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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 62 58 it is the complementary color RGB 222 193 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 62 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 62 58 shade: RGB 38 62 53, RGB 55 80 72, RGB 72 98 91, RGB 89 116 110 and RGB 106 134 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 62 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 62 58 shade: RGB 33 62 58, RGB 16 44 39, RGB 0 26 20 and RGB 0 8 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 62 58 shade: RGB 33 63 59, RGB 33 63 51, RGB 33 63 43, RGB 33 63 35 and RGB 39 63 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 62 58 shade: RGB 33 63 59, RGB 33 59 63, RGB 33 51 63, RGB 33 43 63 and RGB 33 35 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 62 58 shade matches the following richer shades: RGB 33 63 59, RGB 25 71 64, RGB 17 79 70, RGB 9 86 76 and RGB 2 94 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 62 58 shade: RGB 33 63 59, RGB 41 55 53, RGB 49 47 47, RGB 56 39 42 and RGB 64 32 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 62 58 shade: RGB 33 63 42, RGB 33 63 50, RGB 33 63 58, RGB 33 59 63 and RGB 33 51 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 62 58 shade: RGB 4 9 8, RGB 19 36 34, RGB 33 63 59, RGB 47 90 84 and RGB 61 117 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 62 58 shade: RGB 33 62 58, RGB 34 33 63 and RGB 63 46 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 62 58 shade: RGB 33 62 58, RGB 58 33 63 and RGB 63 58 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 62 58 shade: RGB 33 62 58, RGB 34 33 63, RGB 63 33 37 and RGB 61 63 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 62 58 shade: RGB 33 62 58, RGB 43 33 63, RGB 63 33 37 and RGB 52 63 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 6 / 76

HEX #213E3A

RGB 33 62 58

HSL 171.72, 0.31%, 0.19%

LAB 23.91, -12.06, -0.97

 

Complementary color

CMYK 0 / 13 / 11 / 13

HEX #DEC1C5

RGB 222 193 197

HSL 351.72, 0.31%, 0.81%

LAB 80.57, 10.92, 1.78

 

CMYK 39 / 0 / 15 / 76

HEX #263E35

RGB 38 62 53

HSL 157.5, 0.24%, 0.2%

LAB 24.05, -11.76, 2.58

 

CMYK 31 / 0 / 10 / 69

HEX #375048

RGB 55 80 72

HSL 160.8, 0.19%, 0.26%

LAB 31.85, -11.51, 1.66

 

CMYK 27 / 0 / 7 / 62

HEX #48625B

RGB 72 98 91

HSL 163.85, 0.15%, 0.33%

LAB 39.36, -11.32, 0.84

 

CMYK 23 / 0 / 5 / 55

HEX #59746E

RGB 89 116 110

HSL 166.67, 0.13%, 0.4%

LAB 46.63, -11.17, 0.09

 

CMYK 21 / 0 / 4 / 47

HEX #6A8681

RGB 106 134 129

HSL 169.29, 0.12%, 0.47%

LAB 53.71, -11.05, -0.61

 

CMYK 47 / 0 / 6 / 76

HEX #213E3A

RGB 33 62 58

HSL 171.72, 0.31%, 0.19%

LAB 23.91, -12.06, -0.97

 

CMYK 64 / 0 / 11 / 83

HEX #102C27

RGB 16 44 39

HSL 169.29, 0.47%, 0.12%

LAB 15.79, -12.15, 0.02

 

CMYK 100 / 0 / 23 / 90

HEX #001A14

RGB 0 26 20

HSL 166.15, 1%, 0.05%

LAB 7.13, -10.43, 1.02

 

CMYK 100 / 0 / 88 / 97

HEX #000801

RGB 0 8 1

HSL 127.5, 1%, 0.02%

LAB 1.59, -3.07, 1.91

 

CMYK 48 / 0 / 6 / 75

HEX #213F3B

RGB 33 63 59

HSL 172, 0.31%, 0.19%

LAB 24.3, -12.37, -1.06

 

