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Color name
RGB 2 253 144

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 253 144 it is the complementary color RGB 253 2 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 253 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 253 144 shade: RGB 7 253 139, RGB 24 255 158, RGB 41 255 177, RGB 58 255 196 and RGB 75 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 253 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 253 144 shade: RGB 2 253 144, RGB 0 235 125, RGB 0 217 106, RGB 0 199 87 and RGB 0 181 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 253 144 shade: RGB 2 252 143, RGB 2 252 76, RGB 2 252 9, RGB 63 252 2 and RGB 130 252 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 253 144 shade: RGB 2 252 143, RGB 2 252 211, RGB 2 226 252, RGB 2 158 252 and RGB 2 91 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 253 144 shade matches the following richer shades: RGB 2 252 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 253 144 shade: RGB 2 252 143, RGB 23 231 141, RGB 43 211 138, RGB 64 190 135 and RGB 85 169 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 253 144 shade: RGB 2 252 6, RGB 2 252 73, RGB 2 252 139, RGB 2 252 206 and RGB 2 231 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 253 144 shade: RGB 1 170 97, RGB 2 211 120, RGB 2 252 143, RGB 43 252 161 and RGB 84 253 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 253 144 shade: RGB 2 253 144, RGB 2 65 252 and RGB 252 40 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 253 144 shade: RGB 2 253 144, RGB 139 2 252 and RGB 252 139 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 253 144 shade: RGB 2 253 144, RGB 2 65 252, RGB 252 2 115 and RGB 252 189 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 253 144 shade: RGB 2 253 144, RGB 15 2 252, RGB 252 2 115 and RGB 239 252 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 43 / 1

HEX #02FD90

RGB 2 253 144

HSL 153.94, 0.98%, 0.5%

LAB 88.1, -73.45, 38.41

 

Complementary color

CMYK 0 / 99 / 56 / 1

HEX #FD026F

RGB 253 2 111

HSL 333.94, 0.98%, 0.5%

LAB 54.11, 82.84, 13.15

 

CMYK 97 / 0 / 45 / 1

HEX #07FD8B

RGB 7 253 139

HSL 152.2, 0.98%, 0.51%

LAB 88.05, -74.17, 40.77

 

CMYK 91 / 0 / 38 / 0

HEX #18FF9E

RGB 24 255 158

HSL 154.81, 1%, 0.55%

LAB 89.01, -70.86, 32.7

 

CMYK 84 / 0 / 31 / 0

HEX #29FFB1

RGB 41 255 177

HSL 158.13, 1%, 0.58%

LAB 89.47, -66.04, 23.78

 

CMYK 77 / 0 / 23 / 0

HEX #3AFFC4

RGB 58 255 196

HSL 162.03, 1%, 0.61%

LAB 90.05, -60.4, 14.9

 

CMYK 71 / 0 / 16 / 0

HEX #4BFFD7

RGB 75 255 215

HSL 166.67, 1%, 0.65%

LAB 90.74, -54, 6.13

 

CMYK 99 / 0 / 43 / 1

HEX #02FD90

RGB 2 253 144

HSL 153.94, 0.98%, 0.5%

LAB 88.1, -73.45, 38.41

 

CMYK 100 / 0 / 47 / 8

HEX #00EB7D

RGB 0 235 125

HSL 151.91, 1%, 0.46%

LAB 82.32, -70.94, 40.26

 

CMYK 100 / 0 / 51 / 15

HEX #00D96A

RGB 0 217 106

HSL 149.31, 1%, 0.43%

LAB 76.48, -68.25, 42.14

 

CMYK 100 / 0 / 56 / 22

HEX #00C757

RGB 0 199 87

HSL 146.23, 1%, 0.39%

LAB 70.55, -65.39, 43.98

 

CMYK 100 / 0 / 62 / 29

HEX #00B544

RGB 0 181 68

HSL 142.54, 1%, 0.35%

LAB 64.54, -62.32, 45.7

 

