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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 106 185 it is the complementary color RGB 222 149 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 106 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 106 185 shade: RGB 38 106 180, RGB 55 124 199, RGB 72 142 218, RGB 89 160 237 and RGB 106 178 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 106 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 106 185 shade: RGB 33 106 185, RGB 16 88 166, RGB 0 70 147, RGB 0 52 128 and RGB 0 34 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 106 185 shade: RGB 32 106 186, RGB 32 65 186, RGB 41 32 186, RGB 83 32 186 and RGB 124 32 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 106 185 shade: RGB 32 106 186, RGB 32 65 186 and RGB 32 32 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 106 185 shade matches the following richer shades: RGB 32 106 186 and RGB 15 105 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 106 185 shade: RGB 32 106 186, RGB 50 107 168, RGB 68 108 150, RGB 86 108 133 and RGB 103 109 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 106 185 shade: RGB 32 186 183, RGB 32 148 186, RGB 32 107 186, RGB 32 66 186 and RGB 40 32 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 106 185 shade: RGB 20 66 116, RGB 26 86 151, RGB 32 106 186, RGB 42 126 217 and RGB 78 148 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 106 185 shade: RGB 33 106 185, RGB 142 32 186 and RGB 168 186 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 106 185 shade: RGB 33 106 185, RGB 186 32 107 and RGB 107 186 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 106 185 shade: RGB 33 106 185, RGB 142 32 186, RGB 186 112 32 and RGB 76 186 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 106 185 shade: RGB 33 106 185, RGB 186 32 183, RGB 186 112 32 and RGB 32 186 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 43 / 0 / 27

HEX #216AB9

RGB 33 106 185

HSL 211.18, 0.7%, 0.43%

LAB 44.42, 6.95, -47.89

 

Complementary color

CMYK 0 / 33 / 68 / 13

HEX #DE9546

RGB 222 149 70

HSL 31.18, 0.7%, 0.57%

LAB 67.63, 20.31, 51.56

 

CMYK 79 / 41 / 0 / 29

HEX #266AB4

RGB 38 106 180

HSL 211.27, 0.65%, 0.43%

LAB 44.26, 5.54, -45.24

 

CMYK 72 / 38 / 0 / 22

HEX #377CC7

RGB 55 124 199

HSL 211.25, 0.57%, 0.5%

LAB 51.1, 3.62, -45.28

 

CMYK 67 / 35 / 0 / 15

HEX #488EDA

RGB 72 142 218

HSL 211.23, 0.66%, 0.57%

LAB 57.83, 2.11, -45.31

 

CMYK 62 / 32 / 0 / 7

HEX #59A0ED

RGB 89 160 237

HSL 211.22, 0.8%, 0.64%

LAB 64.47, 0.91, -45.33

 

CMYK 58 / 30 / 0 / 0

HEX #6AB2FF

RGB 106 178 255

HSL 211.01, 1%, 0.71%

LAB 70.96, -0.39, -44.89

 

CMYK 82 / 43 / 0 / 27

HEX #216AB9

RGB 33 106 185

HSL 211.18, 0.7%, 0.43%

LAB 44.42, 6.95, -47.89

 

CMYK 90 / 47 / 0 / 35

HEX #1058A6

RGB 16 88 166

HSL 211.2, 0.82%, 0.36%

LAB 37.56, 9.71, -47.75

 

CMYK 100 / 52 / 0 / 42

HEX #004693

RGB 0 70 147

HSL 211.43, 1%, 0.29%

LAB 30.61, 13.14, -47.52

 

CMYK 100 / 59 / 0 / 50

HEX #003480

RGB 0 52 128

HSL 215.63, 1%, 0.25%

LAB 23.72, 17.68, -46.94

 

CMYK 100 / 69 / 0 / 57

HEX #00226D

RGB 0 34 109

HSL 221.28, 1%, 0.21%

LAB 16.74, 22.53, -46.21

 

