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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 202 79 it is the complementary color RGB 253 53 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 202 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 202 79 shade: RGB 7 202 74, RGB 24 220 93, RGB 41 238 112, RGB 58 255 131 and RGB 75 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 202 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 202 79 shade: RGB 2 202 79, RGB 0 184 60, RGB 0 166 41, RGB 0 148 22 and RGB 0 130 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 202 79 shade: RGB 2 201 79, RGB 2 201 25, RGB 32 201 2, RGB 86 201 2 and RGB 140 201 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 202 79 shade: RGB 2 201 79, RGB 2 201 132, RGB 2 201 186, RGB 2 163 201 and RGB 2 109 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 202 79 shade matches the following richer shades: RGB 2 201 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 202 79 shade: RGB 2 201 79, RGB 18 185 82, RGB 35 168 86, RGB 51 152 90 and RGB 68 135 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 202 79 shade: RGB 32 201 2, RGB 2 201 25, RGB 2 201 78, RGB 2 201 131 and RGB 2 201 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 202 79 shade: RGB 1 120 47, RGB 1 161 63, RGB 2 201 79, RGB 2 242 94 and RGB 33 252 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 202 79 shade: RGB 2 202 79, RGB 2 85 201 and RGB 201 2 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 202 79 shade: RGB 2 202 79, RGB 78 2 201 and RGB 201 78 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 202 79 shade: RGB 2 202 79, RGB 2 85 201, RGB 201 2 125 and RGB 201 118 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 202 79 shade: RGB 2 202 79, RGB 2 25 201, RGB 201 2 125 and RGB 201 178 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 61 / 21

HEX #02CA4F

RGB 2 202 79

HSL 143.1, 0.98%, 0.4%

LAB 71.43, -67.3, 48.67

 

Complementary color

CMYK 0 / 79 / 30 / 1

HEX #FD35B0

RGB 253 53 176

HSL 323.1, 0.98%, 0.6%

LAB 58.57, 81.18, -18.83

 

CMYK 97 / 0 / 63 / 21

HEX #07CA4A

RGB 7 202 74

HSL 140.62, 0.93%, 0.41%

LAB 71.41, -67.7, 50.84

 

CMYK 89 / 0 / 58 / 14

HEX #18DC5D

RGB 24 220 93

HSL 141.12, 0.8%, 0.48%

LAB 77.38, -70.04, 49.34

 

CMYK 83 / 0 / 53 / 7

HEX #29EE70

RGB 41 238 112

HSL 141.62, 0.85%, 0.55%

LAB 83.33, -71.79, 47.77

 

CMYK 77 / 0 / 49 / 0

HEX #3AFF83

RGB 58 255 131

HSL 142.23, 1%, 0.61%

LAB 88.95, -72.74, 45.83

 

CMYK 71 / 0 / 41 / 0

HEX #4BFF96

RGB 75 255 150

HSL 145, 1%, 0.65%

LAB 89.49, -67.44, 37.41

 

CMYK 99 / 0 / 61 / 21

HEX #02CA4F

RGB 2 202 79

HSL 143.1, 0.98%, 0.4%

LAB 71.43, -67.3, 48.67

 

CMYK 100 / 0 / 67 / 28

HEX #00B83C

RGB 0 184 60

HSL 139.57, 1%, 0.36%

LAB 65.44, -64.14, 50.16

 

CMYK 100 / 0 / 75 / 35

HEX #00A629

RGB 0 166 41

HSL 134.82, 1%, 0.33%

LAB 59.37, -60.59, 51.18

 

CMYK 100 / 0 / 85 / 42

HEX #009416

RGB 0 148 22

HSL 128.92, 1%, 0.29%

LAB 53.21, -56.63, 51.26

 

CMYK 100 / 0 / 98 / 49

HEX #008203

RGB 0 130 3

HSL 121.38, 1%, 0.25%

LAB 46.94, -52.17, 49.85

 