CMYK 99 / 0 / 43 / 1

HEX #02FC8F

RGB 2 252 143

HSL 153.84, 0.98%, 0.5%

LAB 87.78, -73.3, 38.48

 

CMYK 99 / 0 / 70 / 1

HEX #02FC4C

RGB 2 252 76

HSL 137.76, 0.98%, 0.5%

LAB 87.07, -82.05, 66.99

 

CMYK 99 / 0 / 96 / 1

HEX #02FC09

RGB 2 252 9

HSL 121.68, 0.98%, 0.5%

LAB 86.83, -85.23, 81.76

 

CMYK 75 / 0 / 99 / 1

HEX #3FFC02

RGB 63 252 2

HSL 105.36, 0.98%, 0.5%

LAB 87.33, -80.73, 82.92

 

CMYK 48 / 0 / 99 / 1

HEX #82FC02

RGB 130 252 2

HSL 89.28, 0.98%, 0.5%

LAB 89.1, -66.14, 85.07

 

CMYK 99 / 0 / 43 / 1

HEX #02FC8F

RGB 2 252 143

HSL 153.84, 0.98%, 0.5%

LAB 87.78, -73.3, 38.48

 

CMYK 99 / 0 / 16 / 1

HEX #02FCD3

RGB 2 252 211

HSL 170.16, 0.98%, 0.5%

LAB 89.08, -58.69, 5.71

 

CMYK 99 / 10 / 0 / 1

HEX #02E2FC

RGB 2 226 252

HSL 186.24, 0.98%, 0.5%

LAB 82.61, -35.95, -25.41

 

CMYK 99 / 37 / 0 / 1

HEX #029EFC

RGB 2 158 252

HSL 202.56, 0.98%, 0.5%

LAB 62.92, -0.43, -56.1

 

CMYK 99 / 64 / 0 / 1

HEX #025BFC

RGB 2 91 252

HSL 218.64, 0.98%, 0.5%

LAB 44.97, 41.06, -85.16

 

CMYK 99 / 0 / 43 / 1

HEX #02FC8F

RGB 2 252 143

HSL 153.84, 0.98%, 0.5%

LAB 87.78, -73.3, 38.48

 

CMYK 99 / 0 / 43 / 1

HEX #02FC8F

RGB 2 252 143

HSL 153.84, 0.98%, 0.5%

LAB 87.78, -73.3, 38.48

 

CMYK 90 / 0 / 39 / 9

HEX #17E78D

RGB 23 231 141

HSL 154.04, 0.82%, 0.5%

LAB 81.43, -65.95, 31.17

 

CMYK 80 / 0 / 35 / 17

HEX #2BD38A

RGB 43 211 138

HSL 153.93, 0.66%, 0.5%

LAB 75.41, -57.88, 24.68

 

CMYK 66 / 0 / 29 / 25

HEX #40BE87

RGB 64 190 135

HSL 153.81, 0.5%, 0.5%

LAB 69.23, -47.44, 17.88

 

CMYK 50 / 0 / 21 / 34

HEX #55A985

RGB 85 169 133

HSL 154.29, 0.33%, 0.5%

LAB 63.34, -34.22, 10.84

 

CMYK 99 / 0 / 98 / 1

HEX #02FC06

RGB 2 252 6

HSL 120.96, 0.98%, 0.5%

LAB 86.82, -85.27, 81.99

 

CMYK 99 / 0 / 71 / 1

HEX #02FC49

RGB 2 252 73

HSL 137.04, 0.98%, 0.5%

LAB 87.05, -82.3, 68.04

 

CMYK 99 / 0 / 45 / 1

HEX #02FC8B

RGB 2 252 139

HSL 152.88, 0.98%, 0.5%

LAB 87.73, -73.98, 40.36

 

CMYK 99 / 0 / 18 / 1

HEX #02FCCE

RGB 2 252 206

HSL 168.96, 0.98%, 0.5%

LAB 88.96, -59.94, 8.14

 

