB 33 171 196 and RGB 33 127 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 196 89 shade matches the following richer shades: RGB 33 196 89 and RGB 14 214 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 196 89 shade: RGB 33 196 89, RGB 51 177 95, RGB 70 159 100, RGB 88 140 106 and RGB 107 121 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 196 89 shade: RGB 65 196 33, RGB 33 196 44, RGB 33 196 87, RGB 33 196 131 and RGB 33 196 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 196 89 shade: RGB 21 125 57, RGB 27 160 73, RGB 33 196 89, RGB 50 220 108 and RGB 85 226 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 196 89 shade: RGB 33 196 89, RGB 33 109 196 and RGB 196 33 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 196 89 shade: RGB 33 196 89, RGB 87 33 196 and RGB 196 87 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 196 89 shade: RGB 33 196 89, RGB 33 109 196, RGB 196 33 141 and RGB 196 120 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 196 89 shade: RGB 33 196 89, RGB 33 60 196, RGB 196 33 141 and RGB 196 169 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

Complementary color

CMYK 0 / 73 / 25 / 13

HEX #DE3BA6

RGB 222 59 166

HSL 320.61, 0.71%, 0.55%

LAB 53.4, 71.06, -21.38

 

CMYK 81 / 0 / 57 / 23

HEX #26C454

RGB 38 196 84

HSL 137.47, 0.68%, 0.46%

LAB 69.85, -62.39, 44.62

 

CMYK 74 / 0 / 52 / 16

HEX #37D667

RGB 55 214 103

HSL 138.11, 0.66%, 0.53%

LAB 76, -63.57, 43.1

 

CMYK 69 / 0 / 47 / 9

HEX #48E87A

RGB 72 232 122

HSL 138.75, 0.78%, 0.6%

LAB 82.11, -64.35, 41.6

 

CMYK 64 / 0 / 44 / 2

HEX #59FA8D

RGB 89 250 141

HSL 139.38, 0.94%, 0.66%

LAB 88.17, -64.83, 40.16

 

CMYK 58 / 0 / 37 / 0

HEX #6AFFA0

RGB 106 255 160

HSL 141.74, 1%, 0.71%

LAB 90.38, -60.22, 33.76

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 91 / 0 / 61 / 30

HEX #10B246

RGB 16 178 70

HSL 140, 0.84%, 0.38%

LAB 63.67, -60.36, 43.82

 

CMYK 100 / 0 / 68 / 37

HEX #00A033

RGB 0 160 51

HSL 139.13, 1%, 0.31%

LAB 57.44, -57.85, 45.24

 

CMYK 100 / 0 / 77 / 44

HEX #008E20

RGB 0 142 32

HSL 133.52, 1%, 0.28%

LAB 51.21, -54.18, 46.24

 

CMYK 100 / 0 / 90 / 51

HEX #007C0D

RGB 0 124 13

HSL 126.29, 1%, 0.24%

LAB 44.86, -50, 46.01

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 83 / 0 / 77 / 23

HEX #21C42D

RGB 33 196 45

HSL 124.42, 0.71%, 0.45%

LAB 69.46, -66.88, 59.9

 

CMYK 67 / 0 / 83 / 23

HEX #41C421

RGB 65 196 33

HSL 108.22, 0.71%, 0.45%

LAB 69.97, -62.68, 64.02

 

CMYK 44 / 0 / 83 / 23

HEX #6DC421

RGB 109 196 33

HSL 92.02, 0.71%, 0.45%

LAB 71.45, -51.02, 65.9

 

CMYK 22 / 0 / 83 / 23

HEX #99C421

RGB 153 196 33

HSL 75.83, 0.71%, 0.45%

LAB 73.78, -35.02, 68.85

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 83 / 0 / 32 / 23

HEX #21C485

RGB 33 196 133

HSL 156.81, 0.71%, 0.45%

LAB 70.52, -54.3, 20.64

 

CMYK 83 / 0 / 10 / 23

HEX #21C4B1

RGB 33 196 177

HSL 173.01, 0.71%, 0.45%

LAB 71.54, -43.44, -1.7

 

CMYK 83 / 13 / 0 / 23

HEX #21ABC4

RGB 33 171 196

HSL 189.2, 0.71%, 0.45%

LAB 64.51, -26.02, -22.71

 

CMYK 83 / 35 / 0 / 23

HEX #217FC4

RGB 33 127 196

HSL 205.4, 0.71%, 0.45%

LAB 51.25, -1.8, -43.35

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 93 / 0 / 61 / 16

HEX #0ED653

RGB 14 214 83

HSL 140.7, 0.88%, 0.45%

LAB 75.33, -69.98, 51.39

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 71 / 0 / 46 / 31

HEX #33B15F

RGB 51 177 95

HSL 140.95, 0.55%, 0.45%

LAB 64.14, -52.3, 32.23

 

