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Color name
RGB 33 160 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 160 127 it is the complementary color RGB 222 95 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 160 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 160 127 shade: RGB 38 160 122, RGB 55 178 141, RGB 72 196 160, RGB 89 214 179 and RGB 106 232 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 160 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 160 127 shade: RGB 33 160 127, RGB 16 142 108, RGB 0 124 89, RGB 0 106 70 and RGB 0 88 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 160 127 shade: RGB 32 160 127, RGB 32 160 93, RGB 32 160 58, RGB 41 160 32 and RGB 76 160 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 160 127 shade: RGB 32 160 127, RGB 32 159 160, RGB 32 125 160, RGB 32 90 160 and RGB 32 56 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 160 127 shade matches the following richer shades: RGB 32 160 127, RGB 17 176 135 and RGB 1 192 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 160 127 shade: RGB 32 160 127, RGB 48 145 120, RGB 64 129 112, RGB 79 113 105 and RGB 95 98 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 160 127 shade: RGB 32 160 58, RGB 32 160 92, RGB 32 160 126, RGB 32 160 160 and RGB 32 126 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 160 127 shade: RGB 18 92 73, RGB 25 126 100, RGB 32 160 127, RGB 39 195 154 and RGB 61 215 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 160 127 shade: RGB 33 160 127, RGB 32 41 160 and RGB 160 75 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 160 127 shade: RGB 33 160 127, RGB 126 32 160 and RGB 160 126 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 160 127 shade: RGB 33 160 127, RGB 32 41 160, RGB 160 32 67 and RGB 160 152 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 160 127 shade: RGB 33 160 127, RGB 62 32 160, RGB 160 32 67 and RGB 131 160 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 21 / 37

HEX #21A07F

RGB 33 160 127

HSL 164.41, 0.66%, 0.38%

LAB 58.97, -41.28, 7.79

 

Complementary color

CMYK 0 / 57 / 42 / 13

HEX #DE5F80

RGB 222 95 128

HSL 344.41, 0.66%, 0.62%

LAB 57.34, 52.59, 6.84

 

CMYK 76 / 0 / 24 / 37

HEX #26A07A

RGB 38 160 122

HSL 161.31, 0.62%, 0.39%

LAB 58.94, -41.94, 10.56

 

CMYK 69 / 0 / 21 / 30

HEX #37B28D

RGB 55 178 141

HSL 161.95, 0.53%, 0.46%

LAB 65.42, -42.54, 9.23

 

CMYK 63 / 0 / 18 / 23

HEX #48C4A0

RGB 72 196 160

HSL 162.58, 0.51%, 0.53%

LAB 71.82, -42.88, 8.04

 

CMYK 58 / 0 / 16 / 16

HEX #59D6B3

RGB 89 214 179

HSL 163.2, 0.6%, 0.59%

LAB 78.15, -43.05, 6.95

 

CMYK 54 / 0 / 15 / 9

HEX #6AE8C6

RGB 106 232 198

HSL 163.81, 0.73%, 0.66%

LAB 84.41, -43.12, 5.96

 

CMYK 79 / 0 / 21 / 37

HEX #21A07F

RGB 33 160 127

HSL 164.41, 0.66%, 0.38%

LAB 58.97, -41.28, 7.79

 

CMYK 89 / 0 / 24 / 44

HEX #108E6C

RGB 16 142 108

HSL 163.81, 0.8%, 0.31%

LAB 52.44, -40.1, 9.29

 

CMYK 100 / 0 / 28 / 51

HEX #007C59

RGB 0 124 89

HSL 163.06, 1%, 0.24%

LAB 45.82, -38.48, 10.97

 

CMYK 100 / 0 / 34 / 58

HEX #006A46

RGB 0 106 70

HSL 159.62, 1%, 0.21%

LAB 39.16, -35.83, 12.97

 

CMYK 100 / 0 / 42 / 65

HEX #005833

RGB 0 88 51

HSL 154.77, 1%, 0.17%

LAB 32.3, -33.01, 15.11

 

CMYK 80 / 0 / 21 / 37

HEX #20A07F

RGB 32 160 127

HSL 164.53, 0.67%, 0.38%

LAB 58.96, -41.39, 7.77

 

