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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 152 201 it is the complementary color RGB 222 103 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 152 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 152 201 shade: RGB 38 152 196, RGB 55 170 215, RGB 72 188 234, RGB 89 206 253 and RGB 106 224 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 152 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 152 201 shade: RGB 33 152 201, RGB 16 134 182, RGB 0 116 163, RGB 0 98 144 and RGB 0 80 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 152 201 shade: RGB 32 152 201, RGB 32 106 201, RGB 32 61 201, RGB 49 32 201 and RGB 95 32 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 152 201 shade: RGB 32 152 201, RGB 32 106 201, RGB 32 61 201 and RGB 32 32 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 152 201 shade matches the following richer shades: RGB 32 152 201 and RGB 13 160 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 152 201 shade: RGB 32 152 201, RGB 51 144 182, RGB 70 136 163, RGB 89 128 144 and RGB 108 120 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 152 201 shade: RGB 32 201 159, RGB 32 198 201, RGB 32 153 201, RGB 32 108 201 and RGB 32 63 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 152 201 shade: RGB 21 98 130, RGB 27 125 166, RGB 32 152 201, RGB 53 173 222 and RGB 89 187 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 152 201 shade: RGB 33 152 201, RGB 114 32 201 and RGB 201 182 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 152 201 shade: RGB 33 152 201, RGB 201 32 153 and RGB 153 201 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 152 201 shade: RGB 33 152 201, RGB 114 32 201, RGB 201 80 32 and RGB 120 201 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 152 201 shade: RGB 33 152 201, RGB 165 32 201, RGB 201 80 32 and RGB 69 201 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 24 / 0 / 21

HEX #2198C9

RGB 33 152 201

HSL 197.5, 0.72%, 0.46%

LAB 58.97, -14.32, -34.06

 

Complementary color

CMYK 0 / 54 / 76 / 13

HEX #DE6736

RGB 222 103 54

HSL 17.5, 0.72%, 0.54%

LAB 57.56, 43.5, 48.52

 

CMYK 81 / 22 / 0 / 23

HEX #2698C4

RGB 38 152 196

HSL 196.71, 0.68%, 0.46%

LAB 58.84, -15.63, -31.44

 

CMYK 74 / 21 / 0 / 16

HEX #37AAD7

RGB 55 170 215

HSL 196.88, 0.67%, 0.53%

LAB 65.33, -17.02, -31.94

 

CMYK 69 / 20 / 0 / 8

HEX #48BCEA

RGB 72 188 234

HSL 197.04, 0.79%, 0.6%

LAB 71.75, -18.12, -32.38

 

CMYK 65 / 19 / 0 / 1

HEX #59CEFD

RGB 89 206 253

HSL 197.2, 0.98%, 0.67%

LAB 78.09, -18.99, -32.78

 

CMYK 58 / 12 / 0 / 0

HEX #6AE0FF

RGB 106 224 255

HSL 192.48, 1%, 0.71%

LAB 83.75, -24.61, -25.11

 

CMYK 84 / 24 / 0 / 21

HEX #2198C9

RGB 33 152 201

HSL 197.5, 0.72%, 0.46%

LAB 58.97, -14.32, -34.06

 

CMYK 91 / 26 / 0 / 29

HEX #1086B6

RGB 16 134 182

HSL 197.35, 0.84%, 0.39%

LAB 52.44, -12.28, -33.49

 

CMYK 100 / 29 / 0 / 36

HEX #0074A3

RGB 0 116 163

HSL 197.3, 1%, 0.32%

LAB 45.82, -9.8, -32.85

 

CMYK 100 / 32 / 0 / 44

HEX #006290

RGB 0 98 144

HSL 199.17, 1%, 0.28%

LAB 39.15, -6.5, -32.04

 

CMYK 100 / 36 / 0 / 51

HEX #00507D

RGB 0 80 125

HSL 201.6, 1%, 0.25%

LAB 32.3, -2.98, -31.26

 

