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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 229 72 it is the complementary color RGB 253 26 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 229 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 229 72 shade: RGB 7 229 67, RGB 24 247 86, RGB 41 255 105, RGB 58 255 124 and RGB 75 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 229 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 229 72 shade: RGB 2 229 72, RGB 0 211 53, RGB 0 193 34, RGB 0 175 15 and RGB 0 157 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 229 72 shade: RGB 2 227 71, RGB 2 227 10, RGB 54 227 2, RGB 114 227 2 and RGB 175 227 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 229 72 shade: RGB 2 227 71, RGB 2 227 132, RGB 2 227 192, RGB 2 200 227 and RGB 2 140 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 229 72 shade matches the following richer shades: RGB 2 227 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 229 72 shade: RGB 2 227 71, RGB 20 208 78, RGB 39 190 85, RGB 57 171 92 and RGB 76 152 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 229 72 shade: RGB 54 227 2, RGB 2 227 9, RGB 2 227 69, RGB 2 227 129 and RGB 2 227 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 229 72 shade: RGB 1 145 45, RGB 1 186 58, RGB 2 227 71, RGB 18 252 90 and RGB 58 253 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 229 72 shade: RGB 2 229 72, RGB 2 114 227 and RGB 227 2 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 229 72 shade: RGB 2 229 72, RGB 69 2 227 and RGB 227 69 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 229 72 shade: RGB 2 229 72, RGB 2 114 227, RGB 227 2 159 and RGB 227 114 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 229 72 shade: RGB 2 229 72, RGB 2 47 227, RGB 227 2 159 and RGB 227 182 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 69 / 10

HEX #02E548

RGB 2 229 72

HSL 138.5, 0.98%, 0.45%

LAB 79.91, -75.97, 60.93

 

Complementary color

CMYK 0 / 90 / 28 / 1

HEX #FD1AB7

RGB 253 26 183

HSL 318.5, 0.98%, 0.55%

LAB 57.11, 86.92, -25.12

 

CMYK 97 / 0 / 71 / 10

HEX #07E543

RGB 7 229 67

HSL 136.22, 0.94%, 0.46%

LAB 79.89, -76.25, 62.78

 

CMYK 90 / 0 / 65 / 3

HEX #18F756

RGB 24 247 86

HSL 136.68, 0.93%, 0.53%

LAB 85.7, -78.9, 61.75

 

CMYK 84 / 0 / 59 / 0

HEX #29FF69

RGB 41 255 105

HSL 137.94, 1%, 0.58%

LAB 88.45, -77.97, 56.99

 

CMYK 77 / 0 / 51 / 0

HEX #3AFF7C

RGB 58 255 124

HSL 140.1, 1%, 0.61%

LAB 88.86, -73.77, 49

 

CMYK 71 / 0 / 44 / 0

HEX #4BFF8F

RGB 75 255 143

HSL 142.67, 1%, 0.65%

LAB 89.39, -68.61, 40.7

 

CMYK 99 / 0 / 69 / 10

HEX #02E548

RGB 2 229 72

HSL 138.5, 0.98%, 0.45%

LAB 79.91, -75.97, 60.93

 

CMYK 100 / 0 / 75 / 17

HEX #00D335

RGB 0 211 53

HSL 135.07, 1%, 0.41%

LAB 74.09, -72.57, 61.76

 

CMYK 100 / 0 / 82 / 24

HEX #00C122

RGB 0 193 34

HSL 130.57, 1%, 0.38%

LAB 68.21, -68.79, 61.85

 

CMYK 100 / 0 / 91 / 31

HEX #00AF0F

RGB 0 175 15

HSL 125.14, 1%, 0.34%

LAB 62.25, -64.6, 60.69

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 99 / 0 / 69 / 11

HEX #02E347

RGB 2 227 71

HSL 138.4, 0.98%, 0.45%

LAB 79.27, -75.49, 60.64

 

