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Color name
RGB 33 116 159

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 116 159 it is the complementary color RGB 222 139 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 116 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 116 159 shade: RGB 38 116 154, RGB 55 134 173, RGB 72 152 192, RGB 89 170 211 and RGB 106 188 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 116 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 116 159 shade: RGB 33 116 159, RGB 16 98 140, RGB 0 80 121, RGB 0 62 102 and RGB 0 44 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 116 159 shade: RGB 32 117 160, RGB 32 82 160, RGB 32 48 160, RGB 52 32 160 and RGB 86 32 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 116 159 shade: RGB 32 117 160, RGB 32 82 160, RGB 32 48 160 and RGB 32 32 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 116 159 shade matches the following richer shades: RGB 32 117 160, RGB 17 122 176 and RGB 1 127 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 116 159 shade: RGB 32 117 160, RGB 48 112 145, RGB 64 107 129, RGB 79 102 113 and RGB 95 97 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 116 159 shade: RGB 32 160 135, RGB 32 152 160, RGB 32 118 160, RGB 32 84 160 and RGB 32 50 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 116 159 shade: RGB 18 67 92, RGB 25 92 126, RGB 32 117 160, RGB 39 142 195 and RGB 61 162 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 116 159 shade: RGB 33 116 159, RGB 101 32 160 and RGB 160 152 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 116 159 shade: RGB 33 116 159, RGB 160 32 118 and RGB 118 160 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 116 159 shade: RGB 33 116 159, RGB 101 32 160, RGB 160 75 32 and RGB 92 160 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 116 159 shade: RGB 33 116 159, RGB 139 32 160, RGB 160 75 32 and RGB 54 160 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 27 / 0 / 38

HEX #21749F

RGB 33 116 159

HSL 200.48, 0.66%, 0.38%

LAB 46.07, -9.05, -30.08

 

Complementary color

CMYK 0 / 37 / 57 / 13

HEX #DE8B60

RGB 222 139 96

HSL 20.48, 0.66%, 0.62%

LAB 65.62, 27.4, 36.07

 

CMYK 75 / 25 / 0 / 40

HEX #26749A

RGB 38 116 154

HSL 199.66, 0.6%, 0.38%

LAB 45.96, -10.25, -27.3

 

CMYK 68 / 23 / 0 / 32

HEX #3786AD

RGB 55 134 173

HSL 199.83, 0.52%, 0.45%

LAB 52.82, -11.4, -27.67

 

CMYK 63 / 21 / 0 / 25

HEX #4898C0

RGB 72 152 192

HSL 200, 0.49%, 0.52%

LAB 59.56, -12.26, -28

 

CMYK 58 / 19 / 0 / 17

HEX #59AAD3

RGB 89 170 211

HSL 200.16, 0.58%, 0.59%

LAB 66.2, -12.9, -28.31

 

CMYK 54 / 18 / 0 / 10

HEX #6ABCE6

RGB 106 188 230

HSL 200.32, 0.71%, 0.66%

LAB 72.72, -13.41, -28.61

 

CMYK 79 / 27 / 0 / 38

HEX #21749F

RGB 33 116 159

HSL 200.48, 0.66%, 0.38%

LAB 46.07, -9.05, -30.08

 

CMYK 89 / 30 / 0 / 45

HEX #10628C

RGB 16 98 140

HSL 200.32, 0.79%, 0.31%

LAB 39.14, -7.14, -29.64

 

CMYK 100 / 34 / 0 / 53

HEX #005079

RGB 0 80 121

HSL 200.33, 1%, 0.24%

LAB 32.07, -4.65, -29.13

 

CMYK 100 / 39 / 0 / 60

HEX #003E66

RGB 0 62 102

HSL 203.53, 1%, 0.2%

LAB 24.97, -0.93, -28.36

 

CMYK 100 / 47 / 0 / 67

HEX #002C53

RGB 0 44 83

HSL 208.19, 1%, 0.16%

LAB 17.58, 3.2, -27.65

 