CMYK 99 / 8 / 0 / 1

HEX #02E7FC

RGB 2 231 252

HSL 185.04, 0.98%, 0.5%

LAB 84.07, -38.27, -23.2

 

CMYK 99 / 0 / 43 / 33

HEX #01AA61

RGB 1 170 97

HSL 154.08, 0.99%, 0.34%

LAB 61.32, -54.12, 27.44

 

CMYK 99 / 0 / 43 / 17

HEX #02D378

RGB 2 211 120

HSL 153.88, 0.98%, 0.42%

LAB 74.8, -63.87, 33.08

 

CMYK 99 / 0 / 43 / 1

HEX #02FC8F

RGB 2 252 143

HSL 153.84, 0.98%, 0.5%

LAB 87.78, -73.3, 38.48

 

CMYK 83 / 0 / 36 / 1

HEX #2BFCA1

RGB 43 252 161

HSL 153.88, 0.97%, 0.58%

LAB 88.31, -68.04, 30.29

 

CMYK 67 / 0 / 29 / 1

HEX #54FDB3

RGB 84 253 179

HSL 153.73, 0.98%, 0.66%

LAB 89.58, -59.91, 23.01

 

CMYK 99 / 0 / 43 / 1

HEX #02FD90

RGB 2 253 144

HSL 153.94, 0.98%, 0.5%

LAB 88.1, -73.45, 38.41

 

CMYK 99 / 74 / 0 / 1

HEX #0241FC

RGB 2 65 252

HSL 224.88, 0.98%, 0.5%

LAB 39.28, 56.56, -94.56

 

CMYK 0 / 84 / 99 / 1

HEX #FC2802

RGB 252 40 2

HSL 9.12, 0.98%, 0.5%

LAB 54.26, 74.7, 66.75

 

CMYK 99 / 0 / 43 / 1

HEX #02FD90

RGB 2 253 144

HSL 153.94, 0.98%, 0.5%

LAB 88.1, -73.45, 38.41

 

CMYK 45 / 99 / 0 / 1

HEX #8B02FC

RGB 139 2 252

HSL 272.88, 0.98%, 0.5%

LAB 42.09, 83.24, -89.62

 

CMYK 0 / 45 / 99 / 1

HEX #FC8B02

RGB 252 139 2

HSL 32.88, 0.98%, 0.5%

LAB 68.87, 36.15, 74.64

 

CMYK 99 / 0 / 43 / 1

HEX #02FD90

RGB 2 253 144

HSL 153.94, 0.98%, 0.5%

LAB 88.1, -73.45, 38.41

 

CMYK 99 / 74 / 0 / 1

HEX #0241FC

RGB 2 65 252

HSL 224.88, 0.98%, 0.5%

LAB 39.28, 56.56, -94.56

 

CMYK 0 / 99 / 54 / 1

HEX #FC0273

RGB 252 2 115

HSL 332.88, 0.98%, 0.5%

LAB 54, 82.88, 10.56

 

CMYK 0 / 25 / 99 / 1

HEX #FCBD02

RGB 252 189 2

HSL 44.88, 0.98%, 0.5%

LAB 80.23, 10.16, 82.14

 

CMYK 99 / 0 / 43 / 1

HEX #02FD90

RGB 2 253 144

HSL 153.94, 0.98%, 0.5%

LAB 88.1, -73.45, 38.41

 

CMYK 94 / 99 / 0 / 1

HEX #0F02FC

RGB 15 2 252

HSL 243.12, 0.98%, 0.5%

LAB 32.2, 78.26, -106.35

 

CMYK 0 / 99 / 54 / 1

HEX #FC0273

RGB 252 2 115

HSL 332.88, 0.98%, 0.5%

LAB 54, 82.88, 10.56

 

CMYK 5 / 0 / 99 / 1

HEX #EFFC02

RGB 239 252 2

HSL 63.12, 0.98%, 0.5%

LAB 95.15, -26.67, 92.34

 

Description

Color code: RGB 2 253 144 | qconv.com Color code: RGB 2 253 144 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 253 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 253 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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