CMYK 80 / 0 / 42 / 37

HEX #20A05D

RGB 32 160 93

HSL 148.59, 0.67%, 0.38%

LAB 58.26, -49.05, 25.62

 

CMYK 80 / 0 / 64 / 37

HEX #20A03A

RGB 32 160 58

HSL 132.19, 0.67%, 0.38%

LAB 57.8, -54.5, 42.65

 

CMYK 74 / 0 / 80 / 37

HEX #29A020

RGB 41 160 32

HSL 115.78, 0.67%, 0.38%

LAB 57.77, -55.51, 52.78

 

CMYK 53 / 0 / 80 / 37

HEX #4CA020

RGB 76 160 32

HSL 99.38, 0.67%, 0.38%

LAB 58.77, -47.3, 54.09

 

CMYK 80 / 0 / 21 / 37

HEX #20A07F

RGB 32 160 127

HSL 164.53, 0.67%, 0.38%

LAB 58.96, -41.39, 7.77

 

CMYK 80 / 1 / 0 / 37

HEX #209FA0

RGB 32 159 160

HSL 180.47, 0.67%, 0.38%

LAB 59.56, -31.62, -10

 

CMYK 80 / 22 / 0 / 37

HEX #207DA0

RGB 32 125 160

HSL 196.41, 0.67%, 0.38%

LAB 48.9, -13.97, -26.25

 

CMYK 80 / 44 / 0 / 37

HEX #205AA0

RGB 32 90 160

HSL 212.81, 0.67%, 0.38%

LAB 38.12, 7.36, -43.24

 

CMYK 80 / 65 / 0 / 37

HEX #2038A0

RGB 32 56 160

HSL 228.75, 0.67%, 0.38%

LAB 28.57, 30.19, -58.72

 

CMYK 80 / 0 / 21 / 37

HEX #20A07F

RGB 32 160 127

HSL 164.53, 0.67%, 0.38%

LAB 58.96, -41.39, 7.77

 

CMYK 90 / 0 / 23 / 31

HEX #11B087

RGB 17 176 135

HSL 164.53, 0.82%, 0.38%

LAB 64.1, -47.2, 10.59

 

CMYK 99 / 0 / 26 / 25

HEX #01C08E

RGB 1 192 142

HSL 164.29, 0.99%, 0.38%

LAB 69.23, -52.45, 13.98

 

CMYK 80 / 0 / 21 / 37

HEX #20A07F

RGB 32 160 127

HSL 164.53, 0.67%, 0.38%

LAB 58.96, -41.39, 7.77

 

CMYK 67 / 0 / 17 / 43

HEX #309178

RGB 48 145 120

HSL 164.54, 0.5%, 0.38%

LAB 54.28, -34.31, 5.09

 

CMYK 50 / 0 / 13 / 49

HEX #408170

RGB 64 129 112

HSL 164.31, 0.34%, 0.38%

LAB 49.45, -25.22, 2.84

 

CMYK 30 / 0 / 7 / 56

HEX #4F7169

RGB 79 113 105

HSL 165.88, 0.18%, 0.38%

LAB 44.93, -14.06, 0.52

 

CMYK 3 / 0 / 1 / 62

HEX #5F6261

RGB 95 98 97

HSL 160, 0.02%, 0.38%

LAB 41.27, -1.38, 0.15

 

CMYK 80 / 0 / 64 / 37

HEX #20A03A

RGB 32 160 58

HSL 132.19, 0.67%, 0.38%

LAB 57.8, -54.5, 42.65

 

CMYK 80 / 0 / 43 / 37

HEX #20A05C

RGB 32 160 92

HSL 148.13, 0.67%, 0.38%

LAB 58.25, -49.24, 26.14

 

CMYK 80 / 0 / 21 / 37

HEX #20A07E

RGB 32 160 126

HSL 164.06, 0.67%, 0.38%

LAB 58.93, -41.65, 8.3

 

CMYK 80 / 0 / 0 / 37

HEX #20A0A0

RGB 32 160 160

HSL 180, 0.67%, 0.38%

LAB 59.88, -32.1, -9.53

 