CMYK 99 / 0 / 96 / 11

HEX #02E30A

RGB 2 227 10

HSL 122.13, 0.98%, 0.45%

LAB 79.03, -78.7, 75.3

 

CMYK 76 / 0 / 99 / 11

HEX #36E302

RGB 54 227 2

HSL 106.13, 0.98%, 0.45%

LAB 79.46, -74.84, 76.55

 

CMYK 50 / 0 / 99 / 11

HEX #72E302

RGB 114 227 2

HSL 90.13, 0.98%, 0.45%

LAB 81.03, -61.83, 78.46

 

CMYK 23 / 0 / 99 / 11

HEX #AFE302

RGB 175 227 2

HSL 73.87, 0.98%, 0.45%

LAB 84, -40.86, 82.05

 

CMYK 99 / 0 / 69 / 11

HEX #02E347

RGB 2 227 71

HSL 138.4, 0.98%, 0.45%

LAB 79.27, -75.49, 60.64

 

CMYK 99 / 0 / 42 / 11

HEX #02E384

RGB 2 227 132

HSL 154.67, 0.98%, 0.45%

LAB 79.96, -67.04, 33.76

 

CMYK 99 / 0 / 15 / 11

HEX #02E3C0

RGB 2 227 192

HSL 170.67, 0.98%, 0.45%

LAB 81.16, -53.67, 4.22

 

CMYK 99 / 12 / 0 / 11

HEX #02C8E3

RGB 2 200 227

HSL 187.2, 0.98%, 0.45%

LAB 74.1, -31.56, -25.04

 

CMYK 99 / 38 / 0 / 11

HEX #028CE3

RGB 2 140 227

HSL 203.2, 0.98%, 0.45%

LAB 56.4, 0.71, -52.69

 

CMYK 99 / 0 / 69 / 11

HEX #02E347

RGB 2 227 71

HSL 138.4, 0.98%, 0.45%

LAB 79.27, -75.49, 60.64

 

CMYK 99 / 0 / 69 / 11

HEX #02E347

RGB 2 227 71

HSL 138.4, 0.98%, 0.45%

LAB 79.27, -75.49, 60.64

 

CMYK 90 / 0 / 63 / 18

HEX #14D04E

RGB 20 208 78

HSL 138.51, 0.82%, 0.45%

LAB 73.42, -68.45, 51.41

 

CMYK 79 / 0 / 55 / 25

HEX #27BE55

RGB 39 190 85

HSL 138.28, 0.66%, 0.45%

LAB 67.96, -60.14, 41.89

 

CMYK 67 / 0 / 46 / 33

HEX #39AB5C

RGB 57 171 92

HSL 138.42, 0.5%, 0.45%

LAB 62.31, -49.45, 31.48

 

CMYK 50 / 0 / 34 / 40

HEX #4C9864

RGB 76 152 100

HSL 138.95, 0.33%, 0.45%

LAB 56.99, -35.64, 20.32

 

CMYK 76 / 0 / 99 / 11

HEX #36E302

RGB 54 227 2

HSL 106.13, 0.98%, 0.45%

LAB 79.46, -74.84, 76.55

 

CMYK 99 / 0 / 96 / 11

HEX #02E309

RGB 2 227 9

HSL 121.87, 0.98%, 0.45%

LAB 79.02, -78.71, 75.39

 

CMYK 99 / 0 / 70 / 11

HEX #02E345

RGB 2 227 69

HSL 137.87, 0.98%, 0.45%

LAB 79.26, -75.68, 61.38

 

CMYK 99 / 0 / 43 / 11

HEX #02E381

RGB 2 227 129

HSL 153.87, 0.98%, 0.45%

LAB 79.92, -67.58, 35.2

 

CMYK 99 / 0 / 17 / 11

HEX #02E3BD

RGB 2 227 189

HSL 169.87, 0.98%, 0.45%

LAB 81.09, -54.45, 5.7

 

