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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 207 130 it is the complementary color RGB 253 48 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 207 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 207 130 shade: RGB 7 207 125, RGB 24 225 144, RGB 41 243 163, RGB 58 255 182 and RGB 75 255 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 207 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 207 130 shade: RGB 2 207 130, RGB 0 189 111, RGB 0 171 92, RGB 0 153 73 and RGB 0 135 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 207 130 shade: RGB 2 207 130, RGB 2 207 74, RGB 2 207 19, RGB 39 207 2 and RGB 95 207 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 207 130 shade: RGB 2 207 130, RGB 2 207 185, RGB 2 173 207, RGB 2 118 207 and RGB 2 62 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 207 130 shade matches the following richer shades: RGB 2 207 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 207 130 shade: RGB 2 207 130, RGB 19 190 125, RGB 35 173 121, RGB 52 156 117 and RGB 69 139 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 207 130 shade: RGB 2 207 19, RGB 2 207 73, RGB 2 207 128, RGB 2 207 183 and RGB 2 176 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 207 130 shade: RGB 1 125 78, RGB 1 166 104, RGB 2 207 130, RGB 2 247 155 and RGB 38 252 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 207 130 shade: RGB 2 207 130, RGB 2 39 207 and RGB 207 46 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 207 130 shade: RGB 2 207 130, RGB 128 2 207 and RGB 207 128 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 207 130 shade: RGB 2 207 130, RGB 2 39 207, RGB 207 2 80 and RGB 207 169 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 207 130 shade: RGB 2 207 130, RGB 25 2 207, RGB 207 2 80 and RGB 183 207 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

Complementary color

CMYK 0 / 81 / 51 / 1

HEX #FD307D

RGB 253 48 125

HSL 337.46, 0.98%, 0.59%

LAB 56.56, 77.7, 8.21

 

CMYK 97 / 0 / 40 / 19

HEX #07CF7D

RGB 7 207 125

HSL 155.4, 0.93%, 0.42%

LAB 73.64, -61.4, 29.01

 

CMYK 89 / 0 / 36 / 12

HEX #18E190

RGB 24 225 144

HSL 155.82, 0.81%, 0.49%

LAB 79.65, -63.22, 27.25

 

CMYK 83 / 0 / 33 / 5

HEX #29F3A3

RGB 41 243 163

HSL 156.24, 0.89%, 0.56%

LAB 85.61, -64.62, 25.63

 

CMYK 77 / 0 / 29 / 0

HEX #3AFFB6

RGB 58 255 182

HSL 157.77, 1%, 0.61%

LAB 89.76, -63.47, 21.67

 

CMYK 71 / 0 / 21 / 0

HEX #4BFFC9

RGB 75 255 201

HSL 162, 1%, 0.65%

LAB 90.43, -57.27, 12.9

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 100 / 0 / 41 / 26

HEX #00BD6F

RGB 0 189 111

HSL 155.24, 1%, 0.37%

LAB 67.68, -58.11, 28.41

 

CMYK 100 / 0 / 46 / 33

HEX #00AB5C

RGB 0 171 92

HSL 152.28, 1%, 0.34%

LAB 61.57, -55.45, 30.38

 

CMYK 100 / 0 / 52 / 40

HEX #009949

RGB 0 153 73

HSL 148.63, 1%, 0.3%

LAB 55.34, -52.61, 32.38

 

CMYK 100 / 0 / 60 / 47

HEX #008736

RGB 0 135 54

HSL 144, 1%, 0.26%

LAB 49, -49.53, 34.33

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 99 / 0 / 64 / 19

HEX #02CF4A

RGB 2 207 74

HSL 141.07, 0.98%, 0.41%

LAB 72.98, -69.38, 52.59

 

CMYK 99 / 0 / 91 / 19

HEX #02CF13

RGB 2 207 19

HSL 124.98, 0.98%, 0.41%

LAB 72.68, -73.16, 68.94

 

CMYK 81 / 0 / 99 / 19

HEX #27CF02

RGB 39 207 2

HSL 109.17, 0.98%, 0.41%

LAB 72.93, -71.03, 71.22

 

CMYK 54 / 0 / 99 / 19

HEX #5FCF02

RGB 95 207 2

HSL 92.78, 0.98%, 0.41%

LAB 74.23, -60.06, 72.8

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 99 / 0 / 11 / 19

HEX #02CFB9

RGB 2 207 185

HSL 173.56, 0.98%, 0.41%

LAB 74.91, -47.35, -1.12

 

CMYK 99 / 16 / 0 / 19

HEX #02ADCF

RGB 2 173 207

HSL 189.95, 0.98%, 0.41%

LAB 65.28, -24.82, -27.64

 

CMYK 99 / 43 / 0 / 19

HEX #0276CF

RGB 2 118 207

HSL 206.05, 0.98%, 0.41%

LAB 48.85, 6.34, -53.48

 

