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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 83 241 it is the complementary color RGB 222 172 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 83 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 83 241 shade: RGB 38 83 236, RGB 55 101 255, RGB 72 119 255, RGB 89 137 255 and RGB 106 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 83 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 83 241 shade: RGB 33 83 241, RGB 16 65 222, RGB 0 47 203, RGB 0 29 184 and RGB 0 11 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 83 241 shade: RGB 34 84 240, RGB 40 34 240, RGB 96 34 240, RGB 151 34 240 and RGB 207 34 240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 83 241 shade: RGB 34 84 240 and RGB 34 34 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 83 241 shade matches the following richer shades: RGB 34 84 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 83 241 shade: RGB 34 84 240, RGB 53 93 221, RGB 72 103 202, RGB 91 113 183 and RGB 110 123 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 83 241 shade: RGB 34 196 240, RGB 34 141 240, RGB 34 86 240, RGB 37 34 240 and RGB 92 34 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 83 241 shade: RGB 11 52 181, RGB 14 63 220, RGB 34 84 240, RGB 73 114 243 and RGB 112 144 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 83 241 shade: RGB 33 83 241, RGB 230 34 240 and RGB 168 240 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 83 241 shade: RGB 33 83 241, RGB 240 34 86 and RGB 86 240 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 83 241 shade: RGB 33 83 241, RGB 230 34 240, RGB 240 189 34 and RGB 44 240 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 83 241 shade: RGB 33 83 241, RGB 240 34 189, RGB 240 189 34 and RGB 34 240 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 66 / 0 / 5

HEX #2153F1

RGB 33 83 241

HSL 225.58, 0.88%, 0.54%

LAB 42.55, 43.01, -82.96

 

Complementary color

CMYK 0 / 23 / 94 / 13

HEX #DEAC0E

RGB 222 172 14

HSL 45.58, 0.88%, 0.46%

LAB 72.94, 6.23, 74.2

 

CMYK 84 / 65 / 0 / 7

HEX #2653EC

RGB 38 83 236

HSL 226.36, 0.84%, 0.54%

LAB 42.24, 41.5, -80.66

 

CMYK 78 / 60 / 0 / 0

HEX #3765FF

RGB 55 101 255

HSL 226.2, 1%, 0.61%

LAB 48.69, 38.44, -80.7

 

CMYK 72 / 53 / 0 / 0

HEX #4877FF

RGB 72 119 255

HSL 224.59, 1%, 0.64%

LAB 53.8, 29.09, -72.34

 

CMYK 65 / 46 / 0 / 0

HEX #5989FF

RGB 89 137 255

HSL 222.65, 1%, 0.67%

LAB 59.19, 20.5, -63.61

 

CMYK 58 / 39 / 0 / 0

HEX #6A9BFF

RGB 106 155 255

HSL 220.27, 1%, 0.71%

LAB 64.75, 12.77, -54.69

 

CMYK 86 / 66 / 0 / 5

HEX #2153F1

RGB 33 83 241

HSL 225.58, 0.88%, 0.54%

LAB 42.55, 43.01, -82.96

 

CMYK 93 / 71 / 0 / 13

HEX #1041DE

RGB 16 65 222

HSL 225.73, 0.87%, 0.47%

LAB 36.3, 46.5, -82.5

 

CMYK 100 / 77 / 0 / 20

HEX #002FCB

RGB 0 47 203

HSL 226.11, 1%, 0.4%

LAB 30.27, 49.98, -81.52

 

CMYK 100 / 84 / 0 / 28

HEX #001DB8

RGB 0 29 184

HSL 230.54, 1%, 0.36%

LAB 24.76, 52.96, -79.47

 

CMYK 100 / 93 / 0 / 35

HEX #000BA5

RGB 0 11 165

HSL 236, 1%, 0.32%

LAB 19.87, 54.1, -76.21

 

CMYK 86 / 65 / 0 / 6

HEX #2254F0

RGB 34 84 240

HSL 225.44, 0.87%, 0.54%

LAB 42.72, 42.08, -82.12

 

CMYK 83 / 86 / 0 / 6

HEX #2822F0

RGB 40 34 240

HSL 241.75, 0.87%, 0.54%

LAB 33.75, 68.26, -96.97

 

CMYK 60 / 86 / 0 / 6

HEX #6022F0

RGB 96 34 240

HSL 258.06, 0.87%, 0.54%

LAB 37.7, 71.39, -90.28

 

CMYK 37 / 86 / 0 / 6

HEX #9722F0

RGB 151 34 240

HSL 274.08, 0.87%, 0.54%

LAB 44.25, 77.13, -79.26

 

CMYK 14 / 86 / 0 / 6

HEX #CF22F0

RGB 207 34 240

HSL 290.39, 0.87%, 0.54%

LAB 52.62, 85.16, -65.28

 

CMYK 86 / 65 / 0 / 6

HEX #2254F0

RGB 34 84 240

HSL 225.44, 0.87%, 0.54%

LAB 42.72, 42.08, -82.12

 

CMYK 86 / 86 / 0 / 6

HEX #2222F0

RGB 34 34 240

HSL 240, 0.87%, 0.54%

LAB 33.51, 68.08, -97.37

 

CMYK 86 / 65 / 0 / 6

HEX #2254F0

RGB 34 84 240

HSL 225.44, 0.87%, 0.54%

LAB 42.72, 42.08, -82.12

 

CMYK 86 / 65 / 0 / 6

HEX #2254F0

RGB 34 84 240

HSL 225.44, 0.87%, 0.54%

LAB 42.72, 42.08, -82.12

 

