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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 129 129 it is the complementary color RGB 222 126 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 129 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 129 129 shade: RGB 38 129 124, RGB 55 147 143, RGB 72 165 162, RGB 89 183 181 and RGB 106 201 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 129 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 129 129 shade: RGB 33 129 129, RGB 16 111 110, RGB 0 93 91, RGB 0 75 72 and RGB 0 57 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 129 129 shade: RGB 33 129 129, RGB 33 129 103, RGB 33 129 77, RGB 33 129 51 and RGB 41 129 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 129 129 shade: RGB 33 129 129, RGB 33 103 129, RGB 33 77 129, RGB 33 51 129 and RGB 33 33 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 129 129 shade matches the following richer shades: RGB 33 129 129, RGB 20 142 142 and RGB 7 156 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 129 129 shade: RGB 33 129 129, RGB 46 116 116, RGB 59 103 103, RGB 73 90 90 and RGB 86 76 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 129 129 shade: RGB 33 129 78, RGB 33 129 104, RGB 33 129 129, RGB 33 104 129 and RGB 33 78 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 129 129 shade: RGB 16 64 64, RGB 24 96 96, RGB 33 129 129, RGB 41 162 162 and RGB 50 195 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 129 129 shade: RGB 33 129 129, RGB 52 33 129 and RGB 129 91 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 129 129 shade: RGB 33 129 129, RGB 129 33 129 and RGB 129 129 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 129 129 shade: RGB 33 129 129, RGB 52 33 129, RGB 129 33 33 and RGB 110 129 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 129 129 shade: RGB 33 129 129, RGB 81 33 129, RGB 129 33 33 and RGB 81 129 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

Complementary color

CMYK 0 / 43 / 43 / 13

HEX #DE7E7E

RGB 222 126 126

HSL 0, 0.59%, 0.68%

LAB 63.31, 37.02, 16.38

 

CMYK 71 / 0 / 4 / 49

HEX #26817C

RGB 38 129 124

HSL 176.7, 0.54%, 0.33%

LAB 48.97, -27.21, -5.01

 

CMYK 63 / 0 / 3 / 42

HEX #37938F

RGB 55 147 143

HSL 177.39, 0.46%, 0.4%

LAB 55.75, -27.73, -5.94

 

CMYK 56 / 0 / 2 / 35

HEX #48A5A2

RGB 72 165 162

HSL 178.06, 0.39%, 0.46%

LAB 62.42, -28.03, -6.77

 

CMYK 51 / 0 / 1 / 28

HEX #59B7B5

RGB 89 183 181

HSL 178.72, 0.39%, 0.53%

LAB 68.99, -28.2, -7.52

 

CMYK 47 / 0 / 0 / 21

HEX #6AC9C8

RGB 106 201 200

HSL 179.37, 0.47%, 0.6%

LAB 75.46, -28.29, -8.21

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 86 / 0 / 1 / 56

HEX #106F6E

RGB 16 111 110

HSL 179.37, 0.75%, 0.25%

LAB 42.16, -25.25, -6.83

 

CMYK 100 / 0 / 2 / 64

HEX #005D5B

RGB 0 93 91

HSL 178.71, 1%, 0.18%

LAB 35.17, -23.68, -5.62

 

CMYK 100 / 0 / 4 / 71

HEX #004B48

RGB 0 75 72

HSL 177.6, 1%, 0.15%

LAB 28.11, -20.91, -4.05

RGB 0 75 72

CMYK 100 / 0 / 7 / 78

HEX #003935

RGB 0 57 53

HSL 175.79, 1%, 0.11%

LAB 20.76, -18.03, -2.38

RGB 0 57 53

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 74 / 0 / 20 / 49

HEX #218167

RGB 33 129 103

HSL 163.75, 0.59%, 0.32%

LAB 48.26, -33.89, 6.29

 

CMYK 74 / 0 / 40 / 49

HEX #21814D

RGB 33 129 77

HSL 147.5, 0.59%, 0.32%

LAB 47.7, -39.98, 20.5

 

CMYK 74 / 0 / 60 / 49

HEX #218133

RGB 33 129 51

HSL 131.25, 0.59%, 0.32%

LAB 47.32, -44.39, 33.95

 

CMYK 68 / 0 / 74 / 49

HEX #298121

RGB 41 129 33

HSL 115, 0.59%, 0.32%

LAB 47.34, -44.8, 42.15

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 74 / 20 / 0 / 49

HEX #216781

RGB 33 103 129

HSL 196.25, 0.59%, 0.32%

LAB 40.59, -12.36, -20.7

 

CMYK 74 / 40 / 0 / 49

HEX #214D81

RGB 33 77 129

HSL 212.5, 0.59%, 0.32%

LAB 32.29, 3.82, -33.7

 

CMYK 74 / 60 / 0 / 49

HEX #213381

RGB 33 51 129

HSL 228.75, 0.59%, 0.32%

LAB 24.56, 21.71, -46.15

 