CMYK 48 / 0 / 19 / 75

HEX #213F33

RGB 33 63 51

HSL 156, 0.31%, 0.19%

LAB 24.06, -14.6, 3.88

 

CMYK 48 / 0 / 32 / 75

HEX #213F2B

RGB 33 63 43

HSL 140, 0.31%, 0.19%

LAB 23.85, -16.58, 8.85

 

CMYK 48 / 0 / 44 / 75

HEX #213F23

RGB 33 63 35

HSL 124, 0.31%, 0.19%

LAB 23.67, -18.28, 13.76

 

CMYK 38 / 0 / 48 / 75

HEX #273F21

RGB 39 63 33

HSL 108, 0.31%, 0.19%

LAB 23.99, -16.32, 15.5

 

CMYK 48 / 0 / 6 / 75

HEX #213F3B

RGB 33 63 59

HSL 172, 0.31%, 0.19%

LAB 24.3, -12.37, -1.06

 

CMYK 48 / 6 / 0 / 75

HEX #213B3F

RGB 33 59 63

HSL 188, 0.31%, 0.19%

LAB 23.03, -8.7, -5.61

 

CMYK 48 / 19 / 0 / 75

HEX #21333F

RGB 33 51 63

HSL 204, 0.31%, 0.19%

LAB 20.24, -3.5, -9.84

 

CMYK 48 / 32 / 0 / 75

HEX #212B3F

RGB 33 43 63

HSL 220, 0.31%, 0.19%

LAB 17.51, 2.02, -14.05

 

CMYK 48 / 44 / 0 / 75

HEX #21233F

RGB 33 35 63

HSL 236, 0.31%, 0.19%

LAB 14.87, 7.82, -18.18

 

CMYK 48 / 0 / 6 / 75

HEX #213F3B

RGB 33 63 59

HSL 172, 0.31%, 0.19%

LAB 24.3, -12.37, -1.06

 

CMYK 65 / 0 / 10 / 72

HEX #194740

RGB 25 71 64

HSL 170.87, 0.48%, 0.19%

LAB 26.97, -17.62, -0.48

 

CMYK 78 / 0 / 11 / 69

HEX #114F46

RGB 17 79 70

HSL 171.29, 0.65%, 0.19%

LAB 29.8, -21.58, -0.25

 

CMYK 90 / 0 / 12 / 66

HEX #09564C

RGB 9 86 76

HSL 172.21, 0.81%, 0.19%

LAB 32.34, -24.24, -0.37

 

CMYK 98 / 0 / 13 / 63

HEX #025E52

RGB 2 94 82

HSL 172.17, 0.96%, 0.19%

LAB 35.26, -26.95, 0.12

 

CMYK 48 / 0 / 6 / 75

HEX #213F3B

RGB 33 63 59

HSL 172, 0.31%, 0.19%

LAB 24.3, -12.37, -1.06

 

CMYK 25 / 0 / 4 / 78

HEX #293735

RGB 41 55 53

HSL 171.43, 0.15%, 0.19%

LAB 21.8, -6.29, -0.65

 

CMYK 0 / 4 / 4 / 81

HEX #312F2F

RGB 49 47 47

HSL 0, 0.02%, 0.19%

LAB 19.6, 0.89, 0.31

 

CMYK 0 / 30 / 25 / 78

HEX #38272A

RGB 56 39 42

HSL 349.41, 0.18%, 0.19%

LAB 17.73, 8.55, 1.17

 

CMYK 0 / 50 / 44 / 75

HEX #402024

RGB 64 32 36

HSL 352.5, 0.33%, 0.19%

LAB 16.75, 15.96, 4.16

 

CMYK 48 / 0 / 33 / 75

HEX #213F2A

RGB 33 63 42

HSL 138, 0.31%, 0.19%

LAB 23.82, -16.81, 9.47

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 48 / 0 / 8 / 75

HEX #213F3A

RGB 33 63 58

HSL 170, 0.31%, 0.19%

LAB 24.27, -12.66, -0.44

 

CMYK 48 / 6 / 0 / 75

HEX #213B3F

RGB 33 59 63

HSL 188, 0.31%, 0.19%

LAB 23.03, -8.7, -5.61

 