CMYK 76 / 58 / 0 / 13

HEX #355DDD

RGB 53 93 221

HSL 225.71, 0.71%, 0.54%

LAB 43.95, 31, -69.33

 

CMYK 64 / 49 / 0 / 21

HEX #4867CA

RGB 72 103 202

HSL 225.69, 0.55%, 0.54%

LAB 46.1, 20.43, -54.95

 

CMYK 50 / 38 / 0 / 28

HEX #5B71B7

RGB 91 113 183

HSL 225.65, 0.39%, 0.54%

LAB 48.83, 11.73, -39.57

 

CMYK 33 / 25 / 0 / 35

HEX #6E7BA5

RGB 110 123 165

HSL 225.82, 0.23%, 0.54%

LAB 52.06, 5.54, -23.99

 

CMYK 86 / 18 / 0 / 6

HEX #22C4F0

RGB 34 196 240

HSL 192.82, 0.87%, 0.54%

LAB 73.62, -24.09, -32.79

 

CMYK 86 / 41 / 0 / 6

HEX #228DF0

RGB 34 141 240

HSL 208.83, 0.87%, 0.54%

LAB 57.73, 6.4, -57.77

 

CMYK 86 / 64 / 0 / 6

HEX #2256F0

RGB 34 86 240

HSL 224.85, 0.87%, 0.54%

LAB 43.19, 40.84, -81.35

 

CMYK 85 / 86 / 0 / 6

HEX #2522F0

RGB 37 34 240

HSL 240.87, 0.87%, 0.54%

LAB 33.62, 68.17, -97.18

 

CMYK 62 / 86 / 0 / 6

HEX #5C22F0

RGB 92 34 240

HSL 256.89, 0.87%, 0.54%

LAB 37.32, 71.07, -90.93

 

CMYK 94 / 71 / 0 / 29

HEX #0B34B5

RGB 11 52 181

HSL 225.53, 0.89%, 0.38%

LAB 29.06, 39.46, -70.54

 

CMYK 94 / 71 / 0 / 14

HEX #0E3FDC

RGB 14 63 220

HSL 225.73, 0.88%, 0.46%

LAB 35.63, 46.93, -82.47

 

CMYK 86 / 65 / 0 / 6

HEX #2254F0

RGB 34 84 240

HSL 225.44, 0.87%, 0.54%

LAB 42.72, 42.08, -82.12

 

CMYK 70 / 53 / 0 / 5

HEX #4972F3

RGB 73 114 243

HSL 225.53, 0.88%, 0.62%

LAB 51.75, 28.09, -69.01

 

CMYK 54 / 41 / 0 / 4

HEX #7090F5

RGB 112 144 245

HSL 225.56, 0.87%, 0.7%

LAB 61.64, 17.25, -54.13

 

CMYK 86 / 66 / 0 / 5

HEX #2153F1

RGB 33 83 241

HSL 225.58, 0.88%, 0.54%

LAB 42.55, 43.01, -82.96

 

CMYK 4 / 86 / 0 / 6

HEX #E622F0

RGB 230 34 240

HSL 297.09, 0.87%, 0.54%

LAB 56.35, 88.9, -59.09

 

CMYK 30 / 0 / 86 / 6

HEX #A8F022

RGB 168 240 34

HSL 80.97, 0.87%, 0.54%

LAB 87.37, -48.5, 80.6

 

CMYK 86 / 66 / 0 / 5

HEX #2153F1

RGB 33 83 241

HSL 225.58, 0.88%, 0.54%

LAB 42.55, 43.01, -82.96

 

CMYK 0 / 86 / 64 / 6

HEX #F02256

RGB 240 34 86

HSL 344.85, 0.87%, 0.54%

LAB 52.22, 74.89, 25.28

 

CMYK 64 / 0 / 86 / 6

HEX #56F022

RGB 86 240 34

HSL 104.85, 0.87%, 0.54%

LAB 84.18, -72.46, 76.61

 

CMYK 86 / 66 / 0 / 5

HEX #2153F1

RGB 33 83 241

HSL 225.58, 0.88%, 0.54%

LAB 42.55, 43.01, -82.96

 

CMYK 4 / 86 / 0 / 6

HEX #E622F0

RGB 230 34 240

HSL 297.09, 0.87%, 0.54%

LAB 56.35, 88.9, -59.09

 

CMYK 0 / 21 / 86 / 6

HEX #F0BD22

RGB 240 189 34

HSL 45.15, 0.87%, 0.54%

LAB 79.06, 5.44, 75.92

 

CMYK 82 / 0 / 86 / 6

HEX #2CF022

RGB 44 240 34

HSL 117.09, 0.87%, 0.54%

LAB 83.43, -78.97, 75.65

 

CMYK 86 / 66 / 0 / 5

HEX #2153F1

RGB 33 83 241

HSL 225.58, 0.88%, 0.54%

LAB 42.55, 43.01, -82.96

 

CMYK 0 / 86 / 21 / 6

HEX #F022BD

RGB 240 34 189

HSL 314.85, 0.87%, 0.54%

LAB 55.42, 83.82, -31.4

 

CMYK 0 / 21 / 86 / 6

HEX #F0BD22

RGB 240 189 34

HSL 45.15, 0.87%, 0.54%

LAB 79.06, 5.44, 75.92

 

CMYK 86 / 0 / 64 / 6

HEX #22F056

RGB 34 240 86

HSL 135.15, 0.87%, 0.54%

LAB 83.62, -76.2, 59.48

 

Description

Color code: RGB 33 83 241 | qconv.com Color code: RGB 33 83 241 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 83 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 83 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 66 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 66% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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