CMYK 99 / 0 / 61 / 21

HEX #02C94F

RGB 2 201 79

HSL 143.22, 0.98%, 0.4%

LAB 71.11, -66.99, 48.31

 

CMYK 99 / 0 / 88 / 21

HEX #02C919

RGB 2 201 25

HSL 126.93, 0.98%, 0.4%

LAB 70.77, -71.33, 66.23

 

CMYK 84 / 0 / 99 / 21

HEX #20C902

RGB 32 201 2

HSL 110.95, 0.98%, 0.4%

LAB 70.93, -70.08, 69.58

 

CMYK 57 / 0 / 99 / 21

HEX #56C902

RGB 86 201 2

HSL 94.67, 0.98%, 0.4%

LAB 72.07, -60.37, 70.96

 

CMYK 30 / 0 / 99 / 21

HEX #8CC902

RGB 140 201 2

HSL 78.39, 0.98%, 0.4%

LAB 74.42, -42.93, 73.81

 

CMYK 99 / 0 / 61 / 21

HEX #02C94F

RGB 2 201 79

HSL 143.22, 0.98%, 0.4%

LAB 71.11, -66.99, 48.31

 

CMYK 99 / 0 / 34 / 21

HEX #02C984

RGB 2 201 132

HSL 159.2, 0.98%, 0.4%

LAB 71.86, -58.02, 22.96

 

CMYK 99 / 0 / 7 / 21

HEX #02C9BA

RGB 2 201 186

HSL 175.48, 0.98%, 0.4%

LAB 73.11, -44.52, -4.32

 

CMYK 99 / 19 / 0 / 21

HEX #02A3C9

RGB 2 163 201

HSL 191.46, 0.98%, 0.4%

LAB 62.02, -21.74, -29.35

 

CMYK 99 / 46 / 0 / 21

HEX #026DC9

RGB 2 109 201

HSL 207.74, 0.98%, 0.4%

LAB 45.86, 9.64, -54.85

 

CMYK 99 / 0 / 61 / 21

HEX #02C94F

RGB 2 201 79

HSL 143.22, 0.98%, 0.4%

LAB 71.11, -66.99, 48.31

 

CMYK 99 / 0 / 61 / 21

HEX #02C94F

RGB 2 201 79

HSL 143.22, 0.98%, 0.4%

LAB 71.11, -66.99, 48.31

 

CMYK 90 / 0 / 56 / 27

HEX #12B952

RGB 18 185 82

HSL 142.99, 0.82%, 0.4%

LAB 66.09, -60.85, 41.03

 

CMYK 79 / 0 / 49 / 34

HEX #23A856

RGB 35 168 86

HSL 143.01, 0.66%, 0.4%

LAB 60.81, -52.87, 32.59

 

CMYK 66 / 0 / 41 / 40

HEX #33985A

RGB 51 152 90

HSL 143.17, 0.5%, 0.4%

LAB 55.99, -43.49, 24.32

 

CMYK 50 / 0 / 30 / 47

HEX #44875E

RGB 68 135 94

HSL 143.28, 0.33%, 0.4%

LAB 51.11, -31.21, 15.64

 

CMYK 84 / 0 / 99 / 21

HEX #20C902

RGB 32 201 2

HSL 110.95, 0.98%, 0.4%

LAB 70.93, -70.08, 69.58

 

CMYK 99 / 0 / 88 / 21

HEX #02C919

RGB 2 201 25

HSL 126.93, 0.98%, 0.4%

LAB 70.77, -71.33, 66.23

 

CMYK 99 / 0 / 61 / 21

HEX #02C94E

RGB 2 201 78

HSL 142.91, 0.98%, 0.4%

LAB 71.1, -67.12, 48.74

 

CMYK 99 / 0 / 35 / 21

HEX #02C983

RGB 2 201 131

HSL 158.89, 0.98%, 0.4%

LAB 71.84, -58.24, 23.46

 

CMYK 99 / 0 / 8 / 21

HEX #02C9B9

RGB 2 201 185

HSL 175.18, 0.98%, 0.4%

LAB 73.08, -44.8, -3.81

 