CMYK 80 / 27 / 0 / 37

HEX #2075A0

RGB 32 117 160

HSL 200.16, 0.67%, 0.38%

LAB 46.4, -9.38, -30.14

 

CMYK 80 / 49 / 0 / 37

HEX #2052A0

RGB 32 82 160

HSL 216.56, 0.67%, 0.38%

LAB 35.75, 12.65, -47.05

 

CMYK 80 / 70 / 0 / 37

HEX #2030A0

RGB 32 48 160

HSL 232.5, 0.67%, 0.38%

LAB 26.62, 35.41, -61.93

 

CMYK 68 / 80 / 0 / 37

HEX #3420A0

RGB 52 32 160

HSL 249.38, 0.67%, 0.38%

LAB 24.64, 46.45, -65.15

 

CMYK 46 / 80 / 0 / 37

HEX #5620A0

RGB 86 32 160

HSL 265.31, 0.67%, 0.38%

LAB 28.25, 50.71, -59.09

 

CMYK 80 / 27 / 0 / 37

HEX #2075A0

RGB 32 117 160

HSL 200.16, 0.67%, 0.38%

LAB 46.4, -9.38, -30.14

 

CMYK 80 / 49 / 0 / 37

HEX #2052A0

RGB 32 82 160

HSL 216.56, 0.67%, 0.38%

LAB 35.75, 12.65, -47.05

 

CMYK 80 / 70 / 0 / 37

HEX #2030A0

RGB 32 48 160

HSL 232.5, 0.67%, 0.38%

LAB 26.62, 35.41, -61.93

 

CMYK 80 / 80 / 0 / 37

HEX #2020A0

RGB 32 32 160

HSL 240, 0.67%, 0.38%

LAB 23.26, 44.81, -67.47

 

CMYK 80 / 27 / 0 / 37

HEX #2075A0

RGB 32 117 160

HSL 200.16, 0.67%, 0.38%

LAB 46.4, -9.38, -30.14

 

CMYK 90 / 31 / 0 / 31

HEX #117AB0

RGB 17 122 176

HSL 200.38, 0.82%, 0.38%

LAB 48.48, -7.55, -36.24

 

CMYK 99 / 34 / 0 / 25

HEX #017FC0

RGB 1 127 192

HSL 200.42, 0.99%, 0.38%

LAB 50.68, -5.05, -42

 

CMYK 80 / 27 / 0 / 37

HEX #2075A0

RGB 32 117 160

HSL 200.16, 0.67%, 0.38%

LAB 46.4, -9.38, -30.14

 

CMYK 67 / 23 / 0 / 43

HEX #307091

RGB 48 112 145

HSL 200.41, 0.5%, 0.38%

LAB 44.61, -9.54, -24.04

 

CMYK 50 / 17 / 0 / 49

HEX #406B81

RGB 64 107 129

HSL 200.31, 0.34%, 0.38%

LAB 43.05, -8.41, -16.81

 

CMYK 30 / 10 / 0 / 56

HEX #4F6671

RGB 79 102 113

HSL 199.41, 0.18%, 0.38%

LAB 41.78, -5.7, -8.98

 

CMYK 3 / 1 / 0 / 62

HEX #5F6162

RGB 95 97 98

HSL 200, 0.02%, 0.38%

LAB 41, -0.57, -0.85

 

CMYK 80 / 0 / 16 / 37

HEX #20A087

RGB 32 160 135

HSL 168.28, 0.67%, 0.38%

LAB 59.16, -39.29, 3.55

 

CMYK 80 / 5 / 0 / 37

HEX #2098A0

RGB 32 152 160

HSL 183.75, 0.67%, 0.38%

LAB 57.37, -28.21, -13.3

 

CMYK 80 / 26 / 0 / 37

HEX #2076A0

RGB 32 118 160

HSL 199.69, 0.67%, 0.38%

LAB 46.71, -9.96, -29.66

 

CMYK 80 / 48 / 0 / 37

HEX #2054A0

RGB 32 84 160

HSL 215.63, 0.67%, 0.38%

LAB 36.34, 11.31, -46.1

 