CMYK 83 / 43 / 0 / 27

HEX #206ABA

RGB 32 106 186

HSL 211.17, 0.71%, 0.43%

LAB 44.46, 7.24, -48.41

 

CMYK 83 / 65 / 0 / 27

HEX #2041BA

RGB 32 65 186

HSL 227.14, 0.71%, 0.43%

LAB 33.21, 34.12, -66.66

 

CMYK 78 / 83 / 0 / 27

HEX #2920BA

RGB 41 32 186

HSL 243.51, 0.71%, 0.43%

LAB 26.88, 53.52, -77.11

 

CMYK 55 / 83 / 0 / 27

HEX #5320BA

RGB 83 32 186

HSL 259.87, 0.71%, 0.43%

LAB 30.44, 57.08, -71.09

 

CMYK 33 / 83 / 0 / 27

HEX #7C20BA

RGB 124 32 186

HSL 275.84, 0.71%, 0.43%

LAB 35.72, 62.55, -62.23

 

CMYK 83 / 43 / 0 / 27

HEX #206ABA

RGB 32 106 186

HSL 211.17, 0.71%, 0.43%

LAB 44.46, 7.24, -48.41

 

CMYK 83 / 65 / 0 / 27

HEX #2041BA

RGB 32 65 186

HSL 227.14, 0.71%, 0.43%

LAB 33.21, 34.12, -66.66

 

CMYK 83 / 83 / 0 / 27

HEX #2020BA

RGB 32 32 186

HSL 240, 0.71%, 0.43%

LAB 26.41, 53.06, -77.9

 

CMYK 83 / 43 / 0 / 27

HEX #206ABA

RGB 32 106 186

HSL 211.17, 0.71%, 0.43%

LAB 44.46, 7.24, -48.41

 

CMYK 93 / 49 / 0 / 20

HEX #0F69CC

RGB 15 105 204

HSL 211.43, 0.86%, 0.43%

LAB 45.03, 13.86, -57.91

 

CMYK 83 / 43 / 0 / 27

HEX #206ABA

RGB 32 106 186

HSL 211.17, 0.71%, 0.43%

LAB 44.46, 7.24, -48.41

 

CMYK 70 / 36 / 0 / 34

HEX #326BA8

RGB 50 107 168

HSL 211.02, 0.54%, 0.43%

LAB 44.26, 2.03, -38.18

 

CMYK 55 / 28 / 0 / 41

HEX #446C96

RGB 68 108 150

HSL 210.73, 0.38%, 0.43%

LAB 44.46, -1.32, -27.18

 

CMYK 35 / 19 / 0 / 48

HEX #566C85

RGB 86 108 133

HSL 211.91, 0.21%, 0.43%

LAB 44.8, -1.61, -16.43

 

CMYK 10 / 5 / 0 / 55

HEX #676D73

RGB 103 109 115

HSL 210, 0.06%, 0.43%

LAB 45.71, -0.97, -4.13

 

CMYK 83 / 0 / 2 / 27

HEX #20BAB7

RGB 32 186 183

HSL 178.83, 0.71%, 0.43%

LAB 68.64, -37.35, -9.28

 

CMYK 83 / 20 / 0 / 27

HEX #2094BA

RGB 32 148 186

HSL 194.81, 0.71%, 0.43%

LAB 57.11, -17.48, -28.49

 

CMYK 83 / 42 / 0 / 27

HEX #206BBA

RGB 32 107 186

HSL 210.78, 0.71%, 0.43%

LAB 44.76, 6.61, -47.94

 

CMYK 83 / 65 / 0 / 27

HEX #2042BA

RGB 32 66 186

HSL 226.75, 0.71%, 0.43%

LAB 33.45, 33.47, -66.26

 

CMYK 78 / 83 / 0 / 27

HEX #2820BA

RGB 40 32 186

HSL 243.12, 0.71%, 0.43%

LAB 26.82, 53.47, -77.2

 