CMYK 99 / 0 / 69 / 43

HEX #01912D

RGB 1 145 45

HSL 138.33, 0.99%, 0.29%

LAB 52.34, -53.8, 42.27

 

CMYK 99 / 0 / 69 / 27

HEX #01BA3A

RGB 1 186 58

HSL 138.49, 0.99%, 0.37%

LAB 66.08, -64.9, 51.66

 

CMYK 99 / 0 / 69 / 11

HEX #02E347

RGB 2 227 71

HSL 138.4, 0.98%, 0.45%

LAB 79.27, -75.49, 60.64

 

CMYK 93 / 0 / 64 / 1

HEX #12FC5A

RGB 18 252 90

HSL 138.46, 0.98%, 0.53%

LAB 87.24, -80.21, 61.83

 

CMYK 77 / 0 / 53 / 1

HEX #3AFD76

RGB 58 253 118

HSL 138.46, 0.98%, 0.61%

LAB 88.19, -73.96, 50.94

 

CMYK 99 / 0 / 69 / 10

HEX #02E548

RGB 2 229 72

HSL 138.5, 0.98%, 0.45%

LAB 79.91, -75.97, 60.93

 

CMYK 99 / 50 / 0 / 11

HEX #0272E3

RGB 2 114 227

HSL 210.13, 0.98%, 0.45%

LAB 49, 16.77, -64.58

 

CMYK 0 / 99 / 89 / 11

HEX #E30218

RGB 227 2 24

HSL 354.13, 0.98%, 0.45%

LAB 47.55, 73.44, 53.82

 

CMYK 99 / 0 / 69 / 10

HEX #02E548

RGB 2 229 72

HSL 138.5, 0.98%, 0.45%

LAB 79.91, -75.97, 60.93

 

CMYK 70 / 99 / 0 / 11

HEX #4502E3

RGB 69 2 227

HSL 257.87, 0.98%, 0.45%

LAB 31.47, 73.4, -93.3

 

CMYK 0 / 70 / 99 / 11

HEX #E34502

RGB 227 69 2

HSL 17.87, 0.98%, 0.45%

LAB 52.5, 59.04, 63.22

 

CMYK 99 / 0 / 69 / 10

HEX #02E548

RGB 2 229 72

HSL 138.5, 0.98%, 0.45%

LAB 79.91, -75.97, 60.93

 

CMYK 99 / 50 / 0 / 11

HEX #0272E3

RGB 2 114 227

HSL 210.13, 0.98%, 0.45%

LAB 49, 16.77, -64.58

 

CMYK 0 / 99 / 30 / 11

HEX #E3029F

RGB 227 2 159

HSL 318.13, 0.98%, 0.45%

LAB 50.54, 81.38, -21.54

 

CMYK 0 / 50 / 99 / 11

HEX #E37202

RGB 227 114 2

HSL 29.87, 0.98%, 0.45%

LAB 60.22, 38.85, 67.55

 

CMYK 99 / 0 / 69 / 10

HEX #02E548

RGB 2 229 72

HSL 138.5, 0.98%, 0.45%

LAB 79.91, -75.97, 60.93

 

CMYK 99 / 79 / 0 / 11

HEX #022FE3

RGB 2 47 227

HSL 228, 0.98%, 0.45%

LAB 33.12, 57.92, -90.64

 

CMYK 0 / 99 / 30 / 11

HEX #E3029F

RGB 227 2 159

HSL 318.13, 0.98%, 0.45%

LAB 50.54, 81.38, -21.54

 

CMYK 0 / 20 / 99 / 11

HEX #E3B602

RGB 227 182 2

HSL 48, 0.98%, 0.45%

LAB 75.94, 3.03, 77.96

 

Description

Color code: RGB 2 229 72 | qconv.com Color code: RGB 2 229 72 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 229 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 229 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 69 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 69% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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