CMYK 80 / 21 / 0 / 37

HEX #207EA0

RGB 32 126 160

HSL 195.94, 0.67%, 0.38%

LAB 49.21, -14.53, -25.77

 

CMYK 80 / 0 / 21 / 64

HEX #125C49

RGB 18 92 73

HSL 164.59, 0.67%, 0.22%

LAB 34.53, -27.02, 4.7

 

CMYK 80 / 0 / 21 / 51

HEX #197E64

RGB 25 126 100

HSL 164.55, 0.67%, 0.3%

LAB 47.04, -34.41, 6.28

 

CMYK 80 / 0 / 21 / 37

HEX #20A07F

RGB 32 160 127

HSL 164.53, 0.67%, 0.38%

LAB 58.96, -41.39, 7.77

 

CMYK 80 / 0 / 21 / 24

HEX #27C39A

RGB 39 195 154

HSL 164.23, 0.67%, 0.46%

LAB 70.73, -48.49, 9.64

 

CMYK 72 / 0 / 19 / 16

HEX #3DD7AF

RGB 61 215 175

HSL 164.42, 0.66%, 0.54%

LAB 77.69, -49.03, 8.34

 

CMYK 79 / 0 / 21 / 37

HEX #21A07F

RGB 33 160 127

HSL 164.41, 0.66%, 0.38%

LAB 58.97, -41.28, 7.79

 

CMYK 80 / 74 / 0 / 37

HEX #2029A0

RGB 32 41 160

HSL 235.78, 0.67%, 0.38%

LAB 25.05, 39.73, -64.52

 

CMYK 0 / 53 / 80 / 37

HEX #A04B20

RGB 160 75 32

HSL 20.16, 0.67%, 0.38%

LAB 42.17, 32.49, 40.63

 

CMYK 79 / 0 / 21 / 37

HEX #21A07F

RGB 33 160 127

HSL 164.41, 0.66%, 0.38%

LAB 58.97, -41.28, 7.79

 

CMYK 21 / 80 / 0 / 37

HEX #7E20A0

RGB 126 32 160

HSL 284.06, 0.67%, 0.38%

LAB 34, 57.47, -49.47

 

CMYK 0 / 21 / 80 / 37

HEX #A07E20

RGB 160 126 32

HSL 44.06, 0.67%, 0.38%

LAB 54.55, 3.9, 52.3

 

CMYK 79 / 0 / 21 / 37

HEX #21A07F

RGB 33 160 127

HSL 164.41, 0.66%, 0.38%

LAB 58.97, -41.28, 7.79

 

CMYK 80 / 74 / 0 / 37

HEX #2029A0

RGB 32 41 160

HSL 235.78, 0.67%, 0.38%

LAB 25.05, 39.73, -64.52

 

CMYK 0 / 80 / 58 / 37

HEX #A02043

RGB 160 32 67

HSL 343.59, 0.67%, 0.38%

LAB 35.81, 52.9, 12.45

 

CMYK 0 / 5 / 80 / 37

HEX #A09820

RGB 160 152 32

HSL 56.25, 0.67%, 0.38%

LAB 61.68, -10.33, 58.71

 

CMYK 79 / 0 / 21 / 37

HEX #21A07F

RGB 33 160 127

HSL 164.41, 0.66%, 0.38%

LAB 58.97, -41.28, 7.79

 

CMYK 61 / 80 / 0 / 37

HEX #3E20A0

RGB 62 32 160

HSL 254.06, 0.67%, 0.38%

LAB 25.55, 47.52, -63.62

 

CMYK 0 / 80 / 58 / 37

HEX #A02043

RGB 160 32 67

HSL 343.59, 0.67%, 0.38%

LAB 35.81, 52.9, 12.45

 

CMYK 18 / 0 / 80 / 37

HEX #83A020

RGB 131 160 32

HSL 73.59, 0.67%, 0.38%

LAB 61.72, -27.1, 57.88

 

Description

Color code: RGB 33 160 127 | qconv.com Color code: RGB 33 160 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 160 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 160 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 21 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 21% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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