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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 207 190 it is the complementary color RGB 253 48 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 207 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 207 190 shade: RGB 7 207 185, RGB 24 225 204, RGB 41 243 223, RGB 58 255 242 and RGB 75 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 207 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 207 190 shade: RGB 2 207 190, RGB 0 189 171, RGB 0 171 152, RGB 0 153 133 and RGB 0 135 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 207 190 shade: RGB 2 207 190, RGB 2 207 134, RGB 2 207 79, RGB 2 207 24 and RGB 35 207 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 207 190 shade: RGB 2 207 190, RGB 2 168 207, RGB 2 113 207, RGB 2 58 207 and RGB 2 2 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 207 190 shade matches the following richer shades: RGB 2 207 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 207 190 shade: RGB 2 207 190, RGB 19 190 175, RGB 35 173 161, RGB 52 156 147 and RGB 69 139 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 207 190 shade: RGB 2 207 80, RGB 2 207 135, RGB 2 207 189, RGB 2 169 207 and RGB 2 114 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 207 190 shade: RGB 1 125 115, RGB 1 166 152, RGB 2 207 190, RGB 2 247 227 and RGB 38 252 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 207 190 shade: RGB 2 207 190, RGB 25 2 207 and RGB 207 107 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 207 190 shade: RGB 2 207 190, RGB 189 2 207 and RGB 207 189 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 207 190 shade: RGB 2 207 190, RGB 25 2 207, RGB 207 2 19 and RGB 183 207 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 207 190 shade: RGB 2 207 190, RGB 87 2 207, RGB 207 2 19 and RGB 121 207 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

Complementary color

CMYK 0 / 81 / 74 / 1

HEX #FD3041

RGB 253 48 65

HSL 355.02, 0.98%, 0.59%

LAB 55.46, 74.38, 42.06

 

CMYK 97 / 0 / 11 / 19

HEX #07CFB9

RGB 7 207 185

HSL 173.4, 0.93%, 0.42%

LAB 74.93, -47.2, -1.09

 

CMYK 89 / 0 / 9 / 12

HEX #18E1CC

RGB 24 225 204

HSL 173.73, 0.81%, 0.49%

LAB 80.96, -48.95, -2.41

 

CMYK 83 / 0 / 8 / 5

HEX #29F3DF

RGB 41 243 223

HSL 174.06, 0.89%, 0.56%

LAB 86.95, -50.37, -3.62

 

CMYK 77 / 0 / 5 / 0

HEX #3AFFF2

RGB 58 255 242

HSL 176.04, 1%, 0.61%

LAB 91.16, -48.97, -7.29

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 100 / 0 / 10 / 26

HEX #00BDAB

RGB 0 189 171

HSL 174.29, 1%, 0.37%

LAB 68.99, -43.67, -2.18

 

CMYK 100 / 0 / 11 / 33

HEX #00AB98

RGB 0 171 152

HSL 173.33, 1%, 0.34%

LAB 62.84, -41.29, -0.68

 

CMYK 100 / 0 / 13 / 40

HEX #009985

RGB 0 153 133

HSL 172.16, 1%, 0.3%

LAB 56.56, -38.86, 0.88

 

CMYK 100 / 0 / 16 / 47

HEX #008772

RGB 0 135 114

HSL 170.67, 1%, 0.26%

LAB 50.15, -36.39, 2.52

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 99 / 0 / 35 / 19

HEX #02CF86

RGB 2 207 134

HSL 158.63, 0.98%, 0.41%

LAB 73.78, -59.76, 24.51

 

CMYK 99 / 0 / 62 / 19

HEX #02CF4F

RGB 2 207 79

HSL 142.54, 0.98%, 0.41%

LAB 73.03, -68.81, 50.5

 

CMYK 99 / 0 / 88 / 19

HEX #02CF18

RGB 2 207 24

HSL 126.44, 0.98%, 0.41%

LAB 72.7, -73, 68.1

 

CMYK 83 / 0 / 99 / 19

HEX #23CF02

RGB 35 207 2

HSL 110.34, 0.98%, 0.41%

LAB 72.88, -71.46, 71.16

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 99 / 19 / 0 / 19

HEX #02A8CF

RGB 2 168 207

HSL 191.41, 0.98%, 0.41%

LAB 63.77, -22.26, -29.97

 

CMYK 99 / 45 / 0 / 19

HEX #0271CF

RGB 2 113 207

HSL 207.51, 0.98%, 0.41%

LAB 47.4, 9.49, -55.81

 

CMYK 99 / 72 / 0 / 19

HEX #023ACF

RGB 2 58 207

HSL 223.61, 0.98%, 0.41%

LAB 33.01, 45.02, -79.29

 

