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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 201 28 it is the complementary color RGB 253 54 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 201 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 201 28 shade: RGB 7 201 23, RGB 24 219 42, RGB 41 237 61, RGB 58 255 80 and RGB 75 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 201 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 201 28 shade: RGB 2 201 28, RGB 0 183 9, RGB 0 165 0, RGB 0 147 0 and RGB 0 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 201 28 shade: RGB 2 201 28, RGB 29 201 2, RGB 83 201 2, RGB 137 201 2 and RGB 191 201 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 201 28 shade: RGB 2 201 28, RGB 2 201 82, RGB 2 201 135, RGB 2 201 189 and RGB 2 160 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 201 28 shade matches the following richer shades: RGB 2 201 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 201 28 shade: RGB 2 201 28, RGB 18 185 40, RGB 35 168 52, RGB 51 152 64 and RGB 68 135 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 201 28 shade: RGB 85 201 2, RGB 32 201 2, RGB 2 201 25, RGB 2 201 78 and RGB 2 201 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 201 28 shade: RGB 1 120 16, RGB 1 161 22, RGB 2 201 28, RGB 2 242 33 and RGB 33 252 62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 201 28 shade: RGB 2 201 28, RGB 2 138 201 and RGB 201 2 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 201 28 shade: RGB 2 201 28, RGB 25 2 201 and RGB 201 25 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 201 28 shade: RGB 2 201 28, RGB 2 138 201, RGB 201 2 178 and RGB 201 65 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 201 28 shade: RGB 2 201 28, RGB 2 78 201, RGB 201 2 178 and RGB 201 125 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

Complementary color

CMYK 0 / 79 / 10 / 1

HEX #FD36E3

RGB 253 54 227

HSL 307.84, 0.98%, 0.6%

LAB 60.84, 87.19, -44.42

 

CMYK 97 / 0 / 89 / 21

HEX #07C917

RGB 7 201 23

HSL 124.95, 0.93%, 0.41%

LAB 70.79, -71.2, 66.64

 

CMYK 89 / 0 / 81 / 14

HEX #18DB2A

RGB 24 219 42

HSL 125.54, 0.8%, 0.48%

LAB 76.69, -74.44, 67.63

 

CMYK 83 / 0 / 74 / 7

HEX #29ED3D

RGB 41 237 61

HSL 126.12, 0.84%, 0.55%

LAB 82.58, -76.93, 67.66

 

CMYK 77 / 0 / 69 / 0

HEX #3AFF50

RGB 58 255 80

HSL 126.7, 1%, 0.61%

LAB 88.45, -78.81, 67.1

 

CMYK 71 / 0 / 61 / 0

HEX #4BFF63

RGB 75 255 99

HSL 128, 1%, 0.65%

LAB 88.88, -74.56, 60.16

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 100 / 0 / 95 / 28

HEX #00B709

RGB 0 183 9

HSL 122.95, 1%, 0.36%

LAB 64.87, -66.97, 63.74

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 86 / 0 / 99 / 21

HEX #1DC902

RGB 29 201 2

HSL 111.86, 0.98%, 0.4%

LAB 70.9, -70.36, 69.54

 

CMYK 59 / 0 / 99 / 21

HEX #53C902

RGB 83 201 2

HSL 95.58, 0.98%, 0.4%

LAB 71.97, -61.13, 70.85

 

CMYK 32 / 0 / 99 / 21

HEX #89C902

RGB 137 201 2

HSL 79.3, 0.98%, 0.4%

LAB 74.25, -44.05, 73.61

 

CMYK 5 / 0 / 99 / 21

HEX #BFC902

RGB 191 201 2

HSL 63.02, 0.98%, 0.4%

LAB 77.79, -22.27, 77.85

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 99 / 0 / 59 / 21

HEX #02C952

RGB 2 201 82

HSL 144.12, 0.98%, 0.4%

LAB 71.14, -66.61, 46.99

 

CMYK 99 / 0 / 33 / 21

HEX #02C987

RGB 2 201 135

HSL 160.1, 0.98%, 0.4%

LAB 71.92, -57.38, 21.45

 

CMYK 99 / 0 / 6 / 21

HEX #02C9BD

RGB 2 201 189

HSL 176.38, 0.98%, 0.4%

LAB 73.19, -43.66, -5.82

 

CMYK 99 / 20 / 0 / 21

HEX #02A0C9

RGB 2 160 201

HSL 192.36, 0.98%, 0.4%

LAB 61.11, -20.16, -30.76

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 90 / 0 / 78 / 27

HEX #12B928

RGB 18 185 40

HSL 127.9, 0.82%, 0.4%

LAB 65.73, -65.26, 57.81

 