CMYK 80 / 69 / 0 / 37

HEX #2032A0

RGB 32 50 160

HSL 231.56, 0.67%, 0.38%

LAB 27.09, 34.12, -61.15

 

CMYK 80 / 27 / 0 / 64

HEX #12435C

RGB 18 67 92

HSL 200.27, 0.67%, 0.22%

LAB 26.49, -6.55, -19.47

 

CMYK 80 / 27 / 0 / 51

HEX #195C7E

RGB 25 92 126

HSL 200.2, 0.67%, 0.3%

LAB 36.68, -8.01, -24.95

 

CMYK 80 / 27 / 0 / 37

HEX #2075A0

RGB 32 117 160

HSL 200.16, 0.67%, 0.38%

LAB 46.4, -9.38, -30.14

 

CMYK 80 / 27 / 0 / 24

HEX #278EC3

RGB 39 142 195

HSL 200.38, 0.67%, 0.46%

LAB 55.8, -10.33, -35.61

 

CMYK 72 / 25 / 0 / 16

HEX #3DA2D7

RGB 61 162 215

HSL 200.65, 0.66%, 0.54%

LAB 63.13, -11.93, -35.35

 

CMYK 79 / 27 / 0 / 38

HEX #21749F

RGB 33 116 159

HSL 200.48, 0.66%, 0.38%

LAB 46.07, -9.05, -30.08

 

CMYK 37 / 80 / 0 / 37

HEX #6520A0

RGB 101 32 160

HSL 272.34, 0.67%, 0.38%

LAB 30.25, 53.07, -55.73

 

CMYK 0 / 5 / 80 / 37

HEX #A09820

RGB 160 152 32

HSL 56.25, 0.67%, 0.38%

LAB 61.68, -10.33, 58.71

 

CMYK 79 / 27 / 0 / 38

HEX #21749F

RGB 33 116 159

HSL 200.48, 0.66%, 0.38%

LAB 46.07, -9.05, -30.08

 

CMYK 0 / 80 / 26 / 37

HEX #A02076

RGB 160 32 118

HSL 319.69, 0.67%, 0.38%

LAB 37.51, 58, -17.65

 

CMYK 26 / 0 / 80 / 37

HEX #76A020

RGB 118 160 32

HSL 79.69, 0.67%, 0.38%

LAB 60.87, -32.44, 56.79

 

CMYK 79 / 27 / 0 / 38

HEX #21749F

RGB 33 116 159

HSL 200.48, 0.66%, 0.38%

LAB 46.07, -9.05, -30.08

 

CMYK 37 / 80 / 0 / 37

HEX #6520A0

RGB 101 32 160

HSL 272.34, 0.67%, 0.38%

LAB 30.25, 53.07, -55.73

 

CMYK 0 / 53 / 80 / 37

HEX #A04B20

RGB 160 75 32

HSL 20.16, 0.67%, 0.38%

LAB 42.17, 32.49, 40.63

 

CMYK 43 / 0 / 80 / 37

HEX #5CA020

RGB 92 160 32

HSL 91.88, 0.67%, 0.38%

LAB 59.45, -42.17, 54.97

 

CMYK 79 / 27 / 0 / 38

HEX #21749F

RGB 33 116 159

HSL 200.48, 0.66%, 0.38%

LAB 46.07, -9.05, -30.08

 

CMYK 13 / 80 / 0 / 37

HEX #8B20A0

RGB 139 32 160

HSL 290.16, 0.67%, 0.38%

LAB 36.1, 59.93, -45.97

 

CMYK 0 / 53 / 80 / 37

HEX #A04B20

RGB 160 75 32

HSL 20.16, 0.67%, 0.38%

LAB 42.17, 32.49, 40.63

 

CMYK 66 / 0 / 80 / 37

HEX #36A020

RGB 54 160 32

HSL 109.69, 0.67%, 0.38%

LAB 58.07, -52.99, 53.17

 

Description

Color code: RGB 33 116 159 | qconv.com Color code: RGB 33 116 159 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 116 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 116 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 27 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 27% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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