CMYK 56 / 0 / 37 / 38

HEX #469F64

RGB 70 159 100

HSL 140.22, 0.39%, 0.45%

LAB 58.99, -40.29, 22.96

 

CMYK 37 / 0 / 24 / 45

HEX #588C6A

RGB 88 140 106

HSL 140.77, 0.23%, 0.45%

LAB 53.89, -25.15, 12.78

 

CMYK 12 / 0 / 7 / 53

HEX #6B7970

RGB 107 121 112

HSL 141.43, 0.06%, 0.45%

LAB 49.46, -7.09, 3.17

 

CMYK 67 / 0 / 83 / 23

HEX #41C421

RGB 65 196 33

HSL 108.22, 0.71%, 0.45%

LAB 69.97, -62.68, 64.02

 

CMYK 83 / 0 / 78 / 23

HEX #21C42C

RGB 33 196 44

HSL 124.05, 0.71%, 0.45%

LAB 69.46, -66.94, 60.21

 

CMYK 83 / 0 / 56 / 23

HEX #21C457

RGB 33 196 87

HSL 139.88, 0.71%, 0.45%

LAB 69.82, -62.5, 43.16

 

CMYK 83 / 0 / 33 / 23

HEX #21C483

RGB 33 196 131

HSL 156.07, 0.71%, 0.45%

LAB 70.48, -54.73, 21.65

 

CMYK 83 / 0 / 11 / 23

HEX #21C4AE

RGB 33 196 174

HSL 171.9, 0.71%, 0.45%

LAB 71.46, -44.26, -0.19

 

CMYK 83 / 0 / 54 / 51

HEX #157D39

RGB 21 125 57

HSL 140.77, 0.71%, 0.29%

LAB 45.8, -43.83, 29

 

CMYK 83 / 0 / 54 / 37

HEX #1BA049

RGB 27 160 73

HSL 140.75, 0.71%, 0.37%

LAB 57.9, -53.07, 35.57

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 77 / 0 / 51 / 14

HEX #32DC6C

RGB 50 220 108

HSL 140.47, 0.71%, 0.53%

LAB 77.84, -65.53, 42.95

 

CMYK 62 / 0 / 41 / 11

HEX #55E286

RGB 85 226 134

HSL 140.85, 0.71%, 0.61%

LAB 80.76, -57.87, 34

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 83 / 44 / 0 / 23

HEX #216DC4

RGB 33 109 196

HSL 212.02, 0.71%, 0.45%

LAB 45.97, 9.31, -51.78

 

CMYK 0 / 83 / 78 / 23

HEX #C4212C

RGB 196 33 44

HSL 355.95, 0.71%, 0.45%

LAB 42.77, 61.66, 36.9

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 56 / 83 / 0 / 23

HEX #5721C4

RGB 87 33 196

HSL 259.88, 0.71%, 0.45%

LAB 32.03, 59.75, -74.35

 

CMYK 0 / 56 / 83 / 23

HEX #C45721

RGB 196 87 33

HSL 19.88, 0.71%, 0.45%

LAB 50.29, 40.7, 49.82

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 83 / 44 / 0 / 23

HEX #216DC4

RGB 33 109 196

HSL 212.02, 0.71%, 0.45%

LAB 45.97, 9.31, -51.78

 

CMYK 0 / 83 / 28 / 23

HEX #C4218D

RGB 196 33 141

HSL 320.25, 0.71%, 0.45%

LAB 45.29, 68.99, -19.31

 

CMYK 0 / 39 / 83 / 23

HEX #C47821

RGB 196 120 33

HSL 32.02, 0.71%, 0.45%

LAB 57.35, 23.36, 56.05

 

CMYK 83 / 0 / 55 / 23

HEX #21C459

RGB 33 196 89

HSL 140.61, 0.71%, 0.45%

LAB 69.84, -62.22, 42.23

 

CMYK 83 / 69 / 0 / 23

HEX #213CC4

RGB 33 60 196

HSL 230.06, 0.71%, 0.45%

LAB 33.01, 41.03, -72.87

 

CMYK 0 / 83 / 28 / 23

HEX #C4218D

RGB 196 33 141

HSL 320.25, 0.71%, 0.45%

LAB 45.29, 68.99, -19.31

 

CMYK 0 / 14 / 83 / 23

HEX #C4A921

RGB 196 169 33

HSL 50.06, 0.71%, 0.45%

LAB 69.63, -3.25, 66.61

 

Description

Color code: RGB 33 196 89 | qconv.com Color code: RGB 33 196 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 196 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 196 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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