CMYK 99 / 70 / 0 / 19

HEX #023ECF

RGB 2 62 207

HSL 222.44, 0.98%, 0.41%

LAB 33.91, 42.57, -77.82

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 90 / 0 / 34 / 25

HEX #13BE7D

RGB 19 190 125

HSL 157.19, 0.82%, 0.41%

LAB 68.35, -54.8, 21.92

 

CMYK 80 / 0 / 30 / 32

HEX #23AD79

RGB 35 173 121

HSL 157.39, 0.66%, 0.41%

LAB 63.03, -47.85, 16.83

 

CMYK 67 / 0 / 25 / 39

HEX #349C75

RGB 52 156 117

HSL 157.5, 0.5%, 0.41%

LAB 57.84, -39.26, 11.87

 

CMYK 50 / 0 / 19 / 45

HEX #458B71

RGB 69 139 113

HSL 157.71, 0.34%, 0.41%

LAB 52.86, -28.64, 7.19

 

CMYK 99 / 0 / 91 / 19

HEX #02CF13

RGB 2 207 19

HSL 124.98, 0.98%, 0.41%

LAB 72.68, -73.16, 68.94

 

CMYK 99 / 0 / 65 / 19

HEX #02CF49

RGB 2 207 73

HSL 140.78, 0.98%, 0.41%

LAB 72.97, -69.49, 53

 

CMYK 99 / 0 / 38 / 19

HEX #02CF80

RGB 2 207 128

HSL 156.88, 0.98%, 0.41%

LAB 73.67, -60.98, 27.49

 

CMYK 99 / 0 / 12 / 19

HEX #02CFB7

RGB 2 207 183

HSL 172.98, 0.98%, 0.41%

LAB 74.86, -47.89, -0.12

 

CMYK 99 / 15 / 0 / 19

HEX #02B0CF

RGB 2 176 207

HSL 189.07, 0.98%, 0.41%

LAB 66.19, -26.34, -26.25

 

CMYK 99 / 0 / 38 / 51

HEX #017D4E

RGB 1 125 78

HSL 157.26, 0.98%, 0.25%

LAB 45.94, -41.46, 17.51

 

CMYK 99 / 0 / 37 / 35

HEX #01A668

RGB 1 166 104

HSL 157.45, 0.99%, 0.33%

LAB 60.14, -51.26, 22.11

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 99 / 0 / 37 / 3

HEX #02F79B

RGB 2 247 155

HSL 157.47, 0.98%, 0.49%

LAB 86.45, -69.43, 30.78

 

CMYK 85 / 0 / 32 / 1

HEX #26FCAC

RGB 38 252 172

HSL 157.57, 0.97%, 0.57%

LAB 88.45, -66.23, 24.92

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 99 / 81 / 0 / 19

HEX #0227CF

RGB 2 39 207

HSL 229.17, 0.98%, 0.41%

LAB 29.33, 55.52, -85.4

 

CMYK 0 / 78 / 99 / 19

HEX #CF2E02

RGB 207 46 2

HSL 12.88, 0.98%, 0.41%

LAB 45.94, 60.56, 57.93

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 38 / 99 / 0 / 19

HEX #8002CF

RGB 128 2 207

HSL 276.88, 0.98%, 0.41%

LAB 36.25, 73.11, -73.64

 

CMYK 0 / 38 / 99 / 19

HEX #CF8002

RGB 207 128 2

HSL 36.88, 0.98%, 0.41%

LAB 60.52, 23.21, 66.38

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 99 / 81 / 0 / 19

HEX #0227CF

RGB 2 39 207

HSL 229.17, 0.98%, 0.41%

LAB 29.33, 55.52, -85.4

 

CMYK 0 / 99 / 61 / 19

HEX #CF0250

RGB 207 2 80

HSL 337.17, 0.98%, 0.41%

LAB 44.07, 70.57, 16.98

 

CMYK 0 / 18 / 99 / 19

HEX #CFA902

RGB 207 169 2

HSL 48.88, 0.98%, 0.41%

LAB 70.63, 1.09, 73.28

 

CMYK 99 / 0 / 37 / 19

HEX #02CF82

RGB 2 207 130

HSL 157.46, 0.98%, 0.41%

LAB 73.71, -60.58, 26.5

 

CMYK 88 / 99 / 0 / 19

HEX #1902CF

RGB 25 2 207

HSL 246.73, 0.98%, 0.41%

LAB 26.03, 67.48, -90.9

 

CMYK 0 / 99 / 61 / 19

HEX #CF0250

RGB 207 2 80

HSL 337.17, 0.98%, 0.41%

LAB 44.07, 70.57, 16.98

 

CMYK 12 / 0 / 99 / 19

HEX #B7CF02

RGB 183 207 2

HSL 67.02, 0.98%, 0.41%

LAB 78.87, -28.52, 78.39

 

Description

Color code: RGB 2 207 130 | qconv.com Color code: RGB 2 207 130 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 207 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 207 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 37 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 37% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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