CMYK 84 / 24 / 0 / 21

HEX #2098C9

RGB 32 152 201

HSL 197.4, 0.73%, 0.46%

LAB 58.96, -14.4, -34.08

 

CMYK 84 / 47 / 0 / 21

HEX #206AC9

RGB 32 106 201

HSL 213.73, 0.73%, 0.46%

LAB 45.4, 13.08, -55.57

 

CMYK 84 / 70 / 0 / 21

HEX #203DC9

RGB 32 61 201

HSL 229.7, 0.73%, 0.46%

LAB 33.69, 42.14, -74.66

 

CMYK 76 / 84 / 0 / 21

HEX #3120C9

RGB 49 32 201

HSL 246.04, 0.73%, 0.46%

LAB 29.17, 58.4, -82.13

 

CMYK 53 / 84 / 0 / 21

HEX #5F20C9

RGB 95 32 201

HSL 262.37, 0.73%, 0.46%

LAB 33.31, 62.24, -75.13

 

CMYK 84 / 24 / 0 / 21

HEX #2098C9

RGB 32 152 201

HSL 197.4, 0.73%, 0.46%

LAB 58.96, -14.4, -34.08

 

CMYK 84 / 47 / 0 / 21

HEX #206AC9

RGB 32 106 201

HSL 213.73, 0.73%, 0.46%

LAB 45.4, 13.08, -55.57

 

CMYK 84 / 70 / 0 / 21

HEX #203DC9

RGB 32 61 201

HSL 229.7, 0.73%, 0.46%

LAB 33.69, 42.14, -74.66

 

CMYK 84 / 84 / 0 / 21

HEX #2020C9

RGB 32 32 201

HSL 240, 0.73%, 0.46%

LAB 28.27, 57.6, -83.65

 

CMYK 84 / 24 / 0 / 21

HEX #2098C9

RGB 32 152 201

HSL 197.4, 0.73%, 0.46%

LAB 58.96, -14.4, -34.08

 

CMYK 94 / 27 / 0 / 14

HEX #0DA0DC

RGB 13 160 220

HSL 197.39, 0.89%, 0.46%

LAB 61.99, -13.04, -39.95

 

CMYK 84 / 24 / 0 / 21

HEX #2098C9

RGB 32 152 201

HSL 197.4, 0.73%, 0.46%

LAB 58.96, -14.4, -34.08

 

CMYK 72 / 21 / 0 / 29

HEX #3390B6

RGB 51 144 182

HSL 197.4, 0.56%, 0.46%

LAB 56.12, -14.53, -27.72

 

CMYK 57 / 17 / 0 / 36

HEX #4688A3

RGB 70 136 163

HSL 197.42, 0.4%, 0.46%

LAB 53.55, -12.97, -20.73

 

CMYK 38 / 11 / 0 / 44

HEX #598090

RGB 89 128 144

HSL 197.45, 0.24%, 0.46%

LAB 51.35, -9.31, -12.96

 

CMYK 14 / 4 / 0 / 51

HEX #6C787D

RGB 108 120 125

HSL 197.65, 0.07%, 0.46%

LAB 49.62, -3.34, -4.26

 

CMYK 84 / 0 / 21 / 21

HEX #20C99F

RGB 32 201 159

HSL 165.09, 0.73%, 0.46%

LAB 72.62, -50.31, 9.61

 

CMYK 84 / 1 / 0 / 21

HEX #20C6C9

RGB 32 198 201

HSL 181.07, 0.73%, 0.46%

LAB 72.83, -37.51, -12.85

 

CMYK 84 / 24 / 0 / 21

HEX #2099C9

RGB 32 153 201

HSL 197.04, 0.73%, 0.46%

LAB 59.26, -14.95, -33.61

 

CMYK 84 / 46 / 0 / 21

HEX #206CC9

RGB 32 108 201

HSL 213.02, 0.73%, 0.46%

LAB 45.97, 11.8, -54.65

 