CMYK 83 / 43 / 0 / 55

HEX #144274

RGB 20 66 116

HSL 211.25, 0.71%, 0.27%

LAB 27.59, 4.2, -33.09

 

CMYK 83 / 43 / 0 / 41

HEX #1A5697

RGB 26 86 151

HSL 211.2, 0.71%, 0.35%

LAB 36.19, 5.75, -40.93

 

CMYK 83 / 43 / 0 / 27

HEX #206ABA

RGB 32 106 186

HSL 211.17, 0.71%, 0.43%

LAB 44.46, 7.24, -48.41

 

CMYK 81 / 42 / 0 / 15

HEX #2A7ED9

RGB 42 126 217

HSL 211.2, 0.7%, 0.51%

LAB 52.31, 7.53, -53.58

 

CMYK 65 / 34 / 0 / 13

HEX #4E94DF

RGB 78 148 223

HSL 211.03, 0.69%, 0.59%

LAB 60, 1.29, -44.65

 

CMYK 82 / 43 / 0 / 27

HEX #216AB9

RGB 33 106 185

HSL 211.18, 0.7%, 0.43%

LAB 44.42, 6.95, -47.89

 

CMYK 24 / 83 / 0 / 27

HEX #8E20BA

RGB 142 32 186

HSL 282.86, 0.71%, 0.43%

LAB 38.43, 65.43, -57.7

 

CMYK 10 / 0 / 83 / 27

HEX #A8BA20

RGB 168 186 32

HSL 67.01, 0.71%, 0.43%

LAB 71.92, -24.16, 67.89

 

CMYK 82 / 43 / 0 / 27

HEX #216AB9

RGB 33 106 185

HSL 211.18, 0.7%, 0.43%

LAB 44.42, 6.95, -47.89

 

CMYK 0 / 83 / 42 / 27

HEX #BA206B

RGB 186 32 107

HSL 330.78, 0.71%, 0.43%

LAB 42.05, 63.24, -3.42

 

CMYK 42 / 0 / 83 / 27

HEX #6BBA20

RGB 107 186 32

HSL 90.78, 0.71%, 0.43%

LAB 68.28, -47.74, 63.28

 

CMYK 82 / 43 / 0 / 27

HEX #216AB9

RGB 33 106 185

HSL 211.18, 0.7%, 0.43%

LAB 44.42, 6.95, -47.89

 

CMYK 24 / 83 / 0 / 27

HEX #8E20BA

RGB 142 32 186

HSL 282.86, 0.71%, 0.43%

LAB 38.43, 65.43, -57.7

 

CMYK 0 / 40 / 83 / 27

HEX #BA7020

RGB 186 112 32

HSL 31.17, 0.71%, 0.43%

LAB 54.17, 23.4, 53.12

 

CMYK 59 / 0 / 83 / 27

HEX #4CBA20

RGB 76 186 32

HSL 102.86, 0.71%, 0.43%

LAB 67.1, -56.86, 61.78

 

CMYK 82 / 43 / 0 / 27

HEX #216AB9

RGB 33 106 185

HSL 211.18, 0.7%, 0.43%

LAB 44.42, 6.95, -47.89

 

CMYK 0 / 83 / 2 / 27

HEX #BA20B7

RGB 186 32 183

HSL 301.17, 0.71%, 0.43%

LAB 45.48, 72.8, -44.2

 

CMYK 0 / 40 / 83 / 27

HEX #BA7020

RGB 186 112 32

HSL 31.17, 0.71%, 0.43%

LAB 54.17, 23.4, 53.12

 

CMYK 83 / 0 / 81 / 27

HEX #20BA23

RGB 32 186 35

HSL 121.17, 0.71%, 0.43%

LAB 66.17, -64.64, 59.77

 

Description

Color code: RGB 33 106 185 | qconv.com Color code: RGB 33 106 185 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 106 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 106 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 43 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 43% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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