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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 163 175 it is the complementary color RGB 222 92 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 163 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 163 175 shade: RGB 38 163 170, RGB 55 181 189, RGB 72 199 208, RGB 89 217 227 and RGB 106 235 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 163 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 163 175 shade: RGB 33 163 175, RGB 16 145 156, RGB 0 127 137, RGB 0 109 118 and RGB 0 91 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 163 175 shade: RGB 33 163 175, RGB 33 125 175, RGB 33 86 175, RGB 33 48 175 and RGB 56 33 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 163 175 shade: RGB 33 163 175, RGB 33 125 175, RGB 33 86 175, RGB 33 48 175 and RGB 33 33 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 163 175 shade matches the following richer shades: RGB 33 163 175 and RGB 16 177 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 163 175 shade: RGB 33 163 175, RGB 50 149 158, RGB 67 135 141, RGB 84 121 124 and RGB 101 107 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 163 175 shade: RGB 33 175 111, RGB 33 175 149, RGB 33 163 175, RGB 33 125 175 and RGB 33 87 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 163 175 shade: RGB 20 99 106, RGB 26 131 140, RGB 33 163 175, RGB 40 195 210 and RGB 71 207 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 163 175 shade: RGB 33 163 175, RGB 73 33 175 and RGB 175 130 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 163 175 shade: RGB 33 163 175, RGB 175 33 163 and RGB 163 175 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 163 175 shade: RGB 33 163 175, RGB 73 33 175, RGB 175 45 33 and RGB 135 175 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 163 175 shade: RGB 33 163 175, RGB 116 33 175, RGB 175 45 33 and RGB 92 175 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

Complementary color

CMYK 0 / 59 / 64 / 13

HEX #DE5C50

RGB 222 92 80

HSL 5.07, 0.68%, 0.59%

LAB 55.85, 50.04, 32.72

 

CMYK 78 / 4 / 0 / 33

HEX #26A3AA

RGB 38 163 170

HSL 183.18, 0.63%, 0.41%

LAB 61.23, -29.88, -13.14

 

CMYK 71 / 4 / 0 / 26

HEX #37B5BD

RGB 55 181 189

HSL 183.58, 0.55%, 0.48%

LAB 67.68, -30.84, -13.99

 

CMYK 65 / 4 / 0 / 18

HEX #48C7D0

RGB 72 199 208

HSL 183.97, 0.59%, 0.55%

LAB 74.05, -31.54, -14.76

 

CMYK 61 / 4 / 0 / 11

HEX #59D9E3

RGB 89 217 227

HSL 184.35, 0.71%, 0.62%

LAB 80.35, -32.05, -15.46

 

CMYK 57 / 4 / 0 / 4

HEX #6AEBF6

RGB 106 235 246

HSL 184.71, 0.89%, 0.69%

LAB 86.57, -32.43, -16.11

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 90 / 7 / 0 / 39

HEX #10919C

RGB 16 145 156

HSL 184.71, 0.81%, 0.34%

LAB 54.83, -27.26, -14.87

 

CMYK 100 / 7 / 0 / 46

HEX #007F89

RGB 0 127 137

HSL 184.38, 1%, 0.27%

LAB 48.24, -25.34, -13.81

 

CMYK 100 / 8 / 0 / 54

HEX #006D76

RGB 0 109 118

HSL 184.58, 1%, 0.23%

LAB 41.6, -22.62, -12.53

 

CMYK 100 / 8 / 0 / 61

HEX #005B63

RGB 0 91 99

HSL 184.85, 1%, 0.19%

LAB 34.77, -19.82, -11.22

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 81 / 29 / 0 / 31

HEX #217DAF

RGB 33 125 175

HSL 201.13, 0.68%, 0.41%

LAB 49.6, -8.43, -33.88

 

CMYK 81 / 51 / 0 / 31

HEX #2156AF

RGB 33 86 175

HSL 217.61, 0.68%, 0.41%

LAB 37.98, 16.02, -52.4

 

CMYK 81 / 73 / 0 / 31

HEX #2130AF

RGB 33 48 175

HSL 233.66, 0.68%, 0.41%

LAB 28.2, 40.88, -68.37

 

CMYK 68 / 81 / 0 / 31

HEX #3821AF

RGB 56 33 175

HSL 249.72, 0.68%, 0.41%

LAB 26.8, 50.86, -70.63

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 81 / 29 / 0 / 31

HEX #217DAF

RGB 33 125 175

HSL 201.13, 0.68%, 0.41%

LAB 49.6, -8.43, -33.88

 

CMYK 81 / 51 / 0 / 31

HEX #2156AF

RGB 33 86 175

HSL 217.61, 0.68%, 0.41%

LAB 37.98, 16.02, -52.4

 

CMYK 81 / 73 / 0 / 31

HEX #2130AF

RGB 33 48 175

HSL 233.66, 0.68%, 0.41%

LAB 28.2, 40.88, -68.37

 