CMYK 48 / 19 / 0 / 75

HEX #21333F

RGB 33 51 63

HSL 204, 0.31%, 0.19%

LAB 20.24, -3.5, -9.84

 

CMYK 56 / 0 / 11 / 96

HEX #040908

RGB 4 9 8

HSL 168, 0.38%, 0.03%

LAB 2.16, -1.45, -0.08

 

CMYK 47 / 0 / 6 / 86

HEX #132422

RGB 19 36 34

HSL 172.94, 0.31%, 0.11%

LAB 12.71, -7.7, -0.91

 

CMYK 48 / 0 / 6 / 75

HEX #213F3B

RGB 33 63 59

HSL 172, 0.31%, 0.19%

LAB 24.3, -12.37, -1.06

 

CMYK 48 / 0 / 7 / 65

HEX #2F5A54

RGB 47 90 84

HSL 171.63, 0.31%, 0.27%

LAB 35.12, -16.61, -1.19

 

CMYK 48 / 0 / 7 / 54

HEX #3D756D

RGB 61 117 109

HSL 171.43, 0.31%, 0.35%

LAB 45.39, -20.59, -1.32

 

CMYK 47 / 0 / 6 / 76

HEX #213E3A

RGB 33 62 58

HSL 171.72, 0.31%, 0.19%

LAB 23.91, -12.06, -0.97

 

CMYK 46 / 48 / 0 / 75

HEX #22213F

RGB 34 33 63

HSL 242, 0.31%, 0.19%

LAB 14.33, 9.61, -19.03

 

CMYK 0 / 27 / 48 / 75

HEX #3F2E21

RGB 63 46 33

HSL 26, 0.31%, 0.19%

LAB 20.52, 5.72, 11.39

 

CMYK 47 / 0 / 6 / 76

HEX #213E3A

RGB 33 62 58

HSL 171.72, 0.31%, 0.19%

LAB 23.91, -12.06, -0.97

 

CMYK 8 / 48 / 0 / 75

HEX #3A213F

RGB 58 33 63

HSL 290, 0.31%, 0.19%

LAB 17.21, 18.08, -14.31

 

CMYK 0 / 8 / 48 / 75

HEX #3F3A21

RGB 63 58 33

HSL 50, 0.31%, 0.19%

LAB 24.3, -2.17, 16.31

 

CMYK 47 / 0 / 6 / 76

HEX #213E3A

RGB 33 62 58

HSL 171.72, 0.31%, 0.19%

LAB 23.91, -12.06, -0.97

 

CMYK 46 / 48 / 0 / 75

HEX #22213F

RGB 34 33 63

HSL 242, 0.31%, 0.19%

LAB 14.33, 9.61, -19.03

 

CMYK 0 / 48 / 41 / 75

HEX #3F2125

RGB 63 33 37

HSL 352, 0.31%, 0.19%

LAB 16.88, 15, 3.61

 

CMYK 3 / 0 / 48 / 75

HEX #3D3F21

RGB 61 63 33

HSL 64, 0.31%, 0.19%

LAB 25.73, -6.31, 18.08

 

CMYK 47 / 0 / 6 / 76

HEX #213E3A

RGB 33 62 58

HSL 171.72, 0.31%, 0.19%

LAB 23.91, -12.06, -0.97

 

CMYK 32 / 48 / 0 / 75

HEX #2B213F

RGB 43 33 63

HSL 260, 0.31%, 0.19%

LAB 15.28, 12.63, -17.47

 

CMYK 0 / 48 / 41 / 75

HEX #3F2125

RGB 63 33 37

HSL 352, 0.31%, 0.19%

LAB 16.88, 15, 3.61

 

CMYK 17 / 0 / 48 / 75

HEX #343F21

RGB 52 63 33

HSL 82, 0.31%, 0.19%

LAB 24.94, -10.61, 16.91

 

Description

Color code: RGB 33 62 58 | qconv.com Color code: RGB 33 62 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 62 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 62 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 6 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 6% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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