CMYK 99 / 99 / 0 / 19

HEX #0202CF

RGB 2 2 207

HSL 240, 0.98%, 0.41%

LAB 25.45, 67.28, -91.88

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 90 / 0 / 8 / 25

HEX #13BEAF

RGB 19 190 175

HSL 174.74, 0.82%, 0.41%

LAB 69.51, -42.28, -3.6

 

CMYK 80 / 0 / 7 / 32

HEX #23ADA1

RGB 35 173 161

HSL 174.78, 0.66%, 0.41%

LAB 64.01, -37.56, -3.95

 

CMYK 67 / 0 / 6 / 39

HEX #349C93

RGB 52 156 147

HSL 174.81, 0.5%, 0.41%

LAB 58.61, -31.48, -3.99

 

CMYK 50 / 0 / 4 / 45

HEX #458B85

RGB 69 139 133

HSL 174.86, 0.34%, 0.41%

LAB 53.41, -23.56, -3.58

 

CMYK 99 / 0 / 61 / 19

HEX #02CF50

RGB 2 207 80

HSL 142.83, 0.98%, 0.41%

LAB 73.04, -68.69, 50.07

 

CMYK 99 / 0 / 35 / 19

HEX #02CF87

RGB 2 207 135

HSL 158.93, 0.98%, 0.41%

LAB 73.8, -59.55, 24.01

 

CMYK 99 / 0 / 9 / 19

HEX #02CFBD

RGB 2 207 189

HSL 174.73, 0.98%, 0.41%

LAB 75.02, -46.24, -3.12

 

CMYK 99 / 18 / 0 / 19

HEX #02A9CF

RGB 2 169 207

HSL 191.12, 0.98%, 0.41%

LAB 64.07, -22.77, -29.51

 

CMYK 99 / 45 / 0 / 19

HEX #0272CF

RGB 2 114 207

HSL 207.22, 0.98%, 0.41%

LAB 47.69, 8.86, -55.34

 

CMYK 99 / 0 / 8 / 51

HEX #017D73

RGB 1 125 115

HSL 175.16, 0.98%, 0.25%

LAB 46.86, -31.48, -2.88

 

CMYK 99 / 0 / 8 / 35

HEX #01A698

RGB 1 166 152

HSL 174.91, 0.99%, 0.33%

LAB 61.26, -39.05, -3

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 99 / 0 / 8 / 3

HEX #02F7E3

RGB 2 247 227

HSL 175.1, 0.98%, 0.49%

LAB 88.01, -52.5, -4.18

 

CMYK 85 / 0 / 7 / 1

HEX #26FCEB

RGB 38 252 235

HSL 175.23, 0.97%, 0.57%

LAB 89.87, -51.1, -5.58

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 88 / 99 / 0 / 19

HEX #1902CF

RGB 25 2 207

HSL 246.73, 0.98%, 0.41%

LAB 26.03, 67.48, -90.9

 

CMYK 0 / 48 / 99 / 19

HEX #CF6B02

RGB 207 107 2

HSL 30.73, 0.98%, 0.41%

LAB 55.87, 34.38, 63.41

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 9 / 99 / 0 / 19

HEX #BD02CF

RGB 189 2 207

HSL 294.73, 0.98%, 0.41%

LAB 46.13, 81, -57.11

 

CMYK 0 / 9 / 99 / 19

HEX #CFBD02

RGB 207 189 2

HSL 54.73, 0.98%, 0.41%

LAB 75.86, -9.35, 77.03

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 88 / 99 / 0 / 19

HEX #1902CF

RGB 25 2 207

HSL 246.73, 0.98%, 0.41%

LAB 26.03, 67.48, -90.9

 

CMYK 0 / 99 / 91 / 19

HEX #CF0213

RGB 207 2 19

HSL 355.02, 0.98%, 0.41%

LAB 43.29, 68.46, 51

 

CMYK 12 / 0 / 99 / 19

HEX #B7CF02

RGB 183 207 2

HSL 67.02, 0.98%, 0.41%

LAB 78.87, -28.52, 78.39

 

CMYK 99 / 0 / 8 / 19

HEX #02CFBE

RGB 2 207 190

HSL 175.02, 0.98%, 0.41%

LAB 75.05, -45.96, -3.62

 

CMYK 58 / 99 / 0 / 19

HEX #5702CF

RGB 87 2 207

HSL 264.88, 0.98%, 0.41%

LAB 30.82, 69.68, -82.79

 

CMYK 0 / 99 / 91 / 19

HEX #CF0213

RGB 207 2 19

HSL 355.02, 0.98%, 0.41%

LAB 43.29, 68.46, 51

 

CMYK 42 / 0 / 99 / 19

HEX #79CF02

RGB 121 207 2

HSL 85.17, 0.98%, 0.41%

LAB 75.26, -52.15, 74.06

 

Description

Color code: RGB 2 207 190 | qconv.com Color code: RGB 2 207 190 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 207 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 207 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 8 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 8% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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