CMYK 81 / 81 / 0 / 31

HEX #2121AF

RGB 33 33 175

HSL 240, 0.68%, 0.41%

LAB 25.28, 49.2, -73.2

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 92 / 8 / 0 / 25

HEX #10B1C0

RGB 16 177 192

HSL 185.11, 0.85%, 0.41%

LAB 66.03, -31.3, -18.19

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 68 / 6 / 0 / 38

HEX #32959E

RGB 50 149 158

HSL 185, 0.52%, 0.41%

LAB 56.72, -25.1, -13.09

 

CMYK 52 / 4 / 0 / 45

HEX #43878D

RGB 67 135 141

HSL 184.86, 0.36%, 0.41%

LAB 52.34, -19.71, -9.84

 

CMYK 32 / 2 / 0 / 51

HEX #54797C

RGB 84 121 124

HSL 184.5, 0.19%, 0.41%

LAB 48.28, -12.18, -5.83

 

CMYK 6 / 0 / 0 / 58

HEX #656B6B

RGB 101 107 107

HSL 180, 0.03%, 0.41%

LAB 44.72, -2.29, -0.8

 

CMYK 81 / 0 / 37 / 31

HEX #21AF6F

RGB 33 175 111

HSL 152.96, 0.68%, 0.41%

LAB 63.45, -51, 22.83

 

CMYK 81 / 0 / 15 / 31

HEX #21AF95

RGB 33 175 149

HSL 169.01, 0.68%, 0.41%

LAB 64.28, -41.96, 3.13

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 81 / 29 / 0 / 31

HEX #217DAF

RGB 33 125 175

HSL 201.13, 0.68%, 0.41%

LAB 49.6, -8.43, -33.88

 

CMYK 81 / 50 / 0 / 31

HEX #2157AF

RGB 33 87 175

HSL 217.18, 0.68%, 0.41%

LAB 38.26, 15.36, -51.93

 

CMYK 81 / 7 / 0 / 58

HEX #14636A

RGB 20 99 106

HSL 184.88, 0.68%, 0.25%

LAB 38.04, -19.91, -10.57

 

CMYK 81 / 6 / 0 / 45

HEX #1A838C

RGB 26 131 140

HSL 184.74, 0.69%, 0.33%

LAB 49.91, -24.68, -13.01

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 81 / 7 / 0 / 18

HEX #28C3D2

RGB 40 195 210

HSL 185.29, 0.68%, 0.49%

LAB 72.32, -32.76, -18.52

 

CMYK 68 / 6 / 0 / 14

HEX #47CFDC

RGB 71 207 220

HSL 185.23, 0.68%, 0.57%

LAB 76.76, -32.03, -17.16

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 58 / 81 / 0 / 31

HEX #4921AF

RGB 73 33 175

HSL 256.9, 0.68%, 0.41%

LAB 28.38, 52.59, -67.98

 

CMYK 0 / 26 / 81 / 31

HEX #AF8221

RGB 175 130 33

HSL 40.99, 0.68%, 0.41%

LAB 57.26, 8.54, 55.01

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 0 / 81 / 7 / 31

HEX #AF21A3

RGB 175 33 163

HSL 305.07, 0.68%, 0.41%

LAB 42.53, 67.36, -37.15

 

CMYK 7 / 0 / 81 / 31

HEX #A3AF21

RGB 163 175 33

HSL 65.07, 0.68%, 0.41%

LAB 68.43, -20.82, 64.46

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 58 / 81 / 0 / 31

HEX #4921AF

RGB 73 33 175

HSL 256.9, 0.68%, 0.41%

LAB 28.38, 52.59, -67.98

 

CMYK 0 / 74 / 81 / 31

HEX #AF2D21

RGB 175 45 33

HSL 5.07, 0.68%, 0.41%

LAB 39.75, 51.5, 38.63

 

CMYK 23 / 0 / 81 / 31

HEX #87AF21

RGB 135 175 33

HSL 76.9, 0.68%, 0.41%

LAB 66.46, -32.54, 61.96

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 34 / 81 / 0 / 31

HEX #7421AF

RGB 116 33 175

HSL 275.07, 0.68%, 0.41%

LAB 33.77, 58.57, -58.93

 

CMYK 0 / 74 / 81 / 31

HEX #AF2D21

RGB 175 45 33

HSL 5.07, 0.68%, 0.41%

LAB 39.75, 51.5, 38.63

 

CMYK 47 / 0 / 81 / 31

HEX #5CAF21

RGB 92 175 33

HSL 95.07, 0.68%, 0.41%

LAB 64.2, -48.19, 59.07

 

Description

Color code: RGB 33 163 175 | qconv.com Color code: RGB 33 163 175 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 163 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 163 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 7 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 7% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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