CMYK 84 / 69 / 0 / 21

HEX #203FC9

RGB 32 63 201

HSL 228.99, 0.73%, 0.46%

LAB 34.15, 40.91, -73.91

 

CMYK 84 / 25 / 0 / 49

HEX #156282

RGB 21 98 130

HSL 197.61, 0.72%, 0.3%

LAB 38.74, -10.54, -24.2

 

CMYK 84 / 25 / 0 / 35

HEX #1B7DA6

RGB 27 125 166

HSL 197.7, 0.72%, 0.38%

LAB 49.07, -12.29, -29.49

 

CMYK 84 / 24 / 0 / 21

HEX #2098C9

RGB 32 152 201

HSL 197.4, 0.73%, 0.46%

LAB 58.96, -14.4, -34.08

 

CMYK 76 / 22 / 0 / 13

HEX #35ADDE

RGB 53 173 222

HSL 197.4, 0.72%, 0.54%

LAB 66.46, -16.52, -34.05

 

CMYK 61 / 18 / 0 / 11

HEX #59BBE3

RGB 89 187 227

HSL 197.39, 0.71%, 0.62%

LAB 71.7, -17.07, -28.61

 

CMYK 84 / 24 / 0 / 21

HEX #2198C9

RGB 33 152 201

HSL 197.5, 0.72%, 0.46%

LAB 58.97, -14.32, -34.06

 

CMYK 43 / 84 / 0 / 21

HEX #7220C9

RGB 114 32 201

HSL 269.11, 0.73%, 0.46%

LAB 35.65, 64.49, -71.2

 

CMYK 0 / 9 / 84 / 21

HEX #C9B620

RGB 201 182 32

HSL 53.25, 0.73%, 0.46%

LAB 73.53, -7.89, 70.33

 

CMYK 84 / 24 / 0 / 21

HEX #2198C9

RGB 33 152 201

HSL 197.5, 0.72%, 0.46%

LAB 58.97, -14.32, -34.06

 

CMYK 0 / 84 / 24 / 21

HEX #C92099

RGB 201 32 153

HSL 317.04, 0.73%, 0.46%

LAB 46.65, 71.74, -24.37

 

CMYK 24 / 0 / 84 / 21

HEX #99C920

RGB 153 201 32

HSL 77.04, 0.73%, 0.46%

LAB 75.23, -37.32, 70.34

 

CMYK 84 / 24 / 0 / 21

HEX #2198C9

RGB 33 152 201

HSL 197.5, 0.72%, 0.46%

LAB 58.97, -14.32, -34.06

 

CMYK 43 / 84 / 0 / 21

HEX #7220C9

RGB 114 32 201

HSL 269.11, 0.73%, 0.46%

LAB 35.65, 64.49, -71.2

 

CMYK 0 / 60 / 84 / 21

HEX #C95020

RGB 201 80 32

HSL 17.04, 0.73%, 0.46%

LAB 49.81, 45.9, 50.14

 

CMYK 40 / 0 / 84 / 21

HEX #78C920

RGB 120 201 32

HSL 88.76, 0.73%, 0.46%

LAB 73.46, -49.42, 68.11

 

CMYK 84 / 24 / 0 / 21

HEX #2198C9

RGB 33 152 201

HSL 197.5, 0.72%, 0.46%

LAB 58.97, -14.32, -34.06

 

CMYK 18 / 84 / 0 / 21

HEX #A520C9

RGB 165 32 201

HSL 287.22, 0.73%, 0.46%

LAB 43.14, 72.06, -58.68

 

CMYK 0 / 60 / 84 / 21

HEX #C95020

RGB 201 80 32

HSL 17.04, 0.73%, 0.46%

LAB 49.81, 45.9, 50.14

 

CMYK 66 / 0 / 84 / 21

HEX #45C920

RGB 69 201 32

HSL 106.86, 0.73%, 0.46%

LAB 71.65, -63.54, 65.81

 

Description

Color code: RGB 33 152 201 | qconv.com Color code: RGB 33 152 201 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 152 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 152 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 24 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 24% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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