CMYK 79 / 0 / 69 / 34

HEX #23A834

RGB 35 168 52

HSL 127.67, 0.66%, 0.4%

LAB 60.44, -57.38, 48.15

 

CMYK 66 / 0 / 58 / 40

HEX #339840

RGB 51 152 64

HSL 127.72, 0.5%, 0.4%

LAB 55.61, -47.69, 37.4

 

CMYK 50 / 0 / 44 / 47

HEX #44874C

RGB 68 135 76

HSL 127.16, 0.33%, 0.4%

LAB 50.78, -34.58, 25.3

 

CMYK 58 / 0 / 99 / 21

HEX #55C902

RGB 85 201 2

HSL 94.97, 0.98%, 0.4%

LAB 72.03, -60.62, 70.92

 

CMYK 84 / 0 / 99 / 21

HEX #20C902

RGB 32 201 2

HSL 110.95, 0.98%, 0.4%

LAB 70.93, -70.08, 69.58

 

CMYK 99 / 0 / 88 / 21

HEX #02C919

RGB 2 201 25

HSL 126.93, 0.98%, 0.4%

LAB 70.77, -71.33, 66.23

 

CMYK 99 / 0 / 61 / 21

HEX #02C94E

RGB 2 201 78

HSL 142.91, 0.98%, 0.4%

LAB 71.1, -67.12, 48.74

 

CMYK 99 / 0 / 35 / 21

HEX #02C983

RGB 2 201 131

HSL 158.89, 0.98%, 0.4%

LAB 71.84, -58.24, 23.46

 

CMYK 99 / 0 / 87 / 53

HEX #017810

RGB 1 120 16

HSL 127.56, 0.98%, 0.24%

LAB 43.47, -48.55, 43.99

 

CMYK 99 / 0 / 86 / 37

HEX #01A116

RGB 1 161 22

HSL 127.88, 0.99%, 0.32%

LAB 57.61, -60.32, 55.24

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 99 / 0 / 86 / 5

HEX #02F221

RGB 2 242 33

HSL 127.75, 0.98%, 0.48%

LAB 83.77, -82.03, 76.05

 

CMYK 87 / 0 / 75 / 1

HEX #21FC3E

RGB 33 252 62

HSL 127.95, 0.97%, 0.56%

LAB 87.14, -81.78, 71.82

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 99 / 31 / 0 / 21

HEX #028AC9

RGB 2 138 201

HSL 198.99, 0.98%, 0.4%

LAB 54.46, -8.01, -41.16

 

CMYK 0 / 99 / 71 / 21

HEX #C9023A

RGB 201 2 58

HSL 343.12, 0.98%, 0.4%

LAB 42.41, 68.05, 28.35

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 88 / 99 / 0 / 21

HEX #1902C9

RGB 25 2 201

HSL 246.93, 0.98%, 0.4%

LAB 25.16, 65.99, -88.84

 

CMYK 0 / 88 / 99 / 21

HEX #C91902

RGB 201 25 2

HSL 6.93, 0.98%, 0.4%

LAB 42.94, 63.93, 55.9

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 99 / 31 / 0 / 21

HEX #028AC9

RGB 2 138 201

HSL 198.99, 0.98%, 0.4%

LAB 54.46, -8.01, -41.16

 

CMYK 0 / 99 / 11 / 21

HEX #C902B2

RGB 201 2 178

HSL 306.93, 0.98%, 0.4%

LAB 46.55, 78.77, -39.41

 

CMYK 0 / 68 / 99 / 21

HEX #C94102

RGB 201 65 2

HSL 18.99, 0.98%, 0.4%

LAB 47.24, 51.95, 57.94

 

CMYK 99 / 0 / 86 / 21

HEX #02C91C

RGB 2 201 28

HSL 127.84, 0.98%, 0.4%

LAB 70.78, -71.2, 65.62

 

CMYK 99 / 61 / 0 / 21

HEX #024EC9

RGB 2 78 201

HSL 217.09, 0.98%, 0.4%

LAB 37.26, 29.96, -68.82

 

CMYK 0 / 99 / 11 / 21

HEX #C902B2

RGB 201 2 178

HSL 306.93, 0.98%, 0.4%

LAB 46.55, 78.77, -39.41

 

CMYK 0 / 38 / 99 / 21

HEX #C97D02

RGB 201 125 2

HSL 37.09, 0.98%, 0.4%

LAB 59.06, 22.24, 65.04

 

Description

Color code: RGB 2 201 28 | qconv.com Color code: RGB 2 201 28 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 201 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 201 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 86 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 86% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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