CMYK 99 / 0 / 61 / 53

HEX #01782F

RGB 1 120 47

HSL 143.19, 0.98%, 0.24%

LAB 43.72, -45.44, 31.63

 

CMYK 99 / 0 / 61 / 37

HEX #01A13F

RGB 1 161 63

HSL 143.25, 0.99%, 0.32%

LAB 57.9, -56.66, 40.38

 

CMYK 99 / 0 / 61 / 21

HEX #02C94F

RGB 2 201 79

HSL 143.22, 0.98%, 0.4%

LAB 71.11, -66.99, 48.31

 

CMYK 99 / 0 / 61 / 5

HEX #02F25E

RGB 2 242 94

HSL 143, 0.98%, 0.48%

LAB 84.13, -77.39, 56.68

 

CMYK 87 / 0 / 53 / 1

HEX #21FC76

RGB 33 252 118

HSL 143.29, 0.97%, 0.56%

LAB 87.61, -75.97, 50.17

 

CMYK 99 / 0 / 61 / 21

HEX #02CA4F

RGB 2 202 79

HSL 143.1, 0.98%, 0.4%

LAB 71.43, -67.3, 48.67

 

CMYK 99 / 58 / 0 / 21

HEX #0255C9

RGB 2 85 201

HSL 214.97, 0.98%, 0.4%

LAB 39.12, 25.33, -65.78

 

CMYK 0 / 99 / 98 / 21

HEX #C90205

RGB 201 2 5

HSL 359.1, 0.98%, 0.4%

LAB 41.96, 66.82, 54.46

 

CMYK 99 / 0 / 61 / 21

HEX #02CA4F

RGB 2 202 79

HSL 143.1, 0.98%, 0.4%

LAB 71.43, -67.3, 48.67

 

CMYK 61 / 99 / 0 / 21

HEX #4E02C9

RGB 78 2 201

HSL 262.91, 0.98%, 0.4%

LAB 29.11, 67.77, -82.15

 

CMYK 0 / 61 / 99 / 21

HEX #C94E02

RGB 201 78 2

HSL 22.91, 0.98%, 0.4%

LAB 49.34, 46.33, 59.08

 

CMYK 99 / 0 / 61 / 21

HEX #02CA4F

RGB 2 202 79

HSL 143.1, 0.98%, 0.4%

LAB 71.43, -67.3, 48.67

 

CMYK 99 / 58 / 0 / 21

HEX #0255C9

RGB 2 85 201

HSL 214.97, 0.98%, 0.4%

LAB 39.12, 25.33, -65.78

 

CMYK 0 / 99 / 38 / 21

HEX #C9027D

RGB 201 2 125

HSL 322.91, 0.98%, 0.4%

LAB 44.15, 72.68, -11.16

 

CMYK 0 / 41 / 99 / 21

HEX #C97602

RGB 201 118 2

HSL 34.97, 0.98%, 0.4%

LAB 57.44, 26.04, 63.99

 

CMYK 99 / 0 / 61 / 21

HEX #02CA4F

RGB 2 202 79

HSL 143.1, 0.98%, 0.4%

LAB 71.43, -67.3, 48.67

 

CMYK 99 / 88 / 0 / 21

HEX #0219C9

RGB 2 25 201

HSL 233.07, 0.98%, 0.4%

LAB 26.52, 59.76, -86.58

 

CMYK 0 / 99 / 38 / 21

HEX #C9027D

RGB 201 2 125

HSL 322.91, 0.98%, 0.4%

LAB 44.15, 72.68, -11.16

 

CMYK 0 / 11 / 99 / 21

HEX #C9B202

RGB 201 178 2

HSL 53.07, 0.98%, 0.4%

LAB 72.4, -6.3, 74.29

 

Description

Color code: RGB 2 202 79 | qconv.com Color code: RGB 2 202 79 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 202 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 202 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 61 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 61% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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