CMYK 74 / 74 / 0 / 49

HEX #212181

RGB 33 33 129

HSL 240, 0.59%, 0.32%

LAB 20.03, 33.71, -53.58

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 86 / 0 / 0 / 44

HEX #148E8E

RGB 20 142 142

HSL 180, 0.75%, 0.32%

LAB 53.44, -30.03, -8.89

 

CMYK 96 / 0 / 0 / 39

HEX #079C9C

RGB 7 156 156

HSL 180, 0.91%, 0.32%

LAB 58.25, -33.02, -9.73

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 60 / 0 / 0 / 55

HEX #2E7474

RGB 46 116 116

HSL 180, 0.43%, 0.32%

LAB 44.71, -21.57, -6.57

 

CMYK 43 / 0 / 0 / 60

HEX #3B6767

RGB 59 103 103

HSL 180, 0.27%, 0.32%

LAB 40.59, -15.16, -4.78

 

CMYK 19 / 0 / 0 / 65

HEX #495A5A

RGB 73 90 90

HSL 180, 0.1%, 0.32%

LAB 36.87, -6.51, -2.18

 

CMYK 0 / 12 / 12 / 66

HEX #564C4C

RGB 86 76 76

HSL 0, 0.06%, 0.32%

LAB 33.28, 4.17, 1.52

 

CMYK 74 / 0 / 40 / 49

HEX #21814E

RGB 33 129 78

HSL 148.13, 0.59%, 0.32%

LAB 47.72, -39.77, 19.96

 

CMYK 74 / 0 / 19 / 49

HEX #218168

RGB 33 129 104

HSL 164.38, 0.59%, 0.32%

LAB 48.29, -33.62, 5.74

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 74 / 19 / 0 / 49

HEX #216881

RGB 33 104 129

HSL 195.63, 0.59%, 0.32%

LAB 40.91, -12.94, -20.2

 

CMYK 74 / 40 / 0 / 49

HEX #214E81

RGB 33 78 129

HSL 211.88, 0.59%, 0.32%

LAB 32.61, 3.16, -33.2

 

CMYK 75 / 0 / 0 / 75

HEX #104040

RGB 16 64 64

HSL 180, 0.6%, 0.16%

LAB 24.15, -15.54, -4.68

 

CMYK 75 / 0 / 0 / 62

HEX #186060

RGB 24 96 96

HSL 180, 0.6%, 0.24%

LAB 36.75, -21.13, -6.33

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 75 / 0 / 0 / 36

HEX #29A2A2

RGB 41 162 162

HSL 180, 0.6%, 0.4%

LAB 60.71, -31.5, -9.4

 

CMYK 74 / 0 / 0 / 24

HEX #32C3C3

RGB 50 195 195

HSL 180, 0.59%, 0.48%

LAB 71.99, -36.29, -10.82

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 60 / 74 / 0 / 49

HEX #342181

RGB 52 33 129

HSL 251.88, 0.59%, 0.32%

LAB 21.59, 36.2, -50.95

 

CMYK 0 / 29 / 74 / 49

HEX #815B21

RGB 129 91 33

HSL 36.25, 0.59%, 0.32%

LAB 41.62, 9.69, 38.18

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 0 / 74 / 0 / 49

HEX #812181

RGB 129 33 129

HSL 300, 0.59%, 0.32%

LAB 32.57, 51.91, -32.67

 

CMYK 0 / 0 / 74 / 49

HEX #818121

RGB 129 129 33

HSL 60, 0.59%, 0.32%

LAB 52.37, -12.02, 48.81

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 60 / 74 / 0 / 49

HEX #342181

RGB 52 33 129

HSL 251.88, 0.59%, 0.32%

LAB 21.59, 36.2, -50.95

 

CMYK 0 / 74 / 74 / 49

HEX #812121

RGB 129 33 33

HSL 0, 0.59%, 0.32%

LAB 29.07, 40.77, 24.49

 

CMYK 15 / 0 / 74 / 49

HEX #6E8121

RGB 110 129 33

HSL 71.88, 0.59%, 0.32%

LAB 50.83, -20.57, 46.79

 

CMYK 74 / 0 / 0 / 49

HEX #218181

RGB 33 129 129

HSL 180, 0.59%, 0.32%

LAB 49.02, -26.39, -7.89

 

CMYK 37 / 74 / 0 / 49

HEX #512181

RGB 81 33 129

HSL 270, 0.59%, 0.32%

LAB 25.02, 41.39, -45.21

 

CMYK 0 / 74 / 74 / 49

HEX #812121

RGB 129 33 33

HSL 0, 0.59%, 0.32%

LAB 29.07, 40.77, 24.49

 

CMYK 37 / 0 / 74 / 49

HEX #518121

RGB 81 129 33

HSL 90, 0.59%, 0.32%

LAB 48.96, -32.56, 44.31

 

Description

Color code: RGB 33 129 129 | qconv.com Color code: RGB 33 129 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 129 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 129 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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